Release Date: October 6th, 2020
Directed by: David A. Weiner
Written by: David A. Weiner
Music by: Weary Pines
Cast: Nancy Allen, Tom Atkins, Joe Bob Briggs, Doug Bradley, Clancy Brown, Lori Cardille, John Carpenter, Nick Castle, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Robert Englund, Stuart Gordon, Andre Gower, Kane Hodder, Tom Holland, Chris Jericho, Jackie Kong, Heather Langenkamp, Don Mancini, Harry Manfredini, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Diana Prince, Linnea Quigley, James Rolfe, Robert Rusler, Tom Savini, Corey Taylor, Gedde Watanabe, Caroline Williams, Alex Winter, Tom Woodruff Jr., Brian Yuzna
CreatorVC, 263 Minutes
Everything I said in my review of the first film in this series still holds true for this one. Reason being, they’re exactly the same in what they are. It’s just that each one features different films.
I think that I like this one a wee bit better for two reasons.
The first, is that I already know what I’m getting into now. I know that this will just fly through dozens of films and not give them the proper amount of time they deserve. As I said in the previous film’s review, I’d love to see each section spread out into a full episode and have these films actually be a streaming series.
The second reason, is that I like that the films are getting more obscure, as there were a few here I hadn’t heard of. With that, I walked away from this with a list of shit I need to watch and review.
Apart from that, this was more of the same. That’s not a bad thing, at all. I just wish that these documentaries didn’t fly through films and other topics so quickly.
I still like these, though. I know there’s a third one coming, which I look forward to, and there’s also one coming out on ’80s sci-fi flicks.
Pairs well with: the other documentaries in the In Search of… series, as well as other documentaries on ’80s horror.
Release Date: October 6th, 2019 (Beyond Fest premiere)
Directed by: David A. Weiner
Written by: David A. Weiner
Music by: Weary Pines
Cast: Tom Atkins, Doug Bradley, Joe Bob Briggs, Diana Prince, John Carpenter, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Stuart Gordon, Kane Hodder, Tom Holland, Lloyd Kaufman, Heather Langenkamp, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Caroline Williams, Alex Winter, Brian Yuzna, various
CreatorVC, 264 Minutes
I was anticipating this documentary for a long time. So once it ended up on Shudder, I had to check it out. But holy shit!… I wasn’t expecting this thing to be four and a half f’n hours! Not that I’m complaining but I had to make an entire night out of this thing.
Realistically, this probably would’ve worked better as a documentary television series with an episode focused on each year in the decade. They could’ve expanded even further in that format but then this was crowdfunded and not a traditional production.
Still, this was a cool documentary and while it does jump from film-to-film too fast, it covers a lot of ground. Obviously, it can’t feature every horror film from the ’80s, as there were hundreds (if not thousands) but it does hit on most of the important ones.
This goes through the films in order of their release but it also has a few breaks between each year that focuses on other aspects of ’80s horror.
This is mostly talking head interviews with a few dozen different people, spliced together with footage from all the films they’re talking about. It kind of plays like one of those VH1 I Love the ’80s shows but it is a lot less smarmy. Well, for the most part. There is one guy that kept popping up that I wanted to punch because he was oozing with failed comedian smarm.
Overall, though, this was worth the wait. As I’ve said, I wish it could’ve given more on each film but even four and a half hours isn’t enough time to do more than just scratch the surface with the rich history of ’80s horror.
Pairs well with: other documentaries about ’80s horror and horror franchises.
Also known as: Fast Times (working title, informal title)
Release Date: August 13th, 1982
Directed by: Amy Heckerling
Written by: Cameron Crowe
Based on: Fast Times at Ridgemont High: A True Story by Cameron Crowe
Music by: various pop bands
Cast: Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Ray Walston, Amanda Wyss, Forest Whitaker, Vincent Schiavelli, Lana Clarkson, Eric Stoltz, Anthony Edwards, Nicolas Cage, Kelli Maroney, Scott Thomson, Taylor Negron, Lana Clarkson, James Russo, Pamela Springsteen
Refugee Films, Universal Pictures, 90 Minutes
“Why don’t you get a job, Spicoli?” – Brad Hamilton, “What for?” – Jeff Spicoli, “You need money.” – Brad Hamilton, “All I need are some tasty waves, a cool buzz and I’m fine.” – Jeff Spicoli
Teen sex comedies were all the rage in the early 1980s. However, unlike all the others, Fast Times at Ridgemont High was much more than just a teen sex comedy. It was a film with purpose, heart and characters that you actually cared for and felt connected to. It had high drama, human emotion but it was still true to the spirit of the genre it was actually better than.
