Original Run: April 17th, 1977 – March 1st, 1982 Created by: Alan Landsburg Productions Directed by: various Written by: various Music by: Laurin Rinder, W. Michael Lewis, Mike Lewis Cast: Leonard Nimoy (presenter, host, narrator)
While it’s been decades since I’ve seen this show, I used to watch it in the late ’80s and early ’90s, where it would rerun on late night syndication. It was a favorite of mine, as were many of the television shows, back then, that dealt with ghosts, aliens, cryptids and other cool, unexplainable mysteries.
Out of all of these shows, though, this one was always my favorite. That probably has a lot to do with Leonard Nimoy being the host and narrator but it also has to do with it being kind of stylish and dated, even a decade later. The low budget ’70s television panache just made it a bit more magical and otherworldly than the similar shows that were current at the time.
I had no idea that there were as many as 144 episodes until I actually bought the DVD set off of Amazon, which is really cheap, by the way.
So while I haven’t watched the series in its entirety, yet, I have revisited some of the most memorable episodes and they bring me back to that magical place I was when I first experienced them.
That being said, it’s probably hard to review this without nostalgia giving it a boost but I think it’ll hit those same notes in people that already have a love of the weird, as well as television shows from this era.
While this is presented in a documentary style, the conclusions presented in the show are simply based off of the evidence that they had at the time. The show isn’t dishonest, as it admits to conjecture in its opening introduction. However, it’s sort of a time capsule now, as it presents these mysteries through the eyes, findings and interpretations of the world nearly forty-five years ago.
Rating: 8/10 Pairs well with: other shows about mysterious phenomenon, cryptozoology and things still left unexplained by science.
Release Date: April 16th, 2016 (Tribeca Film Festival) Directed by: Adam Nimoy Music by: Nicholas Pike Cast: Adam Nimoy, Leonard Nimoy (archive footage), Zoe Saldana, Karl Urban, Chris Pine, William Shatner, Mayim Bialik, Jim Parsons, Simon Pegg, Zachary Quinto, J.J. Abrams, Jason Alexander, Catherine Hicks, Nichelle Nichols, George Takei, Walter Koenig, Neil deGrasse Tyson, Nicholas Meyer, Julie Nimoy
455 Films, For The Love Of Spock Productions, 111 Minutes
“The review that Variety gave us when we first went on the air in September of 1966: “Star Trek won’t work.” [grins]” – Leonard Nimoy
This had been in my queue for quite awhile. I’m not sure why I hadn’t watched it until now but I’m glad that I finally did, as Leonard Nimoy is an actor that had a pretty profound effect on me, as a kid, and because he’s someone I greatly admire, as an adult.
This documentary went into production while Nimoy was still alive but he died early on in the process of making it. Because of that, this evolved into being about the man and his most famous character, Spock from Star Trek.
For the Love of Spock is also a passionate letter from a loving son to his father, which also involves a lot of the talented people that worked with Nimoy over decades.
I like that this spent a lot of time on Nimoy, the man, as well as the Spock character. It delves into his personal life, his history in showbiz and how he was instrumental in shaping not just his character but the mythos of Star Trek, as a whole.
This was well shot, superbly edited and it was nice seeing all of his living colleagues and friends talk about his life, work and contributions to one of the greatest science fiction franchises of all-time.
This documentary is nearly two hours but it flew by like a breeze. I was actually surprised when it started to wrap up, as I hadn’t realized how much time had passed.
All in all, this is a pretty solid film on a pretty solid and supremely talented man.
Also known as: The Body Snatchers (informal title) Release Date: December 21st, 1978 (San Francisco & Minneapolis premieres) Directed by: Philip Kaufman Written by: W. D. Richter Based on:The Body Snatchers by Jack Finney Music by: Denny Zeitlin Cast: Donald Sutherland, Brooke Adams, Leonard Nimoy, Jeff Goldblum, Veronica Cartwright, Art Hindle, Robert Duvall, Philip Kaufman (cameo), Kevin McCarthy (cameo)
Solofilm, United Artists, 115 Minutes
“We came here from a dying world. We drift through the universe, from planet to planet, pushed on by the solar winds. We adapt and we survive. The function of life is survival.” – Dr. David Kibner
This is a movie that kind of terrified me, as a kid. I’m also a germaphobe and have a strange fear of plants that don’t look right, especially coming into contact with them. I’m probably much better in that regard, as an adult, but this film is still quite unsettling regardless of how many times I’ve seen it and how much I’ve aged in the process.
