Also known as: Forever Sam Crow (working title)
Original Run: September 3rd, 2008-December 9th, 2014
Directed by: various
Written by: various
Music by: Bob Thiele, Dave Kushner, Curtis Stigers
Cast: Charlie Hunnam, Katey Sagal, Mark Boone Junior, Kim Coates, Tommy Flanagan, Johnny Lewis, Maggie Siff, Ron Perlman, Ryan Hurst, William Lucking, Theo Rossi, Dayton Callie, Jimmy Smits, Drea De Matteo, David Labrava, Niko Nicotera, Glenn Plummer, Taryn Manning, Emilio Rivera, Ally Walker, Mitch Pileggi, Kenneth Choi, Kurt Sutter, Titus Welliver, Walton Goggins, Henry Rollins, Hal Holbrook, Malcolm-Jamal Warner, Marilyn Manson, Kim Dickens, Chuck Zito, Ray McKinnon, Jeff Kober
Linson The Company, Sutter Ink, Fox 21, FX, 92 Episodes, 41-81 Minutes (per episode)
*Written in 2015.
This is one of those reviews that will probably turn a lot of my friends against me. I care not. I must tell it like it is from my point-of-view.
Sons of Anarchy is a show that I have developed a like/hate relationship with. I don’t say “love” because I’m not that enthralled with the positive aspects of it. It does however, have some positives amidst a sea of negatives. And I guess that makes me go against the popular opinion, as nearly everyone that I have talked to, has loved this show.
But I guess this isn’t a show for me. Where I expected something more like The Sopranos on motorcycles, this was more like a mindless action flick full of an overabundance of violence, bad CGI, bad acting, bad writing, bad music and really stupid and unlikable characters. Sons of Anarchy is geared more towards the male millennial crowd than it is for people who want good and groundbreaking television or at the very least, some sort of coherent plot.
This show is a mess. It is a moderately enjoyable mess at times but it is a show that constantly tries too hard and falls short. Yes, there are shocking and intense moments but they lose their meaning and significance almost immediately. For one, it is hard to care about any of these horrible characters. Also, with the show trying to constantly outdo itself and escalating further and further from episode to episode, things eventually get so over the top that it becomes unintentionally ludicrous.
The premise of the show also changes as it goes on and it loses sight of itself just a few seasons in. Maybe this is intentional but it really just feels like the weight of this ratings beast forced the showrunners to make quick, big decisions, which may have increased ratings further but sacrificed whatever integrity and soul the show may have had early on.
For instance, the show’s main drive in the beginning is the main character Jax’s obsession with his dead father’s writings. The writings talked about what the motorcycle club was supposed to be, how it got away from itself and how butt hurt Jax’s dad was about it. Jax then makes it his mission to right the wrongs and make the motorcycle club respectable. Maybe he would’ve been more inspired and followed through had he actually read more than two paragraphs of his father’s writings at a time. Maybe Jax has a bad attention span. Maybe that is why he couldn’t follow through because he got distracted by doing really stupid shit every episode.
In any event, the show evolves away from the club’s redemption through Jax’s leadership and instead shows the club fall on hard times and then even harder times. It just gets worse and worse, Jax stops reading his dad’s journals and pretty much turns into the asshole his stepfather Clay is. He actually turns out worse than Clay by the end of it all.
I could write a book about how much of an idiot Jax is but I’m not going to waste my time. I could also write a book about how much of an idiot his mother Gemma is.
All the characters really suck and all of them, for the most part, are stupid morons. They are the dumbest criminals I’ve ever seen. Darkwing Duck had smarter bad guys than the members of the Sons of Anarchy.
As far as likable characters, there are really only five. There is Wayne, who is on a tragic journey that ultimately ends up sucking really bad for him. Also, he had terminal cancer “eating away” at him in season one but somehow survived seven seasons. There is Jax’s ex-heroin addict wife who goes on to redeem herself and she’s about the only character you are happy for in the end. Then we have Nero, the pimp and tragic lover of Gemma. I really liked Nero but Jimmy Smits is awesome in every role. There’s Piney, who saw the bullshit for what it was and tried to hold everyone accountable. Since he was the voice of reason in a sea of shitty people, he was killed off. This brings me to my favorite character: Juice.
Juice is most likely the most tragic character in television history. Juice was a positive on this show even though his end was horrible. You couldn’t not like Juice and feel for him every step of the way. He truly cared about the club and doing the right thing but continually got fucked (literally) and lost his life and stature because the people he invested his love and loyalty in were pieces of garbage. Juice’s journey is one of the redeeming factors of this show. I don’t like how it ended but this show is one big tragedy.
