Comic Review: The Death of Daredevil

Published: October 17th, 2018 – November 28th, 2018
Written by: Charles Soule
Art by: Phil Noto

Marvel Comics, 112 Pages

Review:

This story takes place over Daredevil issues 609 through 612 and marks the end of Charles Soule’s run. And while I’m anticipating new blood taking over the writing duties for this series, I have mostly enjoyed Soule’s work.

So it’s hard to talk about this story without spoiling it. So if you want to go into it blind, why are you reading a review for it anyway? Just scroll down now and see the rating.

The title of this alludes to Daredevil meeting his demise. However, there is a twist to that, which I have to admit, I didn’t see coming even though their were some obvious pieces laid out in this arc and the one before it.

Wilson Fisk a.k.a. the Kingpin is still mayor of New York, Daredevil, as a hero and a lawyer, has tried to push back and expose Fisk for the criminal that everyone, even those who voted for him, already know he is.

That being said, this story is the end of an era for both Daredevil and Kingpin. I won’t say what happened but the seeds have been planted for great change going forward on all fronts.

This also had brief cameos from some of the key Avengers in a court room scene, as well as a run in with Bullseye and some other well-known villains along the way. We also get the debut of a new villain named Vigil, who looks cool as hell but as this story unfolds, leaves me wondering if he’d even show up again.

The story was pretty good but I’m just not a fan of the art style. I know it’s appealing to some but it just lacks energy. I hope Daredevil gets back to a grittier and almost pulpy neo-noir feel once the new team takes over.

Rating: 7.5/10
Pairs well with: the other Charles Soule story arcs on Daredevil that lead up to this finale.

Film Review: The Black Panther (2018)

Release Date: January 29th, 2018 (Dolby Theatre premiere)
Directed by: Ryan Coogler
Written by: Ryan Coogler, Joe Robert Cole
Based on: Black Panther by Stan Lee, Jack Kirby
Music by: Ludwig Göransson
Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, Andy Serkis, Sebastian Stan (cameo)

Marvel Studios, Walt Disney Studios, 147 Minutes

Review:

“The world is changing. Soon there will only be the conquered and the conquerors. You are a good man, with a good heart. And it’s hard for a good man to be a king.” – King T’Chaka

*There be spoilers here!

The world around me turned Black Panther into a political and social film. I wanted to go into it and just enjoy it for what it is, whether the end result was good or bad. But you’ve got Hollywood and and critics pimping it out like its the greatest superhero film of all-time. While that happens almost every time a new Marvel movie comes out, there was the SJW twist this time, just as there was with Wonder Woman. On the flip side of that, there were the anti-SJW whiners who were trying to trash the film before seeing it and even going as far as to sabotage ratings and reviews on interactive movie websites.

I just wanted to see this movie and judge it on its own merits. I had to shut out the outside world (thankfully I deactivated my Facebook long ago) and I had to walk into the theater, sit down and experience this film for myself and without prejudice, bias or some sort of white male guilt weighing heavy on my brain because the media wants to constantly remind me what I’m responsible for throughout history.

All bullshit aside, I thought Black Panther was pretty damn good. Now I didn’t like it as much as the last Thor movie or as much as those Guardians of the Galaxy pictures, but this is certainly one of the best Marvel movies to take place on Earth. Granted, most of this takes place in the fictional and fantastical nation of Wakanda but it is very much a movie about our home planet.

What makes Black Panther so interesting and probably really gratifying and inspirational for black people, is that it shows black people being at the forefront of trying to fix the world’s problems. It shows that they’ve always had something of extreme value to offer but because of the state of the rest of the world, have withheld it and kept it safe. Sure, it’s metaphor, but it’s an effective metaphor and has a deeper meaning than just being a plot device created by Marvel Comics decades ago.

I have been a massive fan of Chadwick Boseman since I saw him play Jackie Robinson in the grossly underappreciated 42. Seeing him get to star in a film directed by Ryan Coogler, alongside Coogler’s go-to guy Michael B. Jordan, was something I couldn’t pass up, regardless of what this movie was about. And luckily, for us, Boseman and Jordan have good chemistry and both actors carry each other to a higher level.

The philosophical differences between Boseman’s Black Panther and Jordan’s Killmonger are both clearly understood and, as a viewer, you respect Panther’s vision of keeping the peace but it is hard to not get swept into the emotion and justice Killmonger feels he needs to enact. Part of me actually hoped that the two would fight it out and would both survive and diplomatically find a solution together. I mean, they’re long lost cousins and it was obvious Killmonger was reconsidering his iron clad stance in those final moments, where a part of him learned to love his true king and cousin.

The rest of the cast is exceptional, especially the three main ladies.

It was nice seeing Lupita Nyong’o playing a human being and not a motion capture character. While I enjoyed her work in Star Wars and The Jungle Book, I haven’t seen her in much else. It was nice being able to feel connected to her and her performance in a more organic way. Danai Gurira, who I really only know from The Walking Dead, finally got a role that allowed her to break free from just being known as sword-wielding badass Michonne. Letitia Wright was probably my favorite person in the film, overall. She played the Panther’s sister, was a scientist and also got into the thick of it and proved that she is far from being just some damsel in distress; she is a friggin’ warrior.

The rest of the cast is comprised of Martin Freeman, playing the same role he did in Captain America: Civil War, Forest Whitaker, Angela Bassett and Daniel Kaluuya, in his first role since Get Out. Newcomer Winston Duke was great as Panther’s rival, M’Baku. He is a warrior king from the mountains who challenges Panther for the throne but ultimately, is instrumental in helping Black Panther save Wakanda.

It was really cool seeing Andy Serkis return as the villain Klaw, who was briefly seen in Avengers: Age of Ultron. It’s also always fun to see Serkis play a character that is him, in the flesh. He’s synonymous with motion capture characters so we don’t often get to see his actual face in a big blockbuster film. He was superb as Ulysses Klaue a.k.a. Klaw. His personality was infectious and insane. In all honesty, Marvel has had a hard time of creating great villains but Serkis’ Klaw is now one of my favorites. I just wish Marvel would stop killing all the baddies because we’ll never get a Masters of Evil story that way.

As far as the film’s look, it is pristine and beautiful. Wakanda is one of the most enchanting places in the Marvel Cinematic Universe. The special effects and cinematography are spectacular and there isn’t a shot in the film that doesn’t look like it wasn’t meticulously crafted.

Black Panther was a film that came in with a lot of hype and a lot of political and social concerns. Getting beyond that and staring into its core, it is a fine film, crafted by a solid, up and coming director who has already accomplished a lot with only three pictures under his belt. I hope that Coogler returns for the eventual sequel.

Rating: 8/10
Pairs well with: Captain America: Civil War and presumably Avengers: Infinity War and its sequel, once they come out.