Out of all the adaptations of The Body Snatchers story, this is the one that’s the most effective. At least from my point-of-view.
There’s just something supremely creepy about this version of the story and a lot of that probably has to do with it being made in the ’70s, it’s use of incredible practical effects and the solid cast.
Being an old school Star Trek fan, I love that Leonard Nimoy plays an evil bastard in this. Well, after he’s been infected with the alien spores, anyway. But its great seeing Nimoy get to express himself in ways that he couldn’t while playing Spock, his most iconic role.
Additionally, I loved seeing a very youthful and cool Jeff Goldblum in this, as well as Veronica Cartwright and Brooke Adams, who I wish would’ve been a more prominent actress because she’s always really damn good.
Donald Sutherland takes the cake, though, as the lead in the film. He and his friends become aware that something strange is going on and he does his best trying to stop it, even though it becomes clear that the alien invasion will happen regardless of how human beings feel about it.
The movie is also full of sequences that are simply great.
The one that really stands out to me is where Jeff Goldblum brings the heroes to a strange body. Here, we get to see the first real physiological changes in those effected by the alien spores. We also get to see how the aliens move and try to absorb human DNA in order to be replicated into plant-based copies.
Following that, we get another great sequence that sees Sutherland fall asleep and nearly get assimilated by alien pods in a backyard. The effects in this scene are incredible and some of the best of the era.
Speaking of which, the effects of the opening credits were also damn impressive, as we see the alien lifeforms leave their home planet and soar across the universe on solar winds, eventually making their way to Earth and attaching themselves to our plants.
Invasion of the Body Snatchers is simply awesome. I dig the hell out of it from top-to-bottom and it’s one of those films I have to revisit every few years.
At some point, I’ll probably review the other remakes/re-imaginings of this story but none of them hold a candle to this one, except for the original.
Rating: 8.5/10 Pairs well with: the original film, as well as other alien invasion and killer virus movies of the ’60s through ’80s.
Release Date: August 8th, 1986 Directed by: Nelson Shin Written by: Ron Friedman Based on:The Transformers by Hasbro, Takara Music by: Vince DiCola Cast: Eric Idle, Judd Nelson, Leonard Nimoy, Robert Stack, Lionel Stander, Orson Welles, Frank Welker, Peter Cullen, Scatman Crothers, John Moschitta Jr., Michael Bell, Casey Kasem, Chris Latta, Clive Revill
Toei Animation, Sunbow Productions, Marvel Productions, Hasbro, De Laurentiis Entertainment Group, 84 Minutes
“Megatron must be stopped… no matter the cost.” – Optimus Prime
I’ve been meaning to revisit this for awhile, as I’ve also wanted to review the television series seasons after the movie. However, my DVD was missing and I just found it under my DVD shelf. It could’ve been there for years.
Anyway, having dusted this off, the 20th Anniversary Edition, I fired it up and gave it a watch. Man, it’s been too long and it doesn’t matter that I have nearly every line of dialogue still memorized, because every time I see this, it still feels like the first time.
I love this movie and it’s definitely the better film between it and Hasbro’s other major motion picture: G.I. Joe: The Movie. This was also the only one to get a theatrical release, as the backlash this film received, as well as it under performing, made them re-think their strategy.
However, the backlash and criticism was stupid and I wrote about it here.
Beyond that, it doesn’t matter that the franchise’s primary hero was killed off in the first act of the film. In fact, it gave this film much more weight than an episode of the cartoon could have. It also paved the way for a new line of toys and characters, which is really what this franchise was designed for.
For fans of the animated show, this movie was larger than life. It took these beloved characters and their universe and threw them up on the big screen and gave audiences a story that was worth that larger piece of real estate.
Now the plot isn’t perfect and the film has a few pacing issues but the pros far outweigh the cons and Transformers has never been cooler than it was with this movie.
The animation is done in the same style as the television show except it’s much better and the film looks stupendous. Honestly, it still looks great and it has held up really well, even with modern CGI and computer programs doing most of the heavy lifting.
Transformers: The Movie still feels like a living, breathing work of art. It’s an animated film of the highest caliber from an era that was stuffed full of so much fantastic pop culture shit.
That being said, there wasn’t an animated film that I appreciated and enjoyed as much as this one when I saw it. Looking at it now, I still feel the same way, other than a handful of Japanese animes that I discovered later.
