Published: June 16th, 2015 Written by: Chuck Dixon Art by: Scott McDaniel
DC Comics, 292 Pages
This volume in Chuck Dixon’s lengthy Nightwing run kicks off right where the previous one left off and builds off of those stories.
We also get to see appearances from more well-known villains in this chapter but a lot of them are just glorified cameos. However, the stories involving Scarecrow and Man Bat were really damn enjoyable.
Beyond that, I like how this also features other villains that are developed more for Nightwing and the city he protects, Blüdhaven.
We get more of Blockbuster, who essentially serves as Blüdhaven’s Wilson Fisk-type crime lord. We also get more of female villain Lady Vic, as well as some others thrown into the mix.
I also didn’t mind the romantic subplot that Dixon developed for this story between Nightwing and his new building’s female superintendent. Add in his sometimes romantic partner Barbara Gordon and you don’t really know how things will play out.
Ultimately, this is a story about Nightwing breaking out on his own and trying to be his own version of a street level vigilante. This is the culmination of the lessons he’s learned from Batman and it shows how he’s applying all of that to making his own life in a different city that also deserves a hero.
Rating: 7.25/10 Pairs well with: other ’90s Nightwing and Batman comics.
Published: October 8th, 2013 Written by: Grant Morrison Art by: Tony S. Daniel, Lee Garbett
DC Comics, 213 Pages
I’m pretty sure I liked this when I read it back when it was current, about a decade and a half ago. However, I found it just weird and wonky this time around. But I’ve also aged quite a bit and in that time, read some truly incredible comics.
I was probably really into this, as it came out at the height of my Grant Morrison love. Plus, back then, I was more into weird shit and experimental storytelling. However, I don’t feel like any of that necessarily benefits the most mainstream of all mainstream comic book titles.
Having now recently read a good amount of Grant Morrison’s Batman run, my opinion on it has soured quite a bit. It’s stuck in this weird limbo where it’s too weird to feel like it fits within the top Batman title and it isn’t weird enough to truly feel like Grant Morrison, unrestrained.
This feels like watered down Morrison and by trying to sit on the fence between mainstream acceptance and Morrison’s typical narrative style, it’s really just a boring, baffling dud of a comic.
The art is good, damn good. However, that’s not enough to save it from how disappointing it is, overall. Besides, this is a story from the pages of the most popular comic book in the medium and if the art isn’t up to snuff, DC Comics should close up shop.
This kind of wore me ragged, honestly. I don’t want to read anymore of Morrison’s Batman work and I consider it to be overrated, at this point. I also say that as someone that once liked it.
In the end, Morrison shouldn’t have his hands creatively tied but he also shouldn’t be allowed to go into Batman with reckless abandon. That’s what DC’s Elseworld Tales are for and frankly, that’s where Morrison’s Batman work should be.
Rating: 5/10 Pairs well with: the rest of Grant Morrison’s Batman run.
Published: November 3rd, 2009 Written by: Grant Morrison Art by: Andy Kubert, J.H. Williams III
DC Comics, 350 Pages
The Deluxe Edition of Batman and Son features all of Grant Morrison’s Batman run up to Batman R.I.P., although it excludes The Resurrection of Ra’s al Ghul, which I will also review shortly.
It’s a hefty but surprisingly quick read, as it has a good, quick pace and is mostly pretty good. I actually read it in one sitting and found it kind of refreshing, as I haven’t liked many Batman stories within the regular continuity since Morrison’s era. Granted, I did enjoy some of Scott Snyder’s work.
I also loved Andy Kubert’s artwork and I feel like he doesn’t get enough credit as one of the premiere Batman artists. It was this era of Batman that got me reading the comic again after a several year hiatus and Kubert’s art had a lot to do with that.
This edition features a couple of story arcs. I liked the first one the best, as it is the debut of Damian Wayne, Batman’s son. It had been a long time since I read these issues but it was fun to revisit.
All in all, this was the start of one of the best runs in the last few decades and it didn’t disappoint. While it might not be as strong as my memories of it, it was still much better than most of the stuff that came after it.
Rating: 7.5/10 Pairs well with: the other stories in the Grant Morrison Batman run.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: August 14th, 2018 Written by: James Tynion IV Art by: Freddie Williams II
IDW Publishing, DC Comics, 151 Pages
With the huge success that was the Batman and Teenage Mutant Ninja Turtles crossover, you knew a sequel was imminent. In fact, there’s a third series, currently being published, and an animated film has also been released.
I think that this story was a bit better than the first one. I’ve really liked James Tynion’s work on Detective Comics over the last few years, as well as Justice League Dark, and he was the natural choice for merging the Bat and Turtle franchises.
It’s very apparent that Tynion has a passion for these characters and they all just sort of mesh really well together unlike other crossovers that seem forced or are penned by someone who may have a passion for one franchise but not both.
I also like that Freddie Williams II returned to do the art again. I think it really fits the tone of the book.
