Comic Review: What If Conan the Barbarian Walked the Earth TODAY?

Published: February, 1979
Written by: Roy Thomas
Art by: John Buscema, Ernie Chan, Glynis Wein
Based on: Conan the Barbarian by Robert E. Howard

Marvel Comics, 37 Pages

Review:

finally collected all four issues of What If? that feature Conan the Barbarian. So I figured that I’d read them all and review them. In fact, I’ve had plans to review all of the What If? comics in my collection, as some of them are great alternative takes on the heroes and villains we all love.

This is the first story to feature Conan and it’s probably the most well-known of the four. Also, it is penned by regular Conan the Barbarian comic writer Roy Thomas.

The question posed by this issue of What If? is an intriguing one, especially for the time when it came out. While Conan has been to the modern world several times since the 1970s, this was the first of those stories.

Now I can’t call it the best of those stories, as I am digging the absolute hell out of the Savage Avengers title that started last year but this took a typical “fish out of water” story and just made it more badass and cooler than they typically are.

This also features a very brief cameo by Peter Parker and Mary Jane Watson but unfortunately, we don’t get to see Conan and Spider-Man tussle.

The story sees magic from Conan’s time send him to 1970s New York City, a time of rampant crime and a Times Square filled with grindhouse theaters, lots of drugs and affordable sex services. Being that Marvel likes to sell comics to kids, we don’t get to see Conan partake in any of these awesome activities.

What we do see, is Conan not knowing how to adapt to this strange land and quickly finding himself a wanted man because half naked dudes swinging swords in New York City was really frowned upon, even in the ’70s.

He also meets a cool chick that is way too trusting and they do “Conan and lady” thangs.

Ultimately, he arrives back home by the end of the issue and it left me wanting more. I get that What If? is a series of one-shots, essentially, but this really could’ve worked and been better as a multi-issue story.

In the end, it was a solid read and I liked seeing Roy Thomas’ take on Conan in the then-modern world.

Rating: 7.25/10
Pairs well with: the three other What If? comics featuring Conan.

Comic Review: Conan: The Hour of the Dragon

Published: January 1st, 2020
Written by: Roy Thomas
Art by: John Buscema, Gil Kane
Based on: Conan the Barbarian and other characters by Robert E. Howard

Marvel Comics, 281 Pages

Review:

This is old school ’70s Conan the Barbarian by the original Conan comic book maestro, Roy Thomas. But it was just released as a collection and it’s kind of unique, as it tries to adapt the only full-length Conan novel that Robert E. Howard wrote: The Hour of the Dragon.

This was mainly told over the course of multiple issues of Giant-Size Conan and Conan the Barbarian annuals, as opposed to being a part of the regular comic book series.

Overall, this was action packed and featured some of the best character development writing for the Conan character. It also sees him fall in love, get married and become a ruler.

This is one of those Conan stories that kind of hits all the marks one would be looking for in a comic featuring the iconic hero. A lot happens and every issue and chapter within is pretty cool.

Additionally, this features art from two of my all-time favorite Conan artists, Gil Kane and John Buscema.

Top to bottom, this is a solid Conan tale with solid art and while it might not be a perfect adaptation of the source material, it pulls it into the Marvel comic book mythos quite well.

Rating: 8/10
Pairs well with: other Conan comics from the classic Marvel era.

Comic Review: Daredevil by Frank Miller & Klaus Janson, Vol. 3

Published: July 2nd, 2015
Written by: Frank Miller, Mike W. Barr
Art by: John Buscema, Klaus Janson, Bill Sienkiewicz

Marvel Comics, 317 Pages

Review:

While this is the weakest of the three volumes that collect the Frank Miller run on Daredevil, it’s still a damn good book and it closes out the run, setting things up for a new creative team.

In the previous volume, we already dealt with the death of Elektra and the defeat of Bullseye. This one pretty much covers the fallout from that, emotionally, as well as how it effects the overall story and the primary characters within.

This collection also includes the graphic novel Love & War, which I will actually review as its own body of work at a later date.

The thing I really liked seeing in here was how Daredevil dealt with his grief, as well as how he and Black Widow sort of came back into each other’s lives after everything that happened to them previously, as well as the issues Daredevil is left to deal with after losing the love of his life.

The story also does a great job of fleshing out Foggy Nelson and giving him things to do, other than just being Matt Murdock’s best bud and business partner.

On top of that, we get a powerful moment between Daredevil and Bullseye, as well as some really interesting and character defining moments for The Kingpin.

This was definitely a worthy conclusion to the Frank Miller era, even if it wasn’t as exciting as the other two volumes. This is much more a story about human emotion and working through it than it is straight action and street level badassery. However, there’s enough of that stuff in here to keep the normie superhero comic book fan engaged.

Rating: 8.5/10
Pairs well with: the rest of Frank Miller’s run, as well as Ann Nocenti’s and the stories in-between.

Vids I Dig 345: Comic Tropes: John Buscema: More Than a Jack Kirby Clone

From Comic Tropes’ YouTube description: John Buscema is one of the all-time great illustrators in Marvel Comics’ history. He worked on over 200 issues of Conan comics and had celebrated runs on Avengers under three different writers: Roy Thomas, Steve Engleheart, and Roger Stern. Yet there are critics who will say he’s simply a clone of Jack Kirby. I believe this accusation is unfair and in this episode we look at Big John’s history and techniques. We pay close attention to the evolution of his artwork including key turning points in the Silver Age and on Silver Surfer #4.