Sure, this is no Akira but for something produced by an American company, it’s light years ahead of its domestic competition. Hell, I even prefer it over the best Disney movies of the ’80s.
Rating: 8.5/10 Pairs well with: the original Transformers television series, as well as G.I. Joe: A Real American Hero.
Also known as: Star Trek 3, Washington, Star Trek Into Oblivion (working titles) Release Date: July 20th, 2016 (Indonesia, Iceland, Philippines, Sweden, Thailand) Directed by: Justin Lin Written by: Simon Pegg, Doug Jung Based on:Star Trek by Gene Roddenberry Music by: Michael Giacchino Cast:Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Deep Roy, Idris Elba, Sofia Boutella, Shohreh Aghdashloo, Greg Grunberg, Danny Pudi, Doug Jung, Leonard Nimoy (photo cameos)
“[to Kirk] It isn’t uncommon, you know, even for a captain, to want to leave. There is no relative direction in the vastness of space. There is only yourself, your ship, your crew. It’s easier than you think, to get lost.” – Commodore Paris
I guess they saved the best for last because even though this film did the worst at the box office out of the three J. J. Abrams Star Trek movies, it was the best movie of the lot.
Most people probably don’t agree with my assessment of this one but I like it because it feels more like Star Trek than the two films that Abrams directed. Who would’ve thought that Justin Lin, a director most known for Fast & Furious movies would turn out something so Trek-ish. And that’s not a knock against the Fast & Furious franchise, as I find those films pretty fun and enjoyable for what they are.
I believe that a lot of the credit for this film’s narrative has to go to the writers, Simon Pegg, who plays Scotty, and Doug Jung, who also had a small cameo in this. Pegg isn’t just an actor, though, as he was a creative force in several of his other projects like the classic British comedy show Spaced and the films Shaun of the Dead, Hot Fuzz and The World’s End.
This is really action packed but it feels more like a Star Trek TV episode adventure than the two films before it. It is definitely more in tune with the films of the Original Series and Next Generation eras than the two Abrams pictures before it.
With that being said, this is also fresh and new and it does some really cool things that no other Trek film has done. The Enterprise faced a new type of threat that no ship in the entire Star Trek mythos has ever faced, small drone ships that act like a carnivorous swarm of locusts. You see the Enterprise get ripped apart and as much as any fan hates seeing the Enterprise get beat, it’s an incredible sequence and one of the absolute best in Star Trek history.
For the bulk of the picture, the crew is marooned on a planet. They must find a way off of the rock while stopping the evil plans of the madman that stranded them there. Additionally, that same madman plans to attack the Federation, so not only do Kirk and his crew need to escape their predicament but they also need to find a way to defeat the man that just destroyed the USS Enterprise.
There are some solid twists and turns in the plot and none of it feels like swerves just for the sake of swerves. The plot twists work organically and overall, this Star Trek film feels the least formulaic of this trilogy.
The final battle is a lot of fun, even if I never expected to see a final outer space showdown in Star Trek cued to the Beastie Boys’ “Sabotage”. Some old school fans might find this to be a bit cringeworthy but in that moment, it worked for me. Plus, if you don’t like “Sabotage” you’re probably a communist.
My only big beef with the movie is that after introducing us to Dr. Carol Marcus, who joined the crew in the previous film and was played by the stunning Alice Eve, she’s mysteriously absent from this picture. Why? And also, WTF, man?!
Anyway, Star Trek Beyond was just a lot of fun. It was great escapism, filled its two hours incredibly well and it deserves more fanfare than it received. Frankly, I’m really disappointed that the fourth film in this series was cancelled.
Rating: 8/10 Pairs well with: The other Kelvin timeline Star Trek films: Star Trek and Star Trek Into Darkness.
Also known as: Star Trek XII, Star Trek 2, 2, Untitled Star Trek Sequel (working titles) Release Date: April 23rd, 2013 (Sydney premiere) Directed by: J. J. Abrams Written by: Robert Orci, Alex Kurtzman, Damon Lindelof Based on:Star Trek by Gene Roddenberry Music by: Michael Giacchino Cast:Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Leonard Nimoy, Bruce Greenwood, Deep Roy, Benedict Cumberbatch, Peter Weller, Alice Eve, Noel Clarke, Chris Hemsworth, Heather Langenkamp, Bill Hader (voice)
Bad Robot Productions, Skydance Productions, K/O Paper Products, Paramount Pictures, 133 Minutes
“He used my friends to control me. I tried to smuggle them to safety by concealing them in the very weapons I have designed. But I was discovered. I had no choice but to escape alone. And when I did, I had every reason to suspect that Marcus had killed every single one of the people I hold most dear. So I responded in kind. My crew is my family, Kirk. Is there anything you would not do for your family?” – Khan
There is one simple thing that ruins this movie. It’s still enjoyable and a lot of fun but this film could have actually been pretty great. What ruins it is the reveal that Benedict Cumberbatch’s John Harrison is actually Khan Noonien Singh.
