Final Fight is a pretty badass side scrolling beat’em up game from the era where I spent a lot of time in arcades. The era that was probably the peak, as far as arcade games were concerned but then arcades started to fizzle out not too long after.
This game exists in the same universe as the Street Fighter series and a lot of the characters from Final Fight would appear in Street Fighter-related games over the years.
With that, this is an incredibly well-crafted, fluid, fun, smack a bitch kinda game.
Final Fight is just a blast to play and it’s aged really well and is definitely one of the best games of its type. While I enjoy Double Dragon a bit more, Final Fight beats out the vast majority of its competition from the same era.
The characters all look cool as hell, the levels are neat and the overall playing time and pacing of the game is damn near perfect.
This would go on to spawn sequels and to see its characters used, again and again, in other Capcom games from the early ’90s till current day.
Rating: 8.25/10 Pairs well with: other Final Fight games, as well as similar side scrolling beat’em ups like the Double Dragon series, the Streets of Rage series, Crime Fighters, etc.
I’ve played through and beat the original Nintendo port of this game at least a dozen or so times in the last three decades. However, I haven’t actually played through the superior, smoother arcade version since the late ’80s.
There was actually a Bad Dudes arcade cabinet in a convenient store right next to my cousin’s house when we were kids. We dropped a fuck ton of quarters in that machine.
It’s a game that was just too f’n cool for words when I was a kid. Ninjas were awesome! And here, you play as one of two buff Jean-Claude Van Damme looking dudes and smash color coded ninjas by the dozens.
You also got to do it in greatly designed levels where each had a unique look and vibe about them. The moving semi truck and freight train levels just added an extra dose of badassness to the already badass proceedings.
The arcade version is also the best version. It plays smoother, has better graphics, better sound and just exists on a higher level than the NES version, which was watered down by the limitations of the console.
Bad Dudes is, hands down, one of my all-time favorite beat’em up side scrollers of all-time. Revisiting this version of it just solidified that even more.
Rating: 9/10 Pairs well with: other ’80s beat’em up games like Double Dragon and its sequels, Renegade, Crime Fighters, Final Fight, River City Ransom, Streets of Rage and its sequels, etc.
Shinobi was a really cool game when it was released in 1987. Ninjas were at their all-time height of coolness and chucking dozens of stars at gutter punks and gangsters was definitely worth a quarter or seventeen.
I never got very far in the game, though. However, now playing through the thing, I know that I used to get about halfway through it before running out of money or giving up in frustration.
The game has pretty good graphics for the time and the gameplay is really smooth. None of the ports of this game did it any justice on home consoles, honestly. However, the console ports did give you a health bar instead of dying on a single hit.
And that’s my only real gripe about the arcade game, as it’s really hard to get through with one-hit deaths. Furthermore, you get knocked back to a checkpoint upon death, which is how not to do side scrolling beat’em up style games.
I guess I could also point out that the game is fairly short, if you can play through it without getting shellacked. I think that the average person will still get a solid half hour out of it, though, as long as they’re not some superstar that can blaze through it like an actual ninja.
Rating: 6.5/10 Pairs well with: other games under the Shinobi brand, as well as the Ninja Gaiden games.
Ninja Gaiden is a franchise that is most known for the trilogy of games that were released on the original Nintendo Entertainment System. In fact, I already reviewed those three games and they are the Ninja Gaiden games I am most familiar with and have spent the most time being frustrated over.
This version of Ninja Gaiden has similarities to the first NES game but it is a different beast altogether. This, being an arcade game, plays much more like what’s typical for that style.
Additionally, the graphics and sound are much better, as is the general mechanics and controls.
Instead of being a simple side scroller where one slash of your sword kills common enemies dead, this plays more like a beat’em up in the same vein as Double Dragon, Final Fight or Streets of Rage.
It’s a pretty well crafted game, I like the platforming in it and the fighting is pretty straightforward. The boss battles also aren’t anywhere near as difficult as they were in the NES games.
However, I do have one gripe and that’s the same gripe I have with several games in this style.
When you die, you go back to a checkpoint, as opposed to respawning on the screen like the better beat’em ups of the era. I always preferred this and I think other players did as well, which is why games like Double Dragon, Teenage Mutant Ninja Turtles and Final Fight soaked up quarters and this just never got as popular in arcades.
Kids wanted to always feel like they were progressing. Knocking them backwards, again and again, in a tough area just makes them want to play something else they feel like they can beat.
Rating: 6.5/10 Pairs well with: the other Ninja Gaiden games for the arcade, Nintendo and later consoles.
