Film Review: The St. Valentine’s Day Massacre (1967)

Release Date: June 30th, 1967
Directed by: Roger Corman
Written by: Howard Browne
Music by: Lionel Newman, Fred Steiner
Cast: Jason Robards, George Segal, Ralph Meeker, Bruce Dern, Jack Nicholson (uncredited), Jean Hale, Jan Merlin, Clint Ritchie, David Canary, Harold J. Stone, Frank Silvera, Joseph Campanella, John Agar, Joseph Turkel, Alex Rocco, Leo Gordon, Dick Miller (uncredited), Jonathan Haze (uncredited), Paul Frees (narrator)

20th Century Fox, 100 Minutes

Review:

“Wanna know something Jack? I like a guy who can use his head for something beside a hatrack!” – Al Capone

This is definitely in the upper echelon of Roger Corman’s motion pictures. Since I hadn’t seen it until now, it was a pleasant surprise and it actually shows how good of a filmmaker he was in spite of his rapid paced productions while doing everything on the cheap.

The St. Valentine’s Day Massacre is one of Corman’s more serious films. There are no monsters, ghosts or sci-fi shenanigans, this is just a gritty, hard-nosed gangster movie that features a damn good cast with Jason Robards at the forefront, as the world’s most famous real life gangster, Al Capone.

The cast also features several Corman regulars like Bruce Dern, Jack Nicholson, Dick Miller, Leo Gordon and Jonathan Haze. Beyond that, we also get a young Alex Rocco, as well as Frank Silvera, Joe Turkel and John Agar. This is a movie full of iconic character actors who benefit greatly from the type of characters this picture needed to make it something special and authentic.

At its core, this really feels like an exploitation picture due to the level of violence in it yet it plays like more serious cinematic art. Now I can’t quite put it on the same level as the first two Godfather films but I’d say that it is actually a lot better and more impressive than the standard gangster films that existed before it. It is also somewhat surprising that this was put out by a major studio, 20th Century Fox, as opposed to being released by Corman’s regular studio at the time, American International Pictures.

Man, I enjoyed this a lot. There are a lot of characters but they’re not hard to keep track of and this moves at such a brisk pace, it’s over before you know it. Also, 100 minutes for Corman is pretty much an epic, as he tends to like that 65-85 minute mark.

I feel as if this is a flick that has been somewhat forgotten and lost to time, as it came out well after the gangster genre peaked and a few years before it made a comeback. It’s weirdly sandwiched between the two greatest eras of the genre and despite it having a hard edge, it’s groundbreaking feats were quickly overshadowed and surpassed by films of the early ’70s like The Godfather and Chinatown.

Rating: 8.25/10
Pairs well with: other gangster and crime films of the ’60s and ’70s, as well as Roger Corman’s more dramatic work like The Intruder and The Trip.

Documentary Review: That Guy Dick Miller (2014)

Release Date: March 7th, 2014 (SXSW)
Directed by: Elijah Drenner
Music by: Jason Brandt
Cast: Dick Miller, Lainie Miller, Gilbert Adler, Allan Arkush, Julie Corman, Roger Corman, Joe Dante, Fred Dekker, William Sadler, Robert Picardo, Ernest R. Dickerson, Corey Feldman, Robert Forster, Zach Galligan, Jonathan Haze, Jack Hill, Leonard Maltin, John Sayles, Mary Woronov

Autumn Rose Productions, End Films, 91 Minutes

Review:

If you don’t know who Dick Miller is or at least recognize his face, you were probably born after the year 2000. Even then, if you’ve ever watched a film before that time, you have most likely seen him at one point or a dozen.

Dick Miller was in everything from the 1950s through the 1990s. No, seriously, he was. Well, at least it seemed like he was in everything. The man has 180 credits to his name according to IMDb. Growing up in the ’80s, I saw him pop up a few times a year in the coolest movies of the time. The one that will always stand out the most for me was his part in Gremlins, which was the first time I remember seeing him. Every time I saw Mr. Miller after that was always a nice treat.

As I got older and went back and watched older films, especially when I found a love for Roger Corman’s pictures, I started to experience a younger and hip Dick Miller. He started his career in a lot of those early Roger Corman pictures and that association would serve him well, as all the young directors who rose to prominence, who were influenced by Corman, started hiring Miller for their films.

This documentary goes back and shows Miller’s early life, how he made the connection with Corman and how his career blossomed in unseen ways because of it. I love that it goes through his long history in films and interviews a lot of the people who were there alongside him. It also talks to the directors who hired him and have a love for his work.

Dick Miller is a guy that deserves some sort of lifetime achievement award for his contributions to the films he was a part of. He was a mainstay in Hollywood for decades and if he was in a movie it sort of legitimized it as cool. It didn’t matter when he got older either, as he took over the screen in his cameos in a lot of Joe Dante’s pictures.

That Guy Dick Miller is a pretty awesome documentary for fans who grew up watching this guy work. Even if you aren’t familiar with him, this is probably still enjoyable and will give you a solid appreciation for the man and the films he was a part of.

Rating: 8.25/10
Pairs well with: Other showbiz documentaries: Corman’s World and Harry Dean Stanton: Partly Fiction.

Film Review: It Conquered the World (1956)

Release Date: July 15th, 1956
Directed by: Roger Corman
Written by: Lou Rusoff, Charles B. Griffith
Music by: Ronald Stein
Cast: Peter Graves, Lee Van Cleef, Beverly Garland, Sally Fraser, Dick Miller, Jonathan Haze

American International Pictures, 71 Minutes 

it_conquered_the_worldReview:

In the early days of American International Pictures, they did some imaginative low-budget sci-fi and horror films. Roger Corman will always be known for being the king of the cheapo horror feature but that certainly isn’t a bad thing. He turned films out at a record pace and was more concerned with tight shooting schedules and doing things as cheaply as possible. His formula worked for a really long time and you have to kind of admire some of the films he was able to put together using this formula.

Most of Corman’s pictures turned a profit and he created a way of doing business that still exists in Hollywood today. Granted, now it just gives us unnecessary Saw and Paranormal Activity sequels, as well as “found footage” horror pictures but Corman was certainly onto something in his heyday.

It Conquered the World is one of these Corman classics. And no, it isn’t a particularly good film but it is still pretty enjoyable and it features a hokey yet really cool monster, a Corman staple.

The film stars Peter Graves, a beloved icon to Mystery Science Theater 3000‘s Crow T. Robot, and one of my personal favorites, Lee Van Cleef. We also get to enjoy the talents of one of Corman’s favorite actors, Dick Miller. Granted, Miller’s role here is really limited.

Van Cleef plays a scientist, Dr. Anderson. He has made radio contact with a creature from Venus. The alien monster claims it only wants peace but it actually wants to enslave humanity through mind control. The alien claims he can bring peace by eliminating human emotions, which is a ploy to administer the brainwashing technique. The alien disrupts all electric power on Earth, crippling the planet’s technology. The alien also releases bat-like creatures carrying mind control devices. Graves’ character, Dr. Nelson, finds his wife to be already assimilated and she attempts to use one of the bat-like creatures on him. The film then takes some dark turns until ultimately, there is a final showdown with the bizarre creature.

The acting isn’t great, the direction isn’t either but Roger Corman didn’t concern himself with these things. He had a monster movie to pump out and couldn’t waste time. It should go without saying that the special effects aren’t fantastic either.

It Conquered the World is one of those sort of films where you either love it or you hate it. It only works for a certain kind of audience: one that is familiar with Corman’s style and can look beyond the problems with the film and just enjoy it as a mindless creature feature that, at its high points, is a lot of fun.