Published: April 5th, 2016 Written by: Dan Jurgens, Jerry Ordway, Louise Simonson, Roger Stern Art by: Jon Bogdanove, Brett Breeding, Tom Grummett, Jackson Guice, Dan Jurgens
DC Comics, 212 Pages
I have read the Death of Superman issue several times over the years. However, I have never read the full story with everything leading up to that iconic issue, which took the world by storm at the end of 1992.
The story is pretty good, even if it’s really just several issues of the weakest Justice League lineup in history trying to stop Doomsday until Superman shows up. Every issue is action-packed as this entire story is just one massive fight between several heroes and one, seemingly unstoppable enemy.
And that’s certainly not a bad thing, as this did a superb job of telling an action-filled story and keeping each chapter interesting and new. It also adds in some subplots around the larger story, so that it can be broken up a bit.
Some subplots creep in, though, where I didn’t know what was really going on, like the stuff with Lex Luthor II and Supergirl. I wasn’t reading Superman in this era, so I was at first confused as to why Supergirl was with him and why Lex had ginger hair and a beard.
I thought that the art in this was good and the pacing of the story was pretty superb.
All in all, this was a pretty good read, better than I thought it’d be, and it features one of the greatest Superman throwdowns in the history of the character. And it was a hell of an introduction to Doomsday.
Release Date: March 18th, 2021 Directed by: Zack Snyder Written by: Chris Terrio, Zack Snyder, Will Beall Based on: Characters from DC Comics Music by: Tom Holkenborg Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Ezra Miller, Jason Momoa, Ray Fisher, Connie Nielsen, J.K. Simmons, Jesse Eisenberg, Joe Manganiello (uncredited), Willem Dafoe, Amber Heard, Joe Morton, Jared Leto, Robin Wright, David Thewlis, Russell Crowe, Marc McClure, Carla Gugino (voice), Billy Crudup (uncredited)
DC Entertainment, The Stone Quarry, Atlas Entertainment, Warner Bros., HBO Max, 242 Minutes
“How do you know your team’s strong enough? If you can’t bring down the charging bull, then don’t wave the red cape at it.” – Alfred Pennyworth
For years, fans of Zack Snyder demanded that Warner Bros. release The Snyder Cut of 2017’s Justice League movie. For those who have read my review of it, you already know about how much I disliked that terrible film, which was taken over and finished by Joss Whedon after Snyder left the production due to a family emergency.
Needless to say, I never wanted this movie. However, it’s release seems like a real victory for fans in a time when they’re being labeled “toxic” by Hollywood and the media outlets that suck the shit straight out of the big studios’ assholes. So despite my feelings on the theatrical version of this movie, I am happy for the fans that demanded this version of it.
That being said, this is, indeed, a much better version of the film. Granted, it’s four fucking hours long, which is way too long. This probably should’ve been cut into two parts or released as an episodic miniseries. There’s just so much material but honestly, a lot of what’s here is also unnecessary. There are so many slow motion scenes that those parts really put an exclamation point on how dragged out this movie is.
It’s also got its fair share of cringe.
The biggest instance of cringe that pops into my mind is the scene that introduces Wonder Woman. She fights some terrorists with hostages but they do this weird thing where they speed up and slow down the film for dramatic effect. It’s weird, hokey and shitty. Also, she blocks every bullet fired from a machine gun with her bracelets like she has the speed and accuracy of the Flash. They’ve basically made her a female Superman with bracelets and a lasso and it’s just sort of confusing. I get that she fits this mold in the comics but in this already established film canon, it’s like her powers have increased to that of a literal god in a very short span of time compared to the length of her life. But I can also look beyond it and sort of accept it within the framework of this movie, which wasn’t supposed to exist.
Regarding other cringe, there’s the dialogue, which often times is horrendous.
There’s also Ezra Miller, who brings down the entire production every time he shows up on screen and tries to be cute and funny but just comes off like that asshole millennial barista that thinks he’s smarter than you but you can see the cat food stains on his shirt from last night’s dinner. Ezra Miller as The Flash may be the worst casting decision in the history of mainstream superhero films.
There is some good with this picture, though.
For one, every time I see Ben Affleck as Batman, he grows on me. Affleck deserves his own Batman movie but he never got one and was instead wasted in multiple shitty DCEU movies. He could be three solo Batman pictures deep now but we’ve got to see him parade around with Ezra Miller and other superheroes that appear lame in his really cool orbit.
I also thought that Steppenwolf, the film’s primary villain was much, much better in this. He feels like a real character with a real story arc. In the theatrical version, he came across as some generic miniboss whose dungeon you could skip in Skyrim. Plus, he looks so much fucking cooler in this version.
