Comic Review: Star Wars: The Last Command

Published: 1999
Written by: Mike Baron, Timothy Zahn (original story)
Art by: Edvin Biukovic, Eric Shanower, Ellie DeVille, Pamela Rambo, Mathieu Lauffray (covers)
Based on: Star Wars by George Lucas

Dark Horse Books, 149 Pages

Review:

This is the third and final installment of the comic book adaptation of Timothy Zahn’s fantastic Thrawn Trilogy. And just like the previous two entries into this series, this adaptation was well done and breathed new life into these stories.

Overall, this is probably the slowest of the three chapters. I find that surprising as it is the conclusion. But don’t get me wrong, the last issue is action packed and a great finale with a solid space battle and the defeat of one of the greatest Imperial threats of all-time, Grand Admiral Thrawn.

This also sees Luke and Mara’s story evolve past her wanting to murder him. She finds a peace that she has never had and eventually relents in her dark side fueled drive and decides to train and become a Jedi.

Additionally, this is a good resolution to the Noghri story, which I loved. They get their just desserts, just as we, the audience, did in seeing them get justice against Imperial oppression.

This is also the first appearance of the Jedi twins, Jaina and Jacen Solo. For fans of the Expanded Universe, you know how pivotal these characters were to the future of the franchise before Disney came along and said, “Screw these well developed, great, dynamic characters! We’ve got Kylo Ren now!”

Like the two previous adaptations of The Thrawn Trilogy, this one has some great art and looks fantastic and timeless. I love the art style that Dark Horse had in these ’90s Star Wars comics.

The Last Command is a great read for those of you who still prefer the EU to the new Disneyverse or whatever you want to call the new “official” continuity. I call it “poop” but I guess some of you like the new stuff for some reason.

Rating: 8.5/10
Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Thrawn Trilogy stories, as well as The Shadows of the Empire TrilogyThe Dark Empire Trilogy and the Rogue Squadron series.

Comic Review: Star Wars: Dark Force Rising

Published: 1997
Written by: Mike Baron, Timothy Zahn (original story)
Art by: Terry Dodson, Kevin Nowlan, Ellie DeVille, Pamela Rambo, Kilian Plunkett (covers)
Based on: Star Wars by George Lucas

Dark Horse Books, 149 Pages

Review:

Dark Force Rising is the second chapter in Timothy Zahn’s Thrawn Trilogy. It’s kind of like his Empire Strikes Back, as it builds off of what he established in Heir to the Empire and pushes things forward before the big crescendo that is The Last Command.

It’s really cool revisiting these stories and in comic book form for the first time. I love all the plot threads in this tale, especially in this chapter. I forgot how awesome the plot where Leia, Chewie and Threepio go to the Noghri homeworld was, as well as the team ups of Han and Lando, as well as Luke and Mara. Everything here is just a lot of fun. Plus, you get to see Thrawn up the ante on how sinister he can get.

I also forgot how much I liked the characters of Gilad Pellaeon and Talon Karrde, two men far from the New Republic side but, through this story, find ways into the former Rebellion, where they become strong leaders going forward.

A big part of the story here also deals with politics. There is a plant in the New Republic that is working to disrupt and distract them while Thrawn moves in against them, squeezing his fist of power around the fledgling government. I would point to how politics are handled and presented here, as a better use of political storytelling than what everyone complains about with The Phantom Menace, which had a convoluted political narrative that made most people want to hit their heads against the theater chair in front of them.

The art in this was solid and I liked it better than the work in Heir to the Empire. Also, the lettering was much more legible, as the writing style of the letters in the previous chapter had stylized “H”s that looked like stylized “U”s, which slowed you down as you read.

I like this act in the trilogy better than the previous one but just slightly. Things start to feel more real with this chapter, the ante is upped and you truly start to see why Thrawn is such a formidable foe for the heroes and maybe more so than any other Grand Admiral in the history of the Galactic Empire.

In all honesty, it’s just a delight to revisit these stories, as Disney has pretty much created a new canon that I don’t want anything to do with. This is and will always be my official canon.

Rating: 8.75/10
Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Thrawn Trilogy stories, as well as The Shadows of the Empire Trilogy, The Dark Empire Trilogy and the Rogue Squadron series.

