Film Review: Daredevil – Director’s Cut (2003)

Also known as: Daredevil: A Daring New Vision (Director’s Cut title)
Release Date: February 9th, 2003 (Los Angeles premiere)
Directed by: Mark Steven Johnson
Written by: Mark Steven Johnson
Based on: Daredevil by Stan Lee, Bill Everett
Music by: Graeme Revell
Cast: Ben Affleck, Jennifer Garner, Michael Clarke Duncan, Colin Farrell, Joe Pantoliano, Jon Favreau, David Keith, Leland Orser, Erick Avari, Ellen Pompeo, Paul Ben-Victor, Robert Iler, Coolio (Director’s Cut only), Mark Margolis (uncredited), Kane Hodder (uncredited), Frank Miller (cameo), Kevin Smith (cameo)

Marvel Enterprises, Horseshoe Bay Productions, New Regency Pictures, 103 Minutes, 133 Minutes (Director’s Cut)

Review:

“[Director’s Cut version/Narrating] Violence doesn’t discriminate. It hits all of us… the rich, the poor, the healthy, the sick. It comes as cold and bracing as a winter breeze off the Hudson. Until it sinks into your bones… leaving you with a chill you can’t shake. They say there’s no rest for the wicked. But what about the good? The battle of Good vs. Evil is never-ending… because evil always survives… with the help of evil men. As for Daredevil, well… soon the world will know the truth. That this is a city born of heroes, that one man can make a difference.” – Matt Murdock

My review of this film is specifically for the Director’s Cut. It’s a far superior version of the movie and frankly, it’s the version that should have been released in theaters.

The theatrical version was kind of shit and a major disappointment. The Director’s Cut, however, showed that the director had made a much better film that was unfortunately butchered by the studio, probably due to its running time. In fact, the theatrical version chopped off thirty minutes from director Mark Steven Johnson’s preferred body of work.

If I’m being honest, though, Johnson is not a great director and this film, even in its superior Director’s Cut presentation, still has a lot of flaws and feels kind of dated, even for its year of release. Although, comic book movies hadn’t really found their proper groove yet, as Nolan’s first Batman movie was still two years away and the first MCU movie was still half of a decade out.

Daredevil also didn’t have the budget that other comic book movies would get just a few years later, as it was made by a smaller studio that had to offset the licensing fees they paid to acquire the character and his pocket of the Marvel Comics universe.

Still, the performances mostly make up for the weaker things in this film. I really liked Ben Affleck as Daredevil and Jennifer Garner did well as Elektra. Most importantly, the two had tremendous chemistry, which I guess was pretty natural and genuine, as they got married a few years later and stayed together for thirteen, which is a lifetime in Hollywood.

I also really liked Michael Clarke Duncan as Wilson Fisk and Jon Favreau was a great Foggy Nelson.

My only real issue with the cast for the larger roles was Bullseye. Colin Farrell is a good actor but this version of the character was baffling and if I’m being honest, stupid. Bullseye should have been a bit nutty but he also should’ve been in his proper costume and not looked like a guy selling codeine at a rap-metal concert. But I guess Marvel editor Joe Quesada suggested to the director that Bullseye shouldn’t wear his traditional outfit. I guess that’s just another reason to dislike Quesada on top of his large part in destroying his own industry because of politics, hiring unproven talent for diversity reasons and lashing out at customers on social media. But I digress.

The film has a decent enough story, even if it feels pretty bare bones and paint by numbers. The Director’s Cut actually expands on the story, adding in more context and nuance, as well as a side plot that makes the overall experience a much better one than the theatrical version.

I especially liked the origin stuff about Daredevil as a kid. The scenes between the kid actor and his dad, played by the always underappreciated David Keith, are damn good.

Another thing I don’t like, though, is the style of the fighting in the film. It’s fine when everything feels grounded and real but it gets ruined by relying too heavily on the Hong Kong style of martial arts filmmaking. There are too many moments where it is obvious that the characters are on wires and you see them move in ways that don’t make sense in regards to actual physics. That shit doesn’t work for this sort of film. But I get it, Crouching Tiger, Hidden Dragon was a massive hit a few years earlier and Hollywood tried to emulate the Hong Kong style but kept failing miserably outside of The Matrix movies.

Daredevil – Director’s Cut is still pretty enjoyable, though. Age didn’t really improve it or ruin it. It’s mistakes are pretty clear but they were also clear in 2003.