Additionally, this film gives me what I’ve always wanted to see and that’s Darkseid on the big screen. Granted, this wasn’t released in theaters so the “big screen” was a combination of a 50 inch television and my tablet screen.
There are also some great new action sequences. I kind of liked the big battle between Steppenwolf and the Amazons, as well as the big war between Darkseid, his minions and the armies of Greek gods, Amazons and Atlanteans. It was a flashback scene but it was still damn cool. Especially, the Green Lantern stuff they added in. In a lot of ways, it reminded me of the intro to The Lord of the Rings trilogy.
I also liked that Cyborg was much more developed and didn’t just seem like a last minute addition added in to pad out the team.
The first act of the film is the worst and I felt like it moved too slow and didn’t really make me care about the movie too much. The second act, however, switched into high gear and that’s where it grabbed me as well as it could and I started to feel like I was finally getting a better, more fleshed out and worthwhile movie.
I also generally liked the third act but I thought a lot of the epilogue was unnecessary and didn’t need to be in the film. It also spends a lot of time establishing future storylines but it’s very damn likely that this will never get a sequel, as Warner Bros. were really determined not to allow this version of the film to be completed in the first place, as they want Zack Snyder to just go away now.
For those who don’t know, it was their parent company, AT&T, that forced their hand, as they needed something huge to help drive potential subscribers to their new HBO Max streaming service. This is also why this probably didn’t get a proper theatrical release.
In the end, this was still far from great and it was too damn long. However, I’d say that it’s the best DC Comics related film that Snyder has done apart from Watchmen.
Rating: 6.5/10 Pairs well with: Zack Snyder’s other DCEU films.
Published: December 29th, 2015 Written by: Marv Wolfman, Dan Jurgens Art by: Steve Erwin, Dan Jurgens, George Perez
DC Comics, 190 Pages
I loved the first volume of this series but crazily enough, I found this one to be even a wee bit better, as the story of Deathstroke takes shape and becomes more fleshed out, allowing him to evolve beyond just a simple anti-hero that looks cool and shows up once in awhile in other characters’ books.
This also spends some time on developing Pat Trayce, another version of the Vigilante character. While I wasn’t totally sold on her, I really grew to like her in this volume and I hope her run as a character and a major part of this series isn’t short-lived. I know that she’s pretty much been nonexistent since this series in the early ’90s but I don’t know her fate and don’t want it spoiled. I just hope she isn’t killed off before she really comes into her own.
This volume collects a few stories but the one I liked most had to deal with Deathstroke accidentally hurting Lois Lane’s sister, which brought out Superman and opened up the story to show us the personal relationship that Deathstroke had with Lois’ father, an ally during his time at war.
We also see Deathstroke face off against some of the Justice League while Nightwing also gets involved towards the end of this volume.
This volume really solidified Wintergreen as one of my favorite minor DC characters. He’s essentially Deathstroke’s Alfred and while I’ve always seen him that way, this collection of issues really made me appreciate him and the two men’s relationship a lot more than I already did.
All in all, this was superb. Now on to volume three!
Rating: 9.25/10 Pairs well with: the other volumes in the original Deathstroke: The Terminator series from 1991 to 1996.
Also known as: Superman: Man of Steel (working title), Autumn Frost (fake working title) Release Date: June 10th, 2013 (New York City premiere) Directed by: Zack Snyder Written by: David S. Goyer Based on:Superman by Jerry Siegel, Joe Shuster Music by: Hans Zimmer Cast: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, Russell Crowe, Carla Gugino (voice)
Syncopy, Legendary Entertainment, Warner Bros., 143 Minutes
“You will give the people of Earth an ideal to strive towards. They will race behind you, they will stumble, they will fall. But in time, they will join you in the sun, Kal. In time, you will help them accomplish wonders.” – Jor-El
I was pretty disappointed with this film when it came out and honestly, I’m still pretty disappointed in it, watching it seven years later.
My biggest takeaway from the movie is how good Henry Cavill is as Superman. It just kind of sucks that this is the script and the film that he was given to play that role.
Sadly, the movies with him in them didn’t get any better and this whole DCEU is like a wet fart when compared to Marvel’s MCU, which this was designed to compete with.
Zack Snyder seems like a nice enough guy but his films just never really seem to speak to me. He has his fans, he has his critics and while I want to like the guy’s movies, I can’t give them a free pass because he’s a great guy that does come into his projects with actual passion for the material.
The big issue with this film more than anything is the writing. It’s just a drab yet exhausting story where it feels like a lot happens but nothing happens. It also features so much over-the-top mass destruction that it breaks the movie from top-to-bottom.
General Zod, a human-sized alien dictator comes to Earth and causes more destruction to a major city than all of the Godzilla movies combined yet Superman won’t kill him until Zod’s just about to laser eye a few people to death?
