Original Run: May 7th, 2021
Created by: Steven S. DeKnight
Directed by: various
Written by: various
Based on: Jupiter’s Legacy by Mark Millar, Frank Quitely
Music by: Stephanie Economou
Cast: Josh Duhamel, Ben Daniels, Leslie Bibb, Andrew Horton, Elena Kampouris, Mike Wade, Matt Lanter, Tyler Mane, Kurtwood Smith
Di Bonaventura Productions, DeKnight Productions, Millarworld Productions, Netflix, 8 Episodes, 35-56 Minutes (per episode)
Jupiter’s Legacy was made like it was expected to be a massive hit, right out of the gate. I also think that Netflix, who had acquired a lot of comic book legend Mark Millar’s properties, thought that they could capitalize off of Amazon’s The Boys and make something that could either exist on its level of commercial and critical success or possibly even surpass it.
Sadly, this show was cancelled almost immediately after it debuted due to a lukewarm response, its astronomical production cost and what one would have to assume was complications due to COVID, which has been the death knell of a lot of promising Hollywood productions.
All that being said, it’s kind of sad seeing this television show not having the time to evolve into something. It’s only eight episodes and the first season serves as more of a prologue to a larger, more epic story.
Initially, I wasn’t into the show and I had to push through the first few episodes. But as I progressed through them, things started to click and the show found its footing. By the end, I wanted to see more and to see how this was going to play out. However, I guess none of us will ever know. Well, I could pick up the comics and give them a shot and I might.
At first, I wasn’t too keen on the costumes and the general look of the show but as it rolls on, it starts to work and this does take on its own identity, even if it may appear to be derivative and just another superhero show in a sea of superhero shows and movies.
For the most part, I liked the cast. I especially thought that Josh Duhamel was damn good as the patriarch of his superhero family. I also liked Leslie Bibb and it was cool seeing her get to shine and ply her trade as one of the top characters in a serious drama, even if it is about pulp heroes and concepts.
I wish there would have been a bigger sample size of episodes to critique and analyze but I guess we’ve got what we’ve got.
Pairs well with: other recent comic book television adaptations.
Release Date: October 2nd, 2017 (London premiere)
Directed by: Lisa Downs
Written by: Lisa Downs
Music by: Toby Dunham
Cast: Sam J. Jones, Melody Anderson, Brian Blessed, Topol, Peter Wyngarde, Richard O’Brien, Deep Roy, Brian May, Peter Duncan, Howard Blake, Barry Bostwick, Martha De Laurentiis, Richard Donner, Lou Ferrigno, Rich Fulcher, Sean Gunn, Jon Heder, Stan Lee, Ross Marquand, Josh McDermitt, Jason Mewes, Mark Millar, Robert Rodriguez, Michael Rooker, Alex Ross, Patrick Warburton, various
Strict Machine, Spare Change Films, 94 Minutes
This documentary has been in my queue for a bit but I wanted to revisit Flash Gordon first before checking this out. Luckily, I recently found my DVD of the original film and was able to watch it and review it a week or so ago.
Now that the 1980 film was fresh in my mind again, as I hadn’t seen it in years, I felt like I could go into this with more familiarity, context and creative reference.
Overall, this was pretty good and it was intriguing listening to Sam J. Jones’ story about how his career sort of fizzled out and the reasons behind that. Luckily, this is a Hollywood story with a positive outcome, as the guy is now doing well and on the right track, personally and career-wise.
This spends a lot of time talking about Jones but it also delves into the film’s production, history and features interviews with many of the people who were involved in it. I especially liked seeing Brian Blessed in this, as I’ve always loved that guy.
Life After Flash also explores the fandom a bit, as it interviews super fans and collectors but also allows them to show off their cool shit and talk about their love for the film.
I dug this documentary quite a bit, as I feel like the 1980 Flash Gordon doesn’t get enough love and has sort of been forgotten by modern audiences.
