Film Review: Parenthood (1989)

Release Date: July 31st, 1989 (Los Angeles premiere)
Directed by: Ron Howard
Written by: Lowell Ganz, Babaloo Mandel, Ron Howard
Music by: Randy Newman
Cast: Steve Martin, Rick Moranis, Dianne Wiest, Mary Steenburgen, Keanu Reeves, Martha Plimpton, Joaquin Phoenix, Tom Hulce, Jason Robards, Harley Jane Kozak, Eileen Ryan, Helen Shaw, Jasen Fisher, Paul Linke, Alisan Porter, Ivyann Schwann, Zachary La Voy, Alex Burrall, Charmin Lee, Dennis Dugan

Imagine Entertainment, Universal Pictures, 124 Minutes

Review:

“It sounds like a boy Garry’s age needs a man around the house.” – Helen, “Well, it depends on the man. I had a man around. He used to wake me up every morning by flicking lit cigarettes at my head. He’d say, “Hey, asshole, get up and make me breakfast.” You know, Mrs. Buckman, you need a license to buy a dog, or drive a car. Hell, you need a license to catch a fish! But they’ll let any butt-reaming asshole be a father.” – Tod

Man, this movie is great.

There are a lot of large family comedies that have been made over the years but for whatever reason, this is the one that hits all the right notes for me.

That’s probably due to when it came out and how old I was then, as well as how incredibly superb the cast is. All of them are loveable in their own way, even the shitty black sheep son that only comes around when he’s in serious trouble.

The thing is, anytime that Steve Martin and Rick Moranis get together, the results are pretty satisfying. However, when you add in Dianne Wiest, Mary Steenburgen, Tom Hulce, Jason Robards, Keanu Reeves, Martha Plimpton and a young Joaquin Phoenix, it maximizes the overall positive impact and gives you so much great talent to enjoy.

What makes this movie so perfect is that it features so many people but each one of them gets a fairly equal amount of time to let their story be told. In fact, the multiple plot threads are really well-balanced and when they merge, at times, it all flows pretty smoothly. Writing big ensemble stories like this can be a real challenge but the writers succeeded and Ron Howard, who directed this, had great material to work with.

I think a lot of credit also has to go to the editor, who kept this thing moving at a good pace and who handled the transition between plot threads pretty seamlessly.

Ultimately, though, this is a picture with a lot of heart and I feel like most people can find it relatable. Even if you don’t have all of these character types in your own family, I think we all have at least a few. Furthermore, these character tropes are all pretty timeless and even if this has that ’80s movie vibe to it, it’s still kind of timeless.

Additionally, the movie is well-acted from top-to-bottom, including the kid actors.

Parenthood is one of the best movies of its type. Personally, it’s my favorite but I’m also a big fan of all the key players in the film. And frankly, I can watch it just about anytime and it’ll lift my spirits even if I’m in a funk.

Rating: 9/10
Pairs well with: other family-centric comedies but this one takes the cake.

Film Review: The Goonies (1985)

Release Date: June 7th, 1985
Directed by: Richard Donner
Written by: Chris Columbus, Steven Spielberg
Music by: Dave Grusin
Cast: Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Jonathan Ke Huy Quan, John Matuszak, Robert Davi, Joe Pantoliano, Anne Ramsey, Mary Ellen Trainor

Amblin Entertainment, Warner Bros., 109 Minutes

Review:

“Don’t you realize? The next time you see sky, it’ll be over another town. The next time you take a test, it’ll be in some other school. Our parents, they want the best of stuff for us. But right now, they got to do what’s right for them. Because it’s their time. Their time! Up there! Down here, it’s our time. It’s our time down here. That’s all over the second we ride up Troy’s bucket.” – Mikey

Cyndi Lauper sang that the “Goonies ‘r’ good enough” and frankly, I have to agree with her.

This is a perfect movie for kids… and adults, really. It’s fun, funny, full of adventure, danger, treasure, good feelings, friendship, imagination, wonderment and a bit of swashbuckling.

