Original Run: June 30th, 2013 – January 19th, 2020 Created by: Ann Biderman Directed by: various Written by: various Music by: Marcelo Zarvos Cast: Liev Schreiber, Paula Malcomson, Eddie Marsan, Dash Mihok, Steven Bauer, Katherine Moennig, Pooch Hall, Kerris Dorsey, Devon Bagby, Jon Voight, Susan Sarandon, Graham Rogers, Susan Sarandon, Elliott Gould, Peter Jacobson, Denise Crosby, Frank Whaley, Hank Azaria, James Woods, Rosanna Arquette, Sherilyn Fenn, Wendell Pierce, Ian McShane, Katie Holmes, Leland Orser, Aaron Staton, Fairuza Balk, Embeth Davidtz, Stacy Keach, Tara Buck, Ted Levine, C. Thomas Howell, Donald Faison, Lili Simmons, James Keach, Adina Porter, Jake Busey, Sandy Martin, Zach Grenier, Alan Alda, Lola Glaudini, Kerry Condon, Kevin Corrigan
David Hollander Productions, The Mark Gordon Company, Ann Biderman Co., Bider Sweet Productions, CBS, Showtime, 82 Episodes, 45-60 Minutes (per episode)
Lots of people talked this show up for years like it was the second coming of The Sopranos. I wanted to wait for it to end, as I typically binge things in their entirety. With this show, that was probably the best way to view it, as so many things happen with so many characters, that it would’ve been hard remembering all the details over seven years.
I wouldn’t say that this is anywhere near as good as The Sopranos and I also don’t have as high of an opinion of that show as most people do. Granted, I did still like it quite a bit when it was current.
Ray Donovan follows Ray Donovan, a badass uber masculine guy that works as a Hollywood fixer. However, his entire family is complex and interesting and this isn’t so much about Ray being a fixer, as it is about his family’s criminal behavior and their turbulent personal lives.
The show does a remarkable job of pushing its characters to the point of you hating them but then finds a way to make you realize you love them. It’s a show that actually has a lot of mini redemption arcs but it also shows, within that, that people tend to surrender to their nature even if they want to work on themselves.
Ray is one of the most complex characters I’ve ever seen on television but that can also be said about several other core characters, here.
I think in the end, my favorite character ended up being Eddie Marsan’s Terry, the eldest Donovan brother, as he was always trying to do the right thing by his family, even if they often times found themselves doing really shitty things.
I also liked Bunchy a lot but by the end, his constant bad luck and terrible decisions became exhausting.
The first five seasons are really solid, even if the fourth was a bit weak. The show kind of lost me in season six, where it moved from Los Angeles to New York City and didn’t feel like it had much of a point. Plus, there are things that happened in season six that made the show jump the shark for me.
The only thing that really saved the last two seasons was how damn good Sandy Martin was once she entered the show.
Overall, I enjoyed watching this and if anything, it showcased incredible performances by stellar actors playing really fucked up but endearing characters.
Rating: 7.5/10 Pairs well with:The Sopranos, Dexter, Sons of Anarchy, Justified.
