TV Review: Californication (2007-2014)

Original Run: August 13th, 2007 – June 29th, 2014
Created by: Tom Kapinos
Directed by: various
Written by: various
Music by: Tree Adams, Tyler Bates
Cast: David Duchovny, Natascha McElhone, Madeleine Martin, Evan Handler, Pamela Adlon, Madeline Zima, Stephen Tobolowsky, Bill Lewis, Judy Greer, Tim Minchin, Mädchen Amick, Ezra Miller, Justine Bateman, Peter Gallagher, Kathleen Turner, James Frain, Carla Gugino, Rob Lowe, Zoë Kravitz, Meagan Good, Rza, Maggie Grace, Michael Imperioli, Heather Graham

Totally Commercial Films, Aggressive Mediocrity, Twilight Time Films, And Then…, Showtime, 84 Episodes, 29 Minutes (per episode)

Review:

I heard a lot of good things while Californication was on the air. I held off on checking it out until it was over, recently binge watching it on Netflix.

The story follows novelist Hank Moody (David Duchovny) as he tries to win back his long time baby mama Karen (Natascha McElhone) and balance a life of sex addiction, drugs, booze and his daughter (Madeleine Martin). Also, early in the series, he gets caught up in having sex with the underage daughter (Madeline Zima) of his baby mama’s new fiance. The show is accented by Hank’s manager and best friend, Charlie (Evan Handler) and his wife, Marcy (Pamela Adlon).

The show starts out really strong and each season is actually pretty good before it runs off the rails in the final season of its seven season run.

Duchovny is lovable as the childish and womanizing novelist but ultimately, he constantly does questionable things and always finds himself in trouble or making situations much worse. Sometimes, it is just the result of unforeseen circumstances but typically it is the result of a myriad of bad or careless decisions.

The constant back and forth between Hank and Karen is enjoyable for the first few seasons but it eventually grows tiresome about midway through the series’ run. Maybe that is because I binge watched it and didn’t see their relationship grow, evolve and fall apart over the course of several years time.

Hank’s daughter started out as a decent enough character but after a season or two, she becomes completely unlikable and doesn’t recognize that her father isn’t really all that bad and that despite his pitfalls has genuinely tried to put her first.

The best overall story during the run of the show was the up and down relationship of secondary characters Charlie and Marcy. They go through more real world problems and drama than Hank and Karen do and in the end, they reconnect and find each other, ending off better than they ever were throughout their tumultuous relationship. And Stu, who becomes Marcy’s husband over a season or two, was hysterical. The love triangle between Charlie, Marcy and Stu was the highlight of this entire show. And honestly, this relationship makes Hank and Karen’s look like bullshit high school level drama.

By the time I got to the end, I really didn’t care about where Hank and Karen ended up because based off of their track record, I knew it had the possibility to go in the opposite direction five minutes after the final credits rolled.

The show was pretty solid for most of its run but the final goodbye was long overdue by the time I got to the end.

Rating: 7.75/10
Pairs well with: Shameless, Weeds, Entourage and Aquarius.

Film Review: Sleepwalkers (1992)

Also known as: Stephen King’s Sleepwalkers
Release Date: April 10th, 1992
Directed by: Mick Garris
Written by: Stephen King
Music by: Nicholas Pike
Cast: Brian Krause, Mädchen Amick, Alice Krige, Ron Perlman, Glenn Shadix, Stephen King, John Landis, Joe Dante, Clive Barker, Tobe Hooper, Mark Hamill

Columbia Pictures, 91 Minutes

Review:

“Stop looking at me! Stop looking at me you fucking cat!” – Charles Brady

I didn’t like this film when it came out way back in 1992. I was in middle school, at the time, and all the kids were obsessed with Stephen King. While I love many of the film adaptations of his work and did enjoy a couple of his stories, Sleepwalkers was not among King’s work that I found worthwhile. I did see it in the theater, after having my arm pulled by several friends and because I was crushing hard on Mädchen Amick back then, thanks to her character on Twin Peaks.

Seeing it all these years later was not a better experience. It didn’t age well, there wasn’t some sort of endearing or charming quality to the film and frankly, it was hard to sit through.

The special effects are pretty crappy. the transformation animations when the werecat characters’ faces shift is quick and fluid but just looks insanely hokey and bizarre. It is on par with something you would see in a music video from the same era. And while I’m aware that this movie had a modest budget, other similar horror films with modest budgets were doing better effects a dozen years earlier. Look at An American Werewolf In London and The Howling, for instance. Hell, look at the amazing effects in Fright Night, which came out in 1985, seven years before this.

The film also suffers from being completely bogged down by awful 1990s cliches. The fashion, the music, the overall style… it all just reeks of the worst things that decade had to offer. Sleepwalkers is teen horror at its worst and the 90s panache really just shovels a few extra pounds of shit into this gaping hole of a movie.

The creature effects, once the monsters appeared in their final form were okay. The werecat vampire monsters looked fairly cool but it wasn’t anything that could save the picture.

At least the film had cameos from several horror directors and also had small roles for Ron Perlman, Mark Hamill and Glenn Shadix.

So does Sleepwalkers deserve to be put through the Cinespiria Shitometer? To quote the legendary professional wrestling manager Paul Bearer, “Ohhhhhhhh, yessssssss!” So the results read, “Type 4 Stool: Like a sausage or snake, smooth and soft.”