Pairs well with: other recent documentaries about filmmaking and specific fandoms.
Published: April 11th, 2007
Written by: Mark Millar
Art by: Steve McNiven
Marvel Comics, 196 Pages
I loved Civil War when I first read it over a dozen years ago. It reignited my interest in Marvel Comics and I stuck with a lot of the core stories that were born out of these events.
For those that don’t know, this pits two factions of superheroes against each other: one group led by Captain America and the other led by Iron Man. It would also go on to inspire the movie Captain America: Civil War, nine years later.
Cap’s group is against a new law that would force superheroes to give up their secret identities and become agents of the government. Iron Man agrees with the law, after a group of C-list heroes are responsible for the deaths of hundreds of children. Spider-Man, the third central character, starts the story on one side and then switches after certain events give him newfound clarity.
The story, the idea and its execution are near perfect. In fact, I’m not sure how this wasn’t a story idea before this, as it seems like a natural development for the superhero genre. Regardless, Mark Millar penned magic here and this is, hands down, one of the greatest mega events in comic book history.
Having just read two of DC’s massive Crisis events and seeing how they were massive clusterfucks, this is the complete antithesis of those and goes to show how much better Marvel is (or was) at bringing a massive group of characters together.
I also really enjoyed Steve McNiven’s art and it fit the tone well. McNiven was one of the top artists at the time and his talent was put to great use here.
My only negative takeaway is that this story should’ve been longer than seven issues. It felt like there was a lot more story to tell. But then again, there are literally dozens of Civil War tie-ins that you can read for more context and to see what other heroes were up to during this saga. From memory, a lot of them were also pretty good.
Pairs well with: all the other Civil War crossover tie-in trade paperbacks, as well as The Death of Captain America.
Published: July 22nd, 2009
Written by: Mark Millar
Art by: Tommy Lee Edwards
Marvel Comics, 146 Pages
This comic book was cool as hell!
It sort of reads like it’s a season of Stranger Things but where the small town is haunted by Marvel villains instead of weird shit from the Upsidedown. This also came out in the decade before Stranger Things, so it was kind of ahead of the curve but like Stranger Things, knew how to tap into ’80s nostalgia in a brilliant way.
But this was also written by Mark Millar, a true master of his craft.
What’s unique and cool about this comic is that it doesn’t take place in the Marvel Universe, it takes place in our universe.
The story follows a young boy in 1985. He is having issues like any normal ’80s kid dealing with divorced parents. He bonds with his father pretty strongly though, as they both have a deep love of comic books and are experts on Marvel lore. At the same time, Marvel villains start showing up in the real world because there are no heroes here to stop them.
Overall, this was a really neat idea and for the most part, I thought it was superbly executed.
1985 is incredibly imaginative but it really worked so well because the art fit the concept and the tone. While Millar deserves credit for a great story, Tommy Lee Edwards gave it so much more life than just words on paper. And his style works better for the setting than having that sort of standard Marvel art style.
This is one of those comics that I’m happy to have discovered as an adult but wish would have been around when I was a kid. If you know a kid that loves Marvel but they’ve never read this, I think that they’ll probably love the hell out of it.
Pairs well with: the Stranger Things comics, as well as other Mark Millar stories.
Published: September 20th, 2017
Written by: Kurt Busiek, Mike Carey, Warren Ellis, Jeph Loeb, Mark Millar, Alan Moore, Grant Morrison, James Robinson
Art by: Amanda Conner, Gary Frank, Joe Jusko, Louis LaChance, Mike Lilly, Mike Mayhew, Tim Sale, Mark Texeira
Dynamite Entertainment, Harris Comics, 545 Pages
I’ve kind of dug Vampirella my entire life, even if I hadn’t read many of her stories until more recently. She always looked like a cool, badass character and I’ve always enjoyed horror, especially vampire fiction.
Being that this is the 50th anniversary of the character and because I’m stoked for the new series that Christopher Priest is writing, I wanted to dive deep into Vampirella lore.