Also known as: Truth or Dare (working title) Release Date: January 1st, 2013 (Russia) Directed by: Steven Brill, Peter Farrelly, Will Graham, Steve Carr, Griffin Dunne, James Duffy, Jonathan van Tulleken, Elizabeth Banks, Patrik Forsberg, Brett Ratner, Rusty Cundieff, James Gunn, Bob Odenkirk, Steve Baker, Damon Escott Written by: Steve Baker, Ricky Blitt, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bob Odenkirk, Bill O’Malley, Matthew Alec Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken, Jonas Wittenmark Music by: Christophe Beck, David J. Hodge, Leo Birenberg, Tyler Bates, Miles Moon, William Goodrum Cast: Elizabeth Banks, Kristen Bell, Halle Berry, Leslie Bibb, Kate Bosworth, Gerard Butler, Josh Duhamel, Anna Faris, Richard Gere, Terrence Howard, Hugh Jackman, Johnny Knoxville, Justin Long, Christopher Mintz-Plasse, Chloë Grace Moretz, Liev Schreiber, Emma Stone, Jason Sudekis, Uma Thurman, Naomi Watts, Kate Winslet, Dennis Quaid, Greg Kinnear, Common, Charlie Saxton, Will Sasso, Seth MacFarlane, Mark L. Young, Fisher Stevens, Beth Littleford, Julie Ann Emery, Chris Pratt, J.B. Smoove, Kieran Culkin, Bobby Cannavale, Patrick Warburton, Seann William Scott, Stephen Merchant, Snooki, Emily Alyn Lind, Julianne Moore (scene cut), Tony Shalhoub (scene cut), Bob Odenkirk (scene cut), Anton Yelchin (scene cut)
“Excuse me, I’m gonna go do some Batman-ing.” – Fake Batman
I never wanted to see this movie and that was before I heard how bad it was when it came out. Also, the few people who seemed to like it were people that have historically had terrible recommendations in not just movies but just about everything in life.
Recently, I was told to watch it and I kind of just said fuck it because part of me was curious and wanted to know if this was as bad as I had heard it was.
In fact, I can confidently say that this is the biggest waste of talent I have ever seen in a motion picture.
It’s so bad that it’s beyond atrocious. So much so, that I find it not just baffling that this film attracted so many big stars but I find it really unnerving.
Who greenlit this fucking thing? And how many terrible agents are there in Hollywood? Fire all of them!
Anyway, I had to start asking myself some questions while trying to work this film’s existence out in my brain:
Is everyone in Hollywood actually insane?
Do the Hollywood elite want all of us to commit seppuku?
Do the Hollywood elite think that sucking their own assholes is a good use of time?
Did this movie somehow leak over from a parallel dimension where Earth actually is Hell?
Did all of these “artists” commit some unspeakable crime and this was secretly some sort of punishment for said crime?
Did all of these people lose a bet?
Was this movie actually the result of a writing contest for mental patients?
Is this what people mean by “anti-humor”?
Did the person who put up the money have some sort of Brewster’s Millions deal where they had to throw away money to get their full inheritance?
Was this produced to debut on an earlier, failed attempt at CBS trying a streaming service?
I mean, those are all legitimate questions. In fact, I’d say that they’re more legitimate than this film.
This is the worst movie I’ve seen that was made for more than thirty dollars.
The film was full of crude jokes, none of which landed, and it offered up a bunch of gross out moments that just come across as Hollywood trying so hard to be edgy when in reality, they haven’t had their fucking balls in a long time.
Honestly, seeing how “politically correct” and “apologetic” the Hollywood elite have become since SJWs emerged and Cancel Culture took hold, this film feels like them desperately trying to get all the edgy shit out of their system before they all started their “I’m sorry, I’ll strive to do better” world tour.
Additionally, none of these gross out moments are all that effective if you’ve been a fan of ’70s and ’80s horror. Go watch Society and try again. Better yet, you shouldn’t have tried at all.
I think that film critic Robbie Collin said it best in his review of the movie:
“I was immediately overcome with a sudden rush of emotion: not amusement, anger or even mild irritation, but a profound and faintly tragic sense of pity.”
Speaking of reviews, let’s look at what all the big sites think. IMDb gives it a 4.3/10, Rotten Tomatoes gives it 5 percent from critics with 24 percent from the audience, Metacritic gives it an 18 percent and Richard Roeper referred to it as “the Citizen Kane of awful.”
In closing, I’ll simply state:
Rating: 0/10 Pairs well with: bad cavities and genital warts.
