Film Review: Ratboy (1986)

Release Date: October 17th, 1986
Directed by: Sondra Locke
Written by: Rob Thompson
Music by: Lennie Niehaus
Cast: Sondra Locke, Sharon Baird, Robert Townsend, Christopher Hewett, Larry Hankin, Sydney Lassick, Gerrit Graham, Louie Anderson, Billie Bird, John Witherspoon, Gary Riley, Courtney Gains, M.C. Gainey, Jon Lovitz, Bill Maher

The Malpaso Company, Warner Bros., 104 Minutes

Review:

After seeing the trailer and checking out the critical consensus on this film, I thought that I might still enjoy it due to how weird it looked. But honestly, it was kind of hard to get through and the novelty of it wore off really quick. But hey, the French liked it.

This was Sondra Locke’s directorial debut and man, it was a complete misfire. So much so, that she never really bounced back from it and only had four total directing credits to her name, one of which was a television movie. She also got nominated for a Razzie for her performance in this, although she lost out to Madonna’s performance in Who’s That Girl?

I had read that this was made as a sort of allegory to her long relationship with Clint Eastwood, which was dissolving at the time. She saw herself as victimized and exploited and for whatever reason, this script spoke to her. I’m not entirely sure if she saw herself as the Ratboy character and Clint Eastwood as her character but this vapid Taylor Swift moment seems pretty petty and immature.

Locke also had Eastwood’s production company produce the film, so maybe that was her final “fuck you” to the guy.

Anyway, apart from Rick Baker’s solid effects used to create the Ratboy character, there is next to nothing about this film that is impressive. Hell, it even has a great cast with several talented character actors but they can’t come close to saving this, as it’s a complete dud from top-to-bottom. Granted, I do like Gerrit Graham in everything and I did enjoy him here, even if the film felt like a waste of his time.

This is just slow, drab, predictable and boring as fuck. There are a few amusing bits like the scene with John Witherspoon trying to hustle Ratboy but these moments are far and few between and it’s not worth sitting through the whole, dull picture to pull out the good bits. Besides, the clip is probably on YouTube.

I had hoped that there would be something worthwhile in this. Other than the few things I already mentioned, there isn’t.

The end.

Rating: 4/10
Pairs well with: I honestly don’t know, as it’s so bizarre and unique.

Film Review: Leap of Faith (1992)

Release Date: December 15th, 1992 (Dallas premiere)
Directed by: Richard Pearce
Written by: Janus Cercone
Music by: Cliff Eidelman
Cast: Steve Martin, Debra Winger, Lolita Davidovich, Liam Neeson, Lukas Haas, Meat Loaf, Philip Seymour Hoffman, M. C. Gainey, Delores Hall, Troy Evans

Paramount Pictures, 108 Minutes, 95 Minutes (Ontario cut)

Review:

“Look, I run a show here. It’s a lot of smoke and noise and it’s strictly for the suckers. I’ve been pulling one kind of scam or another since I was your age, and if there’s one thing I know it’s how to spot the genuine article because that’s what you’ve got to watch out for. Not the cops, you can always get around the cops. But the one thing you can never, ever get around is the genuine article, and you, kid, are the genuine article.” – Jonas

I saw this movie once a really long time ago but I really liked it and had been meaning to revisit it at some point. It’s just one of those films that slipped down the memory hole. But when I reviewed My Blue Heaven, I discovered that I hadn’t yet reviewed any of Steve Martin’s work, which was surprising due to how much I love the guy. So when I went down the list of his films, this one immediately popped out as one I needed to revisit as soon as possible.

I’m really glad that I did, as it’s held up pretty well and I’m honestly not sure why this isn’t considered one of Steve Martin’s best from the general critical consensus.

This is a film that really shows Martin’s dramatic range while still allowing him to be comedic. But this is a more serious picture than his most popular ones. Just being a few years removed from Parenthood, however, Martin was able to kind of build off of that film’s more serious tone and deliver another well-balanced performance that is both campy and real.

In this, he plays a professional conman that is running around America as a faith healer. He tries to justify his massive con by pointing out that his work, despite its dishonesty, does in fact help people because he makes them believe it. But ultimately, the story and the people he encounters on this stop of his journey, make him see himself and his work differently.