While this film was being made, everyone and their mother speculated that Cumberbatch was Khan. The filmmakers promised us that he wasn’t. It was a pretty big debate at the time going on within the Star Trek fan community. So when the reveal comes in the film, which was no surprise to anyone, it sort of made me go, “Really, MFer?! So you guys lied?!” Did they try to salvage the reveal by denying it? Did they think that would work and then the fans would be pleasantly surprised? Maybe that kind of Hollywood bullshittery is why Disney wanted J. J. Abrams to helm their first Star Wars movie.
I’m not really that pissed about it in retrospect. But it is worth mentioning how this film had some controversy around it because of that. But hey, the normies loved it, as they loved the previous Abrams Trek film and the post-Lucas Star Wars films. But I digress.
I did love Cumberbatch as the villain here but he didn’t need to be Khan. He should have stayed John Harrison and been a character in the same vein as Khan. There could be other genetically modified warlords from Earth’s past that were put on ice for centuries. Or he could have been an acolyte of Khan, leading up to a third film where Khan is unleashed.
The problem I have with Cumberbatch as Khan is that he doesn’t look the part, act the part or feel Khan-like in any way whatsoever. I’m not sure why he was cast, other than he is an incredible actor. He just feels wasted being wedged into a mold where he doesn’t quite fit. But again, he’s damn good, all things considered. Maybe Hollywood was all out of Mexican actors to play Indian despots?
But as good as Cumberbatch is, he is overshadowed by an even more villainous character that became a total curveball and pleasant surprise within the film, Peter Weller’s Admiral Marcus. Weller just owns this film in every single scene that features him. Plus, his vessel was one of the most intimidating in Star Trek history. He just fit the part so well and looked like a tyrant king sitting in his captain’s chair like it was a throne over the galaxy.
I also liked that the film finally included the Klingons, even though it got them wrong and made them look bizarre. The Klingons’ look has varied over the years but the look from the original movies and the television shows from Star Trek: The Next Generation on became their iconic look. Deviating from that makes little sense. They could have toned it down and made them look more like they did in the original series from the ’60s but no, Abrams had to make his own stupid version of them.
The crew was good in this but that carries over from the first film. I thought that most of the casting was well done and it’s nice to see them work better as a unit now without Kirk and Spock bickering for 75 percent of the movie. But I guess that’s replaced with Spock and Uhura bickering.
I did enjoy the addition of Alice Eve to the cast as crew member Dr. Carol Marcus, daughter of Weller’s evil admiral. She had great chemistry with Chris Pine and Dr. Marcus was a character I loved from the original movies. But where the hell was she in Star Trek Beyond? But I’ll address that when I review it.
The opening sequence of the movie is beautiful and really cool. It’s actually one of my favorite parts of this Kelvin timeline trilogy. The rest of the movie feels cold, as it primarily takes place in space until we get to see Earth at the end. There’s also about 5 minutes of the Klingon homeworld but it is mostly seen during a spaceship chase that just feels a lot like what Abrams gave us in the first act of The Force Awakens when Rey and Finn escaped the desert planet by flying through shipwrecked Star Destroyers.
Also, the scenes that are call backs to older Trek moments were pretty cringe. The scene where Kirk dies and Spock is on the other side of the glass, a role reversal from the end of Wrath of Khan, was so awkward and off putting that it sucked you out of the film. Plus, you knew that Kirk would be alive again in ten minutes and the emotional impact wasn’t there.
If they would have fine tuned this movie a bit more, not made Cumberbatch reveal himself to be Khan and not meddled with establish canon and character design, then this could have been a damn fine space adventure. At its core, it still doesn’t feel like Star Trek in spirit but there are very few modern filmmakers that I think could pull that off, especially when trying to appeal to the widest modern audience possible.
There is a lot to like with this movie but there are so many things wrong with it that it’s bogged down by its own bullshit.
Rating: 7.5/10 Pairs well with: The other Kelvin timeline Star Trek films: Star Trek and Star Trek Beyond.
