Release Date: January 24th, 2021 Cast: Pat Patterson, Vince McMahon, Gerald Brisco, Hulk Hogan, Kevin Nash, Shawn Michaels, Bret Hart, Steve Austin, John Cena, Dwayne Johnson, various
WWE, 57 Minutes
Pat Patterson passed away last December and with his passing, the professional wrestling business lost a true legend and a guy that was very instrumental in how the business moved forward from the ’80s and into the modern era.
Not only was he a legend in the ring, he became Vince McMahon’s right hand when the World Wrestling Federation (now World Wrestling Entertainment) became the dominant force in the industry.
Patterson helped shape the personalities and careers of several legendary wrestlers. He took guys like Dwayne “The Rock” Johnson and helped mold them into superstars.
However, Pat Patterson was also a gay man in an industry where that was very taboo in his day. It’s also an industry that is all about machismo and with that, Patterson kept his personal life very private. Those who were close to him, knew that he was gay but it was never publically stated by Patterson himself until really late in life when he felt like he didn’t have to hide it anymore.
All that being said, Patterson was an interesting but very layered guy. He was a sweet man, though. I met him briefly backstage at shows a few times and he was always a hell of a nice guy and always accommodating to the fans that got to be around him.
This WWE Network special did a pretty good job of capturing the man’s life even if it had what I consider a scant running time. But I did enjoy the fact that there was enough recorded material of Patterson for him to really tell you his story in his own words.
Also known as: Nana’s Boy (working title) Release Date: January 6th, 2006 Directed by: Nicholaus Goossen Written by: Barry Wernick, Allen Covert, Nick Swardson Music by: Waddy Wachtel Cast: Linda Cardellini, Allen Covert, Peter Dante, Shirley Jones, Shirley Knight, Joel David Moore, Kevin Nealon, Doris Roberts, Nick Swardson, Jonah Hill, David Spade, Rob Schneider, Kevin Nash
Happy Madison Productions, Level 1 Entertainment, Twentieth Century Fox, 94 Minutes
“This chick’s pussy smelled like the great depression.” – Jeff
Grandma’s Boy is a movie I slept on when it came out. I’m not a massive Adam Sandler fan and seeing a movie that was essentially an Adam Sandler movie without Adam Sandler wasn’t what I considered a top priority. However, several friends would reference it all the time, so I gave in and checked it out after a few years.
Since then, it’s become one of my favorite comedy movies of its era. It’s just solid, mindless escapism, which is something I love. Add in the fact that it’s fucking hilarious and it’s become one of those sweet guilty pleasures that I tend to watch once or twice per year.
It stars Allen Covert, who has been in just about all of Adam Sandler’s comedies. The film was co-written by him, Barry Wernick and Nick Swardson, a comedic actor that I like in just about everything… yes, even Bucky Larson. You also get another Sandler “best bud” with Peter Dante.
Beyond those guys, you’ve got Linda Cardellini, Joel David Moore, Kevin Nealon, David Spade, Jonah Hill, Shirley Jones, Shirley Knight, Rob Schneider and former professional wrestler Kevin Nash. Needless to say, this low budget movie that nearly everyone slept on in the theater, has a stacked cast.
The story is about some stoners that develop and test video games. There’s the underachieving loser who doesn’t realize his own potential, the lovable sidekick, lesser sidekicks, the douchebag work rival and the hot chick that’s out of everyone’s league but she’s cool, so whatever.
However, there’s also the extra added element of the loser’s grandma and her two roommates, who the loser has to live with while dealing with his hectic work life and douchebag work rival.
It’s a fairly simple story and the movie sort of just works because you like the characters, their camaraderie and their shenanigans.
This is just a lighthearted, stoner flick with lots of gags and jokes that would set off Twitter weirdos in the current year “civilization”. So if you don’t like it, you’re probably some fluorescent-haired land whale, feminist, “fuck the white patriarchy”, hater of fun, regardless of what gender you see yourself as.
Rating: 7.5/10 Pairs well with: other comedy films starring Adam Sandler’s best buds, which are mostly films with Adam Sandler.
