From The Critical Drinker’s YouTube description: Join me as I take a look at the trailer for the Snyder Cut of Justice League, and what it means for the relationship between fandoms and studios.
From The Critical Drinker’s YouTube description: Join me as I take a look at the trailer for the Snyder Cut of Justice League, and what it means for the relationship between fandoms and studios.
Release Date: March 18th, 2014
Music by: Brian Tyler
Cast: Hayley Atwell, Shane Black, Kenneth Branagh, Dominic Cooper, Vin Diesel, Robert Downey Jr., Chris Evans, Jon Favreau, Kevin Feige, Clark Gregg, James Gunn, Chris Hardwick, Chris Hemsworth, Tom Hiddleston, Samuel L. Jackson, Scarlett Johansson, Joe Johnston, Louis Leterrier, Jeph Loeb, Anthony Mackie, George R.R. Martin, Tom Morello, Bobby Moynihan, Gwyneth Paltrow, Chris Pratt, Joe Quesada, Robert Redford, Jeremy Renner, Mark Ruffalo, Sebastian Stan, Emily VanCamp, Ming-Na Wen, Jed Whedon, Joss Whedon, Edgar Wright (uncredited)
ABC Studios, Disney, Marvel, 42 Minutes
After watching the beefy but solid Star Wars documentary Empire of Dreams, I noticed that Disney+ also featured a similar made-for-TV documentary about the making of the Marvel Cinematic Universe. I figured I’d check it out, as it originally aired in 2014, on the cusp of the MCU reaching its peak.
Unfortunately, this isn’t as compelling as Empire of Dreams and it plays more like a Marvel produced production used mainly to pimp themselves out and market Captain America: Winter Solider and the Agents of S.H.I.E.L.D. TV show. But I get it, this played on ABC, which like Marvel, is owned by Disney.
It’s still an informative piece with a lot of insight into the making of the first Iron Man movie, which opened the floodgates for the rest of the MCU.
It also expands beyond that and delves a little bit into each movie up to the then still in-production Guardians of the Galaxy. In fact, I think that this was the first real peek into the Guardians of the Galaxy production.
The best part about this short feature is the interviews with the stars and filmmakers who helped bring this universe to life. I especially liked hearing the enthusiasm that Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow and Jon Favreau had with the early Iron Man pictures.
Overall, this isn’t a must watch but it’s worth your time if you are a big MCU fan.
Pairs well with: other filmmaking documentaries about blockbusters. Empire of Dreams, immediately comes to mind.
From the Midnight’s Edge YouTube description: While DC’s comic output is legendary, cinematically the brand has traditionally left some to be desired. Numerous in-development DC TV shows, video games, and especially films have been canceled over the years, some highly anticipated, others reviled both before and after cancellation.
In this video, we will discuss the troubled developments behind, and the stories five such films could have told, namely Lobo, Plastic Man, Green Arrow, Joss Whedon’s Wonder Woman and Darren Aronofsky’s Batman: Year One.
Release Date: September 10th, 2011 (Toronto International Film Festival)
Directed by: Morgan Spurlock
Written by: Jeremy Chilnick, Morgan Spurlock, Joss Whedon
Music by: Jeff Peters
Cast: Joss Whedon, Guillermo del Toro, Kevin Smith, Stan Lee, Kenneth Branagh, Eli Roth, Seth Rogen, Thomas Jane, Seth Green, Edgar Wright, Corey Feldman, Paul Scheer, Todd McFarlane, Matt Groening, Frank Miller, Gerard Way, Grant Morrison, Paul Dini, Joe Quesada, various
Mutant Enemy, Thomas Tull Productions, Warrior Poets, 88 Minutes
“I think the fans are the most important thing in the comic book business. And I might add, in any form of entertainment. I feel… you gotta be nice to the fans because without them… you’re nothing.” – Stan Lee
Here we go, these nerdy fan documentaries are a dime a dozen but I guess this one got some recognition for being well produced and for featuring a slew of famous nerd-centric personalities.
I didn’t know that this was a Morgan Spurlock film until I was already watching it. Had I known that, I probably wouldn’t have watched it. Reason being, I think the guy’s a f’n hack and disingenuous. His most popular film Super Size Me was unwatchable to anyone that can see through a ruse, which it was. It wasn’t science, it wasn’t a real test to see how fast food effects you, it was one man’s entertaining mockumentary, sold as a legit documentary and damnation of the fast food industry. His documentary series on FX was also mostly a big bullshit endeavor where he went into everything with a bias then cherry picked info and edited everything down to the narrative he wanted. He’s the reason behind the modern alteration to an old phrase, “No shit, Spurlock!”