However, I still really like the cast, for the most part, and it would’ve been interesting seeing how this could’ve continued had sequels bee made. Instead, the studio stupidly opted out of that and went with an abominable Elektra spinoff, a film that I still haven’t been able to stomach in its entirety. But I guess I should review it soon, as I work my way through all of the Marvel movies ever made.

Rating: 7.5/10
Pairs well with: other Marvel comics films before the Marvel Cinematic Universe started in 2008.

Documentary Review: In Search of Darkness: A Journey Into Iconic ’80s Horror (2019)

Release Date: October 6th, 2019 (Beyond Fest premiere)
Directed by: David A. Weiner
Written by: David A. Weiner
Music by: Weary Pines
Cast: Tom Atkins, Doug Bradley, Joe Bob Briggs, Diana Prince, John Carpenter, Larry Cohen, Jeffrey Combs, Barbara Crampton, Sean S. Cunningham, Joe Dante, Keith David, Stuart Gordon, Kane Hodder, Tom Holland, Lloyd Kaufman, Heather Langenkamp, Kelli Maroney, Bill Moseley, Greg Nicotero, Cassandra Peterson, Caroline Williams, Alex Winter, Brian Yuzna, various

CreatorVC, 264 Minutes

Review:

I was anticipating this documentary for a long time. So once it ended up on Shudder, I had to check it out. But holy shit!… I wasn’t expecting this thing to be four and a half f’n hours! Not that I’m complaining but I had to make an entire night out of this thing.

Realistically, this probably would’ve worked better as a documentary television series with an episode focused on each year in the decade. They could’ve expanded even further in that format but then this was crowdfunded and not a traditional production.

Still, this was a cool documentary and while it does jump from film-to-film too fast, it covers a lot of ground. Obviously, it can’t feature every horror film from the ’80s, as there were hundreds (if not thousands) but it does hit on most of the important ones.

This goes through the films in order of their release but it also has a few breaks between each year that focuses on other aspects of ’80s horror.

This is mostly talking head interviews with a few dozen different people, spliced together with footage from all the films they’re talking about. It kind of plays like one of those VH1 I Love the ’80s shows but it is a lot less smarmy. Well, for the most part. There is one guy that kept popping up that I wanted to punch because he was oozing with failed comedian smarm.

Overall, though, this was worth the wait. As I’ve said, I wish it could’ve given more on each film but even four and a half hours isn’t enough time to do more than just scratch the surface with the rich history of ’80s horror.

Rating: 7.75/10
Pairs well with: other documentaries about ’80s horror and horror franchises.

Film Review: Victor Crowley (2017)

Also known as: Hatchet IV (alternative title)
Release Date: August 22nd, 2017 (Los Angeles premiere)
Directed by: Adam Green
Written by: Adam Green
Music by: Jason Akers, Sam Ewing
Cast: Kane Hodder, Tyler Mane, Parry Shen, Laura Ortiz, Dave Sheridan, Krystal Joy Brown, Felissa Rose, Brian Quinn, Tiffany Shepis, Jonah Ray, Blake Woodruff, Tony Todd, Danielle Harris (cameo)

IncitefulMedia, ArieScope Pictures, 83 Minutes

Review:

“Ten years later, you are like the O.J. Simpson of Honey Island Swamp. Wouldn’t you say?” – Sabrina, “Uh. No, I wouldn’t.” – Andrew

After seeing Hatchet III, several years ago, I thought that the film series really ran its course and went out with a pretty decent bang. I didn’t think I really wanted another one, then a few years later, this one came out, which I slept on. I intended to eventually watch it but then it slipped down the memory hole until it was featured on an episode of The Last Drive-In with Joe Bob Briggs.

I’m glad that Joe Bob hosted this, though, and that he also brought in writer/director/creator Adam Green, as well as a lot of the cast, to discuss the film, the franchise and its possible future.

I love Kane Hodder, so anytime the guy can get some solid horror work, I’m happy. He deserves to work as long as he wants to and since they aren’t making Friday the 13th movies anymore, this is the next best thing. Especially, since the character of Victor Crowley gets to use Hodder’s talents and then turns them up to eleven, allowing him to go ape shit crazy and express himself in stark contrast to the more reserved, quiet Jason Voorhees.

