Also known as: John Cromwell’s Dead Reckoning (complete title)
Release Date: January 18th, 1947 (San Francisco premiere)
Directed by: John Cromwell
Written by: Steve Fisher, Oliver H.P. Garrett, Gerald Drayson Adams, Sidney Biddell
Music by: Marlin Skiles
Cast: Humphrey Bogart, Lizabeth Scott
Columbia Pictures, 101 Minutes
“I hated every part of her but I couldn’t figure her out yet. I wanted to see her the way Johnny had. I wanted to hear that song of hers with Johnny’s ears. Maybe she was alright. And maybe Christmas comes in July. But I didn’t believe it.” – Captain Warren ‘Rip’ Murdock
I’ve wanted to see this motion picture for quite some time. It stars my favorite leading man, my favorite leading lady and it’s considered a film-noir classic.
Dead Reckoning was also directed by John Cromwell, who only did a handful of noir pictures but still had quite a lengthy career behind the camera.
I enjoyed this film quite a bit but if I’m being completely honest, it was a bit underwhelming. Sure, Bogart and Scott were both absolutely dynamite and had a great, dynamic chemistry but the film was just lacking in energy.
It’s not boring, it’s just a bit slow and it takes awhile to get moving. It features a decent scheme but nothing quite as remarkable as some of the top tier film-noirs of the day.
Had this film starred some other actors, it would be pretty forgettable. It’s kept afloat because of the charisma of its two leads.
There’s nothing special about the cinematography, the lighting, the set design or the camera work. Everything looks and feels pretty standard for the day. As I said, noir wasn’t a big chunk of the director’s lengthy filmography and everything here just felt like a clean, crisp, major studio production. I love RKO Radio Pictures because they were a master of the style, where Columbia, the studio that made this film, spent more time making larger, more publicly accessible spectacles for general audiences.
Bogart was a Warner Bros. guy and that was a studio that had a better grasp on the film-noir style, which is why his other noir pictures are much better, in my opinion. Scott was actually borrowed from Paramount for this film, where she was in some solid noir movies. Columbia originally intended for their biggest star, Rita Heyworth, to be in this but she was tied up working on The Lady From Shanghai with husband Orson Welles. Good thing for Columbia, that noir film was a true classic.
I really don’t want to sound like I’m bashing this film or Columbia, it just noticeably lacks when compared to the other films featuring its stars.
Dead Reckoning is still worth watching if you are a fan of Bogart, Scott, Cromwell or film-noir in general. It’s certainly a better than the average film in the style, even if it doesn’t live up to the hype I built up in my mind.
Pairs well with: other film-noir pictures starring Humphrey Bogart and Lizabeth Scott.