Release Date: August 21st, 2020 Directed by: David Darg, Price James Music by: Dimiter Yordanov, Matt Glass, Will Patterson Cast: David Arquette, Patricia Arquette, Rosanna Arquette, Richmond Arquette, Courteney Cox, Ric Flair, Dallas Page, “Jungle Boy” Jack Perry, Luke Perry, RJ Skinner, Ken Anderson, Coco Arquette, Eric Bischoff, Colt Cabana, Mick Foley, Jerry Lawler, Christina McLarty Arquette, Kevin Nash, Vince Russo
One Last Run Productions, Kidz Gone Bad, Carbon, 91 Minutes
I was fairly excited for this when the trailer dropped, months ago. I was never mad at David Arquette for his stint in the wrestling business and I honestly just blamed it on the shit creative that was killing World Championship Wrestling, at the time. Funny enough, the company ceased to exist the following year.
I also know that Arquette has loved and respected the professional wrestling business since he was a kid and that he truly felt bad about how people perceived his small run in it, which led to him becoming the WCW World Heavyweight Champion for a few weeks back in 2000.
People viewed this as destroying the prestige of the World Title but it was devalued immensely before Arquette ever got his hands on it. Plus, Vince Russo winning it after the Arquette debacle showed that WCW creative were absolute imbeciles that deserved their fate.
Anyway, I get why David Arquette wants to repent and doesn’t want to be perceived as a joke or some Hollywood opportunist asshole that came in and took a shit on the business.
However, his path to redemption was a terribly misguided one that just made me feel even worse for the guy and made me realize that he was taken advantage of and poorly directed by the modern “hardcore” sect in wrestling a.k.a. the outlaw mudhsow ass hats that should never have their version of the business reach the mainstream. Granted, wrestling is pretty fucking dead in my eyes, anyway, so who’s to say what kind of stupid horeseshit is going to get over with the thirteen fans that still go to live shows in crossfit warehouses.
David Arquette, for a guy that loves the business, doesn’t seem to really know enough about it to avoid the people that put him in the ring, where he nearly got killed just to make this film. He didn’t need to redeem himself by fighting the most “hardcore” shitheads in the business, he needed to go to wrestling school, a real one, and learn the basics, work hard, get put on a decent show and work his way up.
His objectives in this were never really clear but he seemed to just have this idea that he needed to be severely punished for his sins more than he needed to become a legitimate wrestler that could stand proudly next to other former WCW World Champions.
I was severely disappointed by this, overall. I was rooting for the guy and hell, I still really like him. But this isn’t what he needed to do to absolve himself of the immense guilt he’s felt for twenty years. I left this feeling even worse for him but I guess if he believes he succeeded than who am I to piss in his coffee.
Rating: 4.5/10 Pairs well with: other recent wrestling documentaries.
Release Date: April 12th, 2004 (Los Angeles premiere) Directed by: Jonathan Hensleigh Written by: Jonathan Hensleigh, Michael France Based on:The Punisher by Gerry Conway, Ross Andru, John Romita Sr. Music by: Carlo Siliotto Cast: Thomas Jane, John Travolta, Will Patton, Roy Scheider, Laura Harring, Ben Foster, Rebecca Romijn-Stamos, John Pinette, Samantha Mathis, Eddie Jemison, Kevin Nash
“Vaya con Dios, Castle. Go with God.” – Candelaria, “God’s gonna sit this one out.” – Frank Castle
Holy shit! This film aged remarkably well!
It’s been well over a decade since I had last seen it but watching it now, reminded me as to why it is the best live-action version of The Punisher that we have ever gotten.
More than anything, the film’s greatness is due to just how good Thomas Jane was as Frank Castle. The dude was damn dedicated to the role and made this a better film than it really had any right to be. Especially, in an era where most comic book movies were still kind of shitty.
I might not have realized it in 2004 but this exceeds the well-received X-Men films of the time and it is also much better than the Daredevil movie that came out a year before it.
Back in the day, I thought that setting it in Tampa was a weird decision but now having a better understanding of budgets in regards to shooting locations, I get it. Re-experiencing it now, though, I really dig the location, as it gives it a completely different vibe from the other live-action Punisher things that came later, as well as other comic book films that generally take place in New York City or some other massive metropolis. Also, being that I have lived on the Gulf Coast of Florida my entire life, it somehow feels like my Marvel Comics movie.
This film, regardless of it being based on a comic book or not, is just a balls to the wall, badass action flick in the same vein as the Dirty Harry and Death Wish films. While it’s a wee bit toned down from those gritty ’70s crime flicks, it still doesn’t pull its punches and I was actually kind of shocked by some of the stuff they did in the film that I guess I had forgotten.