Comic Review: Star Wars: Heir to the Empire

Published: 1995-1996
Written by: Mike Baron, Timothy Zahn (original story)
Art by: Fred Blanchard, Olivier Vatine, Mathieu Lauffray (covers)
Based on:  Star Wars by George Lucas

Dark Horse Books, 150 Pages

Review:

Heir to the Empire is the first story in what has come to be known as The Thrawn Trilogy. It was also the first story to follow the events of Return of the Jedi. This was the first true sequel to the original Star Wars trilogy and it was so good that it really spawned what became the Expanded Universe or EU. However, it was originally released as a novel along with it’s two followups: Dark Force Rising and The Last Command. This comic book adaptation came a few years later and this is the first time I have read these stories in this medium.

I have to say, this is a great adaptation. Sure, it lacks the details of the novel but everything you need to know is really here and it represents Zahn’s story well.

It also has a great art style that has actually aged well but now has a more pulpy vibe to it than it would have had in 1995.

The story picks up five years after the destruction of the second Death Star over Endor and the death of Emperor Palpatine. We discover that the big victory wasn’t the end of the conflict, as there are segments of the galaxy still ruled by factions of the Galactic Empire. It doesn’t matter that the Rebel Alliance evolved into the New Republic, there is still work to be done and wars to fight.

This story is really important and significant because it was the debut of two major characters that would have a massive impact on Star Wars canon before Disney bought the franchise and threw the EU away. Those characters are Luke’s would be wife Mara Jade and the powerful Chiss and new leader of the Empire, Grand Admiral Thrawn. Luckily, Thrawn has been made a character in Disney’s new canon. However, Mara Jade still doesn’t exist in the Disney-verse.

Since this is the first part of a trilogy, there isn’t a real resolution. We do get an exciting battle at the end and the story itself is also engaging and does a good job of building tension between Luke and Mara as well as just about everyone and Thrawn.

This is just such a great Star Wars tale and certainly better than any of the films that Disney has put out. This is one example of why the EU will always be what I perceive as canon, as opposed to whatever the franchise’s new owner says.

And reading this now, makes me remember how I felt about Star Wars when there were just three movies and still not a lot of books and comics.

Rating: 8.5/10
Pairs well with: Other Dark Horse Star Wars comics from the same era: the two other Thrawn Trilogy stories, as well as The Shadows of the Empire Trilogy, The Dark Empire Trilogy and the Rogue Squadron series.

Comic Review: Star Wars: Shadows of the Empire – Evolution

Published: 1998
Written by: Steve Perry
Art by: Ron Randall, Duncan Fegredo
Based on: Star Wars by George Lucas

Dark Horse Books, 123 Pages

Review:

Out of the Shadows of the Empire trilogy of comics, this is my least favorite. However, it is more of a direct sequel to the original Shadows of the Empire than Mara Jade – By the Emperor’s Hand.

The story primarily follows Guri, who was the sexy android assassin that worked for Prince Xizor. You also get to meet another cunning Falleen, out to bring the Black Sun organization back to galactic prominence. This Falleen warlord is actually Xizor’s niece, Savan.

This also picks up with Luke, Leia, Lando and Han Solo, as he is no longer frozen in carbonite in this chapter. The events take place after Return of the Jedi where the original Shadows of the Empire took place before.

This tale was severely lacking in Boba Fett and Dash Rendar. I guess it’s assumed that Boba Fett was being digested by the Sarlacc Pit and Dash only shows up in a cameo at the very end.

This was written by Steve Perry, who wrote Shadows of the Empire, but it lacked the level of excitement and just wasn’t as engaging or interesting. This puts a lot of focus on Guri but she just wasn’t that cool of a character in Shadows of the Empire. In fact, she’d be pretty forgettable in the big scheme of things if she wasn’t made such a big part of this story. And with Xizor dead, we didn’t need another Falleen that was just wedged in to milk the Xizor thing, especially when she wouldn’t go on to have any real engagement with the Expanded Universe beyond this story.

Ultimately, this is a decent Star Wars comic for its era but it lacks the things that made many ’90s Dark Horse stories great but it also is at least enjoyable enough not to be a waste of time. But there isn’t much here that holds any real weight outside of this story. And frankly, you can read Shadows of the Empire without ever needing to pick this up for more story or context.

This was probably just a cash grab, if I’m being honest.

Rating: 6/10
Pairs well with: Other Star Wars comics put out by Dark Horse in the ’90s, most notably: Shadows of the EmpireMara Jade – By the Emperor’s Hand and The Thrawn Trilogy.