Anyway, this is exactly what you’d think it is. A bunch of famous nerdy types talk about their nerdy shit and their love for the San Diego Comic Con, which is barely about comic books at this point and isn’t anywhere near as cool as it once was. You missed the boat by a decade or so, Spurlock.
The only thing I really liked about this was seeing the behind the scenes stuff on cosplay. I don’t normally give a shit about cosplay but it was interesting to see, nonetheless.
As far as the interviewees, the only one that stuck with me was Stan Lee. Everything else was edited so choppy that the vast majority of comments could have been things out of context and then just thrown together for Spurlock to manufacture whatever narrative he was going for. Stan Lee’s bit was heartwarming though but that’s because he’s Stan Lee and he always has eloquent shit to say.
You’d probably be alright if you never watched this. It doesn’t do anything to inspire you to go to San Diego Comic Con. If anything, it told me to stay away because I like comics and don’t give a crap about massive celebrity panels or Joss Whedon publicly ranting about lefty hysteria.
Pairs well with: any of the dozens of other documentaries about nerd conventions or nerdy hobbies, there are so many.
Release Date: July 31st, 1992
Directed by: Fran Rubel Kuzui
Written by: Joss Whedon
Music by: Carter Burwell
Cast: Kristy Swanson, Donald Sutherland, Paul Reubens, Rutger Hauer, Luke Perry, Hilary Swank, David Arquette, Stephen Root, Thomas Jane, Sasha Jenson, Ben Affleck (uncredited), Ricki Lake (uncredited), Seth Green (uncredited), Alexis Arquette
Sandollar, Kuzui Enterprises, 20th Century Fox, 86 Minutes
“Does the word “duh” mean anything to you?” – Buffy
Joss Whedon wasn’t a fan of this version of his Buffy character and five years later, he developed a television series that reflected what he saw in his mind. Most fans prefer the television show but I guess I have to be the odd man out or maybe it’s because I am often times a contrarian but I prefer this movie. I’ll explain though, that’s why I’m here.
First, I have always loved Kristy Swanson. This isn’t a battle over who is hotter between Swanson or Sarah Michelle Gellar, as both are gorgeous, but Swanson’s personality and the way she played this role was more my cup of tea. And if Buffy is going to be a valley girl high schooler, Swanson fits the part better for me. Not to discount Gellar’s work because she was great in her own way and played Buffy as a much more complex character. But let’s be honest, she also had seven seasons and 144 episodes to grow in that role, Swanson had less than 90 minutes.
I also love the supporting cast of the movie better. I mean the villains are Rutger Hauer and Paul Reubens for chrissakes! And man, both of those guys ham it the hell up in this and just fit the tone of the film perfectly. Reubens ad-libbed in a lot of scenes and it made for a better movie and for a more entertaining character.
You also have Luke Perry, at the height of his popularity, and I’m not afraid to admit that I watched Beverly Hills 90210 during its peak. It was the hottest show on television and I was in middle school. Plus, I met Luke Perry when I was young, just by coincidence, and he was really f’n cool.
This movie is cheesy as all hell but it is supposed to be. It captures that ’90s teen vibe really well but overall, this is just a really fun movie that I can put on at any time and still enjoy for its absurdity and its awesomeness.
I knew that once the TV show came out, that we’d never get a proper followup to this version of Buffy. But since the TV show has its own comics, it’d be cool if someone did a comic book sequel to this incarnation of that universe. Or hell, maybe even a Buffy vs. Buffy crossover. Who owns the comic book rights now? IDW? Dark Horse? Boom? Dynamite? I don’t know but whoever it is, get on it!
Pairs well with: Other ’90s teen horror comedies: Idle Hands, The Faculty, Freddy’s Dead, etc. I also like pairing this with Encino Man for some reason.