It gets really dark and it actually has some pretty gory and gruesome moments. But at the same time, it has more heart and charm that those ’70s classics I just mentioned in how there are good people that come into Castle’s life and try to give him back some of his humanity after the mass execution of his entire family.
It wasn’t just Jane that was great in this, it was the entire cast, top-to-bottom, including some of the people that had fairly small roles like a few of the gangsters and especially Mark Collie, who played Harry Heck, in one of the best sequences that has ever existed in a comic book movie.
Man, I forgot how great the Harry Heck character was and I kind of wish he would’ve been a much bigger part of the story. Maybe he could come back in a sequel but then again, I doubt one will ever get made, as ThePunisher has already been rebooted multiple times. Also, Heck’s death seemed pretty much confirmed by how he got taken out.
Getting to the story, I really like how Castle played John Travolta’s Howard Saint and tricked him into murdering his best friend and his beloved wife by cleverly convincing him, over time and by planting seeds, that they were having an affair. This was brilliant and it couldn’t have happened to a worse trio of people, as all of them were directly responsible for the execution of Castle’s family.
This version of The Punisher was as close to perfect as a studio could get. I know that the film wasn’t a massive hit, initially, but it did build up a solid fanbase over the years. The fact that a sequel never actually materialized was rather baffling.
Although, a fan film, also starring Jane as Frank Castle, was released in 2012. After revisiting this, I now have to fire that one up too and review it.
2004’s The Punisher is spectacular from beginning to end. It’s aged so much better than the other comic book movies from the early ’00s and it deserves to be displayed on a pedestal for all to admire.
Dear Disney and Tom Jane,
Please give us this Frank Castle again.
That is all.
Rating: 8.5/10 Pairs well with: it’s unofficial short film sequel, The Punisher: Dirty Laundry, as well as the other Punisher films and television series.
Release Date: September 19th, 2014 (Austin Fantastic Fest) Directed by: Chad Stahelski, David Leitch (uncredited) Written by: Derek Kolstad Music by: Tyler Bates, Joel J. Richard Cast: Keanu Reeves, Michael Nyqvist, Alfie Allen, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, David Patrick Kelly, Clarke Peters, Kevin Nash, Lance Reddick
“When Helen died, I lost everything. Until that dog arrived on my doorstep… a final gift from my wife. In that moment, I received some semblance of hope… an opportunity to grieve unalone. And your son… took that from me.” – John Wick, “Oh, God.” – Viggo Tarasov, “Stole that from me… killed that from me! People keep asking if I’m back and I haven’t really had an answer. But now, yeah, I’m thinkin’ I’m back. So you can either hand over your son or you can die screaming alongside him!” – John Wick
Well, I finally got around to seeing John Wick after putting it off for four years. Why did I put it off? Well, people hyped it up so damn much that I knew that if I went in with said hype, I’d probably walk away disappointed. I needed some time for that to cool down and to separate myself from it. I actually intended to watch this before John Wick 2 hit theaters, last year, but I was incredibly busy around that time.
Having now seen it, it doesn’t live up to the hype but it is still a balls to the wall, unapologetic motion picture and I love seeing Keanu as a complete and total badass murdering the crap out of scumbags in such an amazing and calculated way that he makes the Punisher look like Richard Simmons.
It is quite obvious that John Wick takes some cues, in style and narrative, from the the Hong Kong gangster pictures of the ’80s and ’90s, especially those directed by John Woo. It also has very strong film-noir tones, whether it knows that or not. There’s crime, plot twists, deception, a femme fatale character and a visual style that borrows heavily from classic noir as well as neo-noirs from the ’60s through the ’80s. I see a lot of visual similarities to the neo-noir work of Wim Wenders, most notably The American Friend, as well as notes of Seijun Suzuki’s Tokyo Drifter and Jean-Pierre Melville’s Le Samouraï.
As far as the story goes, John Wick is pretty much the greatest assassin in the world. Just after his wife dies, a crew of shitheads break into Wick’s home, kill his dog and steal his car. The shitheads have ties to the Russian mob boss that Wick used to work for. Wick goes on a one-man killing spree for revenge and doesn’t care who crosses his path: his old boss, his old rivals and his old allies. With Wick reentering the world that he left years earlier, he is once again in the thick of it and won’t be able to just walk away when the dust settles. Of course, this was established to setup all the future sequels, which I have a feeling, Keanu Reeves will do until his body won’t let him anymore.
