Published: February 1st, 2017
Written by: Brian Michael Bendis
Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)
Marvel Comics, 317 Pages
Man, this was bewilderingly bad.
Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.
While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.
Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.
And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?
What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.
Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.
Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.
Also known as: Growing Pains (working titles), X-Men: The New Mutants (alternative title)
Release Date: August 26th, 2020 (Belgium, Spain, France, Poland, Portugal)
Directed by: Josh Boone
Written by: Josh Boone, Knate Lee
Based on: New Mutants by Chris Claremont, Bob McLeod
Music by: Mark Snow
Cast: Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Blu Hunt, Henry Zaga, Alice Braga, Adam Beach, Happy Anderson, Marilyn Manson (voice)
Marvel Entertainment, Sunswept Entertainment, Genre Films, Twentieth Century Fox, 98 Minutes
“Demon Bear! Let’s play a game!” – Illyana Rasputin
With two-to-three years worth of delays, Fox selling to Disney and everything else crazy that has been going on in the world, The New Mutants finally got released. I’m just glad it came out, after all this time, and that I got to see it in the theaters. Thankfully, it wasn’t simply dumped onto a streaming service, where it would’ve been treated as a complete afterthought.
Still, it’s hard to tell which version of the film we got. There were supposed to be re-shoots but they never happened, due to the Fox-Disney deal. Also, this was rumored to be pushing for an R-rating but it came out as PG-13. That probably has more to do with Disney now owning it, as opposed to representing the ideal vision of the director and the original studio.
With everything working against it, the finished product isn’t as big of a mess as I thought it would be. The editor definitely got a coherent film out of the material but it does feel light and a bit skeletal.
From what I understand, the re-shoots were intended to flesh out the story a bit more and to add more emphasis on the horror elements, as the success of the Deadpool movies led Fox to believe that R-rated comic book films could work.
As a massive fan of Illyana Rasputin a.k.a. Magik, it was incredible seeing her come to life in a live-action picture. It was even cooler seeing her face-off with the Demon Bear. It took something from my eleven year-old mind and brought it to life. And frankly, that moment alone made this film feel special to an old school New Mutants fan like myself. Plus, Anya Taylor-Joy was perfect as Illyana. I really hope this isn’t the only time she plays the character but I don’t have my hopes up.
It was also great seeing these other characters come to life in the flesh. I thought that Cannonball was a little weak but the other four characters came across pretty well. I wish that they actually expanded on their origins a bit more but we did get enough to start to understand them. Unfortunately, a sequel is doubtful even though two more films were planned before Fox was sold.
Overall, though, the movie is just okay. It feels more like a two-part pilot episode for a show that could be solid. It doesn’t feel like a film able to stand on its own though and the quality of it feels more like high budget television than something that is a part of the X-Men film universe. While that’s not necessarily a bad thing, the movie just looks noticeably cheaper and visually smaller than the series of films it is supposed to connect to.
However, this is all presented in a way where it could redirect itself and connect to the already well established Marvel Cinematic Universe. I highly doubt that will happen, though, as it wasn’t made by Disney and it has a much darker tone than their MCU films.
While it sucks that this didn’t come out in the final form it was intended to with the long-term plans kept intact, it’s still an interesting movie for the superhero genre. It’s vastly different than other films in the genre and it proves that you can dabble with other genres like horror and make it work.
I was really looking forward to the followups, as the plot outlines for the second and third chapters seemed really interesting and made way for much larger stories in scope. Plus, this film hints at the eventual appearance of Mister Sinister, who is long overdue in the X-Men film universe. However, that universe now belongs to another studio and will probably be completely rebooted to fit within their own plans going forward.
The New Mutants should have been an R-rated picture that upped the ante more than the finished product did but I guess we’ll never know what that was or could have been. Still, it’s worth a watch for those who liked the comic book series in the pre-Rob Liefeld era.
