Release Date: March 24th, 2021 (Asian markets)
Directed by: Adam Wingard
Written by: Eric Pearson, Max Borenstein, Terry Rossio, Michael Dougherty, Zach Shields
Based on: Godzilla by Toho, King Kong by Edgar Wallace, Merian C. Cooper
Music by: Tom Holkenberg
Cast: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, Demián Bichir, Lance Reddick, Zhang Ziyi (scenes cut), Jessica Henwick (scenes cut)
Legendary Pictures, Warner Bros. Pictures, Toho, 113 Minutes
“The myths are real. There was a war. And they’re the last ones standing.” – Ilene Andrews
*There be spoilers here! No, seriously, I spoil the shit out of stuff in this one.
My review of the previous film in the MonsterVerse series ended with:
The moral of the story review is:
Monsters punching monsters: Good!
Human family drama and storytelling: Bad!
That still holds true for this movie but one half of the human story was really good and the best use of human characters, thus far, in this series, which has now made it four films deep.
This is also the best film out of the four, as it found a really good balance between action and storytelling and seemed to have fixed some of the biggest criticisms of the series. Well, except for the human characters but it did get that half right, as I already stated.
Looking at the human stories first, I’ll start with the bad.
This brings back the daughter and father of the family with all the drama from Godzilla: King of the Monsters. With that, it primarily focuses on Millie Bobby Brown’s character and just uses Kyle Chandler pretty sparingly. Honestly, it felt like Chandler probably filmed all of his scenes in a day or two. Also, this isn’t a knock against these actors, it’s just a knock against how they’re used, especially Brown.
In this movie, Brown’s Madison teams up with Julian Dennison, the fat kid from Deadpool 2, and Brian Tyree Henry, who plays a really annoying conspiracy theory podcaster that I can only describe as a male Leslie Jones. Basically, he’s loud, awkward and unfunny while trying so hard to be the comedic relief in a movie that doesn’t need any.
Anyway, this odd trio easily break into high tech, high security facilities and somehow end up in Hong Kong and just accidentally stumble upon MechaGodzilla. When it comes to them stepping up to the plate to save the day, they more or less fail, but then somehow short out an evil supercomputer with booze from a mini flask.
Needless to say, everything that happens around these characters is stupid, convenient and if they were completely edited out, it wouldn’t disrupt the main story and it’d actually be a much better movie.
Now on the flipside, we get the second group of human characters, who were f’n excellent! It’s almost like their scenes were written by someone else than the other group. The stark contrast between the quality of these two different human plot threads is kind of astounding and baffling.
This other group consists of Alexander Skarsgård, a guy I’ve always liked, as well as Rebecca Hall and the orphaned deaf girl she cares for, played by Kaylee Hottle, who ended up giving the best performance out of any human being in these movies.
Hottle’s Jia is a native of Skull Island and she’s the only person that Kong trusts, as they’ve developed a way of communicating with each other, secret from the adults on the island. Jia is the voice of Kong throughout the film and she is also his conscience at times. Frankly, it’s a really beautiful relationship that was crafted exceptionally well. It’s impossible not to get wrapped up in the emotion of their bond and the pain and love they share throughout the picture.
Additionally, Skarsgård and Hall are absolutely perfect in this and if any characters come back for future films again, I sincerely hope its these three.
Now on to the monsters!
As should be expected, both Godzilla and Kong were great in this. Every single battle was visually incredible and it far exceeds what has been done in the previous movies. Plus, we get to see MechaGodzilla show up to the fight in the last twenty minutes of the film.
The special effects in this are just superb. There were even moments where I almost thought that the CGI was a practical effect, that’s how good some shots were. The big final battle in Hong Kong is, hands down, the best action sequence that this film series has given us, thus far. Granted, I hope that now that they’ve really found their footing, it’s just a taste of what could come.
Something I wasn’t expecting and was thoroughly impressed by was the Hollow Earth stuff. Kong and the humans I like in the movie return to Kong’s true home and Kong even sits on the throne of his long dead ancestors. This part of the film also shows us a lot of cool creatures and we see Kong mix it up with some of them.
As far as the story goes, it’s simple, pretty easy to follow but I felt like it left me with a lot of questions that I hope are Easter eggs to be answered in the future. Especially, in regards to the Hollow Earth stuff and the mythos around Kong’s ancestors and their seemingly advanced kingdom.
I honestly feel like this would’ve deserved an 8 out of 10 or possibly higher but that bad human subplot really takes you out of the film when it pops up. I honestly wish all that crap would’ve been wiped from the script and freed up more pages to develop the story and the good characters more. But I think that Brown and Chandler had contracts that had to be honored, regardless of what that meant for the total package of this motion picture.