And speaking of Keanu’s body, he trained like a madman for this role and continues to do so now that this has become a franchise. He does all the driving, all the fighting and has become a legit badass in the real world because he wanted to play John Wick as realistically as possible. Seriously, if you want to be impressed, go watch some of Keanu’s training videos for these movies.
This is in no way a perfect film but if you are a guy that wants his action raw and soaked in diesel fuel next to an open fire, then you will enjoy this. It reminds me of the spirit of those ’80s Cannon Films except with much better cinematography and more capable talent in front of and behind the camera.
I was surprised to see so many actors I love pop up in this. I guess I never paid close attention to the cast details other than knowing that this had Keanu Reeves and John Leguizamo in it. But anything with Willem Dafoe and Ian McShane in it, automatically gets a hefty helping of gargantuan gravitas piled on to whatever is already there. Plus, you’ve got small roles for David Patrick Kelly, Clarke Peters and “Big Sexy” Kevin Nash. I also have to point out the good performance by Adrianne Palicki, who always seems to play the same character, but definitely came with a harder edge in this movie.
John Wick is solid. Damn solid. It doesn’t need to be a perfect film and it doesn’t want to be. It’s fun and manlier than an Everclear drinking lumberjack piledriving a bear through the hood of a Hummer.
Rating: 8/10 Pairs well with:John Wick 2, I’d have to assume. As well as, Atomic Blonde, Punisher: War Zone and Death Wish 3, which still has the best balls out grand finale in motion picture history. For some old school pictures with similar themes and visual flair: Tokyo Drifter and Le Samouraï.
With the upcoming release of the new Teenage Mutant Ninja Turtles film, which is a reboot, I wanted to revisit the original film series. I hadn’t seen these movies since the 90s and I hadn’t seen the 2007 CGI sequel at all. I remember really liking the first two and finding the third one to be pretty boring. Maybe it was because it was missing their main antagonist, Shredder. Regardless of all that, here’s what I felt about these films now.
Teenage Mutant Ninja Turtles (1990):
Release Date: March 30th, 1990 Directed by: Steve Barron Written by: Todd W. Langen, Bobby Herbeck Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Judith Hoag, Elias Koteas, Robbie Rist, Brian Tochi, Corey Feldman, Kevin Clash, Sam Rockwell, Scott Wolf (uncredited)
Golden Harvest, Limelight Entertainment, 888 Productions, Mirage Enterprises, Northshore Investments, New Line Cinema, 93 Minutes
“Damn.” – Raphael
This first film in the series was the best of the original trilogy. It was gritty, it was fun, it was action packed and it embodied everything that made the TMNT franchise unique and awesome. Seeing this in the theater as a 5th grader, blew my damn mind.
The turtle costumes were phenomenal, the facial animatronics were outstanding and the range of movement the martial artists had inside the suits was uncanny. The acting in this film, considering what it is, wasn’t bad. Elias Koteas as Casey Jones and Judith Hoag as April O’Neil were both really good. I cared about their characters and even their romance.
My favorite part in the whole film though, had to be Shredder. For a live-action movie based on a comic book, especially for the era, he looked fantastic and menacing. I can’t even imagine a better looking Shredder in a real world sense.
Splinter was also pretty great and Kevin Clash (most famous for playing Sesame Street‘s Elmo) provided him with a good voice that gave a sense of authority and respect to a character that is really just an animatronic rat.
The movie never stops once it gets going. It actually flies by pretty quickly and is well-paced. Props to the writers who made a really good script and to the director, who orchestrated how it all went down.
Look for a very young Sam Rockwell playing a thug in a few scenes.
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991):
Release Date: March 22nd, 1991 Directed by: Michael Pressman Written by: Todd W. Langen Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Paige Turco, David Warner, Ernie Reyes Jr., François Chau, Kevin Nash, Vanilla Ice, Robbie Rist, Brian Tochi, Kevin Clash, Frank Welker
Golden Harvest, Mirage Enterprises, Northshore Investments, New Line Cinema, 88 Minutes
“Go, ninja! Go, ninja! Go!” – Vanilla Ice
It didn’t take long for Golden Harvest and New Line Cinema to pop out a sequel. This movie came out less than a year before its predecessor. While it still turned out pretty well, you can feel that it is lacking in quality from the first film and that they didn’t prepare for it as well.
Also, the turtles use their weapons a lot less than the first movie because busybody assholes thought that the darker and more violent tone of the previous film was too much for kids to handle. The lack of darker tone, hurt this movie.