Also known as: Alien 4 (working title)
Release Date: November 6th, 1997 (Paris premiere)
Directed by: Jean-Pierre Jeunet
Written by: Joss Whedon
Based on: Charcaters created by Dan O’Bannon, Ronald Shusett
Music by: John Frizzell
Cast: Sigourney Weaver, Winona Ryder, Michael Wincott, Dan Hedaya, Brad Dourif, Ron Perlman, Gary Dourdan, Kim Flowers, Raymond Cruz, Dominique Pinon, Leland Orser
Brandywine Productions, 20th Century Fox, 109 Minutes, 116 Minutes (Special Edition)
“[voiceover] My mommy always said there were no monsters. No real ones. But there are.” – Ripley
Alien: Resurrection is a film that shouldn’t have been made. At least not in its existing form. Ripley died but they bring Weaver back as some sort of clone made from her DNA that conveniently has her memories and is basically Ripley. It’s a terrible f’n attempt at keeping the franchise’s star at the forefront instead of just moving in a new direction, which was needed but didn’t happen until 2012’s Prometheus.
For the most part, this is a terrible film that at least has some good actors and a few cool bits in it. The stuff featuring Brad Dourif and his xenomorph captives is pretty well done. I also liked the look of the standard xenomorphs in this chapter.
People everywhere love Joss Whedon like he’s some sort of golden boy. Well, he wrote this script and the story and this is one of the prime examples I give when battling it out with Whedon fanboys. Did he have a few good ideas, sure. However, even the good ideas were pretty unrefined and made this feel more like a fan fiction fantasy than anything that fits cohesively within the already established Alien mythos.
The Ripley stuff was just dumb, the human/xenomorph hybrid was strange and bizarre and not in a good way and the whole tale just seemed like a pointless side story in some pocket of the Alien universe where I just didn’t care about a single character or their mission, even if Earth itself was in imminent danger.
It’s hard to believe that I didn’t care about anyone. I like Weaver, Ryder, Perlman, Dourif and Wincott a lot. They have all done things that have spoke to me and had me invested in their characters. I don’t in any way blame them, I blame Whedon’s weak script and the director, who was the first in the franchise that I am not even remotely familiar with. Okay, upon checking he did Amélie but that was after this and I haven’t seen it in a long time, so I can’t judge it. I kind of liked it back in 2001 or so, though.
Alien: Resurrection is an example of a major studio turning a property into their whore that has to keep turning tricks to keep making the pimp money.
The underwater sequence was kind of cool, so I do give this film some props for that. Usually underwater stuff comes off as terrible. But then, maybe this film should’ve focused on its strength and taken place entirely underwater. I’m being facetious, that would’ve been shitty.
Pairs well with: Other films in the Alien franchise but this one is one of the weakest.
Release Date: April 11th, 2012 (El Capitan Theatre premiere)
Directed by: Joss Whedon
Written by: Joss Whedon, Zak Penn
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Paul Bettany (voice), Cobie Smulders, Stellan Skarsgård, Samuel L. Jackson, Gwyneth Paltrow, Powers Boothe, Jenny Agutter, Harry Dean Stanton, Ashley Johnson, Kenneth Tigar
Marvel Studios, Paramount, Walt Disney Studios, 143 Minutes, 173 Minutes (extended cut)
“The Tesseract has awakened. It is on a little world. A human world. They would wield its power, but our ally knows its workings as they never will. He is ready to lead. And our force, our Chitauri, will follow. The world will be his. The universe yours. And the humans, what can they do but burn?” – The Other
There was a time when this was the big culmination of all of Marvel’s achievements in their cinematic universe. I don’t think any of us realized how small the universe was then. It felt grand but now, in 2018, things have grown to a monstrous size, to the point where it’s hard to imagine how the upcoming Avengers movie is even going to work. I mean, this had six heroes in it, plus a few more characters. The next Avengers movie has to balance roughly sixty characters. It’s gotten insane.
Anyway, this was the first time we saw a big group of these characters crossover.
In this film, we see Robert Downey Jr.’s Iron Man, Chris Evans’ Captain America, Chris Hemsworth’s Thor, Mark Ruffalo replacing Ed Norton as Hulk, Scarlett Johansson’s Black Widow and Jeremy Renner’s Hawkeye. We also get Sam Jackson returning as Nick Fury, Clark Gregg as Phil Coulson and Cobie Smulders as Maria Hill, all important SHIELD characters and support for the Avengers team.
On the villain side, Tom Hiddleston returns as Loki and he has an army of Chitauri aliens gifted to him by The Other, who is a minion of Thanos.