Also known as: Namath: From Beaver Falls to Broadway (complete title) Release Date: January 28th, 2012 Written by: Ousie Shapiro Music by: David Robidoux Cast: Joe Namath, Liev Schreiber (narrator)
NFL Films, HBO, 86 Minutes
Joe Namath played before my time but growing up, he was always a former NFL great that older generations always told me about. He had a mystique about him and was a real legend on and off the field.
Once ESPN Classic came into existence and I was really into watching NFL Films productions in my teen years, I really got to see and understand why people loved him. And frankly, I loved him too. He had style and a panache that was unparalleled for the time. In high school, I owned a Namath throwback jersey.
Joe Namath also had that moment where he predicted and guaranteed a Superbowl win when his New York Jets were 17 point underdogs to the Baltimore Colts. But he won and that prediction became as legendary as Babe Ruth pointing to the stands to call his most famous homerun.
In the years since, Joe Namath has had alcohol problems that were made pretty apparent to the public. He’s since gotten help and is living a much better, booze free life but the partying playboy went through rough patches.
This documentary was a really entertaining watch for fans of the game and the man. It doesn’t shy away from Namath’s demons and Joe even goes into depth talking about them and why they existed in the first place. But the real focus of the documentary is on the man’s life, not just his personal faults.
I thought that this was fair and it let Namath clear the air and genuinely express his remorse for certain actions. It also showed how cool Suzy Kolber is in how she handled the situation that involved her because she knew Joe was in a really bad place, at the time.
I love old school football. This documentary just cemented that further and it made me really respect Joe Namath more so than I did already.
Rating: 7/10 Pairs well with: other documetnaries about the NFL, most notably ESPN 30 For 30 films and HBO documentaries.
Release Date: December 6th, 2018 (Singapore sneak preview) Directed by: Bob Persichetti, Peter Ramsey, Rodney Rothman Written by: Phil Lord, Rodney Rothman Based on:Spider-Man by Stan Lee and Steve Ditko, Miles Morales by Brian Michael Bendis and Sara Pichelli Music by: Daniel Pemberton Cast: Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, John Mulaney, Kimiko Glenn, Nicolas Cage, Liev Schreiber, Chris Pine, Lake Bell, Marvin Jones III, Stan Lee (cameo), Cliff Robertson (archive recording), Oscar Issac (cameo), Donald Glover (cameo)
Columbia Pictures, Sony Pictures Animation, Marvel Entertainment, Arad Productions, Lord Miller Productions, Pascal Pictures, Sony Pictures Releasing, 117 Minutes, 143 Minutes (Alt Universe Cut)
“That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero.” – Stan Lee
I intended to see this in the theater but the holidays are really busy for me and I didn’t get around to it or any other movies around that time. I heard great things about this movie though, so I rented it as soon as it was available.
Full disclosure, I’m not a huge fan of animated films. At least I haven’t been in my adult life. I still love a lot of the old cartoons and anime I watched as a kid but due to the overwhelming positive fan response to this and my love of Miles Morales, I wanted to give this a chance.
Overall, it’s a mighty fine motion picture and the best Spider-Man movie since Spider-Man 2.
I thought that the CGI animation was really well done. I prefer traditional animation and have never found CGI animation to be that interesting but this shows how great this animation style can be when pushed to the max and utilized for its strengths while being meticulously crafted with heart.
The story doesn’t really follow the comics but how many comic book film adaptations do? Still, it was engaging, it captured who Miles is and it examined a lot of different aspects of heroism. I absolutely love how it presented and handled the life of an aged Peter Parker. And ultimately, the bond between Miles, Peter, Gwen Stacy and the other heroes was strong and everything human and emotional felt natural.
I was really excited to see Spider-Gwen and Spider-Ham, especially. I loved Gwen’s earliest stories and I’ve been a Spider-Ham junkie since childhood.
This also features a lot of villains and even does a gender bending twist to Doctor Octopus that worked for me.
I think that this movie definitely did exactly what it set out to do which was to launch Miles Morales into the minds of normal moviegoers and kids that don’t pick up the comics while incorporating a nice array of other Spider-heroes in a fun and unique way. It also humanizes the vilest villain and makes this a more emotional and touching movie than most of the live action Spider-Man adaptations.