Comic Review: Star Wars: Mara Jade – By the Emperor’s Hand

Published: 1998-1999
Written by: Timothy Zahn, Michael Stackpole, Jan Duursema, John Ostrander
Art by: Carlos Ezquerra, Kilian Plunkett
Based on: Star Wars by George Lucas

Dark Horse Books, 141 Pages

Review:

This six issue series is the middle part of the Shadows of the Empire trilogy. It is wedged between Shadows of the Empire and Shadows of the Empire – Evolution in the Shadows of the Empire Omnibus.

This takes place after Shadows. In fact, the first third of the story takes place alongside the events of Return of the Jedi. Mara Jade is in Jabba’s Palace when Luke Skywalker arrives and she also witnesses the death of her master at the hands of Luke and his father, Darth Vader. She then must carry out the Emperor’s revenge mission and kill Luke herself.

However, the rest of the story shows Mara get captured and imprisoned by Ysanne Isard, one of the best EU characters from the era, go on to get revenge on some other characters and pretty much just fill in the blanks between Return of the Jedi and where she is once she appears in Timothy Zahn’s Thrawn Trilogy, where she does finally encounter Luke. That all comes in the Zahn stories later though but this was a solid setup for that moment and since Zahn was one of the writers of this comic series, he painted the picture that he intended for Mara Jade.

At the time that this was published, Mara Jade was really popular with fans because of her first appearance in those Zahn novels (and later comic adaptations). This book served to flesh out her backstory and to strengthen her character. Jade would eventually marry Skywalker and become one of the most powerful Jedis in Star Wars lore. Although, none of that matters now because Disney erased this continuity to give us terrible bullshit like The Last Jedi.

Anyway, for old school fans of the EU, which is still my canon, this is a pivotal chapter in the franchise post-Original Trilogy.

Rating: 7.75/10
Pairs well with: Other Star Wars comics put out by Dark Horse in the ’90s, most notably: Shadows of the Empire, Shadows of the Empire – Evolution and The Thrawn Trilogy.

Comic Review: Star Wars: Shadows of the Empire

Published: May 7th, 1996 – October 1st, 1996
Written by: John Wagner
Art by: Kilian Plunkett, Hugh Fleming, John Nadeau
Based on: Star Wars by George Lucas

Dark Horse Books, 158 Pages

Review:

Shadows of the Empire was a massive multimedia event in 1996. There was a novel, this comic series, a super popular video game, action figures and even a soundtrack. It was the biggest Star Wars event outside of the movies themselves and it was used to get the public hyped for the special editions of the Original Trilogy, which came out a year later. This also probably helped generate momentum as George Lucas went into production on 1999’s The Phantom Menace.

I haven’t read this story in comic book or novel form in at least ten years. Being that I have been dealing with a sense of Star Wars fatigue, at least in regards to Disney’s mismanagement of the property, I didn’t want the candle to fully burn out. I decided to go back and reconnect with the stories I loved the most from the past, as the Expanded Universe will always be the canon I choose to accept. I invested too much time and money into it and even if there are some terrible installments in the massive Expanded Universe, there are still great stories like this one that I will always be able to go back to and enjoy.

I forgot how much I loved this. The art was really good for the time. Also, the writers did a nice job of filling in the gap between The Empire Strikes Back and Return of the Jedi, which is when this takes place. It’s kind of like Episode V.5.

We get to see Luke experiment with the Force, which just adds some depth to how his powers evolved between the two films. We also get to see him use the green lightsaber for the very first time, as he thinks about how difficult the process of building it was.

Additionally, Han Solo is frozen in carbonite and a large portion of this epic tale revolves around Boba Fett transporting Han from Bespin to Jabba’s Palace on Tatooine. Fett faces a lot of challenges and ends up in an all out war with all the other famous bounty hunters, as they want to claim the prize that is Han Solo. This was actually my favorite plot in this large story, as it served to really develop Fett as a character and truly shows why he is the “best of the best” because in the movies, he went out like a bitch.

We also see friction between the Emperor and Vader and the seeds of Vader’s betrayal against his master are planted. This plot thread also brings Prince Xizor into the picture, as he is a professional adversary to Vader and sort of a lapdog for the Emperor.

Other things of note are that we get to see how Leia gets the Boushh disguise, how heroic Lando actually is and we meet Dash Rendar, who would go on to be the most popular Star Wars character of the ’90s that wasn’t featured in a film.

Reading this now, brought me back to where my head was at in 1996, when I was still obsessed over everything Star Wars. Back before I was a jaded prick and had immense love for these characters and this universe. It was awesome feeling like that about Star Wars again.

