Comic Review: The Flash: Rebirth

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Ethan Van Sciver

DC Comics, 158 Pages

Review:

I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.

Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.

The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.

In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.

Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.

The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.

This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.

And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.

Rating: 5.5/10
Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.

Comic Review: Deathstroke: Defiance – Conclusion

Published: December 6th, 2017 – January 31st, 2018
Written by: Christopher Priest
Art by: Diogenes Neves, Sean Parsons, Jason Paz, John Trevor Scott, Jeromy Cox, Denys Cowan, Bill Sienkiewicz, Ryan Sook (cover)

DC Comics, 102 Pages

Review:

The first part of Defiance is collected in Deathstroke, Vol. 4 but the final three chapters (issues 26, 27 and the first annual) aren’t yet collected and I wanted to finish the story so I could review it without waiting months and forgetting the details of what came before it.

This was a story arc with a lot of promise and it directly calls back to the great Teen Titans classic story The Judas Contract. Unfortunately, this doesn’t live up to the old school tale, even if it exists as its long awaited sequel.

I feel like this long arc was a missed opportunity to try something new with Deathstroke and to sort of make a Teen Titans team with a harder edge. In a lot of ways it mirrors how Cable came into the New Mutants and turned them into the much more adult X-Force. It’s kind of funny, considering that the Cable/New Mutants/X-Force plot was heavily influenced by The Judas Contract.

I did enjoy this but there was a lot of build up to this tale and it fell flat in the end. This leads into the short Chinatown story, which also didn’t cut the mustard for me, and then the Deathstroke Vs. Batman arc after that.

I’ve invested a lot of time (and money) into this series but now the build up to the Defiance team’s formation was just discarded and for what?

I know that some of the plot points here will circle back to be addressed later but the way things go here, it doesn’t necessarily mean that it will happen in the Deathstroke title, it could just branch back out into the Teen Titans books or maybe a new Power Girl series, if one is on DC’s docket.

Rating: 6.75/10
Pairs well with: Deathstroke: Defiance and Deathstroke Vs. Batman.

TV Review: Young Justice (2010- )

Also known as: Young Justice: Invasion (Season 2), Young Justice: Outsiders (Season 3)
Release Date: November 26th, 2010 – current
Created by: Brandon Vietti, Greg Weisman
Directed by: various
Written by: various
Based on: characters from DC Comics
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Stephanie Lemelin, Jesse McCartney, Danica McKellar, Nolan North, Khary Payton, Jason Spisak

DC Entertainment, Warner Bros. Animation, 46 Episodes (so far), 22 Minutes (per episode)

Review:

*Written in 2015.

I didn’t watch Young Justice while it was on. I only got into it once it was on Netflix and even then, it was clicked on mainly out of boredom. I wasn’t aware that it was a somewhat beloved show by many.

I was glad I discovered it on my own without a bunch of hype built around it. I was surprised with the quality and how adult the themes of the show were.

The animation is damn good, the story arcs are fantastic and the characters are all cool and likable.

The show follows the sidekicks of DC Comics’ most famous heroes and puts them together on a team where they are sort of a junior squad to the Justice League. It is sort of like Teen Titans but not as adolescent feeling, which is probably why it wasn’t a new Teen Titans show.

The first season is solid but the second season is excellent. The beginning of season two is slow and interest started to wane but after about four episodes, I was hooked. The season two story arc is one of the best sagas ever told in a DC animated series.

Young Justice is a quick watch. The episodes fly by at 22 minutes. There are also only twenty or so episodes per season.

The DC cinematic universe could learn a lot from the tone and style of this show. I hope that once they get into making the Aquaman film, they take their cue from how the Atlanteans are handled on this show.

Sadly, the show was cancelled after the second season but there are rumors that it could find new life on Netflix. I think that’s a stretch, being that they are in bed with Marvel, but you never know.

Update:

After fan support the show was resurrected and there will be more episodes in the future, even though there’s been a big gap in time by this point.

Rating: 8.5/10
Pairs well with: Recent Teen Titans animated features, as well as other DC Comics animated films.

Comic Review: Deathstroke, Vol. 4: Defiance

Published: April 24th, 2018
Written by: Christopher Priest
Art by: Diogenes Neves, Carlos Pagulayan, Jason Paz, Larry Hama

DC Comics, 132 Pages

Review:

This is the biggest storyline so far in the current Deathstroke series. It sees Deathstroke try to further atone for his past sins while becoming the leader of a new group he has formed with his children and a few former Teen Titans.

Also, Deathstroke and his team wear some pretty cool looking black and white costumes.

This has been the biggest and most popular story in the most recent and ongoing Deathstroke series. So once I got to this volume, I was really excited to jump in, especially with all the plot threads leading up to it being fresh in my mind. There are several characters that this series is trying to balance but it has done a good job, so far, of keeping things moving and flowing properly.

And sure, Deathstroke is often times overshadowed by other characters in his own series but it all ties directly to him and his journey since the current series started.

The biggest problem with this chapter, however, is that it doesn’t wrap up within this volume. The Defiance team’s story carries over into what will be the next installment, which isn’t released for a few more months. I’d like to jump into it while this is all fresh but I guess I’ll have to pickup a few of the single issues I’m missing to fill the few holes in my collection.

What I like about this though, is that it feels like a throwback to Cable coming into New Mutants and eventually forming X-Force. There are some parallels to it and it makes this feel like something I would have read in the early ’90s when I was first getting into comics at a deeper level.

This is capped off by a story that sort of interjects itself into the Defiance plot and forces the series to switch gears momentarily. But that story was really cool and pits Slade Wilson against several of DC’s top villains who are trying to test if he has turned over a new leaf or if he is still “evil” at his core.