I’m definitely excited for the multiple sequels and spinoffs that Sony seems to have planned for the very near future.
Rating: 8.75/10 Pairs well with: I’d assume, the future sequels and spinoffs. As well as Miles Morales Spider-Man comics.
Also known as: Wolverine (working title) Release Date: April 8th, 2009 (Sydney premiere) Directed by: Gavin Hood Written by: David Benioff, Skip Woods Based on:Wolverine by Roy Thomas, Len Wein and John Romita Sr., X-Men by Stan Lee and Jack Kirby Music by: Harry Gregson-Williams Cast: Hugh Jackman, Liev Schreiber, Ryan Reynolds, Lynn Collins, Danny Huston, Dominic Monaghan, Taylor Kitsch, Will.i.am, Kevin Durand, Daniel Henney, Patrick Stewart (cameo)
[Wolverine reveals his adamantium claws] “Oooh, shiny! Tell me something, Jimmy. Do you even know how to kill me?” – Sabretooth, “I’m gonna cut your goddamned head off! See if that works!” – Wolverine
This was the only X-Men related film that I had never seen. When the trailers first started coming out, I was completely turned off. I figured I’d see it in the theater after it was out for awhile but then I heard what everyone else thought of it, so my fears seemed to be true. I really just never had an urge to watch this and I love several of the characters and the actors in this picture. But, I have HBO and it is streaming on their app, so I figured I’d finally bite the bullet nine years later.
Well, it’s not as bad as I thought it would be but it’s still not very good.
The main problem with the film is how boring it is. Yes, it has a lot of action but it all felt generic, derivative and most of the sequences were so nonsensical it was hard not to laugh. The whole motorcycle versus helicopter chase scene was horrendous. Don’t even get me started on the Wolverine versus Deadpool fight. Besides, I’ll get to Deadpool in a minute.
This was just a dull film. I actually fell asleep twice and had to rewind back to pick up the last spot I remembered a few times. I didn’t watch this that late either, I put it on at six o’clock in the evening and then I was up for another three hours after I finished this snoozefest.
I guess the worst part about the film is that it destroys the continuity we know. Granted, each X-Men movie after the first found a way to mess up continuity but this film really takes the friggin’ cake. So is Liev Schreiber’s Sabretooth the same guy from 2000’s X-Men? I get that Wolverine loses his memory in this film but it still doesn’t make a lick of sense. We also get Emma Frost but then later they put her in First Class and then just said, “Oh yeah, Emma from the Origins movie that has the same power as Emma Frost isn’t actually Emma Frost, she’s just Emma… Emma with the same powers.” Gambit and the Blob are also in this movie but their roles are so small that they’re sort of pointless and served no purpose, especially since they never came back.
Then you get the biggest clusterfuck of all: Deadpool. This would have made sense had they kept him as he was in the first third of the film. But then they take the “Merc with a Mouth”, sew his mouth shut, don’t give him the Deadpool costume but end up giving him like a zillion mutant powers but mostly turned him into a Chinese knockoff of Baraka from the Mortal Kombat games. I mean, this was worse for Ryan Reynolds than his terrible Green Lantern film.
This is a movie where a whole bunch of stuff happens but none of it seems that important and frankly, I can’t even remember most of it and I just watched this movie.
So what’s good about it?
Well, Jackman was solid and so was Liev Schreiber. I also liked Reynolds as Deadpool even though he very much feels like the diet version of the character. That is, until they sew his mouth shut and crap all over the character in every way imaginable.
So there’s not much else I really like but I guess it was cool seeing Dominic Monaghan in this, as well as getting a glimpse at Gambit, even if he was mostly pointless.
I’ll probably never revisit this film.
Rating: 5/10 Pairs well with: The original X-Men trilogy of films. Also, the other two Wolverine pictures.
