Published: January 10th, 2017 Written by: Patrick Gleason, Peter J. Tomasi Art by: Patrick Gleason
DC Comics, 163 Pages
A few friends of mine have talked up the Superman stories that started with DC’s Rebirth up until Brian Michael Bendis showed up and took over all the Superman books.
So starting at the beginning, I’ve got to say that this arc really peaked my interest. It establishes an interesting direction for the character and his son, the current Superboy, Jonathan Samuel Kent.
This story also features multiple Supermen, so I’m not sure what that’s all about, as I didn’t read any of the New 52 stuff before this.
But I love Clark in this story, his relationship with his son and the fact that he and Lois aren’t in an incredibly weird and uncharacteristic spot thanks to Bendis being Bendis.
Patrick Gleason does some stellar art and his story, which is also written by Peter J. Tomasi, one of my favorite writers of the last few years, especially, is pretty compelling and just feels like classic Supes.
I think I’ll check out the first volume of Action Comics‘ Rebirth run next, as that usually runs parallel to the events of this book.
So for fans that aren’t really digging Bendis’ Superman experiment, this might satisfy you more.
Rating: 7.25/10 Pairs well with:Superman and Action Comics at the start of DC’s Rebirth.
Original Run: October 26th, 2015 – present Created by: Greg Berlanti, Ali Adler, Andrew Kreisberg Directed by: various Written by: various Music by: Blake Neely Cast: Melissa Benoist, Mehcad Brooks, Chyler Leigh, Jeremy Jordan, David Harewood, Calista Flockhart, Chris Wood, Floriana Lima
Berlanti Productions, DC Entertainment, Warner Bros., 42 Episodes (so far), 45 Minutes (per episode)
*originally written in 2016.
After the success of other DC shows like Arrow, The Flash and Gotham, CBS wanted to get into the mix. So, they gave us Supergirl.
I really wanted to like this show, in the same way I love The Flash and also really like Arrow. It seemed to have that lighthearted essence of The Flash but after seeing it, it is missing the soul.
Melissa Benoist is cute and entertaining and even though I care about her version of the character to a degree, I just don’t care about everything else that is happening around her. Also, she can go from pretty stellar acting in one scene to completely being off the mark in the next. Also, her narration is pretty awful and that is mainly due to her monotone delivery and strange annunciation.
The other characters on the show are pretty generic and don’t have much to do other than giving Supergirl someone to talk to while she figures out her own drama. Her sister, played by Chyler Leigh is an okay character but for as bad ass as she is supposed to be, she really does nothing. Jimmy Olsen is played by Eggs from True Blood and anyone who was a fan of that show rejoiced when he died – he was terrible. Granted, he’s much better here. Calista Flockhart also accents the show as Supergirl’s boss and like Benoist, is sometimes on point and other times, pretty far off point.
Also, the show relies a lot on Kara/Supergirl’s relationship with her cousin, Superman. The problem is that their relationship is told over text messages and then when Superman shows up, he is just an obscured blur and not clearly seen on camera. It is laughably bad.
One cool thing is that Dean Cain (Superman from Lois & Clark) and Helen Slater (1984’s film version of Supergirl) play her adopted parents.
The show tries to have heart but it doesn’t. That doesn’t mean that it isn’t trying to convince the audience of that. Ultimately, Supergirl is too cutesy for its own good.
I will finish out the first season, as I am already more than halfway but something miraculous would have to happen for me to care about season two. This is the worst DC Comics television show out of the current batch.
Since writing this review, the show has found its groove and it has improved significantly. I may rewrite this review after the season concludes. But if you want to start watching it, be prepared for about ten really mediocre episodes before it starts to improve.
I write this update after completing two seasons. The show does find its footing, it figures out where it fits in the scheme of things and improves drastically, especially after leaving CBS and moving over to the CW where it shares continuity with The Flash, Arrow and Legends of Tomorrow. Benoist and the rest of the cast get really good and develop a solid chemistry. Looking back, I was probably too hard on the show, initially.