Film Review: Pretty In Pink (1986)

Release Date: January 29th, 1986 (Hollywood premiere)
Directed by: Howard Deutch
Written by: John Hughes
Music by: Michael Gore
Cast: Molly Ringwald, Harry Dean Stanton, Jon Cryer, Annie Potts, James Spader, Andrew McCarthy, Kate Vernon, Andrew Dice Clay, Kristy Swanson, Alexa Kenin, Dweezil Zappa, Gina Gershon, Margaret Colin, Maggie Roswell

Paramount Pictures, 97 Minutes

Review:

“You couldn’t buy her, though, that’s what’s killing you, isn’t it? Steff? That’s it, Steff. She thinks you’re shit. And deep down, you know she’s right.” – Blane

While this John Hughes written movie isn’t as good as the ones he directed, first-time director Howard Deutch did a pretty good job at capturing the Hughes magic and making a film that still felt like it existed in that same universe. I guess Deutch’s ability to adapt Hughes’ script impressed Hughes enough to hire him back for other movies Hughes didn’t direct himself.

Like most of Hughes’s other teen films of the ’80s, this one stars Molly Ringwald. But luckily, this isn’t all on her shoulders, as she had help from legendary character actor, Harry Dean Stanton, as well as Jon Cryer, Andrew McCarthy, Annie Potts and James Spader. There were also smaller roles in this that featured Andrew Dice Clay, Kristy Swanson and Gina Gershon.

This was a movie that I liked a lot in my youth but it does feel pretty dated now and the whole rich kids versus poor kids thing just seems incredibly forced and really extreme, even for an ’80s teen movie. But that’s the centerpiece of this plot, as it creates a Romeo and Juliet story about two young lovers whose social circles try to tear them apart due to their stark, cultural “differences”.

The cast in this is really good, though, and it’s hard not to enjoy these characters even if this is a pretty flawed movie. I liked James Spader and Jon Cryer in this a lot, even though one of them played a real shithead.

Unfortunately, the weakest scenes are the ones that needed to be the strongest. These are the scenes between Ringwald and McCarthy, which just play as pretty uneventful and unemotional. As someone that is caught up in the drama of this story, you want Ringwald’s Andy to make the right decision when it comes to love but ultimately, she doesn’t.

The ending of this movie kind of upset John Hughes, so he essentially had this remade with the same director, a gender swapped cast and the ending he preferred, just a year later. That film is called Some Kind of Wonderful and while it’s not as good as Pretty In Pink, it’s definitely a good companion piece to it, as it provides a more satisfactory conclusion.

Still, I really like this film and it’s one of those things you throw on when you want something light and with a fun, youthful energy. My opinion on it may have soured a little bit over the years but Ducky will always get me through it.

Rating: 7.25/10
Pairs well with: Some Kind of Wonderful and other John Hughes film, as well as other ’80s teen comedies.

Film Review: Independence Day (1996)

Also known as: ID4 (promotional abbreviation)
Release Date: June 25th, 1996 (Westwood premiere)
Directed by: Roland Emmerich
Written by: Dean Devlin, Roland Emmerich, Alessia Duval
Music by: David Arnold
Cast: Will Smith, Jeff Goldblum, Bill Pullman, Margaret Colin, Randy Quaid, Robert Loggia, James Rebhorn, Harvey Fierstein, Mary McDonnell, Judd Hirsch, Vivica A. Fox, Adam Baldwin, Brent Spiner, James Duval, Harry Connick Jr., Mae Whitman, Ross Bagley, Lisa Jakub, Giuseppe Andrews, Dan Lauria, Erick Avari, Leland Orser, Lyman Ward, Frank Welker (voice), Tracey Walter (uncredited)

Centropolis Entertainment, 20th Century Fox, 145 Minutes

Review:

“I saw… its thoughts. I saw what they’re planning to do. They’re like locusts. They’re moving from planet to planet… their whole civilization. After they’ve consumed every natural resource they move on… and we’re next. Nuke ’em. Let’s nuke the bastards.” – President Thomas Whitmore

This is still one of the greatest blockbusters ever made. It really was the Star Wars of the ’90s and nothing from that decade can top it as far as massive popcorn movies go. It set out to be as epic as possible and it succeeded.

Granted, it also birthed a string of films that had to be bigger and larger in every conceivable way and the whole formula got watered down and ineffective pretty quickly but it all started here and this is still the best massive disaster movie ever made.

Sure, this isn’t a perfect film. Blockbusters very rarely are. They aren’t made to win Oscars, well except for visual effects and sound, and they certainly aren’t acting clinics for up and comers in Hollywood that see themselves as the next generation’s Daniel Day-Lewis. These films aren’t supposed to be high art, they are supposed to be incredibly fun escapism where a crowded room of dozens can cheer and stuff their faces with triple buttered, quadruple salted popcorn and sodas the size of Hulk’s fist. Independence Day knew exactly what it was and exactly what it needed to be. Honestly, it is the most Spielberg movie not directed by Spielberg.

This movie works so well because it had such a talented and solid cast and everyone just had chemistry with each other. It didn’t matter which two or three people were on screen at the same time, they all just fit well together. The various personalities and characters meshed and complimented one another, giving every major player a purpose. Hell, Will Smith is the top billed star and he doesn’t even come into the film until the 26th minute. There is such a good balance between all the core people and their tasks.

That being said, this is so well written in how it handles a large ensemble cast and how it also moves through time leading up to the initial alien attack. The first 45 minutes of this movie are great. You don’t even get action until this thing’s been running for almost an hour but you are at the edge of your seat with every sequence in the first act. And then when the aliens do attack, it is a sight to behold and frankly, the special effects still look magnificent by modern standards.

I also love how patriotic this film is. It takes American ideas and American Exceptionalism and puts them on a global scale. “Yo, America figured out how to kill these unkillable aliens! Let’s pony up and follow their lead!” And this was made by a German dude, Roland Emmerich. But I think it is clear that this taps into what America was founded on and why those things are important. The burning desire for freedom and liberty and having the stones to step up to the plate when those things are being taken away.

Speaking of which, President Whitmore, through the magic of Bill Pullman, gives one of the greatest speeches of all-time, which still fires me up and gets me all emotional every friggin’ time I hear it. I’d vote for the guy.

After seeing this and having already experienced Stargate and Universal Solider, I really thought Roland Emmerich was going to be the director of the future. Well, he immediately dropped the ball with his Godzilla movie and really hasn’t been the same since. But this was the greatest film he ever directed and that’s okay. This would be an incredibly hard picture to top and that is even more apparent after its sequel came out a few years back and sort of missed the mark.

Look, I just love this film. Within the context of what it is supposed to be, it is nearly perfect. It has some flaws and some convenient plot developments but I don’t care about that stuff when it comes to a movie like this. Could Jeff Goldblum really hook up his Apple laptop to an alien mothership? Who gives a shit. Logic and common sense don’t need to get in the way of the fun I’m having.

Rating: 9.25/10
Pairs well with: It’s sequel, even though that one didn’t live up to the hype. Also, other epic disaster movies from the era but this one is ultimately the king.