Also known as: Mister Glass (Israel), Cristal (Spain)
Release Date: January 7th, 2019 (Paris premiere)
Directed by: M. Night Shyamalan
Written by: M. Night Shyamalan
Music by: West Dylan Thordson, scores from Unbreakable by James Newton Howard
Cast: James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson, Tom Bower, M. Night Shyamalan (cameo)
Blinding Edge Pictures, Blumhouse Productions, Buena Vista International, Universal Pictures, Walt Disney, 129 Minutes
“This was an origin story the whole time.” – Elijah Price
This is the third and final film in M. Night Shyamalan’s Unbreakable trilogy, assuming that’s what we can call the three pictures that started with Unbreakable, continued with Split and ended with this.
My anticipation for this movie was pretty high, as I love the two films before this one. That being said, this is my least favorite of the three movies but this is still really damn good and someone had to be the odd man out. But still, this non-traditional superhero film series is actually a lot better than most of the more traditional superhero film franchises that oversaturate the market today.
This film series feels plausible and grounded in reality, as it isn’t overly fantastical and littered with special effects and epic battles featuring the mass destruction of just about everything on screen. These three films feel much more like a great indie superhero comic come to life, as opposed to something that adapted Marvel or DC stories. It’s smaller, more personal and well, more human.
And I’m not saying all this to knock big budget, over the top, superhero movies. I love a lot of those films. But this trilogy by Shyamalan is very different and very refreshing.
Additionally, all the performances in this movie are spectacular. James McAvoy switches from personality to personality in rapid succession even more than he did in Split. Samuel Jackson just kills it as Mr. Glass and he feels so comfortable and at home with the role. Bruce Willis is pretty much just stoic and intense but it works. Sarah Paulson does a convincing job as the psychiatrist that’s trying to analyze the three men. But the real scene stealer for me is Anya Taylor-Joy, who I always seem to talk highly of in every film I’ve reviewed that features her. She has immense talent and it is on full display here.
In typical Shyamalan fashion, this film has a twist. In fact, it has a layered twist that comes with its own surprise even after it’s revealed. But I won’t give anything away.
The film also looks beautiful. It’s amazingly shot with enchanting cinematography, lighting and shot framing.
There isn’t anything bad to say about the movie. It’s not perfect but for fans of this series, this is a very satisfying conclusion.
Pairs well with: the films that precede it: Unbreakable and Split.