Martin is surrounded by a solid, very capable cast made up of Debra Winger, Liam Neeson, M. C. Gainey, Meat Loaf, a very young Philip Seymour Hoffman and an even younger Lukas Haas. But everyone in this film brings it. Plus, seeing the relationship blossom between Neeson’s Sheriff character, who wants to expose Martin’s preacher as a fraud, and Debra Winger, Martin’s trusted assistant, is really well orchestrated and executed.

The film lets you know that Steve Martin’s Jonas Nightingale is a pretty scummy guy from the get go but it still allows him to win you over and lure you in regardless of how he capitalizes off of very poor people’s naivety. You still fall for the guy even knowing the con and once you actually get to know him, you understand that his life has been pretty shitty too. It doesn’t excuse his poor life decisions but it allows you to understand where they came from and hope that he somehow finds a better path because he does touch people and could actually do some good in the world.

In its simplest form, this is a movie about redemption and I love redemption stories. It’s far from the greatest redemption story ever told but it is still a very enjoyable one that features a complex and charismatic character that you kind of want to root for in spite of his selfish, predatory nature.

Rating: 7.25/10
Pairs well with: other Steve Martin comedies with a high emphasis on drama.

Film Review: Terminator 3: Rise of the Machines (2003)

Also known as: T3 (promotional abbreviation), York Square (fake working title)
Release Date: June 30th, 2003 (Westwood premiere)
Directed by: Jonathan Mostow
Written by: John Brancato, Michael Ferris, Tedi Sarafian
Music by: Marco Beltrami
Cast: Arnold Schwarzenegger, Nick Stahl, Claire Danes, Kristanna Loken, Earl Boen, M.C. Gainey, Chris Hardwick, Matt Gerald

Intermedia Films, IMF Internationale Medien und Film GmbH & Co. 3. Produktions KG, C-2 Pictures, Warner Bros., 109 Minutes

Review:

“[raises palm to cashier] Talk to the hand.” – Terminator

I saw this the night it came out, back in 2003. It was a massive disappointment and thus, I’ve never gone back and watched it again until now. But this film is really where the Terminator franchise completely went off the rails and honestly, it has never recovered, except for the too brief television show that ended on a cliffhanger.

Out of all the sequels, I think that this one is the worst. Genisys actually had a worse story but Schwarzenegger was really enjoyable in that one and kind of saved it from being complete and utter shit. In this one, however, his humor and attempts at one-liners are so fucking cringe that it drags a somewhat better story way down into the mud.

For positives, I think there’s really just one: Nick Stahl. I’m not sure what the critical and fan consensus is on his performance as John Connor (I’d assume it’s not good) but I actually thought he did fairly well for having a terrible script to work with and being a last minute replacement for Edward Furlong, who couldn’t return due to his drug abuse issues at the time.

Beyond that, Claire Danes is terrible in this and Kristanna Loken looked great but was so boring she pulls you out of the film.

One could say, “Well, Robert Patrick wasn’t exciting in T2.” But those people would be wrong. Just because an actor has to play an emotional robot of a character, doesn’t mean that they have to be a generic blank slate, tilting their head like a dog that heard a high pitch sound. Patrick in T2 and Schwarzenegger in T1 both knew how to move and how to act in order to come across as a soulless predator. It was in their body language, their facial expressions and the way they hunted their targets. To be fair, I don’t necessarily blame Loken, I blame the director for not seeing this and fine tuning her performance to live up to the standard set before her.

While I like the idea that Armageddon is inevitable, as this film strongly implies throughout the entirety of its story, I want to know why. It never tells us why. It just has Schwarzenegger randomly say, “You just delayed Armageddon; Armageddon is inevitable.” Well, why does he say that or think that? What does he know that makes this a fact? There’s a story there that could’ve enriched the bigger picture here but it’s just a repeated throwaway line that we just have to accept and go, “M’kay, sure… that makes sense.”

The most important thing working against this film isn’t any of the stuff I’ve already mentioned, it’s the fact that this is just really fucking boring. It doesn’t matter that the Terminator uses one-liners that were already out of date by 2003 or that the Loken Terminator doesn’t make a lot of sense and she’s overpowered for the sake of being overpowered. This is just a dreadfully boring piece of shit.

It’s not competent, it feels incredibly generic and there’s nothing in the film that is memorable. There’s no great action sequence that you will care to remember like many of the great sequences from the first two films. I guess the biggest one I remember is the car chase with the crane truck and remote control police cars but I was more annoyed by it than impressed.

The whole film felt as soulless as Loken’s Terminator.