For the most part, this is a decent sequel in the same vein as the other films. It sees a plane crash in the swamp near Crowley’s home. Also, there is a filmmaking crew out there, trying to make a film about Crowley. The two groups converge and end up holed up in the crashed plane, trying to survive the night with the uber-violent Crowley outside.

The film is pretty straightforward and even though it’s a self-aware “wink at the camera” horror film, it’s never annoying about it like most modern horror flicks that try to do the same tired ass shit. This is one of the reasons why modern horror is crap but at least Victor Crowley doesn’t contribute to that problem and actually shows that you can be self-aware and not be a total douche about it.

Ultimately, I liked this movie and I think Adam Green has a really good grasp on his creation and how to traverse through the modern horror world where the competition is lackluster, redundant and uninspiring. While I can’t call his movies game changers, they at least give audiences something new and fun and don’t fall victim to the same, lame modern horror tropes.

Rating: 6/10
Pairs well with: the other films in the Hatchet series, as well as other slasher films, specifically the Friday the 13th movies with Kane Hodder as Jason.

Film Review: House (1985)

Also known as: House: Ding Dong, You’re Dead (video title)
Release Date: December 6th, 1985 (Victoria, Texas premiere)
Directed by: Steve Miner
Written by: Ethan Wiley, Fred Dekker
Music by: Harry Manfredini
Cast: William Katt, George Wendt, Richard Moll, Kay Lenz

New World Pictures, 93 Minutes

Review:

“Hey, it’s great to have a new neighbor. Woman lived here before you was nuts. Biggest bitch under the sun. Just a senile old hag really. Wouldn’t be surprised if someone just got fed up and offed her. Know what I mean?” – Harold, “She was my aunt.” – Roger, “Heart of gold though. Just uh, a saint really. And uh such a beautiful woman, for her age.” – Harold

I never liked this movie. In fact, I remember not being alone in that based off of what other people said about both House films when I was a kid. But in the last few years, I’ve heard people talk it up like it’s a classic or a hidden gem. Being that I hadn’t watched it since the mid-’80s, I wondered if I had missed something as a kid. Was it maybe too adult for my eight year-old sensibilities?

The short answer is “no”.

I still think that this is a pretty bad movie. The main reason is because it is dreadfully dull.

This is like a family friendly horror movie of the worst caliber. It’s like a terrible episode of Amazing Stories and then it’s even worse than that.

The story doesn’t make a whole lot of sense, it’s really just a total fucking mess and it is hard to care about any of the characters because you can’t take any of this seriously enough to connect to anything.

Sure, this has some good comedic actors with William Katt, George Wendt and Richard Moll. Their talents are mostly wasted though. Katt is a wee bit charming but he’s too goofy and thus, it’s hard to sympathize with his turmoil. Wendt has some funny lines but he’s not in the film all that much and he’s sort of just on the sidelines. Moll wasn’t used in a comedic way at all and it’s such a departure from the Moll audiences would have been used to due to his time on Night Court. In fact, I wonder why the cast him in the first place.

The special effects are pretty hokey, even for 1985. Although, I was impressed by some of the matte painting work.

In the end, I still think this movie sucks. I’ll probably watch the second one in order to review it but I’m not enthused about it.

Rating: 4.25/10
Pairs well with: its sequel and other films that Italy merged into a series of unrelated pictures called La Casa.

Film Review: City Limits (1984)

Release Date: October, 1984 (Chicago International Film Festival)
Directed by: Aaron Lipstadt
Written by: Don Opper
Music by: Mitchell Froom
Cast: Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, John Diehl, Don Opper, Pamela Ludwig, Tony Plana, Dean Devlin, James Earl Jones, Kane Hodder

Film Ventures International (FVI), Island Alive, Sho Films, Atlantic Releasing, 86 Minutes

Review:

“If you kill me, someone just like me – or worse – will become my replacement. I am inevitable!” – Carver

How the hell did James Earl Jones fall so low that they got him to agree to be in this movie just a year after Return of the Jedi? Sure, he bounced back but I can’t imagine many actors bouncing back after this film. Maybe he just had the benefit of no one seeing this.

This also had Kim Cattrall and Rae Dawn Chong but this was before either of them got more famous going into the late ’80s. It also features John Diehl, a guy I loved on Miami Vice until they ruined the show by killing him off, and a small role for Kane Hodder, who would become the longest running Jason Voorhees actor just a few years later.

