Release Date: July 9th, 1942 (Los Angeles premiere)
Directed by: Orson Welles
Written by: Orson Welles
Based on: The Magnificent Ambersons by Booth Tarkington
Cast: Joseph Cotton, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead, Ray Collins, Erskine Sanford, Richard Bennett, Don Dillaway, Orson Welles (narrator)
Mercury Productions, RKO Radio Pictures, 88 Minutes, 148 Minutes (original cut), 131 Minutes (preview version)
“Something had happened. A thing which, years ago, had been the eagerest hope of many, many good citizens of the town, and now it had come at last; George Amberson Minafer had got his comeuppance. He got it three times filled, and running over. But those who had so longed for it were not there to see it, and they never knew it. Those who were still living had forgotten all about it and all about him.” – Narrator
While this is considered to be one of Orson Welles’ all-time classic motion picture masterpieces, I was somewhat underwhelmed by it.
The main reason is because it felt like it needed more meat and potatoes. The story was a bit skeletal and I felt like I needed to know the characters on a deeper level to be more invested into the story and their lives.
However, this problem with the film isn’t really the fault of Welles, as his original cut was 148 minutes, not the 88 minutes that this ended up being. Had this film had that extra hour, I think it would’ve been a much richer, more intimate and more complete body of work that could’ve possibly lived up to the iconic status of Welles’ previous film, Citizen Kane.
Still, most professional film critics today seem to have a very positive view on this film and apart from the issue I already mentioned, it’s easy to see why.
The film is absolutely stunning and beautiful. This “magnificent” world looks authentic and lived in. The sets are perfect but even more than that, the lighting, cinematography, shot framing and general mise-en-scène are stupendous. But coming off of Citizen Kane, Welles’ had already proven himself as an absolute maestro of cinematic craftsmanship and artistry. This honestly just adds even more credibility to the man’s legendary, iconic status as a filmmaker and visionary.
Additionally, the picture is superbly acted with Welles’ regular star, Joseph Cotton, taking the lead but also having solid assists from Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead, Ray Collins and others. Also, Welles’ narration adds an extra level of magic to the film.
All those solid positives aside, though, it still suffers from a lack of depth and context. The film is full of many characters, all of whom are interesting, but only a few really get explored at length. I’m pretty sure that wasn’t Welles’ intent but the finished film is somewhat diminished but this.
Ultimately, this is still a very good, almost great, motion picture. But it also makes me yearn for what could have been had Welles’ intended vision actually made it to the silver screen.
Pairs well with: other early Orson Welles pictures.