This gigantic omnibus was put out recently by Dynamite but it collects stories from the ’90s when Vampirella was being published by the now defunct Harris Comics.
What makes this collection special, is that it is a compilation of Vampirella stories from a ton of A-list creators in a time when comics were allowed to be harder, sexier, edgier and darker: all things that make Vampirella who she is.
Overall, most of this was entertaining. The only low point was the Kurt Busiek story because it was a bit slow when compared to the pacing of the others. I did like Busiek’s tale overall but it was also the largest and kind of took the wind out of the sails for me.
I wish that some of the other stories were larger or expanded on more, though. There were a lot of cool ideas tossed around and a lot of what was considered Vampirella canon was experimented on and retconned. Typically, I’m not big on retcons but with Vampirella having a rocky history, as far as being published regularly and with any sort of long lasting narrative, it doesn’t bother me. Plus, by the ’90s, a little reinvention wasn’t necessarily a bad thing.
In the end, I was glad to have finally read these stories and they’re certainly better than what was the standard in the early to mid-’90s.
I also loved most of the art.
Pairs well with: other Vampirella stories, as well as comics featuring Red Sonja and Dejah Thoris.
Release Date: September 16th, 2007 (UK)
Directed by: Peter Boyd Maclean
Cast: Jonathan Ross (host), Neil Gaiman, Alan Moore, Stan Lee, Joe Quesada, Mark Millar, John Romita Sr.
Hot Sauce, BBC, 59 Minutes
In Search of Steve Ditko was a one hour documentary special hosted by Jonathan Ross in 2007. It aired on one of the BBC channels but I’m not sure which one. I’ve had a DVD-R of it for a decade though and I figured I should revisit it, especially since Ditko passed, earlier this year.
Also, it’s on YouTube, so anyone can watch it if they want to.
The purpose of this documentary was two fold.
First, Ross wanted to do a biography piece on Ditko and interviewed a lot of other iconic creators to talk about him.
Second, Ross wanted to track down Ditko and meet him, possibly for an interview, but mostly to express his love of the man’s work.
While Ross does get to meet his hero, it happens off camera and we don’t get to see the reclusive Ditko appear. I’m fine with that even if others may be let down, as I believe in respecting the man’s privacy. And if you love Ditko, this is still a fine retrospective on his career and his influence on the comic book medium.
There are some great interviews here with Neil Gaiman, Alan Moore, Mark Millar, John Romita Sr. and even Stan Lee, who discusses who should get the credit for creating Spider-Man.
All in all, this was a good watch and for fans of Ditko, this is a nice, quick rundown of the importance of his work in comics.
Pairs well with: other comic book documentaries like The Image Revolution and Chris Claremont’s X-Men.
Published: September 22nd, 2010
Written by: Mark Millar
Art by: Steve McNiven
Marvel Comics, 224 Pages
Old Man Logan has become one of those stories that has reached a sort of legendary status. That’s a very rare feat in the more modern era of comic books but this story, now having reached ten years of age, has had some lasting power and has gone on to influence other works. In some regard, it is Marvel’s versions of DC’s The Dark Knight Returns in that it takes a well known character and shows him in an alternate future after the world has fallen apart around him.
Granted, this is in no way a ripoff of Frank Miller’s classic Batman story. Old Man Logan is very much its own thing and what a great thing it is.
When the story starts, we discover that Logan, the former Wolverine, is living in California on a farm with his wife and two children. Times are hard and the Hulk’s inbred gang demand the rent. An old Hawkeye shows up and gives Logan a deal that he can’t refuse, which will pay him enough to keep the Hulk’s gang off of his back. The story then sees these two aged heroes travel from the West Coast to the East Coast to deliver a package. We discover that the entire United States is completely screwed up and while the now villainous Hulk controls the West Coast, other villains control other regions. The Kingpin (a different guy than Wilson Fisk) has Vegas, Dr. Doom has the Midwest and “The President” a.k.a. Red Skull has the East Coast.