Unfortunately, neither Judith Hoag or Elias Koteas returned for this film. I’m not sure why but due to the film being rushed out, one could assume that it had to do with scheduling conflicts. The April O’Neil character is still in the film but was recast with Paige Turco.
I do still like this movie but I miss the atmosphere of the first one. These aren’t films that you should take too seriously, but this one got a bit too campy and the script just wasn’t as good.
The edition of David Warner to the cast, an actor I have always enjoyed, as well as Ernie Reyes Jr., who is still the best kid martial artist I have ever seen, was a treat. Vanilla Ice also shows up to give us the greatest ninja-themed rap song of all-time.
Shredder was better looking in this film, as they retrofitted his helmet and made the sharp edges on it look like bad ass buzzsaw blades. However, when he became Super Shredder, he was just ridiculous and completely pointless as he killed himself in about ten seconds. Although it was cool that wrestling legend Kevin Nash was the guy in the Super Shredder suit.
The evil mutants that they made to combat the Turtles, were horrible. They should’ve done what kids were familiar with and gave us the famous Turtle villains Bebop and Rocksteady. Instead, we got Tokka and Rahzar. Stupid names for stupid characters.
All bullshit aside, I still really enjoy this film for what it is but it lacks in a lot of areas compared to the first.
Teenage Mutant Ninja Turtles III (1993):
Release Date: March 19th, 1993 Directed by: Stuart Gillard Written by: Stuart Gillard Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Paige Turco, Elias Koteas, Vivian Wu, Sab Shimono, Stuart Wilson, Brian Tochi, Robbie Rist, Corey Feldman
Golden Harvest, Clearwater Holdings, New Line Cinema, 96 Minutes
“I think I swallowed a frog. I hope it wasn’t an ancestor.” – Donatello
Some people call this film Turtles In Time but that was the name of a TMNT video game. This film plot-wise, is completely unrelated to that game but they do share a time travel element.
I remember watching this just once as a kid and that was on video, as I didn’t even bother to see it in the theater. I just found the idea of the Turtles traveling back to feudal Japan to not be a story worthy enough to carry a film. It seemed like a bad one-off episode of the cartoon and at least those episodes are just twenty minutes.
Watching it now, over twenty years later, I still don’t like the film. It is boring, soulless and flat. There is really nothing interesting or redeeming about the film. Elias Koteas shows back up, after skipping out on the second film, but he is essentially wasted.
The villain is some evil British guy who comes off like an unfunny poor man’s version of Rik Mayall. Had he actually been played by Rik Mayall and humorously, the film may have been a tad bit better. But even Rik Mayall couldn’t have saved it.
The Turtles were also redesigned for this movie and they look like shit. They added a bunch of spots to them, gave them bigger eyes that looked incredibly fake and their animatronics were clunky at best.
After all that time to heal and accept this for what it is, I still hate this film.
Release Date: March 17th, 2007 (Grauman’s Chinese Theatre premiere) Directed by: Kevin Munroe Written by: Kevin Munroe Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: Klaus Badelt Cast: Chris Evans, Sarah Michelle Gellar, Mako, Kevin Smith, Patrick Stewart, Ziyi Zhang, Laurence Fishburne
Imagi Animation Studios, Warner Bros., 87 Minutes
“Duuuude.” – Michelangelo
This film is considered the fourth in the series and takes place quite some time after the others. It is also the first (and only) to be CGI instead of live-action.
This movie is pretty good. There is a lot story-wise that makes this one the best written of the series. There is a whole subplot about Raphael being a masked vigilante hero on a motorcycle, which would be great as its own standalone movie.
Also, Casey Jones is back in a much more expanded role, as he teams up with Raphael on their vigilante adventures. Although I wish Elias Koteas would’ve voiced Casey Jones, Chris Evans did a solid job.
There is another cool subplot about Leonardo living and training in solitude in Central America, which added a lot of depth to his character and his struggle as a leader.
As for the CGI, it was very well done. It wasn’t Pixar or DreamWorks level but it held its own and it was fluid and worked great with the action sequences of the film. The only thing that seemed off was that the voices were different. For instance, Splinter seemed like an entirely different character and this kind of gets in the way of consistency with the live action films. However, the Laurence Fishburne narration was fantastic.
Having now watched the original trilogy again and this film, I’d rank this as second behind the original.