Also known as: Batman 5 (working title), Batman: Intimidation (script title), The Intimidation Game (fake working title) Release Date: May 31st, 2005 (Tokyo premiere) Directed by: Christopher Nolan Written by: Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Liam Neeson, Katie Holmes, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ken Watanabe, Mark Boone Junior, Jack Gleeson
DC Comics, Syncopy, Warner Bros., 140 Minutes
“But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just… poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.” – Henri Ducard
When this first came out on DVD, I watched it almost weekly for a few years. I loved this film and to me, at least at the time, it was the greatest Batman film ever made. Hell, before the DVD release, I think I saw this at least three times in the theater.
I would end up liking The Dark Knight even more but the Nolan trilogy started with this film and it was a great introduction to his more serious and realistic Batman film series.
In retrospect now, I like the 1989 Batman slightly better but it’s magic was undone by the later films that followed and even though it took eight years, Batman Begins was the cinematic reboot that we needed after the Schumacher Batman pictures.
This film is so good, as are the ones that follow, that I’ve kind of accepted that no one will ever make a Batman film series as great. Frankly, these are the best films that Christopher Nolan has made and while the first film in a trilogy can often times feel like a practice run, this one is fairly close to perfect.
My only real gripe about it is that the pacing feels a bit disjointed at times. But there is also a lot of story and a lot of characters to balance here. I think that Nolan got much better with that in the next film. These aren’t things that break the film in any way but if I can’t give this a perfect score, I feel that I should explain why.
This is still energetic and every scene feels necessary. But it also feels like so much was wedged into it that it could’ve actually benefited from an extra 20-30 minutes. And that’s not something I’m usually a fan of, as I love 90 minute running times and this picture is already well over two hours. But when a film is this good, I never seem to mind that it requires more of my time.
Nolan got the best possible performances out of all of the actors involved and everyone in this is absolutely perfect. This was well cast and even Katie Holmes, who was replaced in the sequel, pulled off the best performance of her career. Normally, I wouldn’t put her at the same level as everyone else in this movie but she held her own and I was disappointed that she was recast in The Dark Knight.
In closing, this is a stellar motion picture where everything just works in the right way from the direction, cinematography, acting, the musical score by Hans Zimmer and the great character development.
Rating: 9.5/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Godzilla 2, Fathom (working titles) Release Date: May 29th, 2019 (Europe, South Korea, Indonesia) Directed by: Michael Dougherty Written by: Michael Dougherty, Zach Shields, Max Borenstein Based on:Gojira, Ghidorah, the Three-Headed Monster, Mothra and Rodan by Toho Co. Ltd. Music by: Bear McCreary Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Strathaim, Ken Watanabe, Zhang Ziyi, Joe Morton
Legendary Pictures, Warner Bros. Pictures, Toho, 132 Minutes
“We opened Pandora’s box. And there’s no closing it now.” – Jonah Alan
*There be spoilers here! No, seriously, I spoil the shit out of stuff in this one.
It’s been five years since the last American Godzilla film and I hate waiting. Sure, we got Kong: Skull Island two years ago, which is a part of this series, but Godzilla is the true king of kaiju and his return has been long overdue. Plus, we were promised a movie featuring King Ghidorah, Mothra and Rodan, so five years was too damn long to wait.
Now I enjoyed the first movie, even if I had some issues with it but I discussed those in that film’s review. As far as this one goes, I still have some issues but overall, this is a superior chapter in the pretty good American Godzilla series.
The film was certainly well cast with its human being characters but that was a part of my problem with the movie. There was just so much broken family drama and bullshit that it dragged the film down. Sure, you need a human story to ground the picture and make it relatable but I want to see giant monsters punching the shit out of each other, as opposed to an episode of This Is Us.