Still, everything else is so good that I really, really enjoyed this movie. I just hope someone does an edit, removing the bad parts at some point because I’d like to see it and I think it’d make the plot flow better and wouldn’t detract from the movie’s strengths.
I know that nothing is currently announced, following this film, but Warner Bros. needs to get moving on a follow up. Honestly, this is really the only good thing the studio has going for them after they’ve squandered the DC film universe.
Pairs well with: the Legendary Pictures’ King Kong and Godzilla films before this, as well as the original Japanese films King Kong vs. Godzilla and King Kong Escapes.
From Yesterworld’s YouTube description: Exploring the history of Kongfrontation and it’s origins as a King Kong attraction at Universal Studios Hollywood.
Published: October 10th, 2018
Written by: Ryan Ferrier
Art by: Carlos Magno, Alex Guimaraes, Faye Dalton (cover), John Keaveney (cover)
Based on: King Kong by James Creelman, Ruth Rose, Merian C. Cooper, Edgar Wallace, Planet of the Apes by Pierre Boulle
BOOM! Studios, 160 Pages
This seems like such a natural idea for a crossover that I’m surprised that it wasn’t done earlier than 2018. And while I’ve kind of grown tired of franchises crossing over just for the hell of it, at least this one found a way to come together without having to use magic, portals or wishy washy dimensional travel bullshit.
King Kong just happens to exist on the same Earth as the apes of the future and he’s just remained on his secluded island with tribal humans, undiscovered by the apes that rule the planet.
In this story, the famous apes from the classic Planet of the Apes film series stumble across Skull Island and discover the giant kaiju beast that is worshiped as a god. Of course, the military apes have to capture the big beast and enslave the tribe, upsetting the more rational scientist apes. This leads to conflict amongst the apes, as well as with the humans and with Kong, who isn’t too keen on these simian invaders.
It’s a very straightforward story and there aren’t any real twists or swerves. It’s just a good, interesting setup and then the plot does its job, giving us a pretty satisfying conclusion.
This is a good example of a franchise crossover in the comic book medium. Everything felt natural and wasn’t at all forced.
Overall, this was an enjoyable read and it felt like it fit well with either franchise.
Pairs well with: other Planet of the Apes crossover comics.
From Yesterworld’s YouTube description: Explore 7 Abandoned Disneyland, Disney World, Universal Studios & More Theme Park Christmas Overlays and attractions. From Hollywood Studios Osborne Family Spectacle of Dancing Lights, to Frozen Fever: Olaf’s Snow Fest, Universal Studios “Christmas” King Kong Encounter, and Knott’s Berry Farm Christmas Elf Mountain.
From Defunctland’s YouTube description: In this episode of Defunctland, I take a look at the highly requested extinct attraction Kongfrontation, formerly found at Universal Studios Florida.
The Godzilla universe spans seven decades, four different Japanese eras and two American remakes. In that long history, he has fought many deadly foes and had several awesome allies. However, the franchise expands beyond that as well, as some monsters that had their own films have crossed over into Godzilla movies, comics and video games. Toho has created a massive kaiju universe over the years and even if there are different eras and continuities, in some way, all these monsters exist in the same general realm.
So I feel the need to quantify these awesome giant beasts with a list. Because I like making lists and who the hell doesn’t like reading lists. Sure, our opinions may differ but that’s what the comments area is for. So feel free to list your favorites and discuss the results.
Also, I included the MUTOs from the American film for comparison’s sake.
How am I ranking these? Well, it is a combination of who is the most powerful, bad ass and the coolest. And of course, number one should not be a surprise.
2. Mothra Leo
4. Monster X (Keizer Ghidorah)
5. Mecha-King Ghidorah
7. Cretaceous King Ghidorah
8. Shin Godzilla
9. Fire Rodan
10. Gigan (Millennium)
11. King Ghidorah
13. Mechagodzilla (Showa)
15. King Caesar
16. Mechagodzilla/Kiryu (Millennium)
17. King Kong
19. Zone Fighter
20. Godzilla Junior
21. Gigan (Showa)
24. Jet Jaguar
28. Mechagodzilla (Heisei)
29. Gargantuan Sanda
33. Gargantuan Gaira
35. MUTO (female)
41. M.O.G.U.E.R.A. (Heisei)
44. MUTO (male)
46. Moguera (Showa)
55. Giant Octopus
56. Giant Sea Serpent
58. Giant Condor
When King Kong came out in 1933, I doubt that anyone thought it would be a film that would continue to resonate for over 80 years. Throughout the years it has had reboots, remakes and sequels of those films. There have been four separate film series and one standalone, in that time.