City Limits was written by Don Keith Opper, who also has a small role in the film. He didn’t write a very good script here but he would follow this up with the Critters film series, which has had some longevity over the years since the first one came out and it even spawned a new television series just this year.

This is a post-apocalyptic film, one of probably hundreds in an era where these things were being made faster than McDonald’s can print Monopoly game pieces. It’s a genre and formula I like but this is like most of those films, unfortunately, a boring, bland dud that borrows so heavily from other places that it doesn’t have an identity of its own.

City Limits was featured on Mystery Science Theater and for good reason. It’s also probably one of the MST3K films that featured a pretty well known cast. It’s a film rife with material for riffing though.

As bad and vanilla as this is, it’s certainly not the worse that the post-apocalyptic genre has to offer. It’s pure ’80s, low budget, sci-fi schlock but it’s a bit endearing because of that. However, City Limits will probably only be enjoyed by people that are into that sort of thing.

Rating: 3.5/10
Pairs well with: other early to mid ’80s post-apocalyptic schlock.

Film Review: Ghoulies 3: Ghoulies Go to College (1991)

Also known as: Ghoulies Go to College (video title), Ghoulies III (France)
Release Date: August 19th, 1991 (Germany)
Directed by: John Carl Buechler
Written by: Brent Olson
Based on: characters by Luca Bercovici, Jefery Levy
Music by: Michael Lloyd, Reg Powell
Cast: Evan MacKenzie, Kevin McCarthy, Eva LaRue, John R. Johnston, Patrick Labyorteaux, Billy Morrissette, Hope Marie Carlton, Jason Scott Lee, Matthew Lillard, Marcia Wallace, Dan Shor, Kane Hodder (uncredited), Richard Kind (voice)

Lightning Pictures, Taurus Entertainment Company, Vestron Pictures, 94 Minutes

Review:

The Ghoulies movies only work for a certain type of film aficionado. I know that these are bad movies but for fans of horror, comedy, practical effects and the right kind of ’80s and ’90s cheese, these movies just seem to hit all the right notes.

I haven’t seen this chapter in the franchise since it came out on video in 1991. It sort of disappeared and was out of print for a really long time. I believe you can get it on DVD now but I checked it out on Amazon Video.

I was surprised to discover that I actually liked this one better than the original. However, it’s a tad bit lower on the scale than Ghoulies II, which stands as my favorite in the series. But what’s most amazing is that over the first three films, this series pretty much maintained its status quo quite well.

This came out when there were a slew of college comedies. Maybe it was at the end of that era, which peaked in the ’80s, but it fits nice and snugly in the college sex comedy subgenre.

The Ghoulies themselves are larger in this movie but not as big as whatever the hell those troll things were in the fourth film. They also talk in this one. Strangely, Richard Kind provided the voice for one of these creatures.

Another neat addition to the series is that they actually make the toilet matter in this one. Some people incorrectly remember the Ghoulies as little monsters that come up through the toilet because of the imagery used in the previous movies’ posters and because there was one toilet scene in each of those films. This is the first movie where the toilet is more central to the plot, as it’s their portal into our world.

Apart from Richard Kind, who I mentioned earlier, this also has some other notable actors. It is the first film appearance of Matthew Lillard and also features another well-knwon ’90s actor, Jason Scott Lee. Marcia Wallace, most known for sitcom and comedy work and for providing the voice of Edna Krabappel on The Simpsons, appears in this as well. It’s also worth mentioning that Kane Hodder appears too, although he is uncredited and used for the stunt where the janitor is riding in the mop bucket.

This is a really enjoyable, mindless horror film. The jokes and the absurdity work. The terrible and hokey soundtrack is perfect in its own way. Frankly, I can’t say anything bad about this really, without having to peer intently through a more academic lens. But this isn’t a movie that deserves the same kind of examination as a Kubrick or Fellini film. Just enjoy it for what it is and what it is, is a fuck ton of fun.

Rating: 6.25/10
Pairs well with: The other three Ghoulies films, the Munchies films, Hobgoblins and Sorority Babes In the Slimeball Bowl-O-Rama.

Documentary Review: Contamination: A Convention Story (2012)

Release Date: August 10th, 2012 (Wizard World Chicago)
Directed by: Corey Logsdon
Music by: Kevin McLeod
Cast: Tony Todd, Kane Hodder, Alex Hyde-White

State of Mind Productions, 61 Minutes

Review:

Watching this documentary made me realize something, all of these fandom/convention documentaries are pretty much all the same. There have been solid documentaries on the topic but now there are so many of them that they just all bleed together into one big amorphous blob in my brain.