As far as the monsters go, I was afraid that the movie would have monster overkill, as the trailer mentioned 17 “titans”, which is white people for “kaiju”. Luckily, the only ones we really see fight are the main four we were promised: Godzilla, Ghidorah, Mothra and Rodan. There are several other monsters that appear, including a new M.U.T.O. and a creature similar to Kumonga, but we only really see glimpses of them and then one scene where they appear at the end, after the big action has already gone down. Kong and Skull Island are also mentioned but Kong does not appear, which does create a bit of a plot hole but whatever, everything has plot holes these days.
The origin of the monsters is different in this film too. Mothra is Chinese, Rodan is Mexican, Godzilla is from Atlantis and King Ghidorah is Antarcticese but is later discovered to be from space, so I guess his origin is the most accurate. Well, except for the fact that he has Wolverine healing powers and can grow back heads like a hydra.
Also, Rodan is a dick in this movie and he’s not an ally to Godzilla and Mothra, as he should be. He comes around in the end, after the final fight, but I wanted to see the classic match up of King Ghidorah vs. Godzilla, Mothra and Rodan in a 3-on-1 handicap match.
There’s one point in the film where a general says, “We’ve got a secret weapon…” And my mind immediately screamed, “MECHAGODZILLA!!!” But then the general continued with, “…an oxygen destroyer.” So that was a nice homage to the original Gojira and it was a tremendous use of CGI special effects to make it look much more powerful than the 1954 equivalent but the weapon was used so freely and carelessly that the film missed the whole moral debate over that powerful weapon. However, I guess that was sort of replaced by the humans arguing about this film’s other weapon/device/MacGuffin: the Orca.
But the big monster battles are the most important thing about any kaiju movie and this picture gives us pretty solid kaiju action. At least, it’s much better than the total lack of kaiju action we got with this film’s predecessor, the 2014 Godzilla.
New York Yankees fans will love the big final battle in this film as it takes place in Fenway Park. You see the iconic stadium and all of Boston get leveled. And I’m assuming the Red Sox allowed the film to shoot there, due to some of the specific shots that saw Millie Bobby Brown’s character arrive there for the climax. But I guess the famous saying should now read: “Boston Strong, Godzilla Stronger.”
Anyway, I was mostly happy with the film. The human drama bullshit was grating and Vera Farmiga’s character is an evil, selfish psychopath, no matter how hard this film wants to justify her apocalyptic actions. They kind of try to redeem her in the end with her final act but that bitch wanted to die a hero because of her own ego not because she’s got a heart or anything. Thirty minutes earlier she was releasing giant monsters despite millions of people needing to evacuate from giant monsters. She was an insufferable shithead and her husband, Kyle Chandler a.k.a. Mr. Friday Night Lights was pretty terrible too. But maybe I’m just pissed that he never got killed or arrested on Bloodline.
My favorite moment in the movie was when the deaf chick from that Oscar winning fish fuck movie got eaten by King Ghidorah like a piece of popcorn chicken. I bet she lost a shoe this time too.
This review is probably all over the place but I got shit hammered at the theater, hit the bar pretty hard after and am currently too wired to sleep, so I wrote this now, as it’s approaching 3 in the f’n morning. Thank fuck for spell and grammar check.
But hey, this was a step up from the last one. It had better kaiju action, a better than decent story and good acting apart from the two leads that should have been merked much earlier than Bryan Cranston was in the first flick. Hell, Kyle Chandler survives again and he’s still getting away with killing his own brother and sending his other one to Cuba with his dumb wife that forgot to ditch her phone.
And I’ve also got to ask, what’s with all this need for a plot and shit? Monsters smash monsters, the end! It’s not rocket science! We don’t need story getting in the way of a kaiju Royal Rumble. Other than the original, original Godzilla picture, these don’t need to be thinking movies. When “Stone Cold” Steve Austin was giving Stunners to the Undertaker, we didn’t need him to stop before the attack and recite Shakespeare, we just wanted to see him drop the Deadman with a kick to the gut and a yank of the head.
The moral of the story review is:
Monsters punching monsters: Good!