Pairs well with: the other Fox era X-Men films, as well as dark, coming of age superhero films like Brightburn and Chronicle.
Written by: Linda Fite
Art by: Werner Roth, Gil Kane (cover)
Marvel Comics, 37 Pages
This is where the X-Men team that I grew up with came to be. Yet, I had never read this until now, despite being a massive X-Men fan once I embraced them in the late ’80s.
Now this came out more than three years before I was born and I felt like I knew the story well enough but actually reading it was a worthwhile experience, as the story had a bit more character development than I could’ve anticipated. Especially in regards to Wolverine, Sunfire and Storm. It also allowed me to get more familiar with Warpath’s older brother, Thunderbird, whose superhero career was very short-lived.
This story also involves the island of Krakoa, which is a major aspect of the current X-Men related comics.
All in all, this was solid. I felt like the team was thrown together rather abruptly and it was a dangerous mission without them really training for it but it worked out and we got to see this new crew gel in spite of them all being pretty selfish and petty in the beginning.
What’s really great about this, is that it tells a beefy, deep story with just 37 pages. It really shows the difference in pacing in the comic book medium from the time when this was made up to the ’90s (or so) when comic stories felt like they flew by too quickly.
Additionally, the character designs and the art in this were superb.
I didn’t anticipate this being great, I always just thought of it as a a simple introduction. And while it’s not great, it is still better than I thought it’d be and it just made me appreciate this era of Marvel even more.
Pairs well with: other ’70s X-Men comics.
Published: December 10th, 2014
Written by: Chris Claremont, Peter David
Art by: John Buscema, Gene Colan
Marvel Comics, 495 Pages
As big of a Wolverine fan as I am, I have never read his earliest solo stories that revolved around his time in Madripoor when he was going by the name of “Patch”. I knew enough about this era but nothing is ever as good as reading it for yourself.
I read this on Comixology after buying it pretty cheap during a Wolverine sale. Normally, it’s like $30 but I know I got it for less than $10 and it was well worth that price tag.
This is a beefy collection that covers the first 16 issues of his solo comic, as well as the story that came out just before it and another comic that takes place within the same time frame. It makes for one nice long epic of Logan’s life in Madripoor. I’m not sure if he sticks around there after this collection and for how long but this really gives you the important stuff from that era.
I also knew that Jessica Drew a.k.a. Spider-Woman was around for some of this but I didn’t realize that she wasn’t Spider-Woman here and that she was pretty much just herself, as a ninja badass. I also didn’t realize that she was actually a big part of the Wolverine Madripoor stuff.
We also get a cool plot that teams Wolverine up with the Gray Hulk a.k.a. Mr. Joe Fix-It for the first time. It’s a pretty cool tale and it also fits well within the larger tapestry that sees Logan trying to fight the criminal underworld in this fictitious Asian island nation.
Almost everything here is written by the great Chris Claremont, who probably knows Wolverine the best. Some of this is also written by Peter David but he’s a legend too and he knows how to write a story with great energy.
Ultimately, this wasn’t close to being my favorite Wolverine story, and it may actually be a bit underwhelming because of that, but it is still damn entertaining and really reflects a truly unique time in the character’s mythos.
Pairs well with: other Wolverine solo stories from the late ’80s into the early ’90s.
Published: September 3rd, 2008
Written by: various
Art by: various
Marvel Comics, 44 Pages
I’ve seen this comic floating around for years in back issue bins, so I figured I’d get a copy and read it, as Magik is my favorite Marvel hero.
Sadly, this one-shot is pretty disappointing. This is just comprised of reprints of short stories featuring Magik from her era in New X-Men, a series I’ve never been too keen on.
Also, all of the stuff here is collected into a trade paperback that I already reviewed: New X-Men: The Quest for Magik (see here). You might as well just read that, as it features all of this, as well as a bigger story and more context.
I’m not sure why Marvel reprinted these in this format but whatever, I guess it just gets me one step closer to completing my collection of all Magik’s appearances.