The plot here is better than the first corssover. It focuses on Bane taking over the Turtles version of New York City. Batman, Robin, Batgirl and Nightwing all show up to lend a helping hand. Eventually, the heroes have to free Shredder from prison and use him to give them an edge over Bane, who now controls the Foot Clan, along with Bebop and Rocksteady.
In the end, I can’t call these classics but they are pretty fun reads. I wasn’t a huge fan of the first one but this arc is better paced, feels more organic and Tynion has found his footing better than the initial outing.
I can’t wait to read the third one, once it’s been collected.
Rating: 7.75/10 Pairs well with:Batman/Teenage Mutant Ninja Turtles, Vol. 1 and 3, as well as other recent TMNT crossovers.
Published: August 22nd, 2017 Written by: Bryan Q. Miller Art by: Lee Garbett, Pere Perez, John Trevor Scott
DC Comics, 296 Pages
I wasn’t sure what to think going into this series. I mean, I always liked Stephanie Brown as Spoiler since she first popped up in the ’90s but I’m not too keen on anyone other than Barbara Gordon being Batgirl.
However, I’m really happy to say that this book impressed me and was a heck of an exciting read.
Stephanie Brown is just a fun character and in many ways she reminds me of Barbara Gordon before she became Oracle. She has a lot of energy and her personality is infectious and definitely comes right off of the page.
That being said, this is very well written. Bryan Q. Miller was hitting homers right out of the park with just about every issue of the twelve that are collected in this big volume.
Reading this now is also interesting because it all takes place in the era where Dick Grayson a.k.a. Nightwing was filling in for Batman. It creates an interesting dynamic between the characters and what they all think Bruce Wayne wanted for his legacy.
Barbara Gordon is in this as Oracle and she is essentially the new Batgirl’s Alfred. It’s a nice passing of the torch to Stephanie Brown and it sort of legitimizes her. As a reader and fan of Barbara, her acceptance of Stephanie translates to the reader who may have reservations about a new Batgirl.
All the story arcs within this served a purpose and it was neat seeing Stephanie grow in this role. The final arc, a four parter called Flood is the highlight of the book. It’s a story that features The Calculator as the villain and it calls back to one of the more important Oracle stories.
This book was cool. I dug the hell out of it and I can’t wait to read the second volume.
And man, the covers are beautiful.
Rating: 8.5/10 Pairs well with: the volume that follows this one.
Published: November 21st, 2018 – December 12th, 2018 Written by: James Tynion IV Art by: Daniel Sampere, Juan Albarran, Brad Anderson, Adriano Lucas, various (covers)
DC Comics, 53 Pages
This story is a two issue arc in Justice League Dark issues five and six. It takes place immediately after The Witching Hour crossover event and is a small filler story leading into the next larger arc. However, this also adds a lot of context to the series and where it is headed.
If you are a fan of Detective Chimp, than this story will not disappoint. It gives his story more depth, more weight and sets up the possibility that he may disappoint his team in the future. It also deals a lot with his inner struggle and how he’s been thrust into a role he’s not confident in having.
Also, this story features Blue Devil, who I have always thought of as a pretty cool character, even if he doesn’t show up very much.
James Tynion is just on his A-game, right now. While this isn’t my favorite arc in this series, it certainly isn’t a letdown. It’s a worthwhile, quick read that fits nicely within the rest of the series and gives you a bit of a breather after the intensity of the first two stories we just read through.
Additionally, the art in all these books is stupendous and I’ve had to buy all the regular issues and the variants because I can’t say “no” to those incredible variant covers.
Rating: 7.5/10 Pairs well with:The Witching Hour crossover that precedes this and the original Justice League Dark series.
Published: October 3rd, 2018 – October 31st, 2018 Written by: James Tynion IV Art by: various
DC Comics, 145 Pages
This picks up right after the recent Justice League Dark arc The Last Days of Magic.
This was a big crossover event that was stretched over five issues: Wonder Woman/Justice League Dark – The Witching Hour #1, Wonder Woman #56, Justice League Dark #4, Wonder Woman #57 and Justice League Dark/Wonder Woman – The Witching Hour #1. The way it was organized was a clusterfuck but it was worth hunting down all five issues, all of which came out over the course of October.
In a way, this felt like Wonder Woman starring in her version of the X-Men‘s famous Dark Phoenix story arc.
The reason I say that, is that Wonder Woman has essentially been possessed by this powerful force that takes control of her body and makes her evil and incredibly powerful. However, this doesn’t quite commit to the bit like Dark Phoenix did, as she doesn’t really cause that much damage overall and she also sort of wills herself good again with the help of her friends and allies.
The force in this is Hecate, an ancient witch that actually came into contact with Wonder Woman when she was still a child. So, essentially, this Hecate thing has been in her this whole time. This seems incredibly ambitious and somewhat suspect but I have really enjoyed James Tynion’s writing, so I went with it. Plus, DC’s continuity is incredibly confusing at this point.
