Comic Review: Infinite Crisis

Published: 2005-2006
Written by: Geoff Johns
Art by: Phil Jimenez

DC Comics, 241 Pages

Review:

I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.

It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.

DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.

If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.

Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.

Rating: 5/10 – because of the art more than anything else.
Pairs well with: other massive DC Comics events that are overloaded with characters.

Comic Review: Crisis On Infinite Earths

Published: 1985-1986
Written by: Marv Wolfman
Art by: George Perez

DC Comics, 359 Pages

Review:

Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.

But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.

The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.

In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.

Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.

Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.

This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.

The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.

The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.

Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.

I really hoped that this was going to pleasantly surprise me but it hurt my head.

It was too much, too big and too long.

Rating: 4/10
Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.

Comic Review: Doomsday Clock

Published: November 22nd, 2017 – December 18th, 2019
Written by: Geoff Johns
Art by: Gary Frank, Brad Anderson
Based on: Watchmen by Alan Moore

DC Comics, 456 Pages

Review:

Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.

Now that it’s all out, I finally read it: binging through it in two days.

I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.

I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.

They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.

Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.

Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.

This is one of those stories where it feels like a lot happened but also like nothing happened.

It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?

Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.

The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.

In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.

Rating: 6/10
Pairs well with: Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.

Comic Review: Batman Arkham – Clayface

Published: August 15th, 2017
Written by: various
Art by: various

DC Comics, 318 Pages

Review:

I’ve read a bunch of these Batman Arkham collections and I’m glad DC Comics is still putting one out a few times per year. If you remember those old collections like The Greatest Joker Stories Ever Told or The Greatest Batman Stories Ever Told, these are similar and are always focused on one character: a Batman villain.

Now I say that these are focused on one villain but this installment is a bit different, as it features Clayface, which there have been multiple versions of over the years and all of them are pretty unique.

What I really loved about this is that it gives us the first appearances of every Clayface in regular Batman canon. Hell, it even gives us the story of the Mud Pack, which was a villain team comprised of multiple Clayfaces.

The Clayface that most people are familiar with is the original, Basil Karlo. He was the one featured in Batman: The Animated Series in the ’90s and has monopolized Clayface’s comic book appearances since.

However, I loved seeing all the different versions here. My favorite story and now my favorite Clayface is the third version a.k.a. Preston Payne. I knew of him but never got to read his debut until now. His look and armored suit were badass and his story was fantastic thanks to the great Len Wein. As much as I like Karlo, I’d love to see Payne make a real comeback.

Overall, this was a pretty cool collection. Most of these are stories I’ve never read but they also gave me better clarity on the bizarre history of the Clayface moniker.

Rating: 8/10
Pairs well with: Other Batman Arkham collections, as well as Clayface-centric stories.

Comic Review: Suicide Squad: Black Files

Published: November 7th, 2018 – April 3rd, 2019
Written by: Mike W. Barr, Jai Nitz
Art by: Phil Briones, various

DC Comics, 260 Pages

Review:

I didn’t really know what this miniseries was going to be about when it came out, I just knew that it was full of a lot of characters, many of whom were new to the Suicide Squad.

What this is, is a miniseries where each double-sized issue is broken into two halves, telling two six issue story arcs. Although, they are somewhat joined as this serves to closeout the Suicide Squad team that’s been around for a few years while introducing the readers to a new team, who seem to be in line for an upcoming series of their own.

While this series was going on, the regular, monthly Suicide Squad comic came to an end with it’s 50th issue.

The two stories here were pretty decent but nothing exceptional. Between the two plot threads, I preferred the one centered around the newer team. So I guess that’s good, considering that they seem to be taking over as the primary Suicide Squad soon.

But I don’t know if this miniseries was enough to entice me to buy the new team’s books. I may give it a whirl and see how I feel about it after a few months but I was getting burnt out on the regular Suicide Squad title before it even got to it’s 50th issue finale.

If anything, the new team feels kind of like the Suicide Squad equivalent to the Justice League Dark. I’m kind of getting bored with Justice League Dark too, even though it started with a mighty bang.

Ultimately, it just feels as if a lot of the DC titles seem aimless, as of late. I don’t know where any of them are going and I’m not sure that there’s much of a cohesive plan by editorial.

Rating: 6.5/10
Pairs well with: the regular Suicide Squad series before it and I’m assuming an upcoming Suicide Squad Black series to follow up with the events here.

Comic Review: Cursed Comics Cavalcade #1

Published: October 10th, 2018
Written by: Bryan Edward Hill, Tim Seeley, James Tynion IV, Mags Visaggio, various
Art by: various

DC Comics, 86 Pages

Review:

I’ve stated before that I’m not the biggest fan of anthologies but this was a lot of fun and most of it was pretty good.

This came out just in time for Halloween and even though it’s given a “#1” on its cover, I’m pretty sure that this anthology of superhero and horror mashup stories is just a one-off release to celebrate the month of October and all its horrors.

With each story we also get a different creative team, so the quality varies but there wasn’t anything that I’d say was disappointing.

The only real negative was that cramming ten stories into 86 pages means that those stories are really short. I felt that there were a lot of good ideas here that needed more room to breathe. It was hard feeling like there was any tension or a legitimate build up, as everything was over almost immediately.

I thought that the Superman story probably did the most with the short space it had. I also really liked the Swamp Thing, Etrigan and Solomon Grundy tales.

If you are into these heroes and love horror, this is a fun read. Nothing substantial or all that memorable happens within these pages but it didn’t need to.

Rating: 7.25/10
Pairs well with: other horror anthologies but this also goes well with the current run of Justice League Dark.

Comic Review: Green Arrow: Broken

Published: June 4th, 2014 – September 3rd, 2014
Written by: Jeff Lemire
Art by: Andrea Sorrentino

DC Comics, 123 Pages

Review:

Broken followed up the Green Arrow story The Outsiders War. It is also the last big story arc from Jeff Lemire.

While many people thought that Lemire’s run on Green Arrow was spectacular, I’ve felt pretty lukewarm towards it. I thought it started out well and was building towards something great but it just seems to move a long with a whimper.

It just continues to feel like it is trying to be more like the show Arrow, as opposed to the comic book series that has come and gone for decades. It’s almost too dark, too serious and just lacks the character and charisma of years of Green Arrow stories. This sort of falls victim to the gritty reboot trend in the worst way.

It sucks because I generally like Lemire’s writing but as his Green Arrow tenure ran on, it also ran dry. I’m not sure what people see in this, unless most people only really know this character from the more serious and dark television show.

Anyway, this closes out most of the big plot threads from Lemire’s time on the series.

The only real highlight of this is the artwork. Andrea Sorrentino has a real talent for capturing action in a unique and refreshing way. This guy should get more work on action heavy titles from the major publishers.

In the end, the Jeff Lemire run was a disappointment for me, especially after I heard people rave about it for a few years.

While it sounds like I’m being hard on this, it isn’t terrible. It’s decent, for sure, but it’s hardly as iconic as the hardcore Lemire fans claim.

Rating: 6.5/10
Pairs well with: The other story arcs in the Jeff Lemire run on Green Arrow.