Pairs well with: old school New Mutants stuff, as well as the Magik miniseries from the early ’80s and any other Magik-centric story arc.
Written by: Scott Lobdell, Jeph Loeb, John Francis Moore, Mark Waid, Warren Ellis, Fabian Nicieza, Larry Hama, Howard Mackie, Terry Kavanagh
Art by: Roger Cruz, Terry Dodson, Steve Epting, Andy Kubert, Adam Kubert, Carlos Pacheco, Joe Madureira, Tony Daniel, Salvador Larroca, Chris Bachalo, Ken Lashley, Steve Skroce, Ian Churchill, Joe Bennett
Marvel Comics, 1462 Pages
I’ve really only heard great things about The Age of Apocalypse storyline since it started back in 1995, an era where I wasn’t really reading comics for awhile, except for Dark Horse’s Star Wars stuff.
In fact, the last major X-Men related event that I had read before this was X-Cutioner’s Song, a pretty good epic. But shortly after that, I got pretty burnt out once the top Marvel guys went off to form Image and then those comics were constantly hindered by delays and irregular schedules.
Based off of all the praise I heard, I always wanted to read this but it was such a massive story, spread over multiple collected volumes that I never really wanted to fork out the over $100 it would cost to buy the whole shebang. So, all these years later, I took advantage of a massive X-Men sale on Comixology and got the entire saga with its prelude for about $20.
Now that I’ve read it, I’m glad I only spent $20 because like Game of Thrones, all my friends and all the critics lied to me about how great this was. It’s not, it’s a clusterfuck of biblical proportions showcasing a lot of the things that were wrong with mid-’90s comic book art from the major publishers.
I’ll start with the art and just come out and say that this was mostly an eyesore to look at. The biggest reason was the colors, which relied so heavily on what I assume are digitally created gradients and overly vibrant colors that this was like staring into the asshole of a tropical fruit salad for hours. Everything is too busy, every single issue collected is made to be overly grandiose and if everything is larger than life and overly vivid, then that becomes the norm and thus, makes everything kind of boring.
Additionally, there is such a mix of different artistic styles that it becomes jarring as these collections jump from issue to issue every twenty pages or so. Some of the artists had great pencils but many of them illustrated in a style that didn’t feel like Marvel and instead felt like the artists were trying to emulate indie comics from Image and Valiant. Besides, the stuff that was illustrated well, ended up being wrecked by the primitive gradients and crazy colors that looked like a giallo film puked all over a box of Prismacolor markers.
When it comes to the narrative side of this, that’s also a mess.
This suffers from trying to be way more ambitious than it needed to be. The whole story is comprised of about seven or eight different subplots that are and aren’t intertwined. Some of them merge towards the end into the bigger story but some stuff just happens within this new timeline. But the story jumps around so much that it makes the whole thing hard to follow as a singular body of work. This is the same problem I have, right now, with all the new X-Men related titles that are tied to a bigger narrative but don’t feel connected as much as they should. But this is what happens when you have a half dozen different titles and different writers, all of whom want to explore different territory in their own way while being trapped within a common framework.
In fact, the only plot I actually enjoyed was the one that dealt with the characters that aren’t tied to the X-Men.
There was a two issue miniseries called X-Universe, which focused on what other Marvel characters were up to during this event. We check in on this timeline’s version of Gwen Stacy, some of the Avengers, Fantastic Four, Doctor Doom and a few others. I found this more interesting and it showed me that this alternate timeline could provide the right sort of environment for cool and refreshing takes on old characters.
While I should probably feel the same way about all the X-Men related characters and their stories, it is hard to focus on any of them because of how this jumps around so much. When I got to the non-X-Men characters, it felt like a nice break from the X-clusterfuck I was pushing myself through.
Ultimately, I was really disappointed in this. I kept powering through it because I was hoping that all these subplots and characters would unify into something coherent that clicked at the end but that didn’t happen. We eventually get to a resolution but it’s not all that satisfying.