Original Run: October 8th, 2013 – October 15th, 2013 Directed by: Michael Kantor Written by: Michael Kantor, Laurence Maslon, J. David Spurlock Music by: Christopher Rife Cast: Liev Schreiber (host), Mark Waid, Stan Lee, Adam West, Joe Quesada, Grant Morrision, Lynda Carter, Jeph Loeb, J. Michael Straczynski, Geoff Johns, Zack Snyder, Chris Claremont, Larry Hama, Jim Lee, Todd McFarlane, Tim Daly
Ghost Light Films, National Endowment for the Humanities, PBS, 3 Episodes, 55 Minutes (per episode)
A few years ago, PBS did this three part documentary series on the history of comic books. It was hosted by Liev Schreiber, which was really cool, and featured a ton of creators, as well as notable celebrities who have played some of the iconic comic book characters in television and film.
The history of comic books is incredibly vast. Narrowing down what to cover in three episodes, each of which ran just under an hour, couldn’t have been easy but the people behind this did a good job of focusing on the important stuff. I wish there was more time given to the challenges of the Comics Code Authority but that’s probably boring subject matter to most modern fans.
Superheroes spends a lot of time talking about the creation of Superman, Batman and the early heroes that would be at the forefront of DC Comics. They then spent some time talking about Stan Lee and his creations, which helped to put Marvel on the map. To my surprise, even though they didn’t spend much time on it, they covered some of the story that lead to the formation of Image Comics in the ’90s, which was the biggest thing in comic books during my most formative years as a comics fan.
I wish that this would have been bigger than it was. Three episodes just weren’t enough. This could have easily been one of those 10-part Ken Burns style documentaries with two hour episodes and they still wouldn’t have run out of material. I’m hoping that someone does do a comic industry documentary like that at some point; it’s long overdue.
But at least we live in a time where this wonderful medium isn’t considered low brow shit. It’s become a respected art form and format for storytelling. A lot of that has to do with the success of comic book movies the last few decades but at least fans don’t have to feel like they need to hide their fandom when out in public anymore.
Rating: 8/10 Pairs well with:Robert Kirkman’s Secret History of Comics and recent comic book documentaries Chris Claremont’s X-Men and The Image Revolution.
Release Date: March 17th, 2017 (Canada) Directed by: Jay Baruchel Written by: Jay Baruchel, Jesse Chabot Music by: Trevor Morris Cast: Seann William Scott, Jay Baruchel, Alison Pill, Marc-André Grondin, Kim Coates, Liev Schreiber, Jonathan Cherry, Wyatt Russell, Elisha Cuthbert, T.J. Miller, Tyler Seguin, Michael Del Zotto, Brandon Prust, George Parros, Colton Orr, Georges Laraque
No Trace Camping, Caramel Film, Entertainment One, 101 Minutes
“Evolve. Or go extinct.” – Xavier LaFlamme
I’m a pretty big fan of the original Goon, which I consider to be the best hockey movie since Slap Shot. I am also a huge fan of hockey and the preseason for the NHL is already underway and I’m being overtaken by hockey fever. Living in the States, I wasn’t able to see this movie until now but at least it dropped just in time for the hockey season, which seems more fitting than it’s St. Patrick’s Day release in Canada.
Unfortunately, Goon: Last of the Enforcers isn’t quite Goon but I did enjoy it.
The one thing that the film is missing is the heart and spirit of the original. Ultimately, it feels like an unnecessary sequel even though I was personally looking forward to it because there is a certain magic between Seann William Scott’s Doug Glatt and Liev Schreiber’s Ross Rhea. I wanted to see these two interact one more time and despite this film not living up to the original, I wouldn’t necessarily be opposed to one more go around after this.
Scott and Schreiber are just great as these characters. The rest of the cast is fun too but the film is powered by these two men and their rivalry turned to respect.