Release Date: April 8th, 2004 (Los Angeles premiere) Directed by: Quentin Tarantino Written by: Quentin Tarantino Music by: RZA, Robert Rodriguez Cast: Uma Thurman, Lucy Liu, Vivica A. Fox, Michael Madsen, Daryl Hannah, David Carradine, Julie Dreyfus, Gordon Liu, Michael Parks, James Parks, Bo Svenson, Samuel L. Jackson, Larry Bishop, Sid Haig, Sonny Chiba
Super Cool ManChu, A Band Apart, Miramax, 137 Minutes
“Bitch, you don’t have a future.” – The Bride
I dropped my review of Kill Bill: Vol. 1 a week ago but I watched them back-to-back and reviewed them that way, as well. But I like to save my last review on Fridays for bigger, well-known films, so that’s why this one dropped out of sequence.
I wanted to watch these back-to-back primarily to get the full effect of the story. I’ve done that before but it’s been a really long time since I’ve watched these and I wanted to really make a day out of it due to how much I loved them when they were still fairly current films.
As I said at the end of my review for the previous film, it was a near masterpiece but it was also outdone by this movie.
I think the main reason for that, is that this one switches to more of a spaghetti western style than the Yakuza revenge flick the previous movie was. Martial arts are still alive and well in this picture, though, and it gives this a really unique feel. Also, despite the tonal differences in the films, the martial arts aspects still tie them together well and in some regards, this reminds me of the Kung-Fu television series, which oddly enough, also featured David Carradine, this film series’ primary antagonist.
I liked the spaghetti western feel because, well, I’m a big fan of that style. This was also Tarantino’s first attempt at delving into a western aesthetic and he did a tremendous job with it. Sure, this is more of a neo-western, as it is set in modern times but it kind of laid a solid foundation for him to build his skills off of in the genre. Without this, he may not have done Django Unchained or The Hateful Eight. Granted, in my opinion, this film is still superior to both of those.
Another thing that makes this the better half of the series, is that it is the culmination of everything that The Bride has set out to achieve. It’s the finale, the big final fight. But this also doesn’t give you a grand final battle. Instead, it subverts expectations in a beautiful and much more meaningful way. Unlike most modern filmmakers who like to take giant shits on well-established franchises like that never-been-laid fucknut Rian Johnson and that fart sommelier J. J. Abrams.
Anyway, the climax of the film is incredible and it has probably the best acting I’ve ever seen from David Carradine, as well as Uma Thurman. You believe that they have a lot of love between them, as well as a lot of anger and it’s fucking heartbreaking to watch, regardless of how many times you’ve seen it. Adding in the fact that there’s a young child placed between them makes the final showdown emotionally tragic but more complex and serious than it otherwise would’ve been. At this point, this moves beyond just being a simple revenge story, as the hope for a real life emerges at the end of The Bride’s violent journey.
Apart from the finale, the film also subverts expectations well in how Bud dies. He’s someone else on The Bride’s hitlist but he gets the best of The Bride and actually defeats her, quite easily. He underestimates her drive, though, and she goes right back on the hunt while he feels he’s safe from her wrath. However, by the time The Bride reaches him again, there’s a pretty big twist, which pits her against Elle, the second to last name on her list.
The fight between The Bride and Elle in Bud’s mobile home is damn good and it utilizes the cramped environment exceptionally well.
In the end, this is just a great fucking motion picture and one of Tarantino’s best, hands down. It’s my favorite and even though it’s not as talked about, these days, as his other movies, it’s still the best of the lot from where I stand.
Rating: 9.5/10 Pairs well with: the other Kill Bill films, as well as other movies by Quentin Tarantino, as well as the many films this homages.
Release Date: September 29th, 2003 (Hollywood premiere) Directed by: Quentin Tarantino Written by: Quentin Tarantino Music by: RZA Cast: Uma Thurman, Lucy Liu, Vivica A. Fox, Michael Madsen, Daryl Hannah, David Carradine, Sonny Chiba, Julie Dreyfus, Chiaki Kuriyama, Gordon Liu, Michael Parks, Michael Bowen, Jun Kunimura, Kenji Ohba, James Parks, The 126.96.36.199’s
Super Cool ManChu, A Band Apart, Miramax, 111 Minutes
“Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I’d like to believe that you’re aware enough even now to know that there’s nothing sadistic in my actions. Well, maybe towards those other… jokers, but not you. No Kiddo, at this moment, this is me at my most… [cocks pistol] masochistic.” – Bill
The Kill Bill films are my favorite movies from Quentin Tarantino, which makes me happy that there are two of them. I felt that reviewing them was long overdue, so I had myself a little marathon with these two movies and some of the classic Pai Mei flicks I’ve already reviewed on this site.
