Original Run: April 17th, 1977 – March 1st, 1982
Created by: Alan Landsburg Productions
Directed by: various
Written by: various
Music by: Laurin Rinder, W. Michael Lewis, Mike Lewis
Cast: Leonard Nimoy (presenter, host, narrator)
Alan Landsburg Productions, Rhodes Productions, *syndicated, 144 Episodes, 23 Minutes (per episode)
While it’s been decades since I’ve seen this show, I used to watch it in the late ’80s and early ’90s, where it would rerun on late night syndication. It was a favorite of mine, as were many of the television shows, back then, that dealt with ghosts, aliens, cryptids and other cool, unexplainable mysteries.
Out of all of these shows, though, this one was always my favorite. That probably has a lot to do with Leonard Nimoy being the host and narrator but it also has to do with it being kind of stylish and dated, even a decade later. The low budget ’70s television panache just made it a bit more magical and otherworldly than the similar shows that were current at the time.
I had no idea that there were as many as 144 episodes until I actually bought the DVD set off of Amazon, which is really cheap, by the way.
So while I haven’t watched the series in its entirety, yet, I have revisited some of the most memorable episodes and they bring me back to that magical place I was when I first experienced them.
That being said, it’s probably hard to review this without nostalgia giving it a boost but I think it’ll hit those same notes in people that already have a love of the weird, as well as television shows from this era.
While this is presented in a documentary style, the conclusions presented in the show are simply based off of the evidence that they had at the time. The show isn’t dishonest, as it admits to conjecture in its opening introduction. However, it’s sort of a time capsule now, as it presents these mysteries through the eyes, findings and interpretations of the world nearly forty-five years ago.
Pairs well with: other shows about mysterious phenomenon, cryptozoology and things still left unexplained by science.
Release Date: April 16th, 2016 (Tribeca Film Festival)
Directed by: Adam Nimoy
Music by: Nicholas Pike
Cast: Adam Nimoy, Leonard Nimoy (archive footage), Zoe Saldana, Karl Urban, Chris Pine, William Shatner, Mayim Bialik, Jim Parsons, Simon Pegg, Zachary Quinto, J.J. Abrams, Jason Alexander, Catherine Hicks, Nichelle Nichols, George Takei, Walter Koenig, Neil deGrasse Tyson, Nicholas Meyer, Julie Nimoy
455 Films, For The Love Of Spock Productions, 111 Minutes
“The review that Variety gave us when we first went on the air in September of 1966: “Star Trek won’t work.” [grins]” – Leonard Nimoy
This had been in my queue for quite awhile. I’m not sure why I hadn’t watched it until now but I’m glad that I finally did, as Leonard Nimoy is an actor that had a pretty profound effect on me, as a kid, and because he’s someone I greatly admire, as an adult.
This documentary went into production while Nimoy was still alive but he died early on in the process of making it. Because of that, this evolved into being about the man and his most famous character, Spock from Star Trek.
For the Love of Spock is also a passionate letter from a loving son to his father, which also involves a lot of the talented people that worked with Nimoy over decades.
I like that this spent a lot of time on Nimoy, the man, as well as the Spock character. It delves into his personal life, his history in showbiz and how he was instrumental in shaping not just his character but the mythos of Star Trek, as a whole.
This was well shot, superbly edited and it was nice seeing all of his living colleagues and friends talk about his life, work and contributions to one of the greatest science fiction franchises of all-time.
This documentary is nearly two hours but it flew by like a breeze. I was actually surprised when it started to wrap up, as I hadn’t realized how much time had passed.
All in all, this is a pretty solid film on a pretty solid and supremely talented man.
Also known as: The Body Snatchers (informal title)
Release Date: December 21st, 1978 (San Francisco & Minneapolis premieres)
Directed by: Philip Kaufman
Written by: W. D. Richter
Based on: The Body Snatchers by Jack Finney
Music by: Denny Zeitlin
Cast: Donald Sutherland, Brooke Adams, Leonard Nimoy, Jeff Goldblum, Veronica Cartwright, Art Hindle, Robert Duvall, Philip Kaufman (cameo), Kevin McCarthy (cameo)
Solofilm, United Artists, 115 Minutes
“We came here from a dying world. We drift through the universe, from planet to planet, pushed on by the solar winds. We adapt and we survive. The function of life is survival.” – Dr. David Kibner
This is a movie that kind of terrified me, as a kid. I’m also a germaphobe and have a strange fear of plants that don’t look right, especially coming into contact with them. I’m probably much better in that regard, as an adult, but this film is still quite unsettling regardless of how many times I’ve seen it and how much I’ve aged in the process.
