Comic Review: Batman: The Complete Hush

Published: October 8th, 2013
Written by: Jeph Loeb
Art by: Jim Lee

DC Comics, 298 Pages

Review:

Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.

I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.

This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.

It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.

Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.

Rating: 9/10
Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.

Comic Review: Superman: Last Son of Krypton

Published: October 8th, 2013
Written by: Geoff Johns, Richard Donner
Art by: Adam Kubert

DC Comics, 252 Pages

Review:

I wanted to read this because it was the first official comic book appearance of General Zod, the made-for-the-big-screen villain from the first two Superman movies by Richard Donner.

What makes this even cooler is that Donner worked on this story with Geoff Johns.

This collection is actually two separate stories. However, they both feature Zod with the first one being primarily about the character and his introduction into DC Comics canon. The second story primarily features Brainiac as the antagonist.

Ultimately, this was a really good read and one of my favorite Superman trade paperbacks of recent memory. Both stories were solid and they actually connect in a way that makes wedging both of them together, a more enjoyable, overall narrative.

I thought that Donner and Johns came up with a pretty satisfying story to introduce Zod and his family. I also thought that the Adam Kubert art was top notch but I’ve also always loved all the Kuberts.

If you grew up with the two Donner Superman films like I did, this should definitely peak your interest. It’s a worthwhile story that was both engaging and entertaining while also being a great homage to Donner’s Superman film work.

Rating: 7.75/10
Pairs well with: other Superman comics featuring General Zod.

Comic Review: Super Powers by Jack Kirby

Published: 1984-1985
Written by: Jack Kirby, Joey Cavalieri, Paul Kupperberg
Art by: Jack Kirby, Mike Royer, Greg Theakston, Mike Thibodeaux

DC Comics, 268 Pages

Review:

When I was a kid and super into G.I. Joe and Transformers, my cousin Billy was super into Super Powers and Marvel’s Secret Wars action figures. In a lot of ways, those two toylines were my introduction to many of the comic book heroes and villains outside of what a six year-old would know.

Playing with Billy’s toys and playsets, I was pretty captivated by them and it is probably a major factor in what got me to read superhero comics, as opposed to just G.I. JoeTransformers and Star Wars.

I never read either of the two Super Powers miniseries, however, so I was pretty excited to pick this up. Also, since this was primarily done by the legendary Jack Kirby, I thought that reading this was long overdue and that not having read this sooner was a major crime against my own soul.

This edition collects both of the miniseries, the first being five issues and the second being six.

Overall, this is a really fun time and other than Mister Miracle, it’s my favorite stuff that Kirby has done for DC. Essentially, this is Kirby writing and drawing the Justice League. It features many of the core League members while also using some of their main villains.

I really like what Kirby did with these characters and I really would’ve liked to have seen this spin off into a Kirbyverse for DC, as his style and charm worked well with these characters. This feels very ’60sish but it works even though this is an ’80s comic.

While Frank Miller and Alan Moore would drastically alter the tone at DC, just after Kirby’s Super Powers, this is a nice contrast to what DC became synonymous with in that decade. 

Rating: 8.5/10
Pairs well with: Jack Kirby’s other work at DC Comics, as well as ’80s Justice League comics.

Comic Review: Infinite Crisis

Published: 2005-2006
Written by: Geoff Johns
Art by: Phil Jimenez

DC Comics, 241 Pages

Review:

I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.

It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.

DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.

If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.

Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.

Rating: 5/10 – because of the art more than anything else.
Pairs well with: other massive DC Comics events that are overloaded with characters.

Comic Review: Crisis On Infinite Earths

Published: 1985-1986
Written by: Marv Wolfman
Art by: George Perez

DC Comics, 359 Pages

Review:

Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.

But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.

The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.

In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.

Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.

Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.

This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.

The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.

The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.

Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.

I really hoped that this was going to pleasantly surprise me but it hurt my head.

It was too much, too big and too long.

Rating: 4/10
Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.

Comic Review: Batman Arkham – Penguin

Published: September 4th, 2018
Written by: various
Art by: various

DC Comics, 241 Pages

Review:

As I’ve stated just about every time that I’ve reviewed one of these Batman Arkham “best of” collections, I love these damn things. Each one focuses on a specific villain from Batman lore and, for the most part, collect the best stories from all eras of Batman comic book history.

Now while I did enjoy most of this volume, I can’t honestly say that these are the Penguin’s greatest hits. Some of the stories here were kind of drab and just from memory I came up with about a half dozen that were better than the ones collected here.

However, I think part of the problem is that they want to cover all the eras and most of the great Penguin stories I’m thinking of are from the ’70s and ’80s.

This still does a good job at showcasing the character and giving fans a peak into how he’s evolved over the years as times change and new writers have come and gone, most of them leaving their imprint on the character.

In the end, this is worth adding to your collection if you’ve also been buying every volume. However, I wish that DC would come up with a better and beefier collection to honor the longevity and greatness of this 79 year-old character.

Rating: 6.75/10
Pairs well with: Other Batman Arkham collections.

