Release Date: October 4th, 2014 (New York Film Festival) Directed by: Paul Thomas Anderson Written by: Paul Thomas Anderson Based on:Inherent Vice by Thomas Pynchon Music by: Jonny Greenwood Cast: Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio del Toro, Jena Malone, Maya Rudolph, Martin Short, Joanna Newsom, Hong Chau, Eric Roberts
Ghoulardi Film Company, Warner Bros., IAC Films, 148 Minutes
“Well, it’s dark and lonely work, but somebody’s gotta do it, right?” – Petunia Leeway
I had really high hopes for this film.
It’s directed by Paul Thomas Anderson, who everyone, even their pets, loves. It stars Joaquin Phoenix, Josh Brolin and a superb supporting cast. And, well, it’s a neo-noir set in the early ’70s that looked damn cool from the trailers.
Sadly, this was duller than an unsharpened pencil.
I kind of hate that I didn’t dig this but it was really hard for me not to nod off through almost every really long, drawn out scene. Frankly, the film didn’t even need to be two hours, let alone 148 minutes.
Visually, the film is stunning. Every scene and every shot looks pristine and perfect. But that’s not enough to carry a movie. I can see cinematography of the highest caliber in television commercials and music videos.
The thing is, the narrative needs to be as exciting as the visual allure. It needs to capture you, hold on and at least try to leave you breathless until the final frame.
I watched this movie and was so disinterested in it that I couldn’t remember what the film was about, where it needed to go or why Phoenix was investigating things. I felt like my mind was as numb and disoriented as the majority of the characters in the picture.
If you like movies solely for visuals and great soundtracks, than this may be your bag.
It wasn’t mine though.
Rating: 5/10 Pairs well with: mind numbing drugs and a case of cheap whiskey while watching a Hypercolor t-shirt cook in the microwave.
Release Date: March 1st, 2015 – May 6th, 2018 (original run) Directed by: various Written by: Will Forte, various Music by: Mark Mothersbaugh Cast: Will Forte, Kristen Schaal, January Jones, Mel Rodriguez, Cleopatra Coleman, Mary Steenburgen, Jason Sudeikis, Boris Kodjoe, Mark Boone Junior, Kenneth Choi, Kristen Wiig, Keith L. Williams, Chris Elliott, Fred Armisen, Will Ferrell (cameo), Alexandra Daddario (cameo), Jon Hamm (cameo), Laura Dern (cameo), Jack Black (cameo), Martin Short (cameo)
The Si Fi Company, Lord Miller Productions, 20th Television, Fox, 67 Episodes, 22 Minutes (per episode)
“Oh, farts.” – Phil Tandy Miller
*Written in 2015.
Now that the first season is over, I can give a proper review to Fox’s The Last Man On Earth.
In short, I really like this show.
Will Forte is great as the lead character Phil Miller. Kristen Schaal is fantastic as the fairly neurotic yet very lovable Carol Pilbasian. Add in January Jones, Mel Rodriguez and as the show progresses further, Mary Steenburgen, Cleopatra Coleman and Boris Kodjoe, and you’ve got a pretty diverse and enjoyable cast.
The show starts with Phil traveling the country in search of other human beings. He paints “Alive In Tucson” on billboards throughout the United States and as the show progresses, characters start to show up every few episodes.
Due to the title, I was wondering how Fox would make an ongoing show out of a single character but I’m glad it has expanded. While it isn’t a post-apocalyptic world per se, it has similar themes as The Walking Dead. Sure, there aren’t zombies and the feeling of danger around every corner but it shows human beings trying to govern themselves and reestablish their place in the world.
Forte’s Phil Miller is mostly unlikable but there is a quality to him that has you siding with him and pulling for him, even though his dastardly deeds cause him to continually lose favor with other members of his tiny community despite the fact that he is the reason everyone has come to Tucson. Miller’s faults are easy to understand and relate to and even though he gives into them, he ultimately just wants to find his place and has a need to feel useful and loved – understandable for someone who was alone in the world without human contact for so long.