Ones like this that are about one specific convention just don’t serve much of a purpose other than being an hour-plus advertisement to the convention itself and not a really effective advertisement at that.

The problem is, I don’t live near St. Louis and even though I like horror, it’s just not enough to get me to make a trip there for this one convention that doesn’t feel special in any way because all these documentaries do is show that they’re all pretty much the same.

Look, I’m not trying to shit on this documentary or this convention but these films aren’t effective when they’re a dime a dozen and are just random ass clips of talking heads talking about how rad this thing is. These films often times have a few small celebrities in them but they are mostly comprised of regular joes giving their two cents on their fandom. I’m into geek shit and I don’t care.

Now my critique is more about these types of films and not this one in particular but this is the one that broke me. I can’t watch these things anymore, unless there is more to it than just talking to people at a con.

These con specific docs are probably cool to people that frequent these specific cons that are featured but for everyone else, it’s like, “Oh, St. Louis has a horror convention with some people there. I’ll just see those same people when they come to that con an hour away from my house in six weeks.”

Rating: 5/10
Pairs well with: Other documentaries about various fandoms: Heroes Manufactured, Comic Book Independents, 24×36, Atari: Game Over, Way of the Puck, Nintendo Quest, VHS Massacre, Going Attractions, Vinylmania, Out of Print, Records Collecting Dust, Mai-Tais, Toques and Tikis and 24 Hour Comic.

 

Film Review: The ‘Hatchet’ Trilogy (2006-2013)

*written in 2015.

I never watched Hatchet or any of its sequels until this past weekend. I heard good things and they star Kane Hodder (the longest running actor to play Jason Voorhees in the Friday the 13th films) as the monster Victor Crowley. These films also star a plethora of other horror icons. The series grabs actors from the A Nightmare On Elm Street, Halloween, Texas Chainsaw Massacre, Candyman and Gremlins franchises. I’m sure I’m leaving some out as well.

Let me analyze each film in this trilogy separately.

Hatchet (2006):

Release Date: April 27th, 2006 (Tribeca Film Festival)
Directed by: Adam Green
Written by: Adam Green
Music by: Andy Garfield
Cast: Joel Moore, Tamara Feldman, Deon Richmond, Mercedes McNab, Parry Shen, Joel Murray, Joleigh Fioreavanti, Richard Riehle, Patrika Darbo, Joshua Leonard, Tony Todd, Robert Englund, Kane Hodder

ArieScope Pictures, Radioaktive Film, High Seas Entertainment, Anchor Bay Entertainment, 93 Minutes

Review:

“But you only shot him once, right? Maybe you gotta shoot him more times. Like four- or six- maybe you gotta shoot him six times?” – Shawn

The first film is enjoyable. Although these movies are supposed to be homages to the great slasher films of the 80s, they feel more like homages to the late sequels of those films. What I mean, is that this movie plays like the fifth film in a slasher franchise, where plot doesn’t matter and things are just violent, insane and way more over the top than normal.

Hatchet follows a group of people on a haunted bayou boat tour outside of New Orleans. The boat crashes, the people are stranded and our brutal beast of a killer literally rips them apart.

While this is considered part of the slasher sub-genre of horror and Victor Crowley is seen as a slasher, he tends to rip off arms and pull people’s heads apart, as opposed to stabbing people with knives or using machetes. Granted, he does use some tools here and there, but he has the tendency to mutilate his victims with his bare hands.

The film is more campy than scary. It is more like splatter porn than a mysterious slasher film that builds suspense. Instead of characters hiding from a knife-wielding psycho and trying to survive the night with cunning and stealth, we have people running from a mindless berserker that wants to fertilize the woods with hundreds of gallons of blood. There really is no suspense, just intense insanity once the monster shows up.

The ending is horrible, by the way. The film just cuts off. But it isn’t so bad, if you immediately watch the second film, which starts right where this one ends.