Also known as: Star Trek XI, Star Trek Zero, Corporate Headquarters, The Ernest Castelhun Chronicles, Untitled Walter Lace Project, Star Trek: The Future Begins (working titles), Star Trek: The Beginning (South Korea), Release Date: April 6th, 2009 (Austin premiere) Directed by: J. J. Abrams Written by: Robert Orci, Alex Kurtzman Based on:Star Trek by Gene Roddenberry Music by: Michael Giacchino Cast:Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Leonard Nimoy, Bruce Greenwood, Eric Bana, Ben Cross, Winona Ryder, Chris Hemsworth, Clifton Collins Jr., Rachel Nichols, Deep Roy, Tyler Perry, Victor Garber (scene cut), Brad William Henke (scenes cut)
Spyglass Entertainment, Bad Robot Productions, Paramount Pictures, 127 Minutes
“Don’t pander to me, kid. One tiny crack in the hull and our blood boils in thirteen seconds. Solar flare might crop up, cook us in our seats. And wait’ll you’re sitting pretty with a case of Andorian shingles, see if you’re still so relaxed when your eyeballs are bleeding. Space is disease and danger wrapped in darkness and silence.” – Dr. Leonard ‘Bones’ McCoy
I’ve loved the Star Trek franchise as long as I can remember. However, nothing has really resonated with me since the end of Enterprise in 2005. This film was an attempt at rebooting the franchise and altering the timeline so that it wasn’t forced into having to work within the framework of already established canon. I wouldn’t call that the best idea, as Star Trek has such a rich mythos that it doesn’t need to be rebooted, there are unlimited ways to tell stories within a franchise this large. But a reboot is what we got because Hollywood is gonna Hollywood.
That being said, for what this is, Star Trek isn’t a bad motion picture. It’s an unnecessary one but I did want to give it a shot because if this was all the Trek I was going to get, I wanted to try to make the best of it.
This could have been better though. They hired the wrong guy to direct, as he just wanted to make Star Wars movies, which he would later do, and wasn’t a fan of Star Trek and didn’t really understand what it needed to be in contrast to what Star Wars is.
The director, J. J. Abrams, also made some strange stylistic choices in how he made the Enterprise look and how he went absolutely ape shit with the use of lens flares and lighting. The film is almost headache inducing at times.
As far as the story goes, the altering of the timeline really seems moot, as there are things that are different before the moment of that alteration. I’m specifically talking about the time Enterprise was already in space before Kirk showed up, as well as Spock’s previous service on the ship and Captain Pike’s role in everything.
Additionally, the story really seems to be a rehash of Star Wars: Episode IV – A New Hope, which Abrams would also heavily borrow from for his first Star Wars movie, Episode VII – The Force Awakens. But this is the same guy who also borrowed heavily from E.T. the Extra-Terrestrial for his picture Super 8. It all kind of makes me wonder what his next Star Wars film will heavily borrow from.
In the realm of Star Trek movies, this is better than the worst films that came before it but it doesn’t come close to the greatness of Wrath of Khan, The Voyage Home, The Undiscovered Country or First Contact. As its own film, separate from the series, it is a fun, space action movie. I will give it that. It is a good adventure and a better than average popcorn movie but we’ve seen this all before and done much better.
In retrospect, I’m pretty happy with most of the casting. I never liked the idea of anyone else ever playing the original crew but that bad idea is salvaged fairly well with most of the cast choices. I like Pine as Kirk, Quinto as Spock and Urban as Bones. However, I just don’t see how they will ever have the chemistry that Shatner, Nimoy and Kelley had. But since this series was cancelled after the third film, I guess we’ll never see what develops between the three men over the long haul.
But this film also diminishes McCoy’s importance, as the relationship they focus on is just between Kirk and Spock and not the trinity we all came to love on the original television show and the movies of the ’80s. And that’s a shame, really, as I love Karl Urban’s commitment to the McCoy character. He just nails it so well. I think he actually understands the role much more than Abrams, the man behind the camera.
I’m probably coming off as harsh but I’m just calling it like I see it. I did enjoy revisiting this, as it was a quick paced, exciting film. It did have some heart in the moments where Leonard Nimoy, as the older Spock, came into the story. But it did lack the right sort of emotion to make me feel for these characters.
I do like this for the most part but that doesn’t mean that it isn’t just a framework for something that could have been richer and more intimate. A lot of the pieces to this puzzle were good and while some connected, it’s as if the filmmakers gave up about halfway through and just threw all the pieces back into the box.