The original King Kong spawned Son of Kong the same year.
In the 1960s, King Kong vs. Godzilla spawned its own sequel King Kong Escapes.
The Dino de Laurentiis 70s remake, also just called King Kong, spawned a sequel in the 80s, King Kong Lives.
Coming off of the heels of his success with the Lord of the Rings trilogy, Peter Jackson did his own remake in 2005. That was the first to not get the sequel treatment.
Then, earlier this year, we got Kong: Skull Island, which leads into Kong’s eventual meeting of Godzilla in an upcoming joint sequel between the American versions of the two monsters.
So with all these King Kong pictures, I figured that I would weigh them against each other and attempt to rank them. While I’m sure everyone won’t agree with me, that’s what makes these sort of lists fun.
And now, the list!
1. King Kong vs. Godzilla (1962)
2. King Kong (1933)
3. King Kong (1976)
4. King Kong Escapes (1967)
5. Kong: Skull Island (2017)
6. Son of Kong (1933)
7. King Kong Lives (1986)
8. King Kong (2005)
Release Date: February 28th, 2017 (Odeon Leicester Square premiere)
Directed by: Jordan Vogt-Roberts
Written by: Dan Gilroy, Max Borenstein, Derek Connolly, John Gatnis
Based on: King Kong by James Creelman, Ruth Rose, Merian C. Cooper, Edgar Wallace
Music by: Henry Jackman
Cast: Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, John C. Reilly, Robert Taylor
Legendary Pictures, Tencent Pictures, Warner Bros. Pictures, 118 Minutes
I guess I will forever have a personal connection to this film, as the cigar box that Samuel L. Jackson’s Col. Packard keeps his medals in, is one that I designed in 2004. Strange that a product I had a hand in creating a decade ago ended up in a film that takes place just after the Vietnam War.
Personal connection aside, it should be no surprise to anyone who regularly reads Cinespiria, that I am a massive fan of kaiju movies. So anything with giant monsters is always a treat, especially when it comes with a cast of actors as strong as those in Kong: Skull Island.
While I liked Legendary Pictures’ Godzilla from 2014, it lacked a certain spirit that the giant scaly kaiju always seemed to have in his Japanese films. Kong: Skull Island is also missing that spirit. While it feels like there is some heart put into the film, it was sacrificed for action and the current trend of making films as big and as loud as possible. It is also a CGI fest that doesn’t always work, as it sometimes looks spectacular and other times looks shoddy.
Kong is still a great conflicted character that you feel for, and I guess, to me, that is always the most important part of any Kong story. In this film, you learn that his family was killed by the giant reptiles that live under the island. You even have a scene where our heroes come across a graveyard where the bones of Kong’s parents are on display. You certainly care for the big hulking CGI ape, which is good at building the foundation for what the studio plans to do after this film. Ultimately, we will get to a Godzilla and King Kong showdown after the next solo Godzilla movie.
I thought it was great that this film is just shy of two hours. The Peter Jackson King Kong from 2005 was a tremendous bore at well over three hours and Hollywood has had this trend of making big blockbusters a lot longer than they need to be.
In regards to the story, the setup and the purpose for going to the island is well orchestrated. Once we get to the island however, things move too fast and are very disjointed. I feel like the reveal of Kong came too early. Maybe Legendary Pictures were trying to makeup for the lack of Godzilla in Godzilla but it was too much, too soon in this picture. Seeing Kong destroy a fleet of helicopters minutes after they arrive was surprising. While this Kong doesn’t follow the traditional storylines of its predecessors, Kong typically doesn’t really arrive until the halfway point of his films. Even in the first Toho Kong film from Japan, it was a good third of the way through the movie before the giant ape showed up to crush a giant octopus.
The cast, as great as the ensemble is, wasn’t that exciting to watch. It almost feels like a Marvel movie though, as it features four actors from the Avengers film franchise: Tom Hiddleston (Loki), Samuel L. Jackson (Nick Fury), John C. Reilly (a small part in Guardians of the Galaxy) and Brie Larson (who has been cast to play Captain Marvel). None of the characters were written that well and they all seemed a bit lifeless. It was cool seeing Hiddleston get to be a macho bad ass but there was no real depth to who he was.
Kong: Skull Island was a bit of a disappointment. The first trailer looked really good and I had hoped that Legendary would have corrected some of the mistakes they made with Godzilla. In attempting to do so, they may have gone too far in the other direction, they need to find the balance. Frankly, for movies about giant monsters fighting, neither are as exciting as they should be.