But at least it’s less than two hours.

Side note: I thought the closing moments in the underground bunker were actually kind of good and somewhat chilling.

Rating: 5/10
Pairs well with: the other shitty Terminator movies that followed.

TV Review: Justified (2010-2015)

Also known as: Lawman (working title)
Original Run: March 16th, 2010 – April 14th, 2015
Directed by: various
Written by: various
Based on: Fire in the Hole by Elmore Leonard
Music by: Steve Porcaro, Gangstagrass (theme)
Cast: Timothy Olyphant, Nick Searcy, Joelle Carter, Jacob Pitts, Erica Tazel, Natalie Zea, Walton Goggins, Jere Burns, M.C. Gainey, Brent Sexton, William Ragsdale, Stephen Root, Margo Martindale, Brad William Henke, Neal McDonough, Stephen Tobolowsky, Scott Grimes, Jeff Fahey, Garret Dillahunt, Sam Elliott, Mary Steenburgen, Danielle Panabaker, Amy Smart, Alicia Witt, Michael Rapaport, Patton Oswalt, Gerald McRaney, Adam Arkin

Sony Pictures Television, Rooney McP Productions, Timberman-Beverly Productions, Nemo Films, Bluebush Productions, FX, 78 Episodes, 37-53 Minutes (per episode)

Review:

*Written in 2015.

Justified was one of those shows that everyone told me to watch. I really loved Deadwood and was pissed that it ended when it did, only after three seasons and on a cliffhanger. Timothy Olyphant was fantastic in that show. When Justified came around, it seemed like the modern spiritual successor to the near perfect Deadwood. And many people went on to confirm that to me, before I even saw it.

Then I saw it.

I don’t know what it is about majority opinion and my own opinion but when it comes to television shows, they don’t seem to match up. The thing is, I hate this show. “Awful” isn’t a strong enough word to describe it.

Maybe there is just something about FX that is horrible because every single FX show I have ever watched, except for Always Sunny, has completely underwhelmed me and left me befuddled as to how so many people are in love with FX’s product. The network is perceived by many to be on par with the greats like HBO, Showtime and AMC. Justified is just one of a string of many shows that feels just as safe and generic as the episodic crime drama bullshit found on the big networks: CBS, ABC, NBC and Fox.

I also don’t know who the music director is at FX but Justified easily has the worst theme song in television history. It is eye rolling, stomach churning and just a horrendous attempt at trying to force together hip-hop and bluegrass. But FX shows have a history of having really shitty theme songs, except for Always Sunny. The Justified theme, actually makes the terrible Sons of Anarchy theme, sound like a masterpiece.

The worst part, is that I like Olyphant and even more than him, I love Walton Goggins. This show has great talent on the screen but the final product is still crap. Sure, the acting is better than average but the plot, the characters and everything else is so drab and cookie cutter.

I only made it about halfway through the third season before giving up. I rarely give up on a show. But nothing really grabbed me by that point and the consensus from the fans of the show is that the first three seasons are the best and then it falls off after that. Well, it was never really on for me to begin with so I certainly don’t want to invest another twenty-plus hours in it “falling off”.

I wish there were more westerns and even neo-westerns on TV. I just wish more were like Deadwood, Hell On Wheels and Longmire (once it went to Netflix) and less like this basic bag of bullshit.

And ultimately, it’s just made me go back and start re-watching the far superior Deadwood once again.

Rating: 4/10
Pairs well with: Sons of AnarchyBreaking BadFear the Walking Dead and Deadwood.

Film Review: The Dukes of Hazzard (2005)

Release Date: August 5th, 2005
Directed by: Jay Chandrasekhar
Written by: John O’Brien, Jonathan L. Davis
Based on: characters created by Gy Waldron
Music by: Nathan Barr
Cast: Johnny Knoxville, Seann William Scott, Jessica Simpson, Burt Reynolds, Willie Nelson, David Koechner, M. C. Gainey, Lynda Carter, James Roday, Joe Don Baker

Village Roadshow Pictures, Warner Bros., 104 Minutes

Review:

“Derp, derp, derp, (expletive) derp!” – Everyone in the film

Man, what a pile of absolute shit this was.

Okay, let me say that I wasn’t expecting much, which is probably why I waited twelve years to watch a film based off of a television show I used to love. This also features some actors I like, so I was expecting, at the very least, something a bit better than total shit. But no, this is total shit.