The story does a decent job of uniting these heroes against a common and very large threat. The first act of the film is very good and I enjoyed it. The final act is also better than decent, even if the aliens are generic and unexciting. The middle act is what really soured me on this picture and it brings down all of the other parts that are actually good.
The middle of the film is pretty much just the heroes hanging out and gabbing on the SHIELD Helicarrier. Some shit pops off and we get to see the Avengers go into action… to fix a damaged propeller. The fact that a gazillion dollar SHIELD helicarrier doesn’t have some sort of emergency protocol for a failed or destroyed propeller is a gross mismanagement of government funds. You’re going to build a vehicle that costs more than the entire GDP of most countries and you don’t have emergency parachutes or balloons to guide the vehicle down to Earth? Good thing Iron Man was there to fly in circles and Captain America knew how to flip a switch.
Joss Whedon helmed this picture though and I’ve never been a fan, even though he is like Jesus to nerds. Does he know how to handle an ensemble cast? For the most part, but his experience is mostly in the realm of cheesy teen TV drama or the severely overrated Firefly.
While the last act of the film gets things back on track and exciting, I hate the Chitauri aliens. They’re drab, boring and ride around on some flying Sea-Doos shooting shit lasers. Then there are the giant flying worm creatures that didn’t do a damn thing other than chase Iron Man and crash into shit. What were they supposed to be doing? Couldn’t they have had aliens on their armored hulls and been more like weaponized battleships? Kinda like living Star Destroyers? I mean, a six year-old could have made them more interesting. In the end, the aliens should have been the Skrulls or even the Kree. I know that Marvel lost the movie right to the Skrulls, at least at the time, but damn, give us something more imaginative and cool.
The Avengers has its problems and I’m spending more time pointing them out than anything else but it is still an enjoyable film. It’s not as good as the best solo hero movies but it is hard to balance an ensemble and to focus on developing and enriching characters when there are so many. But that’s why the solo films are better movies, as these big team-up pictures are just spectacles or special events, the Royal Rumble of the Marvel Cinematic Universe.
But making this work was a giant undertaking and a tough challenge. It’s more positive than negative and the real highlight is seeing these characters exist in the same space at the same time.
Plus, it has Harry Dean Stanton in it.
Pairs well with: The other Phase One films from the Marvel Cinematic Universe: Iron Man 1 and 2, The Incredible Hulk, Thor and Captain America: The First Avenger.
Release Date: March 9th, 2012 (SXSW)
Directed by: Drew Goddard
Written by: Joss Whedon, Drew Goddard
Music by: David Julyan
Cast: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, Bradley Whitford, Sigourney Weaver
Mutant Enemy Productions, Metro-Goldwyn-Mayer, United Artists, Lionsgate, 95 Minutes
“Look, you guys just stay in the Rambler. I’ll get help. If I wipe out, I’ll fucking limp for help. But I’m coming back here. I’m coming back with cops and choppers and large fucking guns, and those things are going to pay… For Jules.” – Curt
I went into this picture blindly, which is definitely the best way to experience it. This is a movie that throws a hell of a lot of curveballs in the most awesome way possible. The less you know about it, the better. And to be completely honest, I am not a Joss Whedon fan but this was damn good and probably the best thing he’s ever done. Suck it, Firefly.
So what can I say about this film? I’d rather not spoil it for people, as I’m not that guy. Just know that it is never quite what you expect it to be and that it hits you with surprises, again and again.
The most notable actors in it are Chris Hemsworth a.k.a. Thor, Sigourney Weaver for a bit and Bradley Whitford, a favorite of mine since the 80s, alongside Richard Jenkins. I shouldn’t even get into what their roles are.
The film is not just Joss Whedon’s creation, it was co-written and directed by Drew Goddard. He’s been a busy guy with Marvel’s Daredevil series, as of late. He was also the director of the original Cloverfield and a major contributor to the TV series Lost, Alias, Buffy the Vampire Slayer and Angel. He even had a hand in The Martian and World War Z.
The Cabin In the Woods is a horror film that literally has everything in it. And I don’t say that using the words “literally” and “everything” lightly.
The only downside to this film is rewatching it. Now it is still good but you can only be caught off guard once and you already know what tricks are up Whedon’s and Goddard’s sleeves after the first viewing. Still, it is entertaining and a really cool and fresh take on a really tired formula.