Rating: 6/10

Hatchet II (2010):

Release Date: August 26th, 2010 (Frightfest)
Directed by: Adam Green
Written by: Adam Green
Music by: Andy Garfield
Cast: Kane Hodder, Danielle Harris, Tony Todd, Parry Shen, Tom Holland, R. A. Mihailoff, AJ Bowen, Alexis Peters, Ed Ackerman, David Foy, Colton Dunn, Rick McCallum

Dark Sky Films, ArieScope Pictures, 85 Minutes

Review:

“Come on, you hatchet-faced fuck!” – Bob

The second film is more of the same. It also continues into the next day following part one. Also, the main girl is suspiciously different looking. Oh, she’s now a different actress – Danielle Harris from Halloween 4 and 5, to be exact.

The sole survivor of the first movie, the new actress playing the old actress, returns to New Orleans to get answers regarding Victor Crowley. She then immediately heads out with a clueless posse to hunt him down because why the fuck not?

This one gets more insane than the first installment and is a lot bloodier and ridiculous. There isn’t a whole lot more to add really.

Same movie; ante upped.

Rating: 6.25/10

Hatchet III (2013):

Release Date: June 14th, 2013
Directed by: B.J. McDonnell
Written by: Adam Green
Music by: Scott Glasgow
Cast: Kane Hodder, Danielle Harris, Caroline Williams, Zach Galligan, Robert Diago DoQui, Derek Mears, Cody Blue Snider, Rileah Vanderbilt, Sean Whalen, Jason Trost, Diane Ayala Goldner

Dark Sky Films, ArieScope Pictures, 82 Minutes

Review:

“I’ve seen some crazy shit, man. I was working on an Asian male; head severed off, uh, leg cut off below the knee. I’m telling you, man… He looked kinda like you, man.” – Randy

Like its predecessor, this one starts immediately where the last film ended. Basically, these three films happen over the course of three consecutive nights.

There is more splatter, more horror icon cameos but we are essentially just watching a single four and a half hour film instead of three separate movies.

Like the other films, this one ends somewhat open ended. I can only assume there will be a fourth chapter in the future.

These aren’t great movies but they are worth a watch and an entertaining way to kill a few hours. I don’t know how driven I will be to ever watch them again but I would check out another sequel. But I doubt that I would ride this out for ten films like Friday the 13th.

Rating: 6/10

Film Review: Pumpkinhead II: Blood Wings (1994)

Release Date: October 19th, 1994
Directed by: Jeff Burr
Written by: Constantine Chachornia, Ivan Chachornia
Music by: Jim Manzie
Cast: Andrew Robinson, Ami Dolenz, Soleil Moon Frye, J. Trevor Edmond, Hill Harper, Alexander Polinsky, Linnea Quigley, Mark McCracken, Steve Kanaly, Roger Clinton Jr., Kane Hodder, Gloria Hendry, Joe Unger

Motion Picture Corporation of America, Live Entertainment, 88 Minutes

Review:

“You will die! You all will die! Miss Osie curses every one of you to the vengeance of Pumpkinhead!” – Miss Osie

Pumpkinhead is a solid late 80s horror flick. Its straight-to-video 1994 sequel is not solid. Well, at the very least, the monster still looks damn cool and he still rips people to shreds.

Pumpkinhead II: Blood Wings does stay afloat but that is mainly due to its interesting ensemble cast. You have Andrew Robinson, who was damn good in Hellraiser, as the police chief. You also have Ami Dolenz, who I really just like to look at because she is mesmerizing. Then there are a couple 80s sitcom stars, Soliel Moon Frye (Punky Brewster) and Alexander Polinsky (Charles In Charge). You even have small parts given to Kane Hodder (the best Jason Voorhees from the Friday the 13th film franchise) and Gloria Hendry, who kicked ass in several 1970s blaxploitation movies. I also can’t forget scream queen Linnea Quigley and her famous boobs.

The problem with Pumpkinhead II is that it disregards the first film completely and just does its own thing. However, apparently the mutant kid that becomes the new Pumpkinhead in this movie was the illegitimate bastard son of the first Pumpkinhead and some insane girl that had sex with him. She was probably raped though, honestly. Then again, I knew this Craigslist hooker that lived in my complex and she probably would have given up the ass to Pumpkinhead for a drive to K-Mart and a big bag of Skittles.

Anyway, this movie doesn’t totally suck, it’s just lame that it didn’t continue on from the first one. The sequels after this are more direct sequels to the original but I haven’t seen those yet.

