From For the Love of Comics’ YouTube description: Dark Horse Comics’ Gallery Edition of Lone Wolf and Cub, the classic manga from Kazuo Koike and Goseki Kojima, is a marvelous showcase of the tremendous craft and composition of the series. By presenting over 150 pages of original art reproduced in the original size and ‘colours’, this large edition celebrates the making of a comics masterpiece. This video features a close look at this book, along with a commentary and analysis on how not just fans but newcomers would be well served by the almost-unspoken thesis here: this was no accident; panel by panel over 8000 pages, Koike and Gojima crafted a lyrical, sorrowful, and cinematic comics epic. This includes a major-spoiler-filled look at the final chapter of this saga, reproduced in the Gallery Edition in its entirety.
From For the Love of Comics’ YouTube description: Kazuo Koike and Koseki Gojima’s classic, epic, bloody, and poetic manga Lone Wolf and Cub may well be the best gateway manga of them all. In this video I give a brief introduction to the series, and talk about why I love it and what makes it one of the best comics I’ve read. Includes an edition comparison between the original Dark Horse English editions and the more recent Omnibus volumes, also from Dark Horse Comics. There’s also a sneak peek and what’s coming up next!
Also known as: Kozure Ōkami (Japan) Release Date: November 11th, 1980 (United States) Directed by: Robert Houston Written by: Robert Houston, David Weisman Based on:Lone Wolf and Cub film series Music by: W. Michael Lewis, Mark Lindsay Cast: Tomisaburo Wakayama, Kayo Mautso, Akiji Kobayashi
New World Pictures, 90 Minutes
“They will pay… with rivers of blood!” – Ogami Itto
For fans of Wu-Tang Clan, especially of the Genius/Gza’s Liquid Swords album, will recognize a lot of the dialogue and narration from this film. Also, it appeared in Kill Bill vol. 2 and quite obviously had an influence on the Kill Bill films, as the sword cuts causing geysers of blood to burst out of people was borrowed by Quentin Tarantino in those movies.
Shogun Assassin is actually a re-edit of two of the Lone Wolf and Cub series of films from Japan. This film uses twelve minutes from the first film and then is fleshed out with the majority of the scenes from the second picture. With both those films coming out in 1972, this film does look visually dated for 1980, when it was released.
This film was directed by Robert Houston with creative input from his partner David Weisman. Weisman was the director of 1972’s Ciao! Manhattan and was a protege of Andy Warhol.
Additionally, the film’s star Tomisaburo Wakayama is the brother of Shintaro Katsu, who was known for playing the famous cinematic samurai Zatoichi over the course of twenty-six films.
Needless to say, this film had some interesting origins and connections.
The plot is pretty simple. The main character Ogami Ittō is the Shogunate Decapitator. He fears nothing, not even the shogun. The shogun fears him however and sends ninjas to kill him. The ninjas kill his wife and Ittō cuts them down. He then travels Japan on foot pushing his toddler son around in a carriage. Almost every five minutes they are ambushed by ninjas. Throughout the movie, anyone they encounter could be a ninja in disguise waiting to strike. There is a constant tension throughout the film and it is primarily made up of battles and action sequences.
Shogun Assassin is violent and bad ass. However, I may be in the minority here, as it doesn’t have much of a long lasting effect and after a few encounters, the over the top violence runs its course and isn’t as effective. Blood geysers and limbs flying everywhere is pretty much guaranteed every time our hero crosses another human being in his path.
I like Shogun Assassin but it has never been a film I’ve been in love with. I would, however, like to see the Lone Wolf and Cub movies in their original context in order to compare them to this.