The biggest highlight of the previous Justice League Dark story was the cast of characters coming together to fight magical evil. While those characters are here and even more are added, this put more emphasis on Wonder Woman’s journey and lacked the great camaraderie I enjoyed before this. I hope that comes back in the next story arc. The Detective Chimp and Man Bat stuff was great in The Last Days of Magic.
In the end, this wasn’t as iconic as the Dark Phoenix tale but it didn’t need to be. However, the build up made this feel like it was going to be a darker, bigger event than it turned out to be. It really didn’t have any effect on anything in the larger DC Comics universe.
This could have been a good mega event, as it had a much better premise than the current one: Heroes In Crisis.
Rating: 8/10 Pairs well with: the current Justice League Dark series.
Published: July 25th, 2018 – September 26th, 2018 Written by: James Tynion IV Art by: Alvaro Martinez, Raul Fernandez, Brad Anderson
DC Comics, 79 Pages
Man, this series is a lot of fun and this short, three issue arc was a great kicoff to this new version of the Justice League Dark team.
This squad consists of new leader Wonder Woman, as well as John Constantine, Zatanna, Swamp Thing, Man Bat and Detective Chimp. Doctor Fate is also involved but there is a twist to his involvement. By the end of this arc, I’m not sure if he’s going to be a member of this team or not.
These first three issues of Justice League Dark serve to set up a crossover event called The Witching Hour, which just started. It’s a crossover between the regular Wonder Woman comic and Justice League Dark and sees Princess Diana gain some pretty powerful magical abilities that she’s never had before.
I love how dark and how fun this series is. I bought it because I liked the team and every member in it. Granted, I think Man Bat comes off as dumber than he should be, I mean, he’s a brilliant f’n scientist. But I love all these characters and it seems like a really cool and fresh angle for Wonder Woman. I like seeing her tap into the magical parts of her existence. I also like the stuff that was added to her backstory here.
I really dig the new villain that comes out in the third and final issue of the story. He’s creepy as hell but just freaky and badass enough to make things really interesting. Plus, his power level, as far as one can tell from this story, is pretty damn incredible. But this also leads to Wonder Woman evolving into something beyond her own power level. Is this leading to a Dark Phoenix sort of saga for Wonder Woman? It very well could but I don’t want to ruin this for those who want to read it.
James Tynion IV has written a damn fine and damn fun comic book story. I hope that this maintains its great momentum going forward, as it’s one of my favorite comic books being put out by DC, right now.
Rating: 8.5/10 Pairs well with:The Witching Hour crossover that follows and the original Justice League Dark series.
*I played the PlayStation 4 version. The game is also available on Xbox One and Windows.
Playing this was long overdue.
This is one of my favorite video game series of the last ten years and it is the best video game series to star a comic book hero. Also, it stars the coolest hero.
Out of all the Arkham games this is probably the best one overall. I think I liked Arkham City a bit more but this one had so much content and new elements added to it that it really takes the cake from a narrative and technical standpoint.
I guess the biggest addition to this chapter in the series is that it is the first game where you can drive the Batmobile. And you don’t just get to drive it, you get to do battle with it. There are a lot of parts in the game where you have to go into vehicular combat and there are different styles, as well. There are side missions that play out like straight up car chases and then there are other missions where you go into “battle mode” and you are essentially a tank in a firefight with other tanks and aerial drones. It’s actually pretty incredible stuff and this element never got old.
The only Batmobile stuff I didn’t like was the racetrack sequences, which are worked into the Riddler side missions. I don’t play Batman games to race cars, I play them to save Gotham City from scum and villainy. They also work the Batmobile into the equation where you have to solve some of the Riddler’s puzzles. I love the Riddler, I just liked his side missions the least because of these bits.
I liked the new Arkham Knight character, even though it became fairly obvious who he was and that he wasn’t actually a new character but just a new twist on a known character. I also like that changes to his character were instrumental in Deathstroke coming into the game. But sadly, you don’t get to exchange fisticuffs with him. But that leads me to one other minor problem with the game.
There are no real boss battles. Well, there are big boss battle feeling moments like when you take on the Arkham Knight’s tank or when you reach the big crescendo in the Mr. Freeze side missions but you never actually fight any of the major villains with your fists except for Killer Croc.
Still, I do like how the big battles go down in the game. I just wish that I got to have more intimate physical encounters.
And man, there are a ton of villains. And even though the Joker is dead, he is very much a big presence in the game but I don’t want to reveal how, as that will spoil the story. But Mark Hamill, as the Joker, probably has as much dialogue in the game as Batman.
I liked that Scarecrow was the biggest villain in the game, as he’s a character that gets shafted in favor of the better known villains in Batman lore. Plus, the version of Scarecrow used in this game series is my favorite version of the character to date.
Ultimately, this is the best game in the series overall and thus, I’d say it is the best superhero video game that I have ever played. It brings the story full circle and is a nice conclusion to Rocksteady’s Batman franchise.
But really, I hope that this isn’t the actual end. I’d love to see a Nightwing, Red Hood or Batgirl game spun off from this series.
Rating: 9.25/10 Pairs well with: The three previous Batman: Arkham games.