Rating: 7.25/10 Pairs well with: The other Kelvin timeline Star Trek films: Star Trek Into Darkness and Star Trek Beyond.
Release Date: December 6th, 1991 Directed by: Nicholas Meyer Written by: Nicholas Meyer, Denny Martin Flinn, Leonard Nimoy, Lawrence Konner, Mark Rosenthal Based on:Star Trek by Gene Roddenberry Music by: Jerry Goldsmith Cast: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Kim Cattrall, David Warner, Christopher Plummer, Iman, Brock Peters, Kurtwood Smith, Mark Lenard, Grace Lee Whitney, John Schuck, Rosanna DeSoto, Christian Slater, Michael Dorn, Todd Bryant, René Auberjonois, Matthias Hues
Paramount Pictures, 110 Minutes
“Captain’s log, stardate 9522.6: I’ve never trusted Klingons, and I never will. I could never forgive them for the death of my boy. It seems to me our mission to escort the Chancellor of the Klingon High Council to a peace summit is problematic at best. Spock says this could be an historic occasion, and I’d like to believe him, but how on earth can history get past people like me?” – Captain James T. Kirk
Something has to be said for the quality that Nicholas Meyer brings to a Star Trek movie, whether as a director or a writer. He directed two of the very best films with Star Trek II: The Wrath of Khan and this one. He also was involved in the writing of my personal favorite film in the franchise, Star Trek IV: The Voyage Home.
While most fans consider The Wrath of Khan to be the very best, this chapter in the franchise is equal to it. Again, I like The Voyage Home the best overall but Khan and this film are very, very close seconds.
Where Star Trek V: The Final Frontier was almost the death of the franchise on the big screen, this was a breath of fresh air and a proper swan song for the original Enterprise crew, as it was the last time they would all be together. It also sort of closes a major chapter in Trek lore, as the Federation and the Klingons, after decades of conflict, agree to try their hand at peace.
It is that attempt at making peace between the two governments that brings out the worst in some of the characters in this film. People on both sides of the coin don’t want to trust each other and some of them conspire to kill the opportunity for peace. In fact, this is more of a political thriller and a conspiracy movie than just some fantastical sci-fi adventure.
Following a diplomatic dinner between the Enterprise crew and the Klingon Chancellor, the Klingon ship is attacked and the Chancellor assassinated. Everything is set up to look like Captain Kirk orchestrated the attack. As he and McCoy are framed for the assassination, they are sentenced to hard labor on a Klingon prison planet. All the while, Spock heads up an investigation on the Enterprise itself, in an effort to solve this mystery, save his friends and to win the trust of the Klingon Empire and bring forth much needed peace.
The Undiscovered Country isn’t just a great Star Trek movie, it is a great political thriller. It feels real and gritty, even if it takes place in outer space of the future. The experience of the cast really shines through here. Spock takes charge of things on the Enterprise and its really the first and only time we see him truly step into the role of leader. Nimoy knocks it out of the park and his chemistry with the other Vulcan on board, played by Kim Cattrall, was incredible.
We also get to see Sulu as a star ship captain and not only that, he is the captain of the Excelsior, a ship he greatly admired in Star Trek III and Star Trek IV. Seeing Sulu get his moment to shine in the captain’s chair was fantastic for those of us who have been fans of this series for decades.
Another highlight was Christopher Plummer as the Klingon villain General Chang. Plummer is the greatest villain in the film series after Khan from Star Trek II. While I loved Christopher Lloyd’s Kruge in Star Trek III, Chang is the best Klingon commander in the franchise. He’s a character I’d love to read more about, assuming he’s got a novel out there.
The Undiscovered Country is Star Trek at its best. It stands well above any of the modern films, as well as The Next Generation movies that would follow for a dozen years after it.
Rating: 9.5/10 Pairs well with:Star Trek‘s II, III and IV.
Release Date: June 9th, 1989 Directed by: William Shatner Written by: William Shatner, Harve Bennett, David Loughery Based on:Star Trek by Gene Roddenberry Music by: Jerry Goldsmith Cast: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Laurence Luckinbill, David Warner
Paramount Pictures, 106 Minutes
“Damn it, Bones, you’re a doctor. You know that pain and guilt can’t be taken away with a wave of a magic wand. They’re the things we carry with us, the things that make us who we are. If we lose them, we lose ourselves. I don’t want my pain taken away! I need my pain!” – Captain James T. Kirk
There’s no bones about it (pun intended), Star Trek V: The Final Frontier is the worst Star Trek film featuring the original crew. I could argue that maybe Generations and Insurrection are worse but this is probably the worst film in the entire franchise. I actually liked Nemesis but I’ll get to the reasons why when I eventually review that one.