Out of all the adaptations of The Body Snatchers story, this is the one that’s the most effective. At least from my point-of-view.
There’s just something supremely creepy about this version of the story and a lot of that probably has to do with it being made in the ’70s, it’s use of incredible practical effects and the solid cast.
Being an old school Star Trek fan, I love that Leonard Nimoy plays an evil bastard in this. Well, after he’s been infected with the alien spores, anyway. But its great seeing Nimoy get to express himself in ways that he couldn’t while playing Spock, his most iconic role.
Additionally, I loved seeing a very youthful and cool Jeff Goldblum in this, as well as Veronica Cartwright and Brooke Adams, who I wish would’ve been a more prominent actress because she’s always really damn good.
Donald Sutherland takes the cake, though, as the lead in the film. He and his friends become aware that something strange is going on and he does his best trying to stop it, even though it becomes clear that the alien invasion will happen regardless of how human beings feel about it.
The movie is also full of sequences that are simply great.
The one that really stands out to me is where Jeff Goldblum brings the heroes to a strange body. Here, we get to see the first real physiological changes in those effected by the alien spores. We also get to see how the aliens move and try to absorb human DNA in order to be replicated into plant-based copies.
Following that, we get another great sequence that sees Sutherland fall asleep and nearly get assimilated by alien pods in a backyard. The effects in this scene are incredible and some of the best of the era.
Speaking of which, the effects of the opening credits were also damn impressive, as we see the alien lifeforms leave their home planet and soar across the universe on solar winds, eventually making their way to Earth and attaching themselves to our plants.
Invasion of the Body Snatchers is simply awesome. I dig the hell out of it from top-to-bottom and it’s one of those films I have to revisit every few years.
At some point, I’ll probably review the other remakes/re-imaginings of this story but none of them hold a candle to this one, except for the original.
Pairs well with: the original film, as well as other alien invasion and killer virus movies of the ’60s through ’80s.
Release Date: August 8th, 1986
Directed by: Nelson Shin
Written by: Ron Friedman
Based on: The Transformers by Hasbro, Takara
Music by: Vince DiCola
Cast: Eric Idle, Judd Nelson, Leonard Nimoy, Robert Stack, Lionel Stander, Orson Welles, Frank Welker, Peter Cullen, Scatman Crothers, John Moschitta Jr., Michael Bell, Casey Kasem, Chris Latta, Clive Revill
Toei Animation, Sunbow Productions, Marvel Productions, Hasbro, De Laurentiis Entertainment Group, 84 Minutes
“Megatron must be stopped… no matter the cost.” – Optimus Prime
I’ve been meaning to revisit this for awhile, as I’ve also wanted to review the television series seasons after the movie. However, my DVD was missing and I just found it under my DVD shelf. It could’ve been there for years.
Anyway, having dusted this off, the 20th Anniversary Edition, I fired it up and gave it a watch. Man, it’s been too long and it doesn’t matter that I have nearly every line of dialogue still memorized, because every time I see this, it still feels like the first time.
I love this movie and it’s definitely the better film between it and Hasbro’s other major motion picture: G.I. Joe: The Movie. This was also the only one to get a theatrical release, as the backlash this film received, as well as it under performing, made them re-think their strategy.
However, the backlash and criticism was stupid and I wrote about it here.
Beyond that, it doesn’t matter that the franchise’s primary hero was killed off in the first act of the film. In fact, it gave this film much more weight than an episode of the cartoon could have. It also paved the way for a new line of toys and characters, which is really what this franchise was designed for.
For fans of the animated show, this movie was larger than life. It took these beloved characters and their universe and threw them up on the big screen and gave audiences a story that was worth that larger piece of real estate.
Now the plot isn’t perfect and the film has a few pacing issues but the pros far outweigh the cons and Transformers has never been cooler than it was with this movie.
The animation is done in the same style as the television show except it’s much better and the film looks stupendous. Honestly, it still looks great and it has held up really well, even with modern CGI and computer programs doing most of the heavy lifting.