On a side note (and spoiler alert): the way that Magneto kills Apocalypse is pretty f’n badass.
Pairs well with: other big X-Men crossovers of the ’80s through ’00s.
Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti
Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson
Marvel Comics, 803 Pages
This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.
But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.
This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.
The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.
Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.
The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.
Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.
Pairs well with: other major X-Men crossover events from the ’80s and ’90s.
Published: June 19th, 2019
Written by: C.B. Cebulski, Craig Kyle, Christopher Yost
Art by: Giuseppe Camuncoli, Paco Madina, Skottie Young, David Finch (cover)
Marvel Comics, 385 Pages
I already read and reviewed the X-Infernus part of this large collection, so I’m omitting that and letting my previous review on it stand alone. The main reason, is that it’s pretty good where the rest of this collection is pretty monotonous.
Since I first started reading New Mutants as a young kid, I always loved the Magik character. She’s one of my favorite Marvel Comics creations. In fact, she might be my favorite out of the characters that debuted in my lifetime.
Having never read the majority of what’s collected here, I always felt that a large portion of her story was unknown to me. So I wanted to rectify that and fill in the blanks from the ’00s, as I kind of dipped out of comics for most of that decade.
The problem with this, is that I pretty much hate all the New X-Men stuff. I never liked the team, as almost every new mutant teen felt generic as hell and many of the stories felt like retreads of stuff from other teenage mutant books from the ’80s and early ’90s. I think the only character I really liked out of any of them was Rockslide.
So this is pretty heavy on New X-Men shit. To the point that a massive chunk of this collection, mostly the first half, doesn’t even feature Magik. I mean, this is titled The Quest for Magik but we’ve got to get through a boring four-part story before we even get to the subject matter that the book’s title implies.
Once we do get to Magik, everything feels off.
I also have to point out that some of the art is really good but then this collection jumps around to different titles that have a very different art style and in a collection, that can be jarring to the eyes. It goes from a serious, straightforward style, to a cheesy overly anime style, to using colors and gradients in a way that pop too much and make the illustrated work get lost in the colorful clusterfuck.
Overall, this is a disappointment. There were a few solid points and the X-Infernus four-part miniseries is still a good read but ultimately, I’ve got buyer’s and reader’s remorse.
Pairs well with: other New X-Men collections.
Written by: Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti
Art by: John Romita Jr., Walter Simonson, Sal Buscema
Marvel Comics, 319 Pages
Well, not all giant X-Men crossover events can be created equal.
This one started off with a bang though. Sadly, it withered away in the second half, as it crossed over into non-X-Men-related titles and became a narrative clusterfuck that slowed down the story’s momentum to a complete halt.
The main reason I wanted to read this was to have a bit of background context before jumping into the following big event The Fall of the Mutants. While I had never read either crossover in their entirety, I had read parts and I knew that the stories had a very close association.
The focal point of the story shows the Marauders invading the Morlocks’ sewer hideout where they murder the shit out of them. Only a few actually survive and that’s mostly due to the X-Men, X-Factor and the New Mutants involving themselves in the ordeal.
As this collection rolls on, the story spins off into issues of Thor, Daredevil and Power Pack. This is where the narrative starts to become a mess. And once we get to this point, a lot of the issues rehash some of the same shit, over and over.
What I was excited to see was Apocalypse show up and the actual breaking of Angel. I thought that he would actually be turned into Archangel in this story but I guess that happens just after, which was kind of disappointing, as I’ve never got to read that actual story. I assumed it would happen here once Angel had his wings destroyed and was nailed to the sewer wall with about half the story left.
There were a lot of deaths in this but none that really hold any weight or matter to the bigger picture.
But I guess this helped plant the seed for The Fall of the Mutants and the introduction of both Archangel and Mister Sinister.
Pairs well with: other big X-Men crossover events from the ’80s and ’90s.