The problems with this film are immediately noticeable when it starts with a cold opening like its some procedural cop show on television. We also get an opening on a dusty, sand planet where things are visually obscured. It looks like one of a billion Mad Max ripoffs and a film with little to no budget. Well, the budget on this chapter was incredibly tight and caused some problems. In fact, William Shatner, who directed this chapter, claims that the film was to have a much larger, interesting and impressive ending but his hands were tied by the producers. In reality, this film was so bad and the producers dropped the ball that the franchise almost didn’t recover. Had Star Trek: The Next Generation not have been a hit, two years earlier, this film could have been Star Trek‘s swan song.
With all of its problems, do I dislike this film? Well, not really. In fact, it is still enjoyable and has some positives that I feel, outweigh the myriad of negatives.
For one, I’m huge on camaraderie in an ensemble cast and especially with crew members of Star Trek, regardless of movie, show, crew, actors, etc. The Final Frontier has some of the best scenes in the entire franchise in regards to camaraderie. All the stuff with Kirk, Spock and McCoy is absolute perfection and something that was the culmination of working so closely together for over two decades by the time this was made. I love the camping scenes but all their stuff working together on the ship to stop a mutiny was really good too.
The villain, Sybok, was a fresh and new antagonist for the crew to face. He was a Vulcan for one and he was also Spock’s half-brother. Sybok was on a spiritual pilgrimage to the center of the galaxy to find God. In order to do so, he had to create a scheme where he would be able to lure in a spaceship to his remote area of the galaxy. Once he acquired a ship, he could make his pilgrimage to God, “The Final Frontier”.
I thought Laurence Luckinbill was exceptional and very likable as Sybok. He had an interesting backstory that wasn’t explored nearly enough and ultimately, he wasn’t a bad guy and redeemed himself after realizing his foolishness. I really wish we would have gotten to see more of the Sybok character and that he wasn’t just a one off creation for this bad chapter in Trek history. Maybe there was a book on his character that I can read, as I read a lot of Star Trek books back in my preteen years. I never saw a Sybok book on the shelves though.
One cool thing about this movie, is that every crew member gets a moment. Scotty executes a sweet jail break, Uhura gets to perform a sexy dance and lure enemies into a trap, Chekov gets to play captain and trick the villain and Sulu gets to attempt a daring manual landing of the shuttle into the shuttle bay at blazing speed.
When it comes to the mountain of negatives, the most glaring is the budgetary constraints. The Enterprise hallways are very obviously the same sets used on The Next Generation. Also, the effects are pretty bad. God, for instance, looks like some hokey Doctor Who entity that Tom Baker’s Doctor would have sonic screwdrived into some electric prison. And no offense to classic Doctor Who, I loved the show’s effects in the context of what it was but The Final Frontier is a summer blockbuster that needed to compete with Batman, Ghostbusters II and Honey, I Shrunk the Kids.
The fight choreography was also really bad but that probably falls on Shatner, who had Kirk duke it out more than he needed to and most of his “killer moves” are pretty ineffective blows in the real world. I’ve never seen a hulking thug get taken out with a hip toss or a standard neck flip. For a guy that used to frequent the WWE, Shatner couldn’t at least give us some Sweet Chin Music or the Cobra Clutch?
Additionally, I love Klingons but the Klingons in this chapter were really weak. I think the problem wasn’t the actors, both looked the part, but Klaa and Vixis didn’t get any sort of character development and didn’t have much else to do than play caricatures of what we saw with Christopher Lloyd’s Kruge in Star Trek III.
Lastly, the story is pretty terrible. I guess it is an interesting concept but it creates more questions than it can answer and there are a lot of plot holes and illogical situations.
I don’t think that Star Trek V: The Final Frontier is the abomination that many people try to make it out to be. It is a story that would have worked much better as a television episode, especially after the epics that were the first four movies. Plus, coming off of the Genesis Trilogy (parts II, III and IV) of films, anything following would have had its work cut out for it. Star Trek IV was a perfect movie and this coming right after it probably meant that it was doomed to fail in some regard. Luckily, we did get a Star Trek VI and that film was an incredible send off for the original crew.
Rating: 6/10 Pairs well with: Other Star Trek films featuring the original cast but this will be the low point of any pairing.