The story is just a jumbled mess of scenes that are fairly nonsensical and for the most part, don’t advance the plot. This is just a film about gags and every now and then, we are reminded of some sort of narrative framework that is supposed to pull all this together. However, Knoxville’s Jackass movies have more of a unified narrative than this movie.

The film brings together Johnny Knoxville and Seann William Scott, two guys who have amused me in the past and who should have been pretty good together. However, with such a bad script and nearly non-existent direction, The Dukes of Hazzard makes Joe Dirt 2 look like 2001: A Space Odyssey.

I mean, this film’s script is so bad, that I wouldn’t even give it to Kim Jung Un to use as toilet paper. It’s the worst script I’ve seen that has actually gone before the camera in a really long time. Burt Reynolds and Willie Nelson should have been smarter than to have been in this fully loaded shit sandwich with a side of shitato salad and a 20 oz. cup Diet Dr. Shitter. Strangely, Nelson came back for a direct-to-video sequel.

This movie was one of the most painful experiences of my life. I tried to just focus on the beauty of Jessica Simpson but then she kept talking and I was reminded that this is a girl that doesn’t know the difference between tuna and chicken.

Of course this has to go through the Cinespiria Shitometer. The results read, “Type 3 Stool: Like a sausage but with cracks on its surface.”

Rating: 1.5/10

TV Review: The Adventures of Brisco County, Jr. (1993-1994)

Original Run: August 27th, 1993 – May 20th, 1994
Created by: Jeffrey Boam, Carlton Cuse
Directed by: various
Written by: various
Music by: Velton Ray Bunch, Stephen Graziano, Randy Edelman
Cast: Bruce Campbell, Julius Carry, Christian Clemenson, Kelly Rutherford, John Astin, Billy Drago, M. C. Gainey, R. Lee Ermey (cameo), Tracey Walter

Boam/Cuse Productions, Warner Bros. Television, 27 Episodes, 45 Minutes (per episode)

briscocountyReview:

I have been a huge fan of Bruce Campbell since first experiencing the Evil Dead films in the 80s. However, as much as I love his character Ash, my favorite role Campbell has ever had is Brisco County, Jr. This is, hands down, the greatest thing Campbell has ever been a part of and it still bothers me, over twenty years later, that the show ended after a single season.

In the same vein as The Wild, Wild West (the show, not the atrocious movie), The Adventures of Brisco County, Jr. mixes the western and science fiction genres. It also adds in lighthearted but excellent comedy and a family friendly level of violence, as it isn’t really violent at all.

Bruce Campbell plays the title character, Brisco County, Jr. He is a bounty hunter who is trying to round up all the men who helped murder his father, a U.S. Marshall (played by R. Lee Ermey). He finds himself pitted against John Bly (played by the always enigmatic Billy Drago), as well as Bly’s gang. Gang members, Big Smith (played by M.C. Gainey) and Pete Hutter (played by John Pyper-Ferguson) are fantastic characters that have a lot of depth and make this show even more enjoyable. Pete Hutter is actually one of my favorite comedic villains of all-time. But nothing is as cold, chilling and evil as Billy Dargo’s John Bly. He is still one of the best television and western villains I have ever seen.

On the heroic side, Brisco is joined by the lawyer Socrates Poole (played by Christian Clemenson) and rival/friend bounty hunter Lord Bowler (played by the perfectly casted Julius Carry). The camaraderie between Brisco and Bowler is amazing. They are one of the great all-time buddy pairings. The inclusion of Clemenson rounds out the trio and makes a stellar team. They are also assisted, at times, by Professor Wickwire (John Astin a.k.a. Gomez from The Addams Family) and Dixie Cousins (Kelly Rutherford in her best role).

In addition to apprehending the John Bly Gang, Brisco keeps finding himself involved with a mysterious object called “The Orb”. In fact, it is the one thing that John Bly is after. The Orb brings a supernatural element to the show that is refreshing and new. This show still feels like it is one-of-a-kind, even today, because of things like the Orb and the way that it was always looking to the future and teased technological innovations before their time.

27 episodes weren’t enough, even though the show does leave you with a somewhat satisfying ending. At least the main story arc is closed by the end of the season with a few hints at the future sprinkled in. It would’ve been awesome if it had kept moving forward though.

According to the creators, the second season would have seen Brisco becoming the sheriff of a small town while settling down with Dixie and having a family.

Rating: 9.5/10