One, this guy already killed hundreds of thousands, if not millions.
Two, why the fuck didn’t these people run while Superman had Zod mostly subdued in a read choke?
Three, couldn’t Superman have just poked Zod’s eyes out Three Stooges style?
When you think about it, this is a really dumb movie.
Hell, you don’t need to think about it. I watched this the first time in the theater baffled by half of it and annoyed by the other half. And man, I really wanted to like it because I loved Cavill, as well as Russell Crowe and Michael Shannon. I also liked seeing Laurence Fishburne play Perry White. Although, Amy Adams was just another actress that didn’t feel like Lois Lane.
Ultimately, this wasn’t the worst DCEU movie but like most of them, it was still a wet fart.
Rating: 5/10 Pairs well with: the other Zack Snyder DCEU films.
Published: October 8th, 2013 Written by: Jeph Loeb Art by: Jim Lee
DC Comics, 298 Pages
Batman: Hush is highly regarded as one of the best Batman stories of its era and honestly, it doesn’t disappoint. I hadn’t read it for over ten years but after recently watching the animated film adaptation, I wanted to give the source material a read again.
I’m happy to say that this lived up to my memories of it, as it’s just a great, well-layered story, where even if you figure out the big mystery, it doesn’t wreck the plot because there are so many surprises still woven in.
This features a lot of characters from both sides of the law but it doesn’t become bogged down by it and everyone truly serves a purpose with how they’re all tied to the main plot.
It shouldn’t be a surprise that this is good, simply because Jeph Loeb wrote it and he teamed up with the great Jim Lee, who provided some of the best and most iconic art of his career for this tale.
Hush is a solid comic book on every level. Saying too much about the plot might ruin things and this is a book that I definitely recommend. I’d rather people read it and discover its greatness for themselves.
Rating: 9/10 Pairs well with: other major Batman story arcs from the late ’90s and early-to-mid ’00s.
Published: October 8th, 2013 Written by: Geoff Johns, Richard Donner Art by: Adam Kubert
DC Comics, 252 Pages
I wanted to read this because it was the first official comic book appearance of General Zod, the made-for-the-big-screen villain from the first two Superman movies by Richard Donner.
What makes this even cooler is that Donner worked on this story with Geoff Johns.
This collection is actually two separate stories. However, they both feature Zod with the first one being primarily about the character and his introduction into DC Comics canon. The second story primarily features Brainiac as the antagonist.
Ultimately, this was a really good read and one of my favorite Superman trade paperbacks of recent memory. Both stories were solid and they actually connect in a way that makes wedging both of them together, a more enjoyable, overall narrative.
I thought that Donner and Johns came up with a pretty satisfying story to introduce Zod and his family. I also thought that the Adam Kubert art was top notch but I’ve also always loved all the Kuberts.
If you grew up with the two Donner Superman films like I did, this should definitely peak your interest. It’s a worthwhile story that was both engaging and entertaining while also being a great homage to Donner’s Superman film work.
Rating: 7.75/10 Pairs well with: other Superman comics featuring General Zod.
Published: 1984-1985 Written by: Jack Kirby, Joey Cavalieri, Paul Kupperberg Art by: Jack Kirby, Mike Royer, Greg Theakston, Mike Thibodeaux
DC Comics, 268 Pages
When I was a kid and super into G.I. Joe and Transformers, my cousin Billy was super into Super Powers and Marvel’s Secret Wars action figures. In a lot of ways, those two toylines were my introduction to many of the comic book heroes and villains outside of what a six year-old would know.
Playing with Billy’s toys and playsets, I was pretty captivated by them and it is probably a major factor in what got me to read superhero comics, as opposed to just G.I. Joe, Transformers and Star Wars.
I never read either of the two Super Powers miniseries, however, so I was pretty excited to pick this up. Also, since this was primarily done by the legendary Jack Kirby, I thought that reading this was long overdue and that not having read this sooner was a major crime against my own soul.
This edition collects both of the miniseries, the first being five issues and the second being six.
Overall, this is a really fun time and other than Mister Miracle, it’s my favorite stuff that Kirby has done for DC. Essentially, this is Kirby writing and drawing the Justice League. It features many of the core League members while also using some of their main villains.
I really like what Kirby did with these characters and I really would’ve liked to have seen this spin off into a Kirbyverse for DC, as his style and charm worked well with these characters. This feels very ’60sish but it works even though this is an ’80s comic.
While Frank Miller and Alan Moore would drastically alter the tone at DC, just after Kirby’s Super Powers, this is a nice contrast to what DC became synonymous with in that decade.
Rating: 8.5/10 Pairs well with: Jack Kirby’s other work at DC Comics, as well as ’80s Justice League comics.
Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.