Release Date: January 25th, 1963
Directed by: Roger Corman
Written by: Richard Matheson
Based on: The Raven by Edgar Allan Poe
Music by: Les Baxter
Cast: Vincent Price, Peter Lorre, Boris Karloff, Hazel Court, Olive Sturgess, Jack Nicholson
American International Pictures, 86 Minutes
“You’ll need something to protect you from the cold. [Dr. Bedlo reaches for a glass of wine] No, I meant clothes!” – Dr. Craven
Following the success of a couple Edgar Allan Poe adaptations between producer/director Roger Corman and his star Vincent Price, the men re-teamed again but this time, they made a comedy.
They also added more star power to this film with legends Peter Lorre and Boris Karloff. Add in future legend Jack Nicholson and Hammer Horror scream queen Hazel Court and you’ve got one hell of a cast.
I’m not sure what audiences in the ’60s felt about this film going into it, as the other Poe films by this team were very dark and brooding. This one certainly has the same sort of visual tone but the lighthearted camp of the material definitely tones down the dread.
To be frank, I love this movie but I love all of these Poe films made by Corman and Price. But this one is in the upper echelon for me.
The Raven hits the right notes and the chemistry between Price and Lorre was absolute perfection. They would also bring their solid camaraderie to the film The Comedy of Terrors, a year later. But this also wasn’t their first outing together, as they stared in “The Black Cat” segment of Tales of Terror. That short tale in the larger anthology was also pretty funny.
The film also benefits from having great chemistry between Lorre and Nicholson, who played his son. Karloff also meshed well with the cast.
The highlight of this film is the wizard battle at the end. It is over the top and hokey but it’s the sort of fun cheese that I love. Limited by a scant budget and the special effects of the era, the battle between the two powerful magicians has a sort of charm to it. It’s hard not to smile and enjoy the proceedings. Vincent Price also looked like he was enjoying himself immensely in this scene.
Unlike other Poe films by Corman, this one ends on a happy note and surprisingly, none of the key players die.
This is a really unique film that works for both the horror and comedy genres of its time. It looks good when seen alongside the other Poe films and it also pairs greatly with The Comedy of Terrors, which shares a lot of the same actors and adds in Basil Rathbone.
Pairs well with: the other Roger Corman directed Edgar Allan Poe adaptations for American International Pictures, as well as The Comedy of Terrors for its tone and cast.