Film Review: Godzilla: King of the Monsters (2019)

Also known as: Godzilla 2, Fathom (working titles)
Release Date: May 29th, 2019 (Europe, South Korea, Indonesia)
Directed by: Michael Dougherty
Written by: Michael Dougherty, Zach Shields, Max Borenstein
Based on: Gojira, Ghidorah, the Three-Headed Monster, Mothra and Rodan by Toho Co. Ltd.
Music by: Bear McCreary
Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Strathaim, Ken Watanabe, Zhang Ziyi, Joe Morton

Legendary Pictures, Warner Bros. Pictures, Toho, 132 Minutes

Review:

“We opened Pandora’s box. And there’s no closing it now.” – Jonah Alan

*There be spoilers here! No, seriously, I spoil the shit out of stuff in this one.

It’s been five years since the last American Godzilla film and I hate waiting. Sure, we got Kong: Skull Island two years ago, which is a part of this series, but Godzilla is the true king of kaiju and his return has been long overdue. Plus, we were promised a movie featuring King Ghidorah, Mothra and Rodan, so five years was too damn long to wait.

Now I enjoyed the first movie, even if I had some issues with it but I discussed those in that film’s review. As far as this one goes, I still have some issues but overall, this is a superior chapter in the pretty good American Godzilla series.

The film was certainly well cast with its human being characters but that was a part of my problem with the movie. There was just so much broken family drama and bullshit that it dragged the film down. Sure, you need a human story to ground the picture and make it relatable but I want to see giant monsters punching the shit out of each other, as opposed to an episode of This Is Us.

As far as the monsters go, I was afraid that the movie would have monster overkill, as the trailer mentioned 17 “titans”, which is white people for “kaiju”. Luckily, the only ones we really see fight are the main four we were promised: Godzilla, Ghidorah, Mothra and Rodan. There are several other monsters that appear, including a new M.U.T.O. and a creature similar to Kumonga, but we only really see glimpses of them and then one scene where they appear at the end, after the big action has already gone down. Kong and Skull Island are also mentioned but Kong does not appear, which does create a bit of a plot hole but whatever, everything has plot holes these days.

The origin of the monsters is different in this film too. Mothra is Chinese, Rodan is Mexican, Godzilla is from Atlantis and King Ghidorah is Antarcticese but is later discovered to be from space, so I guess his origin is the most accurate. Well, except for the fact that he has Wolverine healing powers and can grow back heads like a hydra.

Also, Rodan is a dick in this movie and he’s not an ally to Godzilla and Mothra, as he should be. He comes around in the end, after the final fight, but I wanted to see the classic match up of King Ghidorah vs. Godzilla, Mothra and Rodan in a 3-on-1 handicap match.

There’s one point in the film where a general says, “We’ve got a secret weapon…” And my mind immediately screamed, “MECHAGODZILLA!!!” But then the general continued with, “…an oxygen destroyer.” So that was a nice homage to the original Gojira and it was a tremendous use of CGI special effects to make it look much more powerful than the 1954 equivalent but the weapon was used so freely and carelessly that the film missed the whole moral debate over that powerful weapon. However, I guess that was sort of replaced by the humans arguing about this film’s other weapon/device/MacGuffin: the Orca.

But the big monster battles are the most important thing about any kaiju movie and this picture gives us pretty solid kaiju action. At least, it’s much better than the total lack of kaiju action we got with this film’s predecessor, the 2014 Godzilla.

New York Yankees fans will love the big final battle in this film as it takes place in Fenway Park. You see the iconic stadium and all of Boston get leveled. And I’m assuming the Red Sox allowed the film to shoot there, due to some of the specific shots that saw Millie Bobby Brown’s character arrive there for the climax. But I guess the famous saying should now read: “Boston Strong, Godzilla Stronger.”

Anyway, I was mostly happy with the film. The human drama bullshit was grating and Vera Farmiga’s character is an evil, selfish psychopath, no matter how hard this film wants to justify her apocalyptic actions. They kind of try to redeem her in the end with her final act but that bitch wanted to die a hero because of her own ego not because she’s got a heart or anything. Thirty minutes earlier she was releasing giant monsters despite millions of people needing to evacuate from giant monsters. She was an insufferable shithead and her husband, Kyle Chandler a.k.a. Mr. Friday Night Lights was pretty terrible too. But maybe I’m just pissed that he never got killed or arrested on Bloodline.

My favorite moment in the movie was when the deaf chick from that Oscar winning fish fuck movie got eaten by King Ghidorah like a piece of popcorn chicken. I bet she lost a shoe this time too.