Human family drama and storytelling: Bad!
Rating: 7.5/10 Pairs well with: the American Godzilla film before this, as well as the original Japanese films Ghidorah, the Three Headed Monster, Invasion of Astro-Monster, Destroy All Monsters and Godzilla: Final Wars.
Also known as: Oliver’s Arrow (fake working title), El Origen (Spanish title) Release Date: July 8th, 2010 (London premiere) Directed by: Christopher Nolan Written by: Christopher Nolan Music by: Hans Zimmer Cast: Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Tom Berenger, Michael Caine, Pete Postlethwaite, Lukas Haas, Talulah Riley, Dileep Rao
Legendary Pictures, Syncopy, Warner Bros., 148 Minutes
“What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient… highly contagious. Once an idea has taken hold of the brain it’s almost impossible to eradicate. An idea that is fully formed – fully understood – that sticks; right in there somewhere.” – Cobb
Like Christopher Nolan’s Interstellar, I guess I’m the only person on Earth that doesn’t like this movie.
I can’t take away from the visuals though. This film is stunning to look at and all the strange physics of the dream world come off almost flawlessly and create a visual smorgasbord of cool shit. And because of that, this film had one of the most amazing trailers for its time.
Frankly, I think a lot of people were so blown away by the trailer and the visuals that they completely dismiss everything else.
Inception is one of those “science-y” word salad movies that no one wants to look uncool by admitting that they have no idea what the fuck any of this is about.
The film relies solely on you buying into Christopher Nolan’s bad science, which is constantly explained with more and more layers dropped on top of it all. I don’t think that Nolan really knows what the hell he was saying. It’s complicated, it’s boring, it’s really fucking lame and it’s only cool for those people that read I Fucking Love Science‘s Facebook feed for the headlines without clicking on the articles. It’s bullshit brain casserole for the normie that yells “Yay, science!” but hasn’t actually picked up and read a book by Neil DeGrasse Tyson, whose books are actually really easy for the layman to digest.
This movie wants so hard to be smart but it’s dumber than my cousin Sam after we found her under a bridge in Ft. Lauderdale following a twenty-six day opium bender.
On the flip side, the acting is top notch. I can’t fault the cast for anything. Well, except for Ellen Page who is dryer than a box of saltine crackers, opened and lost in the Sahara during a drought. However, good acting aside, every character in this movie is flat. Also, it lacks any sort of emotion because of the flatness of these characters and because the audience is hit in the face with “Yay, science!” every 8 seconds that you don’t have time to make a connection with anything.
Plus, this film isn’t as innovative as it thinks it is. It certainly isn’t as clever as it thinks it is, either. I wonder if Nolan stores his farts in jars to enjoy at a later date?
Also, Nolan’s directing is damn good. It’s just his writing that is terrible with this $160 million bullshit bonanza.
Fuck this movie. I hate it. I can’t give it a very low score because of the strong positives. But I can’t sit through this turkey in one sitting. I’ve tried. Watching it again, just to finally review it was like sitting through a four day root canal without drugs.
As for that ending, was DiCaprio dreaming? Who the fuck cares.
Rating: 5/10 Pairs well with: other Nolan films that don’t feature Batman.
Release Date: May 8th, 2014 (Los Angeles Premiere) Directed by: Gareth Edwards Written by: Max Borenstein, David Callaham Based on:Gojira by Toho Co. Ltd. Music by: Alexandre Desplat Cast: Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston, Akira Takarada (scene cut)
Legendary Pictures, Warner Bros. Pictures, Toho, 123 Minutes
It has been 60 years! Yes, 60 years since Godzilla first appeared on-screen. In that time we have seen a few different incarnations over dozens of films. There are some things that change from era-to-era and some timeless parts that remain consistent. Well, the new Godzilla follows suit, in that it was a reinvention that took some liberties yet also stayed true to the general nature of the franchise.