The show is entertaining, the cast is amazing and without spoiling anything, it looks like the show isn’t afraid to reinvent itself along the way. Based off of some things that happened in the finale, it will be interesting to see how things pan out in season two.
Rating: 8.5/10 Pairs well with: Well, it’s pretty unique. If you have any ideas, post them in the comments.
Release Date: December 12th, 1996 (Hollywood premiere) Directed by: Tim Burton Written by: Jonathan Gems Based on:Mars Attacks by Topps Music by: Danny Elfman Cast: Jack Nicholson, Glenn Close, Annette Bening, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Michael J. Fox, Rod Steiger, Tom Jones, Lukas Haas, Natalie Portman, Jim Brown, Lisa Marie, Sylvia Sidney, Jack Black, Christina Applegate, Pam Grier, Paul Winfield, Joe Don Baker, O-Lan Jones, Ray J, Joseph Maher, Frank Welker (voice)
Tim Burton Productions, Warner Bros., 107 Minutes
“They blew up Congress! Ha ha ha ha!” – Grandma Florence Norris
While this isn’t one of Tim Burton’s most popular films, it is one of my favorites and I feel like it missed its mark because it’s not the type of film that would resonate with most people.
Mars Attacks! came out in late 1996, not too long after Independence Day ruled American culture that same summer. Maybe people were confused that this was a ripoff of it or that one big alien invasion movie was enough to digest but either way, I don’t think people realized that this was vastly different and sort of a parody of the genre while also being an incredible live action adaptation of the Mars Attacks trading cards that Topps put out in the 1960s. It’s like those who were kids in the ’60s no longer cared and the teens of the ’90s didn’t know the reference.
Still, this is a hilarious romp starring dozens of top notch celebrities where not a single one of them is actually safe. I mean, these Martians murder Congress, the President and even try to crush a troop of Cub Scouts with the Washington Monument. They are sick, sadistic and really, just friggin’ awesome. They are also voiced by Frank Welker, the guy who gave life to Megatron from the original and still greatest Transformers cartoon.
By the star power that this movie has, it’s clear that Hollywood got the joke and appreciated it even if audiences didn’t flock to see this. Still, it wasn’t a massive failure, by any means. It did fairly well but not as well as what Warner Bros. was probably hoping for with Tim Burton being a mega earner for the studio. While it took some time, the film did earn back the $100 million that was put into it. It was considered a box office bomb in the United States but it fared much better internationally.
This is one of the most hysterical films of the ’90s put out by a major studio. The humor is perfect, the tone is great and it pokes fun at so many different facets of Americana that it almost feels like it was written by Trey Parker and Matt Stone.
The special effects look dated but they looked sort of cheesy in the mid ’90s. The film was supposed to have a hokey, old school vibe to it though. Really, the effects are great and they work for what this picture is. It’s not Independence Day and didn’t need to take itself as seriously in the visual effects department.
From a stylistic standpoint, the film really has a timeless feel to it. It merges modern style with ’50s and ’60s style in a seamless way that gives this film a magical quality.
Additionally, this picture boasts one of my favorite Danny Elfman scores of all-time. The theme is powerful and perfect and really fits that old school Elfman sound. Frankly, watching this film makes me appreciate and miss the quality of Burton and Elfman’s old school collaborations.
What really resonates with me is how this film balances comedy with how dark it actually is. It’s an absurd picture in the best way possible and shows that Tim Burton really has a dark sense of humor. Well, Beetlejuice was really effective in showing that aspect of Burton as well.
Mars Attacks! was underappreciated when it came out in 1996. It is still underappreciated today, as people that like to list out their favorite Tim Burton films always have this near the bottom of the list. Like I said, it isn’t for everyone but Burton fans, who understand Burton’s influences, should really love this picture.
Rating: 8.25/10 Pairs well with: Tim Burton’s Ed Wood, Joe Dante’s Matinee and alien invasion B-movies of the ’50s.