In this picture, a third goon shows up and has absolutely no respect for anything. Frankly, you just want to see this asshole get his just desserts. This new goon, played by Wyatt Russell (son of Kurt) is so good as a despicable character that you can’t not sort of admire his performance and his presence. The sky is the limit for this kid.
Doug’s teammates return and they are all just as funny as before but you seem to spend less time with them and more time on the drama of Doug trying to discover himself in a life after hockey with his now wife and coming child adding a sense of pressure and responsibility that he has a hard time balancing with his personal struggles.
In the beginning, Doug is beaten into retirement by his new rival. He takes on a normal life but wants to get back on the ice to prove that he’s still got it. In an homage to Rocky III, Doug seeks out his former rival, Ross Rhea, in an attempt to train himself for the possibility of a rematch with the man that put him on the shelf and usurped him as the king of hockey fisticuffs.
I liked the premise and seeing Doug and Ross work together and even become teammates, by the end of the film, was a cool evolution of their story. The film takes their mutual respect to a new level and that is much more interesting than Doug dealing with his insurance job and becoming a father.
Marc-André Grondin’s Xavier LaFlamme is also back but he takes a backseat and doesn’t have the screen time he had in Goon. I really like the LaFlamme character and thought he was sort of wasted here. The same goes for Jay Baruchel’s Patrick but Baruchel also directed this and probably thought that a cameo here and there was all he could tackle while helming this picture.
If you love Goon, you will probably like Goon: Last of the Enforcers. It doesn’t live up to its predecessor but you get to see these characters evolve into something more than where they were when we left off with the first film.
I was a senior in high school when the first Scream came out. It was huge, especially due to kids my age. Well, mostly kids who were never really into horror or girls who were too terrified to watch something actually scary. This isn’t me taking shots at the film, it is just the reality of it.
Scream changed the horror genre forever. The problem, is that it essentially ruined it. I’ll explain more as I go on but let me get to my thoughts on each film.
Release Date: December 18th, 1996 (Los Angeles premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Drew Barrymore, W. Earl Brown
Woods Entertainment, Dimension Films, 111 Minutes
“What’s your favorite scary movie?” – Ghostface
I didn’t like this film the first time I saw it when it came out. I thought it was cheesy, not scary and full of too many recognizable stars. Although, everyone else in the theater seemed to be terrified when Drew Barrymore got murdered in the beginning. But then, the audience for Scream is not the real horror fan audience. At least not by 70s, 80s and 90s standards.
The problem with having recognizable stars in horror, as well as a decent budget, is that it feels less real and authentic. It is similar to the use of bad CGI for blood splatter and monster effects in horror now. It separates you from the film by constantly reminding you that you are watching a production. I’m going to feel more for some girl I’ve never seen before, who I have only witnessed going through the horror on screen, than I will some girl that was whiny and moody on Party of Five for several years before this movie came out. Or a cast member of Friends who I would’ve loved to see killed off, yet somehow she survived to be in all four films.
Ghostface, the slasher in these films, is not scary. Maybe he was to the teen audience of 1996 but being a teen at that time, I thought he was shit. The mask is goofy, the cloak looks like it was stolen from the Spencer’s Halloween display and the wavy knife looked like something gimmicky that came with a 80s G.I. Joe toy.
The film was too polished, and just looked too Hollywood. Craven, before this, had been known for his grittiness.
The slasher genre and horror, in general, were pretty much ruined when the characters started discussing the rules of slasher films. The film parodied the genre it was in and put on blast the unspoken rules of horror. Maybe perceived as smart and cool at the time, and maybe it was just Craven’s way of saying “fuck you” to his competition, this approach killed horror going forward. Yes, Wes Craven, a guy who modernized horror in the 70s and 80s, killed it in the 90s.
Due to its success, Scream went on to kill horror even further. It was mimicked by every studio, horror was now free of sex, gore was minimal, it became PG-13 to pull in more teens, known stars were cast, budgets swelled and the rest is history.