The two films work really well together even though the first one plays more like a martial arts/Yakuza flick while the second is more akin to a spaghetti western. I think this is probably why they were split into two parts, as opposed to giving us one big epic film. Granted, I’m still waiting for the combined version that Tarantino promised years ago. Hell, I think it’s also about time for the third film, which he also promised years ago.
Anyway, this is a review of the first movie, so let me get to it.
The film is just great from top-to-bottom from the opening scene to the big, action-packed, blood-soaked finale.
My only reservations with it, seeing it for the first time in quite a damn while, is that some of the dialogue came out fairly cringe. The scene with Uma Thurman and Vivica Fox exchanging pleasantries seemed a lot less cool and a lot more forced and unnatural for me. It never really bothered me before but it set them film up poorly and because of that, I thought I was going to be disappointed and discover that this just wasn’t as good as I thought it was when I was a lot younger.
I’m glad to say that even though there is more dialogue cringe, it doesn’t really wreck the film or its dramatic effect. Quentin Tarantino is always getting props for the dialogue in his movies but I’ve never been as big of a mark for it. It’s almost always compelling but it tends to be an example of something that sounds great on paper but doesn’t work as well onscreen. And honestly, I think that’s what happened in some of these scenes and I don’t blame the actresses for it.
That gripe aside, everything else is pretty much perfect and the film moves at an incredibly brisk pace, leading to the big showdown with one woman against an army of Yakuza’s wielding samurai swords.
While Tarantino’s films always look fantastic and cinematically impressive, this one really takes the cake for me. Especially, during that final fight, as the film goes from color, to black and white, to just silhouette. The changes work really damn well and the visual tone helps to set the narrative tone, as it shifts during the battle. It also helps break it out into segments, keeping it fresh, as it does run on for a really long time.
Also, I love how after the fight, it switches back to regular color, where it reveals a giant hall full of downed Yakuza, blood absolutely everywhere and limbs just randomly dropped throughout the set. This whole sequence gives you pure, ultraviolence but you don’t actually see the sum of all its (body)parts until that final moment and its kind of breathtaking.
Additionally, the one-on-one final fight between The Bride and O-Ren Ishii is a beautiful, artful and calculated confrontation that works in contrast to the massive fight before it while also being a stunning exclamation point on the film.
The movie is also full of stupendous dramatic scenes and places where the dialogue is so damn good that it sort of washes away the cringe from earlier in the film. The scenes between The Bride and Sonny Chiba’s Hattori Hanzō are fucking beautiful, sweet and intense.
The closing moments of the movie, where The Bride explains her plan to Sofie is ominous as hell and spectacularly effective, as is the big reveal and twist, delivered by Bill, as the final line of the movie.
Kill Bill: Vol. 1 is pretty close to being Tarantino’s greatest masterpiece. But then, it is slightly edged out by its sequel, which I will review in about a week.
Rating: 9.25/10 Pairs well with: the other Kill Bill films, as well as other movies by Quentin Tarantino, as well as the many films this homages.
Also known as: The Silent Flute (working title) Release Date: July 25th, 1978 (France) Directed by: Richard Moore Written by: Bruce Lee, James Coburn, Stirling Silliphant, Stanley Mann Music by: Bruce Smeaton Cast: David Carradine, Christopher Lee, Jeff Cooper, Roddy McDowall, Eli Wallach, Anthony De Longis, Earl Maynard, Erica Creer
Sandy Howard/Richard St. Johns Productions, AVCO Embassy Pictures, 102 Minutes
“Tie two birds together. Even though they have four wings they cannot fly.” – Blind Man
The concept and story for this film were developed by the legendary Bruce Lee and he was even slated to star in it but, as we all know, he died really young and with that he never got to see this go into production.
A few years after Lee’s death, however, this project got the green light and David Carradine was given the multiple roles that would’ve gone to Lee. What’s strange about that is Carradine was also given the main role in the television series Kung Fu, which Lee said was a role that was also originally meant for him.
This movie also has several legendary actors in minor roles. We see Christopher Lee, Roddy McDowall and Eli Wallach all pop up for different sequences. And honestly, all of them took this really seriously and gave solid performances.
The lead actor was the only really unknown to me but he was good with the material, believable as a hero and you bought into his arduous and challenging journey, which was more about self discovery than what he thought it was about upon starting the journey.
One thing I personally dig about this is that it’s a martial arts flick but it has more of a sword and sorcery aesthetic to it. Granted, there aren’t buff dudes with swords, it’s just a really cut, physically fit guy using his kung fu to conquer his challenges.
Being that this was Bruce Lee’s concept also means that it is much more philosophical than your standard beat’em up movie. It probably isn’t as philosophical as what Lee would’ve done had he been alive to make this but his spirit still exists in this and is weaved into every important scene.