Pumpkinhead II sees the monster brought up from the grave of a dead mutant looking kid. He is summoned by a witch that wants revenge for the people who wronged the boy in the 1950s and for the kids who let her house burn down.

I have to give props to the creature effects. Even though Stan Winston wasn’t involved in this, as he was very involved with the first, the new team did a better than decent job at keeping the monster awesome. He looked the same and even got to move around a bit more. This version of Pumpkinhead was just more mobile and not as limited as the original. This made for better action and more versatile shots, where in the first film, they had to shoot it in a way that hid the monster’s limitations.

While the story and the action aren’t bad, this chapter in the series just doesn’t measure up to the first one. It’s not a waste of time and it is enjoyable if these kind of movies are your cup of tea. It is better than most pointless horror sequels and it had a decent cast. Although, I really just want to check out the third and fourth film to see if they right the ship.

Rating: 6/10

Film Review: The ‘Friday the 13th’ Film Series, Part III – The Kane Hodder Years (1988-2001)

Friday the 13th, Part VII – The New Blood (1988):

Release Date: May 13th, 1988
Directed by: John Carl Buechler
Written by: Manuel Fidello, Daryl Haney
Based on: characters by Victor Miller
Music by: Harry Manfredini, Fred Mollin
Cast: Lar Park Lincoln, Kevin Blair, Susan Blu, Terry Kiser, Susan Jennifer Sullivan, Elizabeth Kaitan, Jon Renfield, Jeff Bennett, Heidi Kozak, Diana Barrows, Larry Cox, Craig Thomas, Diane Almeida, Kane Hodder

Paramount Pictures, 88 Minutes

Review:

Hey, it’s Bernie from Weekend At Bernie’s and he’s alive! Well, not for long – it is a Jason movie.

This film also features Jason Voorhees going against Jean Grey from the X-Men. Actually, it is some girl named Tina but she has telekinetic and psychic powers and thus, spends a lot of time confusing Jason with cheap parlor tricks. I have a theory that she has no powers and was a con artist that rigged her house with lots of Hollywood strings. In any event, it gives this film an interesting dynamic that we haven’t seen in this series before.

The New Blood is important, in that it is the first film to feature Kane Hodder in the role of Jason. He is the only guy to play the role more than once. In fact, he played him over the course of four films and is the most recognized Jason actor and pretty much the overall fan favorite. I definitely think he had the best presence and mannerisms and brought the role to the next level, even though C.J. Graham did a pretty phenomenal job in Jason Lives (the installment before this one).

Jason also looks the absolute best in this film. He still looked pretty good in the next film but this is definitely my favorite Jason, as far as overall appearance. The fact that you can see his spine and ribs through the back of his tattered jumpsuit is pretty damned cool, as he was fish food in a lake for like ten years leading into being set free at the beginning of this movie.

The problem with this film, is that it was butchered by the censors and the MPAA. There is less gore, not because it was filmed that way but because it was edited down a lot. The fluidity of certain scenes and certain cuts are horrible.

Despite those issues, this is still a better-than-decent Friday the 13th chapter. It is also the best of the four Kane Hodder films.

Rating: 7/10

Friday the 13th, Part VIII – Jason Takes Manhattan (1989):

Release Date: July 28th, 1989
Directed by: Rob Hedden
Written by: Rob Hedden
Based on: characters by Victor Miller
Music by: Fred Mollin
Cast: Jensen Daggett, Todd Caldecott, Peter Mark Richman, Kane Hodder, Kelly Hu

Paramount Pictures, 100 Minutes

Review:

Jason Takes Manhattan is a really misleading title. Jason is only in Manhattan for less than a third of the film and he’s pretty much just in the alleyways and the sewer other than a quick chase scene in Times Square. This film should really be called Jason On A Boat because it is primarily Jason on a boat, killing some teens.

There are a few good kills, like a sauna rock through a stomach and a boxer having his head knocked off by a Jason uppercut. That’s about it though. This takes Jason out of his normal element but it isn’t a wanted change and it is executed with absolutely no imagination. This is just a very boring film.

The ending is retarded level bizarre. It makes no sense and I’m not sure why the City of New York flushes their sewers with toxic waste every night at midnight and how hanging out on a ladder above the rampaging toxic river didn’t asphyxiate and cause severe brain damage in our heroes. And somehow, toxic waste melts Jason down to a crying little boy.