In a lot of ways, The Cabin In the Woods kind of rewrote the book on “cabin in the woods” movies the same way Scream rewrote the book on slasher pictures.
This isn’t a great film by any means but it is a hell of a lot of fun and if you go into it knowing as little as possible, you’ll probably leave the experience very satisfied.
The trailer is below, as I always post a trailer. However, watching it may spoil too much. You have been warned.
Original Run: September 24th, 2013 – present
Created by: Joss Whedon, Jed Whedon, Maurissa Tancharoen
Directed by: various
Written by: various
Music by: Bear McCreary
Cast: Clark Gregg, Ming-Na Wen, Brett Dalton, Chloe Bennet, Iain De Caestecker, Elizabeth Henstridge, Nick Blood, Adrianne Palicki, Henry Simmons, Luke Mitchell, John Hannah, B.J. Britt, Mallory Jansen, Ruth Negga, Adrian Pasdar, Kyle MacLachlan, Powers Boothe, Mark Dacascos, Blair Underwood, Constance Zimmer, Patton Oswalt, Bill Paxton, Gabriel Luna
ABC Studios, Marvel, Mutant Enemy Productions, Walt Disney, 88 Episodes (so far), 41-44 Minutes (per episode)
*written in 2015.
I remember watching the pilot to Marvel’s Agent’s of S.H.I.E.L.D. when it premiered and I wasn’t a fan of it. I immediately lost interest but as that first season rolled on, I started to hear good things. When the series entered into the phase of setting up Captain America: The Winter Solider, people couldn’t stop talking about it.
So once the first series came to an end, I binge watched it. I have now also watched season two in its entirety.
One thing I can say about this show is that it took about half a season to find its footing but even then, it is pretty inconsistent.
The show has high points and it has some very low points. If you are a fan of Joss Whedon’s style, you will probably love the show. I’m not a Whedon fan however and I find the style to be superfluous, predictable, forced and tedious at times.
The characters are likable enough but no one stands out. You don’t truly care for any of them and as great as Phil Coulson was in the movies that came out before this series, in the show he just becomes an uninteresting one-dimensional character. In fact, each episode almost serves as a way to forcibly remind the audience of how cool Coulson is supposed to be.
Most of this show just rides on by and none of it feels as important as the producers and many of its fans make it out to be. I get that it is used as a vehicle to develop more background to the plot of upcoming Marvel films but in that it falls victim to itself and feels more like a show on rails than something free to go its own way. It gets distracted from dealing with its own separate narrative, as it is forced to tie into the plots of the films. While that worked well the first time around with Captain America: The Winter Soldier it didn’t work so well with Avengers: Age of Ultron.
The second season was pretty uninteresting and the highlight of the series was the last third of the first season, which dealt with the fall of S.H.I.E.L.D. and the aftermath of that. While the show is now establishing the mythos of the Inhumans, who will be getting their own Marvel movie several years from now, the plot and the execution hasn’t been as cutting edge and exciting as the showrunners have anticipated.
This isn’t a bad show, there are things I like and I will continue to keep watching in an effort to watch the Marvel Cinematic Universe continue to unfold but I would almost rather binge watch the seasons after they end than force myself to sit down and watch this religiously every Tuesday night at 9 p.m.
At its very best, this show has had great moments. I just hope that there are more of those in the future and less filler and drawn out plots that could be dealt with much quicker. I also hope that at some point Patton Oswald becomes a full-time cast member because his contribution to this show is the best thing about it. I also hope we haven’t seen the last of Kyle MacLachlan’s Mr. Hyde, as he was the highlight of season two.
Agents of S.H.I.E.L.D. has promise and potential and if it fulfills that, it could become a stellar show. As of right now, it falls below its superior sister show Agent Carter and it can’t hold a candle to CW’s The Flash or Netflix’s Daredevil.
I have now gotten through four seasons of this show. Season three was really slow and just a bore overall. However, season four introduced Ghost Rider to the Marvel cinematic mythos and things really got interesting. Season four was broken into three parts, where the middle bit wasn’t interesting but the end caps were stellar. In fact, the last third of season four, titled Agents of Hydra, was the absolute high point of this show and you actually discover that you care about these characters more than you realize. If the momentum can continue on from the last portion of the fourth season, then this show could be one of the best on television. Unfortunately, it has a long history of inconsistency.