Transformers: The Movie still feels like a living, breathing work of art. It’s an animated film of the highest caliber from an era that was stuffed full of so much fantastic pop culture shit.
That being said, there wasn’t an animated film that I appreciated and enjoyed as much as this one when I saw it. Looking at it now, I still feel the same way, other than a handful of Japanese animes that I discovered later.
Sure, this is no Akira but for something produced by an American company, it’s light years ahead of its domestic competition. Hell, I even prefer it over the best Disney movies of the ’80s.
Pairs well with: the original Transformers television series, as well as G.I. Joe: A Real American Hero.
Also known as: Star Trek 3, Washington, Star Trek Into Oblivion (working titles)
Release Date: July 20th, 2016 (Indonesia, Iceland, Philippines, Sweden, Thailand)
Directed by: Justin Lin
Written by: Simon Pegg, Doug Jung
Based on: Star Trek by Gene Roddenberry
Music by: Michael Giacchino
Cast: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Deep Roy, Idris Elba, Sofia Boutella, Shohreh Aghdashloo, Greg Grunberg, Danny Pudi, Doug Jung, Leonard Nimoy (photo cameos)
Bad Robot Productions, Skydance Productions, Sneaky Shark Productions, Perfect Storm Entertainment, Paramount Pictures, 122 Minutes
“[to Kirk] It isn’t uncommon, you know, even for a captain, to want to leave. There is no relative direction in the vastness of space. There is only yourself, your ship, your crew. It’s easier than you think, to get lost.” – Commodore Paris
I guess they saved the best for last because even though this film did the worst at the box office out of the three J. J. Abrams Star Trek movies, it was the best movie of the lot.
Most people probably don’t agree with my assessment of this one but I like it because it feels more like Star Trek than the two films that Abrams directed. Who would’ve thought that Justin Lin, a director most known for Fast & Furious movies would turn out something so Trek-ish. And that’s not a knock against the Fast & Furious franchise, as I find those films pretty fun and enjoyable for what they are.
I believe that a lot of the credit for this film’s narrative has to go to the writers, Simon Pegg, who plays Scotty, and Doug Jung, who also had a small cameo in this. Pegg isn’t just an actor, though, as he was a creative force in several of his other projects like the classic British comedy show Spaced and the films Shaun of the Dead, Hot Fuzz and The World’s End.
This is really action packed but it feels more like a Star Trek TV episode adventure than the two films before it. It is definitely more in tune with the films of the Original Series and Next Generation eras than the two Abrams pictures before it.
With that being said, this is also fresh and new and it does some really cool things that no other Trek film has done. The Enterprise faced a new type of threat that no ship in the entire Star Trek mythos has ever faced, small drone ships that act like a carnivorous swarm of locusts. You see the Enterprise get ripped apart and as much as any fan hates seeing the Enterprise get beat, it’s an incredible sequence and one of the absolute best in Star Trek history.
For the bulk of the picture, the crew is marooned on a planet. They must find a way off of the rock while stopping the evil plans of the madman that stranded them there. Additionally, that same madman plans to attack the Federation, so not only do Kirk and his crew need to escape their predicament but they also need to find a way to defeat the man that just destroyed the USS Enterprise.
There are some solid twists and turns in the plot and none of it feels like swerves just for the sake of swerves. The plot twists work organically and overall, this Star Trek film feels the least formulaic of this trilogy.
The final battle is a lot of fun, even if I never expected to see a final outer space showdown in Star Trek cued to the Beastie Boys’ “Sabotage”. Some old school fans might find this to be a bit cringeworthy but in that moment, it worked for me. Plus, if you don’t like “Sabotage” you’re probably a communist.
My only big beef with the movie is that after introducing us to Dr. Carol Marcus, who joined the crew in the previous film and was played by the stunning Alice Eve, she’s mysteriously absent from this picture. Why? And also, WTF, man?!
Anyway, Star Trek Beyond was just a lot of fun. It was great escapism, filled its two hours incredibly well and it deserves more fanfare than it received. Frankly, I’m really disappointed that the fourth film in this series was cancelled.
Pairs well with: The other Kelvin timeline Star Trek films: Star Trek and Star Trek Into Darkness.