The film is also visually inconsistent with previous installments. The child Jason looks nothing like Jason has looked in the past at that age. The tone of the film is just strange and it feels more like an old Sci-Fi Channel slasher knockoff film than a chapter in a storied franchise.

I’ve always liked Jensen Daggett though and this is her first film. That is about the only positive I can give.

This was the last film of the original series to be released by Paramount.

Rating: 5/10

Jason Goes to Hell: The Final Friday (1993):

Release Date: August 13th, 1993
Directed by: Adam Marcus
Written by: Jay Huguely, Dean Lorey, Adam Marcus
Based on: characters by Victor Miller
Music by: Harry Manfredini
Cast: John D. LeMay, Kari Keegan, Erin Gray, Allison Smith, Steve Culp, Steven Williams, Kane Hodder, Richard Gant

New Line Cinema, 88 Minutes

Review:

This is the worst film in the entire franchise. It is beyond horrible. Jason is barely in it and the monster is a demonic heart worm.

New Line Cinema acquired the rights to the Friday the 13th franchise and decided to reinvent it in their own way. Kane Hodder is back as Jason Voorhees but he is only in the opening sequence and the final battle, other than appearing in mirrors throughout the film when other people are possessed by his evil spirit.

By the way, that evil spirit travels from host to host via a worm crawling out of one mouth and into another. And Jason’s evil French kiss worm hatched from his heart. So I guess his heart is really some sort of egg. Well, the heart was eaten by a possessed guy in a morgue but that is how he got infected with the Jason worm and how this whole stupid process began.

The film also introduces a horrible concept that was abandoned after this film. Basically, now it is learned that Jason can only be killed with a magic knife wielded by a blood relative. So Jason is hunting down surviving family members because if he kills them, he can’t be killed. And somehow, all these people live around Crystal Lake and yet, he has never tried to hunt them down before, in any of the eight movies that predate this one!

The truth is, I completely ignore this film when it comes to the Friday the 13th mythos. The movie is absolute shit. It doesn’t exist except in some parallel universe. No, it doesn’t exist there either. Avoid it at all costs, unless you really want to torture yourself.

Jason also looks horrible. He looks like Krang from Teenage Mutant Ninja Turtles cosplaying as Jason. Why does his noggin look like a big mutant brain with a hockey mask that is obviously too tight for his newly enormous head?

The only noteworthy thing about this movie, is that after Jason is dragged to Hell, the glove of Freddy Krueger (from the A Nightmare On Elm Street series) bursts out of the ground, grabs Jason’s hockey mask in the dirt and drags it down to Hell. This set up the eventual Freddy vs. Jason film that was in development hell for a decade.

Rating: 3/10

Jason X (2001):

Release Date: July 24th, 2001 (Germany)
Directed by: James Issac
Written by: Todd Farmer
Based on: characters by Victor Miller
Music by: Harry Manfredini
Cast: Lexa Doig, Lisa Ryder, Chuck Campbell, Jonathan Potts, Melyssa Ade, Melody Johnson, David Cronenberg, Kane Hodder

New Line Cinema, 92 Minutes

Review:

This is the last film in the regular series of movies unless you count Freddy vs. Jason in 2003. It is also the last film to star Kane Hodder as Jason.

So when horror franchises jump the shark, they usually go to space. Where most horror franchises go to space by the fourth film (see Critters, Hellraiser and Leprechaun), at least Jason didn’t have to leave Earth until the tenth installment of his series.

Jason X is a bad movie. It is a really bad movie. But it is a bad movie that is great in its awfulness. It is fun, it is ridiculous and the film doesn’t, at any time, try to take itself seriously. It knows it is bad but it is doing a damned good job of creating a good time.

After nine films full of killing teens at (or around) a summer camp, the new direction was refreshing. At least the scenery changed and at least it wasn’t a boring ghetto cruise ship on the way to a boring Manhattan sewer.

Jason is cryogenically frozen, wakes up 500 years in the future on a spaceship conducting a high school field trip and goes on a sci-fi killing spree. At one point, he is rebuilt by nanomachines into what fans call Uber Jason. Basically, he looks like a much angrier and deadly version of a Mighty Morphin Power Rangers villain.

If you try to take this film seriously, you will hate it. If you take it for what it is, an intentionally bad but awesome time, you will most likely enjoy it.

Rating: 6/10

*I will review Freddy vs. Jason and the 2009 Friday the 13th remake at a later date.