On top of that, every single person in the cast is absolutely perfect, top to bottom. This was just a special movie where everything seemed to go right, especially in regards to the actors chosen for each specific role.

On one side, you have the kids and their hulk-like ally Sloth. On the other side, you have the Fratelli crime family.

Every kid in this is great and they had spectacular chemistry. You believed that they were all friends and it was impossible not to root for them. With the Fratellis, you had another group that worked damn well together. Honestly, as a kid I kind of wanted a Fratelli spinoff movie. Sadly, Anne Ramsey died a few years after this but I’ve always wanted to see Robert Davi and Joe Pantoliano come together as gangster brothers again.

Apart from the casting, you had a wonderful script penned by Chris Columbus from a story written by Steven Spielberg. With Richard Donner directing, it’s kind of hard to imagine this failing, even before seeing the picture.

It’s very rare that I come across someone that hasn’t seen the film. It’s reputation precedes it and for good reason. It has stood the test of time and it’s not something that loses steam the more you watch it. In fact, at least for me, it’s a film that I appreciate more with every viewing. It’s hard to peg as to why that is but man, it’s a film that just brings you to a special place; it’s magical and it is full of optimism when most entertainment, at least in modern times, is pretty nihilistic.

The Goonies gives one hope because it is exactly what entertainment needs to be, pleasant and enjoyable escapism that leaves you with a positive feeling despite whatever crap your day threw at you.

It’s perfectly paced, there isn’t a dull moment and every frame of the film… hell, every line spoken, has a purpose and has real meaning behind it.

The Goonies also benefits from its stupendous score by Dave Grusin, a guy who isn’t as well known as John Williams, James Horner or Alan Silvestri but was still able to create a theme and a score that was good enough to rival the best work of those three great film composers.

For what it is, The Goonies is absolutely perfect. If you don’t like it, you probably aren’t human or at least don’t have a heart.

Rating: 10/10
Pairs well with: The Monster Squad, E.T. the Extra-Terrestrial and The Explorers.

TV Review: Brockmire (2017- )

Original Run: April 5th, 2017 – current
Created by: Joel Church-Cooper, Hank Azaria
Directed by: Tim Kirkby
Written by: various
Based on: character created by Hank Azaria
Music by: Adam Blau
Cast: Hank Azaria, Amanda Peet, Tyrel Jackson Williams, Toby Huss, Carrie Preston, Martha Plimpton

Funny Or Die, How 2 Pictures, IFC, 16 Episodes (so far), 22 Minutes (per episode)

Review:

This is one of those shows I wanted to watch from the get go but I rarely use cable anymore and kept forgetting about it. But I saw that it was on Hulu, at least the first two seasons, so I finally gave it a watch.

For starters, I’ve always enjoyed Hank Azaria in just about everything and his pairing with Amanda Peet, here, is really enjoyable. They have good chemistry and I was kind of caught off guard by how well they work together.

Additionally, I have been a big baseball fan my entire life and there just aren’t enough baseball television shows. This really fills that void and while it has a similar comedic and dramatic style as another IFC show, Maron, it also calls back to the film Bull Durham a bit. Also, a lot of the baseball team shenanigans reminds me a lot of Eastbound & Down, the Major League movies and the hockey comedy Goon.

Brockmire goes deeper than the laughs on its surface. It is a real character study of the title character and how complicated his life is and how he is trying to overcome the pain of his past. Azaria really hits the ball out of the park with his performance. There are times where the character can be a real dick but there is a very damaged man beneath the surface that is easy to relate to in just how human Azaria makes him.

Peet is both fiery and adorable and her character is just as strong as Azaria’s and she is a good balance to him. Man, I really love her in this and while I’ve liked a lot of her roles in the past, this may be the best she’s been. She owns it, completely.

In the end, this is a show about a wrecked human being trying to pick up the pieces. It’s certainly not a new concept and it’s a narrative style that comes with its own tropes but Azaria keeps things fresh and even at Brockmire’s worst, it’s hard not to root for him.

Rating: 7.75/10
Pairs well with: MaronEastbound & Down, GLOW, the Major League films, Bull Durham and Goon.