Comic Review: Doomsday Clock

Published: November 22nd, 2017 – December 18th, 2019
Written by: Geoff Johns
Art by: Gary Frank, Brad Anderson
Based on: Watchmen by Alan Moore

DC Comics, 456 Pages

Review:

Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.

Now that it’s all out, I finally read it: binging through it in two days.

I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.

I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.

They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.

Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.

Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.

This is one of those stories where it feels like a lot happened but also like nothing happened.

It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?

Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.

The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.

In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.

Rating: 6/10
Pairs well with: Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.

Comic Review: Action Comics, Issue #23 – First Appearance of Lex Luthor

Published: March 31st, 1940
Written by: Jerry Siegel
Art by: Joe Shuster, Paul Cassidy

DC Comics, 14 Pages

Review:

I had never read the first appearance of Lex Luthor but I had always heard that he was a weird ginger dude that may have been smart but was not very Lex Luthor-ish.

Well, that’s an accurate description. And frankly, I’m glad that Luthor, as he’s just called here, evolved into something more akin to his modern form. Honestly, I couldn’t see him lasting in the form that he took here.

However, I guess this issue was popular enough to have the character return, albeit retooled and repackaged into the bald, power hungry tycoon he’s most most recognized as.

The story is pretty short and it just sees Lois Lane get kidnapped. Superman gets a clue to her whereabouts and tracks her down in Luthor’s lair. He bests the ginger madman and saves Lois, the end.

I’d have to go back and read more on the history of kryptonite but there is a sequence here where Luthor weakens Superman with a green laser beam. It’s unclear what the beam is but maybe this was an early version of kryptonite being used.

Anyway, this wasn’t a terribly exciting comic but it was okay for what Golden Age comic stories were.

Rating: 5.5/10
Pairs well with: other Golden Age Superman comics.

Film Review: Batman: Hush (2019)

Release Date: July 19th, 2019 (SDCC)
Directed by: Justin Copeland
Written by: Ernie Altbacker
Based on: Batman: Hush by Jeph Loeb, Jim Lee
Music by: Frederik Wiedmann
Cast: Jason O’Mara, Jennifer Morrsion, Geoffrey Arend, Jerry O’Connell, Maury Sterling, Rebecca Romijn, Rainn Wilson, Sean Maher, Peyton List (I), Peyton List (II), Vanessa Williams, Tara Strong

Warner Bros. Animation, DC Entertainment, 81 Minutes

Review:

“Riddle me this – “The less of me you have, the more I am worth”… what am I? Answer – A Friend.” – The Riddler

The DC Comics animated films are really hit or miss for me.

Mostly, I enjoy them but there are usually things that don’t click in the right way or the films claim to be adaptations of a famous story but then take tremendous liberties and are really only those stories in name only. Look at Gotham by Gaslight for an example of that.

For the most part, this takes a lot of liberties while still holding on to the spirit of the original Hush story.

The biggest difference here, is that Hush is not Thomas Elliot like in the comics but is actually someone else. Thomas Elliot appears in this film but he’s just a red herring. I won’t spoil the plot and tell you who Hush is though but I thought it was worth mentioning for those who would prefer a beat-by-beat adaptation.

I thought that the animation was some of the best DC has had, thus far. A lot of care was given to the character design, the actual motion in the film, as well as the visual tone.

The film also benefits, in my opinion, by not being cast with more well-known stars. Sometimes famous voices can be distracting in these films. Here, the main characters weren’t played by famous distinct voices. The more famous actors who were in this actually just blended in nicely and didn’t detract from the proceedings.

Overall, this is in the upper echelon of DC’s animated features. It’s not perfect but it’s definitely got a lot more positives than negatives.

Rating: 8.5/10
Pairs well with: other recent DC Comics animated movies.

Comic Review: Superman, Vol. 1: Son of Superman

Published: January 10th, 2017
Written by: Patrick Gleason, Peter J. Tomasi
Art by: Patrick Gleason

DC Comics, 163 Pages

Review:

A few friends of mine have talked up the Superman stories that started with DC’s Rebirth up until Brian Michael Bendis showed up and took over all the Superman books.

So starting at the beginning, I’ve got to say that this arc really peaked my interest. It establishes an interesting direction for the character and his son, the current Superboy, Jonathan Samuel Kent.

This story also features multiple Supermen, so I’m not sure what that’s all about, as I didn’t read any of the New 52 stuff before this.

But I love Clark in this story, his relationship with his son and the fact that he and Lois aren’t in an incredibly weird and uncharacteristic spot thanks to Bendis being Bendis.

Patrick Gleason does some stellar art and his story, which is also written by Peter J. Tomasi, one of my favorite writers of the last few years, especially, is pretty compelling and just feels like classic Supes.

I think I’ll check out the first volume of Action Comics‘ Rebirth run next, as that usually runs parallel to the events of this book.

So for fans that aren’t really digging Bendis’ Superman experiment, this might satisfy you more.

Rating: 7.25/10
Pairs well with: Superman and Action Comics at the start of DC’s Rebirth.