This was a good collection but it leaves you hanging.

Rating: 8/10
Pairs well with: The other Deathstroke stories since DC’s Rebirth. Also, the current runs on Nightwing and Red Hood and the Outlaws.

TV Review: Legends of Tomorrow (2016- )

Original Run: January 21st, 2016 – present
Created by: Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, Phil Klemmer
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Franz Drameh, Ciara Renée, Falk Hentschel, Amy Pemberton, Dominic Purcell, Wentworth Miller, Matt Letscher, Maisie Richardson-Sellers, Nick Zano

Berlanti Productions, DC Entertainment, Warner Bros., 33 Episodes (so far), 42-45 Minutes (per episode)

Review:

*originally written in 2016.

With the success of Arrow and The Flash, the CW had to put out another superhero show in that universe. Plus, those worlds were getting too big and they needed a place to ship off some of those characters. So why not make them into a team.

Add in time travel and we’ve essentially got a superhero version of Doctor Who. It also doesn’t hurt that they added a fan favorite actor from Doctor Who lore to lead this team through time and space.

The premise of the show is interesting but ultimately, we are left with the weakest of CW’s DC Comics television series. The show is enjoyable and it has some good moments but it all just feels like filler and the threat, as great as it is, just doesn’t seem that threatening overall.

Vandal Savage, who was introduced in a crossover event on The Flash and Arrow, is the main villain of the series. The problem with the show is that they either kill him or nearly kill him almost every episode but for some reason he keeps coming back or isn’t killed because the writers have to stretch him out over the whole twenty episode campaign. He just feels like a total pushover instead of the immortal evil bad ass he should be. And the characters’ motivation when they don’t finally just pull the trigger is laughable and some of the worst writing ever.

None of these people seem stable or even rational enough to pull off this very important mission. I also find it hard to believe that in all of space and time, this motley crew is the best that Rip Hunter could assemble for a mission that is sold as the most important mission in the entirety of this universe.

I enjoy Arthur Darvill as Rip Hunter and I have always been a fan of Brandon Routh’s Atom and Caity Lotz’s version of the Canary. Even the Prison Break reunion of Wentworth Miller and Dominic Purcell as Captain Cold and Heatwave is pretty enjoyable. Firestorm is okay and Hawkgirl is somewhat interesting but all in all, this crew just doesn’t hold it together as an ensemble.

It feels like a forced union, which it is in reality and in fiction, but there should still be more chemistry. It’s chemistry that has worked so well for The Flash and Arrow. That magic just isn’t recreated here. And maybe the writers, between three shows, are stretched too thin.

This isn’t a show that I plan to give up on. Depending upon what they do for the second season, this show could turn it around. I’d like to see more characters rotated in and out of this group as the show goes on. I think that would work at keeping it fresh. It may also solve the chemistry problem.

Some of these characters are great but after seeing them full-time, they may play better on a part-time basis.

TV Review: The Flash (2014- )

Original Run: October 7th, 2014 – present
Created by: Greg Berlanti, Andrew Kreisberg, Geoff Johns
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Grant Gustin, Candice Patton, Danielle Panabaker, Rick Cosnett, Carlos Valdes, Tom Cavanagh, Jesse L. Martin, Keiynan Lonsdale, Victor Garber, Franz Drameh, Robbie Amell, Dominic Purcell, Wentworth Miller, Peyton List, John Wesley Shipp, Amanda Pays

Bonanza Productions, Berlanti Productions, DC Entertainment, Warner Bros., 69 Episodes (so far), 40 Minutes (per episode)

Review:

*originally written in 2015.

In sixth grade, my favorite television show was The Flash. It was cancelled after one year but it was still the best comic book series put to television at the time. Well, 24 years later, the Flash returned to television again in another self-titled series.

The modern version of The Flash is a spin-off of CW’s Arrow. It goes on to further expand the DC Comics television universe and mythos and has thus, spun-off its own show debuting in the fall called Legends of Tomorrow.

Having now completed the first season of The Flash, I figured it was time to review it.

In short, this is the greatest comic book television show of all-time. Yes, Daredevil, which just debuted a month ago on Netflix is amazing. This however, this is lightning in a bottle – pun intended.

Something about The Flash is just magical. I can admit, maybe I am affected by nostalgia for my love of the original Flash series from years ago. And maybe that is magnified by the fact that the new Flash show features the stars of the original show. The thing is, everyone else I have talked to that has watched this show, regardless of their knowledge of the series from 1990, is pretty much in agreement that this is simply great.

Sure, the acting isn’t always fantastic, there is that typical CW romance thing going on and often times, the villains can be cheesy. But this is a television show based on comic books and if it took itself too seriously, it would be a train wreck like Gotham. (updated 2017 note: Luckily Gotham fixed that.)

The thing this show has going for it is heart. You can’t not care about these characters, their motivations and their world. When I watch Gotham, I really don’t care about anyone on that show. The Flash is the most human and heartfelt superhero show currently on television, if not of all-time.

The story arc of the first season was well orchestrated and ended perfectly. Everything throughout the year was well paced and while it fell victim to the “monster of the week” formula at times, it built a much larger universe and everything had a point to it. There wasn’t a lot of filler unlike a lot of episodes of Arrow this past season.

Where The Flash goes from here is anyone’s guess. I hope the momentum maintains going forward and that the show doesn’t go off the rails, as its predecessor Arrow has recently. I also hope that the quality isn’t effected by the new spin-off series. We shall see but the future looks bright.

Update:

Having now gotten through three seasons, the show unfortunately becomes redundant and derivative of its previous seasons. It sucks that it sort of nosedives, even if you still care about the people on the show. Season four I hope gets back to form. And we really don’t need another speedster as the season’s major villain.