Rating: 8.75/10
Pairs well with: Other Star Wars comics put out by Dark Horse in the ’90s. The Dark Horse stuff was so damn enjoyable before Disney bought the franchise and killed the Expanded Universe.

Film Review: Indiana Jones and the Kingdom of the Crystal Skull (2008)

Also known as: Indiana Jones 4, Fourth Installment of the Indiana Jones Adventures, Indiana Jones and the City of the Gods, Raiders of the Lost Ark Sequel, The Untitled Genre Project (working titles)
Release Date: May 18th, 2008 (Cannes Film Festival)
Directed by: Steven Spielberg
Written by: George Lucas, Jeff Nathanson, David Koepp
Based on: characters by George Lucas, Philip Kaufman
Music by: John Williams
Cast: Harrison Ford, Karen Allen, Cate Blanchett, Ray Winstone, John Hurt, Jim Broadbent, Shia LaBeouf

Lucasfilm Ltd., Paramount Pictures, 122 Minutes

Review:

“Leave it to Ox to write a riddle in a dead language.” – Indiana Jones

After this film came out, people seemingly hated it. Well, I hate those people because the hate for this film is pretty silly.

Okay, I get it, there are some really goofy things in this picture and you could argue about the stupidity of a few bits but ultimately, this was still a great adventure and a lot of fun. Yes, this is the worst of the Indiana Jones movies but that’s like saying sirloin is the worst cut of steak. It’s still friggin’ steak, man.

I like the fact that the film’s setting was in line with Harrison Ford’s increased age since last being seen as Indiana Jones in 1989’s The Last Crusade. Sure, you want to see Indy punch Nazis in the face but the Soviets were a good replacement as were the Cold War fears of the time.

I enjoyed Cate Blanchett’s Colonel Dr. Irina Spalko as the villain. She wasn’t as good as René Belloq from Raiders of the Lost Ark or Mola Ram from Temple of Doom but I thought she definitely had the edge over Walter Donovan from The Last CrusadeIndiana Jones movies have always had great villains though and Blanchett lived up to that task, being one of the absolute high points of this movie.

I also loved that the older Indy wasn’t focused so much on chasing tail and that he, for the first time on the big screen, was reunited with a love from the past. Marion Ravenwood was nearly everyone’s favorite “Indy Girl” of them all and it was really cool seeing them reunited and there being a romantic happy ending for both characters. I’ve always loved Karen Allen and her return makes almost all of the bad shit in this movie worth it, especially since we got to see her and Indy ride off into the sunset.

I wasn’t a huge fan of the Shia LeBeouf addition to the cast and the whole bit about him being Indy’s kid but he did okay with the material and really, I don’t think another actor could have salvaged some of his poor dialogue anyway. But I am glad that he wasn’t given the reins of the franchise.

I guess the hardest pill for me to swallow as a fan is that Sean Connery, Denholm Elliot and John Rhys-Davies aren’t in the picture. I get that Connery didn’t want to do it and that Elliot had passed away since The Last Crusade but even a cameo by Rhys-Davies would have been awesome. Especially, for the wedding of Indy and Marion, as he was good friends with them both.

Most people didn’t like the alien twist and I get that. However, looking at what Indiana Jones is supposed to be, which is a modernization of the old school cheesy movie serials of the 1940s, it sort of fits the style. Sure, I would have rather gotten those long rumored Bermuda Triangle or Atlantis plots but I didn’t hate the premise of this film. It did feel strange and somewhat out of place at first glance but hey, there was a vampire story in The Young Indiana Jones Chronicles and that show is canon.

I, like almost everyone I’ve talked to about this movie, rolled my eyes at the refrigerator scene, the Tarzan homage and the giant ants. But looking beyond those weird bits, this film still has a lot more good stuff than bad or cringe inducing stuff. And none of it was as bad as dancing Emo Spidey from Sam Raimi’s Spider-Man 3.

Kingdom of the Crystal Skull was the best summer blockbuster of 2008 after The Dark Knight and Iron Man. There weren’t many films that were more fun than this one was that year.

Harrison Ford was still great and his chemistry with Karen Allen was perfect. I also thought that John Williams did a fine job with the score and the tone of the film was just right.

The first three Indiana Jones films were all given a perfect score here at Cinespiria. Obviously, this isn’t a perfect ten but all things considered, I’d say it’s a solid eight. But I also really love Indiana Jones.

Rating: 8/10
Pairs well with: The other Indiana Jones films.