Also known as: Thor (working title)
Release Date: November 1st, 1996
Directed by: Eric Red
Written by: Eric Red
Based on: Thor by Wayne Smith
Music by: Daniel Licht
Cast: Mariel Hemingway, Michael Paré, Mason Gamble
Morgan Creek Entertainment, 80 Minutes
“Ted, you know you’re always welcome here. Here’s what you’re going to do. You’re going to park your Airstream in my backyard, and you’re going to live out of my fridge.” – Janet
I’ve never seen this film, which is pretty strange as it came out around the time that I was working in a video store. I certainly remember the poster and thinking it was badass but for whatever reason, I never took the tape home to watch.
I’m glad I checked it out now, though, as it was better than what I had anticipated and it was cool seeing Michael Paré in it, as I really dug that dude when I was a kid because he was the coolest thing in a cool movie that I watched a lot: Streets of Fire.
It also stars Mariel Hemingway and Mason Gamble, the kid from the ’90s Dennis the Menace movie remake. But more importantly than that, it stars Primo, a German shepherd that played the dog Thor. Why am I bringing up the damn dog? Well, because I’ve never seen animal acting this good and I’ve seen thousands of movies.
The dog was just superb, seriously. He stole every scene that he was in and he conveyed emotion, greatly. While the Academy would never watch a fine motion picture like Bad Moon, the film is a good example for the argument that maybe animal actors should have an Oscar category. But that will never happen because Hollywood hasn’t been fun in years and they’d actually have to pull a lot of sticks out of asses and learn how to be human beings again.
Anyway, this film mainly uses practical special effects and they look fantastic. The werewolf in this is one of the best I’ve ever seen in any movie. Granted, I have a strong bias towards bipedal werewolves.
The only special effects hiccup was the werewolf transformation scene in the final sequence of the film. They went the CGI route and while some of it looks okay, there are very weird and wonky moments that look terrible even for 1996 standards. CGI was still in its early stages, though, and this film didn’t have a budget the size of Jurassic Park‘s. I can look beyond that scene, however, as the rest of the film is pretty f’n awesome.
Now some of the acting is a bit off but I think that it was due to the editing and direction. The worst scene that comes to mind is the one with the con-artist baiting the dog to bite him. Unfortunately, this scene introduces us to two of the main characters, so it kicks off the film with a rocky start. Luckily, everything sort of slides into place and the rest of the film is mostly fine.
One thing that really stood out for me was the musical score. It was intense but good. It reminded me a lot of the scores by Jerry Goldsmith and James Horner. It had that heavy, brassy, orchestral vibe in the best way possible. I’ve never heard of Daniel Licht or recognized any of his scores in other films but looking him up on IMDb, he’s done a lot of cool ’90s horror pictures. Sadly, he died a few years back.
I was really surprised by this picture. It was a lot of fun and a really cool, campy, werewolf flick. It’s not perfect but it doesn’t need to be. While it has the flaws that I’ve already mentioned, everything else more than makes up for them.
Pairs well with: ’80s, ’90s and early ’00s werewolf movies: Silver Bullet, Ginger Snaps, Dog Soldiers, the original Howling.