There were several factors that contributed to this movie being better than one would expect at first glance.
First, the story came from a book written by Cameron Crowe, who spent some time undercover in high school to capture the real lives of the teenagers around him. The book was full of true stories, which got adapted into this fictional movie tale. Crowe’s work gave this film a sense of realism and human emotion that other films like it were lacking.
Also, this was directed by Amy Heckerling and even though it was her first feature film, she was young, hip and connected to a lot of cool people at the time. She gave this picture a sort of life and energy that it wouldn’t have had otherwise. She also pulls off similar magic with 1995’s beloved teen comedy Clueless.
Additionally, this film benefits from having an incredible cast for its time. It has Sean Penn, just before he became a superstar, as well as Jennifer Jason Leigh, one of the best actresses of her generation. The shy kind of nerdy character was played by Brian Backer, who had already won a Tony Award the year before for his leading role in Woody Allen’s The Floating Light Bulb on Broadway. You’ve also got quintessential ’80s cool guy Judge Reinhold, the always lovable Phoebe Cates, Robert Romanus, future Academy Award winner Forest Whitaker, Nicolas Cage, Eric Stoltz, Anthony Edwards, Amanda Wyss, Kelli Maroney, Scott Thomson, as well as veterans Ray Walston and Vincent Schiavelli. How many other ’80s teen sex comedies can boast a lineup that impressive? And this didn’t even have a single person from the Brat Pack in it.
The film is well balanced between all of its main characters. It also doesn’t showcase the token stoner as just a token stoner. The chemistry between Penn’s Spicoli and Walston’s Mr. Hand is fabulous and makes for some of the best moments in the film. Seeing Walston go that extra step for a student that most teachers would just roll their eyes at is both sweet and refreshing. I could’ve watched a spinoff movie of just Spicoli and Mr. Hand and been happy, even if it had a lackluster script.
I also loved the chemistry between best buds Mark Ratner (Backer) and Mike Damone (Romanus). The shy Ratner needs Damone’s help in getting with the ladies and their exchanges are hilarious and entertaining. Life throws these best buds a curveball though but it was great seeing real friendship conquer all.
There are several good stories sprinkled throughout this ensemble piece. And it is sort of timeless in that the jokes still work, the characters are amusing and even though this gets very serious at points, it is never short on laughs and keeps things generally lighthearted.
It also has one of the best soundtracks of its decade.
Fast Times at Ridgemont High is a perfect template on how to create a teen coming of age movie. Sure, it is sex heavy, as it was the ’80s, but it’s light-years more mature than similar films like Private School and The Last American Virgin.
Pairs well with: Dazed and Confused, The Last American Virgin and Private School. Also, Gremlins, as that features both Phoebe Cates and Judge Reinhold. Plus, Clueless, another teen coming of age comedy directed by Heckerling.
Also known as: Killbots (Belgium/original US theatrical title), Robot Assassins (Spain), Shopping (France/West Germany), Supermarket Horror (Italy), Terror In Park Plaza (Portugal), R.O.B.O.T. (working title)
Release Date: March 21st, 1986
Directed by: Jim Wynorski
Written by: Jim Wynorski, Steve Mitchell
Music by: Chuck Cirino
Cast: Kelli Maroney, Tony O’Dell, John Terlesky, Russell Todd, Karrie Emerson, Barbara Crampton, Suzee Slater, Nick Segal, Paul Bartel, Mary Woronov, Dick Miller, Gerrit Graham, Angus Scrimm
Concorde Pictures, 77 Minutes, 95 Minutes (original cut)
“Let’s send these fuckers a Rambo-gram.” – Rick
Chopping Mall is an unknown film that has grown a good cult following over the years. I saw it on VHS but not until the early ’90s. I’m not sure if it was readily available or distributed in the mid-’80s when it was originally released. It certainly didn’t play in a theater or drive-in near me because Southwest Florida in the ’80s was devoid of any real culture. Well, it still mostly is, thirty years later.