Today, I don’t hate Scream. Even with how it altered everything, it is better than the modern horror films we’re stuck with. While Scream was the start of something bad, year after year, that bad has gotten worse. And that wasn’t Craven’s intention. I think he was really just focused on an idea and a concept. That concept ended up bringing an end to his own career, other than pumping out Scream sequels that got worse as time went on.
Scream 2 (1997):
Release Date: December 10th, 1997 (Hollywood premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Sarah Michelle Gellar, Jamie Kennedy, Laurie Metcalf, Jerry O’Connell, Jada Pinkett, Liev Schreiber, Rebecca Gayheart, David Warner, Omar Epps, Portia de Rossi, Luke Wilson, Heather Graham, Tori Spelling, Joshua Jackson
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 120 Minutes
Scream 2 was a step down from the original but I like that Liev Schreiber got to be a bigger character. I was also glad they killed off Jamie Kennedy. And Aunt Jackie from Roseanne is in it.
The problem with Scream 2, which is made more than obvious in the opening scene, is that it feels like it has to compensate for its lack of black actors in the first film. In fact, the first film really featured no black actors and was thus, accused of being another “whitewashed” slasher picture.
Some people have criticized Jada Pinkett’s monologue about race in slasher films but I enjoyed it. She wasn’t wrong. And at least Craven put it in there to address some of these issues that were brought up after the success of the original film. Although, it did feel like overcompensation.
The film isn’t as good as the first. The reveal of who the killer is this time, is pretty underwhelming. The formula ran it’s course in the first movie and we were stuck with a picture where we were treading the same water without any new scenery. The ending brings with it a twist but it is more of a head-scratcher than a shocking reveal. It also starts the trend of building up a bigger backstory that isn’t necessary.
Neve Campbell’s mom was a slut and her sluttiness is a key factor into why her daughter and her friends have to suffer. And in the third film, her legacy of sluttiness goes back even further.
Scream 3 (2000):
Release Date: February 3rd, 2000 (Westwood premiere) Directed by: Wes Craven Written by: Ehren Kruger Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Patrick Dempsey, Scott Foley, Lance Henriksen, Matt Keeslar, Jenny McCarthy, Emily Mortimer, Parker Posey, Deon Richmond, Patrick Warburton
Konrad Pictures, Craven-Maddalena Films, Dimension Films, 117 Minutes
The third film ended the trilogy. Well, it was supposed to be a trilogy, where the fourth film years later, was to be the start of a second trilogy. The second trilogy never happened, so we ended up with a single quadrilogy. But, at the time, this was treated as the third and final act.
This was also, by far, the worst movie in the series. It takes the parodying itself shtick to the max. It takes place mostly on a Hollywood set where it gives you a movie within the movie, which is a tactic that is more annoying than clever.
Scream 3 adds the awful Jenny McCarthy to the cast, the typically cool Patrick Dempsey and the indy sweetheart Parker Posey. I almost feel bad seeing Posey plying her trade in this shit picture.
The killer reveal is stupid. It fleshes out the backstory more than anyone needs in a slasher film and the bad guy’s motivations are recycled horror trope schlock. There is nothing imaginative or original about any of this.
This film also loses sight of its whole purpose. In trying to be a clever series in constantly referring to the rules of horror, this one breaks its own rules – or it just doesn’t truly understand them. Especially in regards to what they say about the final film in trilogies, Scream 3 proves that these films have no balls. This is obvious when characters establish that “all bets are off” and “no one is safe”, yet for the third consecutive film, every major character survives. Additionally, the horror gore factor it tries to sell in the film is minimal, the sex factor in horror that this film constantly makes reference to, is nonexistent and everyone who understands the rules, continues to make the same dumb mistakes.
And the sole black character is reduced to a caricature but at least they didn’t “whitewash” this one after meeting their quota in part two.