In regards to the show’s music, it is terrible. The main theme is awful but somehow was nominated for an Emmy by some tone deaf Hollywood types. The songs throughout the show are even worse. More often than not, we are treated to some poor slowed down roots rock cover song of a known pop hit. It always feels bizarre, out of place and makes the show come off as generic and cheesy. At least once per season, we get some crappy song sung by Katey Sagal, who probably shouldn’t sing but is most likely encouraged by her husband, who is the show’s creator. That’s probably also why she was cast as Gemma. Lastly, the music selections are almost racist. When the biker gang fights another biker gang there is rock music. When they fight Mexicans: Spanish language gangsta rap. When they fight blacks: generic crappy English language gangsta rap. Asians: make sure to add in some Asian stringed instruments and gongs in over the soundtrack. Irish: Celtic shit. Persians: grab the sitar – hey wait, that’s Hindi you racist bastards! It’s sad and predictable and becomes a distraction.
This show was not The Sopranos on motorcycles, it was a Shakespearean tragedy on motorcycles. Which is perfectly fine. The problem is that the execution was shit and it tried to convince the viewer that it was clever while beating you over the head with its Shakespeareanism. After the tragic, pointless and retarded ending of the show, it even gives the viewer a Shakespeare quote before rolling its final credits. I’m sure dumb ass college students for years to come will write papers about how fantastic this modern Shakespearean saga is after just skimming over the Cliff Notes of Shakespeare’s work to make them feel the connection.
I don’t hate this show, even though it probably comes across like that. I had a hard time getting through segments of it but I enjoyed it enough to finish it. Granted, the ending was one of the worst in television history but really crappy endings to long-running shows is the trend lately. And maybe that ending just enhanced whatever bitterness I’m feeling.
Pairs well with: The Sopranos, Breaking Bad, Fear the Walking Dead and Justified but these are all better shows. Well, maybe not Justified, I’ll post my review for that soon.
Release Date: June 15th, 2015 (Shanghai International Film Festival)
Directed by: Antoine Fuqua
Written by: Kurt Sutter
Music by: James Horner
Cast: Jake Gyllenhaal, Forest Whitaker, Naomie Harris, Curtis “50 Cent” Jackson, Oona Laurence, Rachel McAdams
Wanda Pictures, Riche Productions, Escape Artists, Fuqua Films, The Weinstein Company, 123 Minutes
“Your bitch isn’t here to save you now.” – Miguel ‘Magic’ Escobar
*Written in 2015.
I heard great things about Southpaw before seeing it but I was skeptical. I haven’t been a huge fan of Antoine Fuqua’s work but I understand that many people are. I don’t think he makes bad films, they just don’t appeal to me for the most part. Also, this was written by Kurt Sutter, the creator of Sons of Anarchy and I am still recovering from going on that ride recently, which I didn’t find to be that enjoyable. Somehow, however, these two men’s styles blended together well and the result is a pretty good film.
Granted, Southpaw doesn’t come without flaws. I’ll talk about those first.
The film follows the same sort of formula as Sons of Anarchy where the main character is kind of a douchebag that does douchebaggy things. As the film moves on, you find yourself wondering if he can keep getting shittier. He does. In fact, he gets so shitty that it is hard to feel anything for the character of boxer Billy Pope other than disgust. Like Jax and his gang from Sons of Anarchy, I’m left watching some unlikable asshole that I don’t give a shit about. But unlike Sons of Anarchy, that perception changes.
I understand that you have to see the guy hit rock bottom in order to see him redeem himself but it was overkill and it made the first act of the film drag on and on. It was comparable to the immense destruction of Metropolis at the end of Man of Steel. The point could have been made without beating the audience over the head.
What brought this whole thing full circle was the performance of Jake Gyllenhaal as Billy Pope. Because even though you get to the point of despising him, especially after his daughter is put into protective custody, he somehow turns it around and makes it work. There aren’t a lot of actors that could pull it off as seamlessly as Gyllenhaal did.
In addition to Gyllenhaal’s superb acting, we are treated to a fantastic performance by Oona Laurence, who plays his young daughter. Child actors in this day and age are typically dreadful; Laurence is the opposite. She played the role, brushing the cute bullshit aside, committed to it and gave us someone who truly felt like a child going through some personal turmoil. I really attribute her skill as a young actress for making this character shine. If it wasn’t for this performance, it might not have sold the redemption story as well. You cared about her, what she was feeling and you wanted to see her find peace even more so than Gyllenhaal’s Billy Pope.
Forest Whitaker sold this film too. His character Tick Wills was a great figure to play off of Billy and to challenge him and put him on the path of redemption. He was just badass, as he always is.
This is a pretty good movie, overall. It was shaky at first but it went to some really good places and ultimately, the end had you feeling pretty happy for Billy, his daughter and Tick. The tragedy part of the story was maybe too severe to try and come back from but this film pulled it off.
Pairs well with: Creed, Rocky Balboa, The Fighter and other modern boxing movies.