Written by: Joe Kelly
Art by: J.M. Ken Nimura
Image Comics, 221 Pages
This came and went and I never knew about it until recently when I heard about the film that’s based on it. So before checking out the movie, I figured I’d read the source material first. Plus, it was pretty cheap to pickup on Comixology.
I wasn’t expecting the story to get as serious as it did but at the same time, it’s pretty comedic. Honestly, it has the tone of a manga story and since it also features manga style art, it’s a much more Japanese feeling comic than a Western one.
That being said, I was fairly impressed by it and even if it wasn’t my total cup of tea, I liked the idea of a young girl with a massive hammer kicking the shit out of parasitic giants out to harm her community.
While the main character is strange, she’s likable and for the most part, relatable.
This gets into some heavy things but I also feel like this would really be enjoyed by pre-teens, close to the same age as the kids in the story.
I liked the art, the tone was different and refreshing and the characters kept my interest. Plus, the story was a neat concept that was well executed.
Pairs well with: other American manga-esque comics.
From The Critical Drinker’s YouTube description: So I guess it’s about time I got around to sharing my thoughts on Alita: Battle Angel, the movie so many people went crazy for when it hit cinemas a few months ago. But does it live up to the hype? Pour yourselves a drink, kick back and let’s find out.
From Filmento’s YouTube description: Before Captain Marvel and Wonder Woman, there was another big female led film in Ghost In The Shell, starring MCU‘s Black Widow Scarlett Johansson. It didn’t go over so well, primarily because of one factor: narrative invisibility. In today’s episode of family friendly show Anatomy of a Failure, let’s take a deep dive into Ghost in the Shell and try to pinpoint the problems in invisibility in storytelling. It’s not a Netflix anime adaptation film, but still here we are.
From Comic Tropes’ YouTube description: Katsuhiro Otomo is the writer and illustrator of the Akira manga as well as the director of the anime adaptation. Both were being worked on at the same time and influenced one another. This video takes a look at the cultural and artistic inspirations that influenced Otomo’s work, as well as breaking down his stated intentions. After comparing and contrasting the manga and anime, the video discusses the themes of Akira.
Taken from AnimeEveryday’s YouTube description: The horror anime genre rarely produces anything more than jump scares and unrealistic writing. In this video i highlight some of the genre’s hidden gems.
Taken from AnimeEveryday’s YouTube description: I’ve been looking into stylistic developments in anime a lot recently. In this video I give an overview of how anime character designs have developed.
From For the Love of Comics’ YouTube description: Dark Horse Comics’ Gallery Edition of Lone Wolf and Cub, the classic manga from Kazuo Koike and Goseki Kojima, is a marvelous showcase of the tremendous craft and composition of the series. By presenting over 150 pages of original art reproduced in the original size and ‘colours’, this large edition celebrates the making of a comics masterpiece. This video features a close look at this book, along with a commentary and analysis on how not just fans but newcomers would be well served by the almost-unspoken thesis here: this was no accident; panel by panel over 8000 pages, Koike and Gojima crafted a lyrical, sorrowful, and cinematic comics epic. This includes a major-spoiler-filled look at the final chapter of this saga, reproduced in the Gallery Edition in its entirety.
I really would love to see an art book that features the best work of Katsuhiro Otomo one day and maybe that exists in Japan but I’ve never come across one, here, in the States.
This is still a pretty cool book though, as it features tribute pieces done by dozens of artists inspired by Otomo, especially his work on the long-running manga Akira.
Honestly, there’s not a bad art piece in the lot and I enjoyed every page of this hefty, oversized hardcover.
Each spread has the art piece to the right with the left side giving you a nice bio of the artist who created it.
There’s not much else to say really. This is a neat book to own if you love Otomo, Akira or cyberpunk styled art.
It’s well presented, looks nice on the shelf and it’s actually pretty inexpensive for what it is.
Pairs well with: Katsuhiro Otomo’s Akira manga and other works, as well as other comic/manga art books.