Godzilla, as a monster, was pretty damn accurate overall. Some people have complained that he’s too bulky, he is – but he just looks like more of a beast. Others have complained about his face and the fact that it looks human-like, I get that and noticed it but it didn’t bother me. We’re no longer limited by the technology of the rubber suit and truth be told, I haven’t liked most Godzilla faces since the original era came to an end in the mid-70s. At least the monster didn’t have the Jay Leno chin of the 1998 Godzilla monster from that atrocious Roland Emmerich film.
The other monsters in the film, there are two, are variations of one another, as one is the male and has wings, while the other is a much larger female without wings. I wasn’t too keen on these monsters, called M.U.T.O. for “Massive Unidentified Terrestrial Organism.” Their design was kind of cool, their backstory and biology was even cooler but they didn’t have that classic Godzilla monster feel. They kind of came across as more streamlined versions of a couple of generic kaiju from Pacific Rim. Maybe their design is just how filmmakers envision contemporary monsters to be. I thought it was pretty unimaginative and they had more resemblances to that shitty Cloverfield monster than anything from the vast Godzilla mythos. I just didn’t like them, I never felt that threatened by them and was kind of just waiting for King Ghidorah to fly on-screen and really tear shit up.
That leads me to one of the beefs I have with the film. With such a deep pool of characters and monsters to pull from, if you really needed Godzilla to battle a threat, why not reinvent some of those iconic monsters and really give fans a fight they want to see instead of this film that could have been titled Godzilla vs. The Unimaginative Insect-Dragon and His Big Angry Wife? I don’t think Hollywood understands that the Godzilla brand isn’t just Godzilla, there is an entire sea of monsters waiting to be exploited. In fact, in the trailer when I saw the flying monster for a split second, I thought Rodan was going to be in this. Nope, no Rodan, just some slightly modified Cloverfield creature with wings – opportunity completely missed.
But then there is the issue with licensing. Apparently, Legendary Pictures didn’t have the rights to any other creatures. I feel like this could have been resolved before this film was made, as they have since acquired the right to several more monsters for the upcoming sequel.
Another beef with the film is that it is called Godzilla but it barely has any Godzilla in it. He doesn’t show up for like an hour and when he makes his first appearance to fight the flying M.U.T.O. at the Honolulu Airport, they cut away just after he roars and right when your fanboy boner goes to full attention. Thank you, Gareth Edwards and Legendary Pictures for giving millions of moviegoers cinematic blue balls.
The lack of Godzilla carried over into the big finale. Godzilla would engage the two monsters, they’d do a power move or two and then the film would cut to the human characters running around trying to complete a nuisance of a mission that didn’t matter all that much considering the state of San Francisco by that point. Godzilla punch, M.U.T.O. bite, cut to overly dramatic white Army dude torching eggs. Godzilla kick, M.U.T.O. jump, cut to overly dramatic white Army dude starting a boat. Screw the humans, show the monster fight, that’s what we paid to see. In fact, scrap the whole plot and just put Godzilla in a cage match with a dozen monsters. Preferably classic kaiju and not some half-assed Level 3 bosses from a 1987 Konami game.
Now getting to the human element of the film, it was pretty good. Bryan Cranston and Ken Watanabe were fantastic but lacked screen time compared to Aaron Taylor-Johnson, who was better than decent, and Elizabeth Olsen, who felt completely wasted and unnecessary in the film.
Now it probably sounds like I am griping about this a lot but I did really enjoy the movie. There was much more good than bad and it is worth your time if giant monsters engaged in combat is your thing. Tonally, the film felt like it belonged in the same world as the original 1954 Gojira – the original Godzilla film that was darker and a lot more serious and frightening than it’s comedic and campy successors. The tone was perfect, in my opinion, and that is what really makes this movie.
I hope that if this becomes the franchise it is destined to be, the filmmakers going forward tap the well and bring back our favorite kaiju from past films. Because comparatively, no one wants to see Superman fight some scrubs that just walked out of the gym.