Also known as: Star Trek IV: The Adventure Continues (working title) Release Date: November 26th, 1986 Directed by: Leonard Nimoy Written by: Harve Bennett, Leonard Nimoy, Steve Meerson, Peter Krikes, Nicholas Meyer Based on:Star Trek by Gene Roddenberry Music by: Leonard Rosenman Cast: William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Catherine Hicks, Majel Barrett, John Schuck, Brock Peters, Grace Lee Whitney, Michael Berryman, Jane Wiedlin (cameo)
Paramount Pictures, 122 Minutes
“They like you very much, but they are not the hell your whales.” – Spock, “I suppose they told you that?” – Dr. Gillian Taylor, “The hell they did.” – Spock
Star Trek IV: The Voyage Home was the perfect film to follow the emotional roller coasters that were Star Trek II and Star Trek III. It was lighthearted, a ton of fun and I guess, the first and only Star Trek comedy film. However, it is still grounded in its roots and the comedy is mostly because of the crew we know and love finding themselves having to adapt to 1987 San Francisco culture in an effort to blend in and accomplish their time traveling mission. It’s actually cool seeing all these confident, savvy crew members, who are always at the top of their game, suddenly being awkward fish out of water in every situation they encounter.
This is also the third and final part of the trilogy of pictures that I like to refer to as The Genesis Trilogy. They aren’t officially a trilogy but all three films share a common plot thread and happen literally one after the other.
Like the previous film, this one is directed by Spock himself, Leonard Nimoy. This is also a superior film to the previous installment, even though I like Star Trek III a great deal. I feel like Nimoy really learned a lot on Trek III and took the lessons of that experience, better honed his skills and turned out this science fiction masterpiece.
Unlike the directing situation, the film’s music was created by newcomer to the series, Leonard Rosenman. While I much prefer the James Horner scores of Treks II and III, Rosenman created a bold and beautiful theme for the picture and it is still one of my favorite pieces of film music from the era. The overall score is fairly redundant, especially if you’ve watched the movie nine dozen times like I have, but it works well and captures the right kind of emotion for this picture.
The writing on this was absolutely fantastic. It had to have been a fun project to work on, as the Trek writers got to explore new territory in a new way. It was probably a nerve-racking task, to some degree, as there was really no way to know whether or not the fans were going to take to this drastic change in tone. However, in the end, Star Trek IV is a defining milestone in the franchise and also changed how future Star Trek stories were written. Humor became much more apparent in the television series that followed this film. The Next Generation, which came out a year later, was full of humor and fun adventures that took its crew out of their comfort zones. I don’t think that show or anything after it would have existed in quite the same way if it weren’t for Star Trek IV. Also, had the film not been a huge success, we might not have had new Star Trek projects for later generations.
The thing I love most about this movie, is every character has a purpose and their own mission to accomplish. We get Kirk and Spock on a mission, Bones and Scotty on another one, Uhura and Chekov go their own way and Sulu gets to fly an old school helicopter. The Bones and Scotty material is comedic gold, as is Chekov asking where to find the “nuu… clee… ar… wessels”.
A real highlight though, is Catherine Hicks joining the cast in this film. Her chemistry with Shatner, who she shares almost all of her scenes with, is great. I love the restaurant scene between the two where Kirk reveals who he is, where he’s from and why he’s there. It’s kind of a shame that we never got to see Hicks return after this film, as I feel like she had a lot to offer the franchise beyond just this one appearance. Plus, she was incredibly likable and witty.
When I was a kid and I had a bad day, I gravitated towards this movie. It was the right mixture of badass sci-fi and wholesome humor. It always sort of put me in the mood I wanted to be in. It still works the same way for me and honestly, this is the Star Trek movie I have seen the most. I’ve owned them all, pretty much my whole life, but this is the one that just resonates with me more than any other.
While most people will see this now and probably find flaws and be able to pick it apart, it has always been a film that is a true classic, in my eyes. It has just about everything I want: action, adventure, humor, William f’n Shatner, a Klingon Bird-of-Prey, a good environmental message, camaraderie between beloved characters, a deep dish pizza, outer space, a powerful score, good special effects and redemption for the crew.
I don’t care what anyone else thinks; this movie is absolutely perfect.
Rating: 10/10 Pairs well with: The other Genesis Trilogy films: Star Trek II and III. Also goes good followed up with Star Trek VI. Maybe it’s best to ignore Star Trek V.