I don’t want to give much more away for fear of spoiling the story.
This book has a lot of surprises and cool things thrown in. Logan is a pacifist, at this point, but what happens when he is pushed beyond his breaking point?
Old Man Logan is one of the most refreshing things Marvel has put out since the turn of the millennium. The story and the characters were so well received that Logan and Hawkeye have both made other appearances as their elderly selves.
There are very few comic books that I will say are must reads, especially out of the more modern titles. This is a must read though, whether you are a Wolverine fan or just a fan of the comic book medium in general.
Pairs well with: The Death of Wolverine and it also has some similarities to Frank Miller’s classic aged Batman tale, The Dark Knight Returns.
Release Date: September 18th, 2017 (London premiere)
Directed by: Matthew Vaughn
Written by: Jane Goldman, Matthew Vaughn
Based on: The Secret Service by Mark Millar, Dave Gibbons
Music by: Henry Jackman, Matthew Margeson
Cast: Taron Egerton, Colin Firth, Mark Strong, Julianne Moore, Pedro Pascal, Halle Berry, Elton John, Channing Tatum, Jeff Bridges, Emily Watson, Sophie Cookson, Michael Gambon, Poppy Delevingne
Marv Films, Cloudy Productions, Shangri-La Entertainment, TSG Entertainment, 20th Century Fox, 141 Minutes
“Kingsman is crumpets!” – Poppy
I didn’t see the first Kingsman film until a few months ago. In fact, it was the trailer for this film that made me watch the original, which I had heard good things about but never got around to seeing. I wanted to see this one in the theater, so I made it a point to see the first. I loved the first.
This chapter in the series, which I hope will continue and not just end at two like Matthew Vaughn’s Kick-Ass films, was a great follow-up to the first. It takes the established mythos, builds off of it and gets a bit crazier.
The film starts with the destruction of the Kingsman organization. Everyone is killed except for Eggsy and Merlin. Harry is still alive, as well, but the heroes still think he is dead after the events of the first film. It was kind of shitty seeing Roxy getting killed off early in the film because I was hoping to see more of her after the first picture.
The story then brings the Kingsman to the United States, Kentucky to be exact. They soon meet their American counterpart, the Statesman. The two groups form an alliance and discover the sinister plot that has been set in motion by Poppy, a crazy drug dealer with a nostalgic affinity for the 1950s. Julianne Moore is pretty friggin’ amazing in this role and it may be my favorite thing she has ever done.
The Golden Circle also features Elton John in much more than just a cameo role. He is in the film quite a bit, kicks some ass and delivers some great comedic lines.
Also joining the cast are the head of the Statesman, the Dude himself, Jeff Bridges. We also get Channing Tatum as Tequila, a Statesman agent that doesn’t have enough screen time, and Halle Berry as the Statesman’s equivalent to Merlin. Pedro Pascal is the Statesman that really steals the show, however.
Overall, this film is pretty much equal to the original. They are good companion pieces to each other and there is a real consistency in the quality, style and fun.
I feel that this chapter was more insane, even though the first was pretty ridiculous in all the right ways. You have a scene where the evil Poppy has a new henchman stuff an old henchman into a meat grinder and then she serves him a burger made out of the meat. It’s a moment that made me think, “As cool as this movie is and as much as I think she’d enjoy it, I won’t be bringing my mum to this.”
Even though these films have large ensemble casts with really talented stars, it is Taron Egerton that is the true star and is the glue of these movies. He doesn’t get the props he deserves but I hope doors open up for this kid because he’s incredibly talented and can carry a motion picture, outshining many of the stars around him. He has a presence and you have to take him seriously.
Kingsman: The Golden Circle is a lot of fun. It is exactly what I hoped for in a Kingsman sequel and I hope it is a sign that the series will maintain its quality, assuming it continues on. I really hope it does.