This film surprised me. I figured that I would enjoy it but it definitely exceeded the expectations I had for it and I’d now rank it pretty high up on my list of favorite David Carradine movies.
Rating: 7.5/10 Pairs well with: other martial arts flicks of the ’70s and ’80s, as well as sword and sorcery pictures of the same era.
Also known as: Mortal Kombat 3, Mortal Kombat: Devastation (working titles) Release Date: April, 2021 Directed by: Simon McQuoid Written by: Greg Russo, Dave Callaham, Oren Uziel Based on:Mortal Kombat by Ed Boon, John Tobias Music by: Benjamin Wallfisch Cast: Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Chin Han, Joe Taslim, Hiroyuki Sanada, Nathan Jones
NetherRealm Studios, Atomic Monster, New Line Cinema, 110 Minutes
“Throughout history, different cultures all over the world reference a great tournament of champions. That dragon marking, I think it’s an invitation to fight for something known as Mortal Kombat.” – Sonya Blade
Let’s be honest up front, I didn’t expect much from this movie. I think it’s hard to make a great film based off of a fighting game due to the nature of what it is and how many characters need to be balanced. However, this was better than I anticipated and for the most part, I really enjoyed it for what it was.
My only real gripe about the film was the lead actor, who was playing a character that was just made up for the movie. His character doesn’t exist in the games, unless he was wedged into the newest one to justify his presence in this picture.
Beyond the lead, everyone else was pretty decent and enjoyable. I’d have to say that Kano was the best character in the film, though, as that dude was just a complete dick, funny as hell and true to his nature of being a total bastard.
Unfortunately, the best thing about the movie is the opening scene. The studio also leaked this scene early in an effort to entice people to watch the movie. I guess that was a good marketing ploy but everything after that epic, incredible intro is a letdown.
There are still really solid bits sprinkled in throughout the film and I also thought that most of the fight choreography was pretty good. I enjoyed the fights and pretty much liked all of them.
Additionally, I love that this embraced the R rating and stayed true to the spirit of the Mortal Kombat games and gave us some pretty awesome, gory kills and over the top defeats.
All in all, this is a decent video game movie full of solid action, mindless fun and a whole lot of cool, badass shit.
Plus, it’s a better movie than the two from the ’90s.
Rating: 6/10 Pairs well with: the other movies based on fighting games, as well as anything else in the Mortal Kombat franchise.
Also known as: Double Dragon: The Movie (alternative title) Release Date: November 4th, 1994 Directed by: James Yukich (as James Nickson) Written by: Paul Dini, Neal Shusterman, Michael Davis, Peter Gould Based on:Double Dragon by Technos Japan Music by: Jay Ferguson, Tolga Katas Cast: Robert Patrick, Mark Dacascos, Scott Wolf, Julia Nickson, Alyssa Milano, Leon Russom, Kristina Wagner, George Hamilton, Vanna White, Andy Dick, Cory Milano, Al Leong, Jeff Imada
Greenleaf Productions, Imperial Entertainment, Les Films du Scarabée, 96 Minutes
“I just want total domination of one major American City! Is that too much to ask for? Is it? Is it? Huh?” – Guisman
So out of all the “terrible” video game movies of the ’90s, this is one I hadn’t seen until now. While I loved the Double Dragon video game franchise, I never wanted to see this after the trailer for it dropped back in 1994. It looked horrendously bad, poorly adapted and like a hokey, steaming pile of shit.
That being said, I did enjoy the hell out of this even if it’s a pretty shitty movie. I know that I would’ve hated it when it was current, however. Especially, because I loved the tone of the Double Dragon games and in that regard, this didn’t just miss the mark, it wasn’t even aiming in the first place.
The film is bad from top-to-bottom but some of the big action sequences are actually kind of impressive in regards to how well this made the most of a moderate budget. It was able to give us a cool boat chase scene with good pyrotechnics and action. Plus, some of the sets, as corny as they are, were fairly large and well designed for the bizarre world that this film takes place in.
Sadly, the special effects took somewhat of a budgetary hit in the poor use of obvious matte paintings and the giant rubber suit the Abobo actor was forced to wear.
Additionally, the acting is pretty damn bad but I’d be lying if I said I didn’t enjoy how over-the-top and hammy Robert Patrick was in his role as the villain.
To put it bluntly, this is a bad movie but it’s weird as fuck. I really enjoy weird movies and because of that, I liked this. That doesn’t mean that I’ll ever watch it again or give it a positive rating but I’ve enjoyed other films that were far worse than this.
Granted, I would watch a RiffTrax version of this movie if one exists.
Rating: 4.5/10 Pairs well with: other ’90s video game film adaptations.