Also known as: Dog Day (worldwide English informal short title)
Release Date: September 19th, 1975 (Spain – San Sebastian Film Festival)
Directed by: Sidney Lumet
Written by: Frank Pierson, Thomas Moore
Based on: The Boys In the Bank by P. F. Kluge
Cast: Al Pacino, John Cazale, James Broderick, Charles Durning, Lance Henriksen, Chris Sarandon, Penelope Allen, Sully Boyar, Susan Peretz, Carol Kane, Dominic Chianese
Artists Entertainment Complex, Warner Bros., 125 Minutes, 131 Minutes (1975 cut)
“Look, Mom, I’m a fuck-up and I’m an outcast and that’s it. You come near me, you’re gonna get it – you’re gonna get fucked over and fucked out!” – Sonny
I’ve probably seen this movie a half dozen times but it’s been a few decades. I always saw this on cable, so it was always the “safe for TV” version and having now watched this again, I realized that I had never seen the beginning of the film, as I never knew there was initially a third bank robber that bolted in the opening sequence of the movie.
It was really great seeing this in full and the way it was meant to be seen without cable television censors getting in the way of the art. Being that this is a Sidney Lumet film, it deserves to be seen as the director intended, as he was a true motion picture maestro.
Seeing this now also made me appreciate how good John Cazale was and it makes me wonder how great his career could have been had cancer not taken his life in 1978. In fact, this was the last film of his that he lived to see released theatrically. But it’s crazy to think about what iconic roles after his death he may have had a shot at playing or what mediocre movies he could’ve elevated had he been cast in place of others.
Additionally, this shows how incredible Al Pacino was in an era where he was still growing as an actor but already displayed the chops that would earn him legendary status.
The rest of the cast is pretty damn perfect too from the cop to the federal agents to the bank teller with the least amount of lines. Lumet did a spectacular job in getting the most out of his cast: utilizing their strengths and personalities to maximum effect.
The majority of the film takes place in one location but this moves at such a brisk pace that it doesn’t bog things down, which can happen fairly easy in pictures without the talent that this one had.
Plus, the cinematography was solid, the musical score was perfect and the film just had the right sort of tone. It felt like real, gritty, ’70s New York City without coming off as edgy or dark like Martin Scorsese’s Taxi Driver. Granted, this was a film that had its fair share of violence and perilous, unfortunate situations but even knowing the outcome could never be good for the main characters, you still didn’t give up hope or fall into a sense of despair.
Dog Day Afternoon is a motion picture that deserves its status as one of the best films of its decade. It also boasts some of the best performances by just about all the key actors involved.
Pairs well with: other crime films of the 1970s, especially those starring Al Pacino.