This review is probably all over the place but I got shit hammered at the theater, hit the bar pretty hard after and am currently too wired to sleep, so I wrote this now, as it’s approaching 3 in the f’n morning. Thank fuck for spell and grammar check.

But hey, this was a step up from the last one. It had better kaiju action, a better than decent story and good acting apart from the two leads that should have been merked much earlier than Bryan Cranston was in the first flick. Hell, Kyle Chandler survives again and he’s still getting away with killing his own brother and sending his other one to Cuba with his dumb wife that forgot to ditch her phone.

And I’ve also got to ask, what’s with all this need for a plot and shit? Monsters smash monsters, the end! It’s not rocket science! We don’t need story getting in the way of a kaiju Royal Rumble. Other than the original, original Godzilla picture, these don’t need to be thinking movies. When “Stone Cold” Steve Austin was giving Stunners to the Undertaker, we didn’t need him to stop before the attack and recite Shakespeare, we just wanted to see him drop the Deadman with a kick to the gut and a yank of the head.

The moral of the story review is:
Monsters punching monsters: Good!
Human family drama and storytelling: Bad!

Rating: 7.5/10
Pairs well with: the American Godzilla film before this, as well as the original Japanese films Ghidorah, the Three Headed Monster, Invasion of Astro-Monster, Destroy All Monsters and Godzilla: Final Wars.

TV Review: Bloodline (2015-2017)

Original Run: March 20th, 2015 – May 26th, 2017
Created by: Todd A. Kessler, Glenn Kessler, Daniel Zelman
Directed by: various
Written by: various
Music by: Tony Morales, Edward Rogers, James S. Levine
Cast: Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz, Jacinda Barrett, Jamie McShane, Enrique Murciano, Sam Shepard, Sissy Spacek, Katie Finneran, John Leguizamo, Andrea Riseborough, Chloë Sevigny, David Zayas, Beau Bridges, Mario Van Peebles, Mia Kirshner

KZK Productions, Sony Pictures Television, Netflix, 33 Episodes, 48-68 Minutes (per episode)

Review:

This is a show that came highly recommended by several people. I put it off until now but picked it up just in time to binge through it and catch the final season as it debuted.

Bloodline is a show that is really up and down. It starts out a bit slow but builds towards something strong, compelling and powerful as the first season comes to an end.

The second season isn’t as good as the first and it is tough to sit through some of it, as it loses its pacing and doesn’t really seem all that interesting in resolving anything or bringing any sort of balance to the characters’ situations or them spiraling crazily out of control.

The third season suffers from multiple personality disorder. A big portion of the season deals with a trial where you expect there to be some real closure but there is none. Then the season ends and the show ends with still… no friggin’ closure.

Bloodline had the tagline of “We’re not bad people, but we did a bad thing.” In reality, they are all horrible people. There are a few good and innocent characters but they are all dragged down into the murky shit that is the lives and personalities of the main characters. The Rayburns are an awful family of awful people who are willing to do anything to anyone in an effort to play up appearances because the Rayburn name is apparently the equivalent to royalty in the Florida Keys.

The only really good character is the only one that actually starts out as a criminal. Danny, played by Ben Mendelsohn (most famous for being the baddie in Star Wars: Rogue One), is a great and dynamic character. You are never sure of what his motivations are but there is something redeeming about him, even if he does despicable things. By the end of the show, however, he is the least despicable member of his shitty family of fuck ups.

The big problem with the show is that you don’t like anyone and it makes it hard to care about any of them. Truthfully, I wanted to see justice for everything that they did but it never comes. The show ends in the most unsatisfying way and all the innocent people effected by these self-important assholes are left with nothing.

The show also ends on a cliffhanger but it is a weak cliffhanger because even though you are left guessing, after three seasons you know that truth and justice won’t prevail. With the Rayburns, self-preservation is their disease, even though all their attempts at it have disastrous results that ultimately ruin their lives anyway. This is a long drawn out story where no one learns anything or really evolves other than getting worse and worse.

To be fair, the acting is stellar and the cinematography is amazing as hell. Unfortunately, that doesn’t make a show all on its own. The writing dissolves as this show rolls on past its first season. Frankly, its a story that seems to be designed to torture the viewer, unless the viewer doesn’t have a moral compass or a burning desire to see justice prevail in the end.

It sounds like I’m coming down hard on the show but I didn’t hate it. I was mostly just annoyed by it and in the end, it all seemed pointless.