One cool thing about Chopping Mall is that its opening scene stars Paul Bartel and Mary Woronov as the Blands from Bartel’s 1982 movie Eating Raoul. It makes this a sort of crossover film. But then, Dick Miller also pops up as one of the many Walter Paisleys he’s played over the years. In any event, this had a lot of nods to the Roger Corman camp of talent but since his wife Julie was the producer, that makes sense.
The film also has a small role for Gerrit Graham, who popped up in horror movies a lot in the ’80s and ’90s. He even played the husband of Mary Woronov in TerrorVision. And then you also have Barbara Crampton of Re-Animator fame, as well as Kelli Maroney from Night of the Comet.
The premise of this film sees a bunch teens decide to camp out in the local mall overnight, as some of them work at the furniture store where there are beds. You know, so the teens can do that sex stuff that always sets off the monsters in an ’80s splatter picture. What the teens don’t know is that the mall has three robot security guards who have gone on the fritz. This is like Short Circuit if there were three Johnny 5s and they all had a thirst for teenage blood.
This is a really short film but it is full of action, solid practical effects, cheesy non-practical effects, bad acting, hokey ’80s dialogue and breasts. There is also a fantastic head explosion that is Scanners level awesome.
I love Chopping Mall and even though it has that cult following I mentioned, most people have no idea that this crazy gem of a movie even exists.
Pairs well with: Night of the Comet, TerrorVision, The Stuff, Night of the Creeps
Release Date: November 16th, 1984
Directed by: Thom Eberhardt
Written by: Thom Eberhardt
Music by: David Richard Campbell
Cast: Robert Beltran, Catherine Mary Stewart, Kelli Maroney, Sharon Farrell, Mary Woronov, Geoffrey Lewis
Thomas Coleman and Michael Rosenblatt Productions, Film Development Fund, Atlantic Releasing Corporation, 95 Minutes
“Come on Hector, the MAC-10 submachine gun was practically designed for housewives.” – Regina Belmont
Catherine Mary Stewart had a massive year in 1984, between this picture and The Last Starfighter. Granted, this became more of a cult classic once it hit video store shelves unlike Starfighter, which did well in the theater and on video. In any event, Stewart was front and center in two great sci-fi films form that great year in cinema. I loved 1984 and its place in movie history and this picture is just one of many reasons why.
Night of the Comet also reunites Robert Beltran and Mary Woronov, who were two parts of the great trio from the cult classic comedy, Eating Raoul.
This is a zombie movie but it is also a teen comedy. Teen comedies were the best in the 1980s and the decade also gave us some real zombie classics. This was kind of like a perfect marriage of two genres that don’t traditionally go together. At least not back in 1984. In fact, this film would go on to inspire Joss Whedon in his creation of his most iconic character, Buffy Summers of Buffy the Vampire Slayer fame.
Catherine Mary Stewart and her onscreen sister, played by Kelli Maroney, were an awesome duo that kicked ass, carried machine guns and didn’t take any shit from anyone. Even when confronted by zombie stock boys in the mall, they never backed down. Granted, they got in over their heads, from time to time, but they survived to the end and even took out a crooked government agency in the process.
Robert Beltran was really good in this. He wasn’t the astute actor that he would become later but he was charismatic and kept the film moving forward in a lighthearted and witty way. I don’t think he gets enough credit for his contribution to this film, as most people love the two tough sisters that dominate the story.
This is a fun zombie movie and it shows a post-apocalyptic world as seen through the eyes of two teenage California girls. They compete for boys, go on shopping sprees and just want to have a good time even if 99 percent of the people around them have turned into red powder.
I love Night of the Comet. It has reached cult status but it still doesn’t get the overall recognition it deserves. It’s a film that is better than you’d expect it to be and there isn’t a whole lot one can pick apart.