Scream 4 (2011):
Release Date: April 11th, 2011 (TCL Chinese Theatre premiere) Directed by: Wes Craven Written by: Kevin Williamson Music by: Marco Beltrami Cast: David Arquette, Neve Campbell, Courteney Cox, Emma Roberts, Hayden Panettiere, Anthony Anderson, Alison Brie, Adam Brody, Rory Culkin, Marielle Jaffe, Erik Knudsen, Mary McDonnell, Marley Shelton, Nico Tortorella, Anna Paquin, Kristen Bell
Oh, there’s Emma Roberts! Why’s she in every thing horror-esque, lately? I don’t dislike her but I’m getting tired of seeing her play the same roles again and again. She’s actually okay and I’m certainly not as sick of her as I am of her Aunt Julia.
Anyway, here we go, years later. The main cast is still alive. Surprise, they live through the end because again, the Scream franchise has no balls.
There’s a bunch of false curveball beginnings to the film, all movies within the movie, which has gotten tiresome with the Scream series. I mean, fuck, has Wes Craven completely run out of ideas? Hire new writers, bro.
This film tries to establish the “new” rules of horror, as it takes place a decade after the previous film. Except, everyone knows that the new rules post-Scream are horrible and the genre has gotten awful.
The killers are predictable. More so than previous films, actually. The two killer formula has been used to death in this series and was only somewhat effective the first time around.
Also, from what I remember, no black people in this one. But there is the reference to gay people surviving horror movies and then a bad in-movie joke where a character being stabbed to death, claims he’s gay in hopes of getting a free pass. I’m not standing on a politically correct soapbox here but Craven isn’t doing himself any favors trying to branch out beyond his audience of straight white teens. I get the attempt at humor but it was juvenile and not that funny.
I’m getting tired of talking about these movies now.
In the end, this film sucks. Although it doesn’t suck as bad as Scream 3.
Release Date: September 10th, 2011 (Toronto Film Festival) Directed by: Michael Dowse Written by: Jay Baruchel, Evan Goldberg Music by: Ramachandra Borcar Cast: Seann William Scott, Jay Baruchel, Alison Pill, Marc-André Grondin, Kim Coates, Eugene Levy, Liev Schreiber, Jonathan Cherry
No Trace Camping, Caramel Film, Don Carmody Productions, Inferno Pictures Inc., Alliance Films, Magnet Releasing, 92 Minutes
“You have my respect. Whatever that means to you, you got it. But, know this shit hard. If ever there comes a time when it gets down to the marrow, and it’s you and me. Kid, I will lay you the fuck out.” – Ross Rhea
Goon is the best hardcore hockey film since the Paul Newman classic Slap Shot. And to be honest, as a fan of hockey, movies and testosterone, I think that Goon is either on or pretty damned close to the Slap Shot level.
Written by Jay Baruchel (who also stars in the film) and Evan Goldberg, this is a movie that lives up to their previous collaborations and their great individual efforts. It also provided Seann William Scott and Liev Schreiber with the two best roles they’ve played. In fact, I would be all for a spin-off about Schreiber’s character, the veteran goon Ross Rhea.
Actually, the scene in the bar between Scott and Schreiber is one of my favorite verbal confrontations ever filmed. The mood, the lighting, the lines spoken and the chemistry between the two men in just that one scene, elevate this film to something much more than a late night sports comedy. Kudos to both actors.
This is a quick paced and never boring 90 minute mixture of bad ass hockey shit, lighthearted adult comedy and just a really compelling story about a lovable tough guy that just wants to find something in the world that he is good at. It is about a guy who wants to belong somewhere.
The final confrontation in this film is also a pretty epic scene. The film builds towards the inevitable battle between the two toughest guys in minor league hockey and when it finally goes down, it makes the three hour battle that is The Return of the King look like Strawberry Shortcake.
This film is great. I can see where it wouldn’t be many people’s cup of tea but fuck people and fuck tea.