Film Review: City Limits (1984)

Release Date: October, 1984 (Chicago International Film Festival)
Directed by: Aaron Lipstadt
Written by: Don Opper
Music by: Mitchell Froom
Cast: Darrell Larson, John Stockwell, Kim Cattrall, Rae Dawn Chong, John Diehl, Don Opper, Pamela Ludwig, Tony Plana, Dean Devlin, James Earl Jones, Kane Hodder

Film Ventures International (FVI), Island Alive, Sho Films, Atlantic Releasing, 86 Minutes

Review:

“If you kill me, someone just like me – or worse – will become my replacement. I am inevitable!” – Carver

How the hell did James Earl Jones fall so low that they got him to agree to be in this movie just a year after Return of the Jedi? Sure, he bounced back but I can’t imagine many actors bouncing back after this film. Maybe he just had the benefit of no one seeing this.

This also had Kim Cattrall and Rae Dawn Chong but this was before either of them got more famous going into the late ’80s. It also features John Diehl, a guy I loved on Miami Vice until they ruined the show by killing him off, and a small role for Kane Hodder, who would become the longest running Jason Voorhees actor just a few years later.

City Limits was written by Don Keith Opper, who also has a small role in the film. He didn’t write a very good script here but he would follow this up with the Critters film series, which has had some longevity over the years since the first one came out and it even spawned a new television series just this year.

This is a post-apocalyptic film, one of probably hundreds in an era where these things were being made faster than McDonald’s can print Monopoly game pieces. It’s a genre and formula I like but this is like most of those films, unfortunately, a boring, bland dud that borrows so heavily from other places that it doesn’t have an identity of its own.

City Limits was featured on Mystery Science Theater and for good reason. It’s also probably one of the MST3K films that featured a pretty well known cast. It’s a film rife with material for riffing though.

As bad and vanilla as this is, it’s certainly not the worse that the post-apocalyptic genre has to offer. It’s pure ’80s, low budget, sci-fi schlock but it’s a bit endearing because of that. However, City Limits will probably only be enjoyed by people that are into that sort of thing.

Rating: 3.5/10
Pairs well with: other early to mid ’80s post-apocalyptic schlock.

Film Review: Stargate (1994)

Release Date: October 28th, 1994
Directed by: Roland Emmerich
Written by: Roland Emmerich, Dean Devlin
Music by: David Arnold
Cast: Kurt Russell, James Spader, Jaye Davidson, Viveca Lindfors, Erick Avari, John Diehl, French Stewart, Richard Kind, Djimon Hounsou

Centropolis Film Productions, Carolco Pictures, Metro-Goldwyn-Mayer, 121 Minutes

Review:

“Give my regards to King Tut, asshole.” – Colonel Jonathan “Jack” O’Neil

This is the first time that I have watched Stargate since the movie theater in 1994. I was a sophomore in high school when it came out and while I wasn’t blown away by it, at the time, I still thought it was a fun blockbuster that probably should have been a summer movie.

I think that other people had a much stronger impression of it than I did, as it would go on to spawn three sequel television series: Stargate SG-1Stargate Atlantis and Stargate Universe, as well as two other movies related to the TV shows: Stargate: The Ark of Truth and Stargate: Continuum. Not to mention a web series, an animated series and lots of books and comics.

Because of how big this franchise has gotten and because I do enjoy Roland Emmerich’s work before 1998’s Godzilla, I figured I’d give this a watch again with the possibility of me finally giving the television shows a shot in the near future (assuming I can stream them for free somewhere).

Stargate was really enjoyable. While it does feel a bit dated, it’s a solid ’90s sci-fi action flick. It had a decent story that was interesting and really set the stage for something that needed to be much larger than this self-contained film. I guess it’s a good thing for the hardcore fans of this movie that it was expanded out into other forms of media.

Kurt Russell is a true man’s man and James Spader is always great to watch. Seeing them come together and having a big contrast in personalities here was a lot of fun. Spader didn’t play his typical role and was pretty much just a very brave scientist that often times jumped into the water without checking for sharks. Russell usually had to pull Spader’s ass out of trouble but it was a treat to watch.

I loved how this gives a sci-fi explanation for ancient Egyptian culture and the Egyptian styled aliens were just badass. The backstory was pretty simple but awesome and I really liked how this was just a simple tale with a lot of emphasis on action.

Emmerich did a great job of writing this alongside Dean Devlin. But his eye for style and his execution of action, while he sat behind the camera, was terrific. I really wish that Emmerich’s mojo didn’t get sucked out of him after Independence Day.

I also really enjoyed the film’s score. It was heavy handed but in the right way and frankly, I miss powerful scores like this in my blockbusters.

This is just a rollercoaster ride of a bunch of guys having fun in an alien desert, fighting stylish aliens with cool technology. What’s not to love? There’s even a bit of a love story but I was too captivated by the testosterone and the Egyptians with lasers to care about that.

Rating: 7.75/10
Pairs well with: Independence DayThe Mummy and the various Stargate TV shows and related films.