Comic Review: Wolverine – Epic Collection: Madripoor Nights

Published: December 10th, 2014
Written by: Chris Claremont, Peter David
Art by: John Buscema, Gene Colan

Marvel Comics, 495 Pages

Review:

As big of a Wolverine fan as I am, I have never read his earliest solo stories that revolved around his time in Madripoor when he was going by the name of “Patch”. I knew enough about this era but nothing is ever as good as reading it for yourself.

I read this on Comixology after buying it pretty cheap during a Wolverine sale. Normally, it’s like $30 but I know I got it for less than $10 and it was well worth that price tag.

This is a beefy collection that covers the first 16 issues of his solo comic, as well as the story that came out just before it and another comic that takes place within the same time frame. It makes for one nice long epic of Logan’s life in Madripoor. I’m not sure if he sticks around there after this collection and for how long but this really gives you the important stuff from that era.

I also knew that Jessica Drew a.k.a. Spider-Woman was around for some of this but I didn’t realize that she wasn’t Spider-Woman here and that she was pretty much just herself, as a ninja badass. I also didn’t realize that she was actually a big part of the Wolverine Madripoor stuff.

We also get a cool plot that teams Wolverine up with the Gray Hulk a.k.a. Mr. Joe Fix-It for the first time. It’s a pretty cool tale and it also fits well within the larger tapestry that sees Logan trying to fight the criminal underworld in this fictitious Asian island nation.

Almost everything here is written by the great Chris Claremont, who probably knows Wolverine the best. Some of this is also written by Peter David but he’s a legend too and he knows how to write a story with great energy.

Ultimately, this wasn’t close to being my favorite Wolverine story, and it may actually be a bit underwhelming because of that, but it is still damn entertaining and really reflects a truly unique time in the character’s mythos.

Rating: 7.5/10
Pairs well with: other Wolverine solo stories from the late ’80s into the early ’90s.

Comic Review: Avengers: The Once and Future Kang

Published: 1985-1986
Written by: Steve Englehart, Danny Fingeroth, Jim Shooter, Roger Stern
Art by: Mark Bright, John Buscema, Steve Ditko

Marvel Comics, 278 Pages

Review:

I hate when I buy a thick, hefty collection that is sold to me as one thing, but once I buy it I find out that the thing I bought it for is about a third of the total collection and the rest of the volume is padded with other random stories.

While the issues collected here are presented in chronological order in how they appeared in single issues of the Avengers comics, they are all tied to larger stories or continued in other comics.

It’s pretty fucking infuriating when companies do this because I just wanted to read a Kang story that I had hoped would be pretty epic based off of the page count of this large Avengers release.

Instead, I got a medium sized Kang story and then a bunch of random plot threads that were left incomplete and open ended as they tied to Secret Wars IIFantastic FourX-Men and a story about both ’80s Avengers teams playing baseball.

Had I just read the Kang story, this would’ve been great. It would’ve been even better if it was reduced to the roughly four issues that the story took place in and I was charged a lot less than what I played for this disorganized mess.

Now to be fair, I did like most of this but when you’re pulled in one direction just to be left with blue balls, it’s pretty irritating. Especially, when you’re the one paying for it.

As far as the Kang story goes, I loved it. It was one of the best I’ve read and it featured one of my favorite incarnations of the Avengers team, as I started reading this series around the same era.

Had I known that I was going to get shafted by this, I would’ve just forked out the money for the less than a handful of physical floppy issues I needed for the story I wanted.

Rating: 6.5/10
Pairs well with: other Kang-centric stories, as well as other comics that happened around the events of Secret Wars II.

Comic Review: The Tomb of Dracula – The Complete Collection, Vol. 2

Published: October 3rd, 2018
Written by: Gerry Conway, Chris Claremont, Gary Friedrich, Tony Isabella, Roy Thomas, Len Wein, Marv Wolfman
Art by: Gene Colan, Ross Andru, John Buscema, Dick Giordano, Don Heck, Mike Ploog, Gil Kane (cover)
Based on: Dracula by Bram Stoker, Frankenstein by Mary Shelley

Marvel Comics, 512 Pages

Review:

Over the last few months, I’ve been reading a lot of the ’70s Marvel Comics stuff. I dabbled in some of these stories when I was a kid but they were before my time and weren’t as easy to get when I really started collecting comics circa 1990. Plus, my attention, at that time, was focused on superhero stuff, as well as G.I. Joe.

I enjoyed the first volume in this massive collections of The Tomb of Dracula, so naturally I wanted to check out this one too. In the end, I liked this one even more. I think a lot of that has to do with this taking place more in the modern world, which allowed Marvel’s incarnation of Dracula to interact with some of Marvel’s famous superheroes.

In this collection we get to see Dracula meet Spider-Man, Werewolf by Night and Marvel’s version of Frankenstein’s Monster. We also get a small cameo by the Human Torch, as well as the debut of Dracula’s daughter, Lilith. This even had a swashbuckling tale in it.

Now this had a ton of different writers and artists, as it bounces around to different titles that featured Dracula, at the time. Despite this, the book feels consistent, which is a testament to how great Marvel’s editorial was in the ’70s. As far as that company has fallen in recent years, they wouldn’t be able to pull this feat off in 2020.

Most of the stories here were good, it was an energetic read with great art by several legends and it is a fantastic example of ’70s Marvel horror at its finest.

Rating: 7.5/10
Pairs well with: the other Marvel Dracula stories, as well as other ’70s Marvel horror titles.

Comic Review: The Monster of Frankenstein

Published: 1973-1974
Written by: Gary Friedrich, Bill Mantlo, Doug Moench
Art by: Bob Brown, John Buscema, Val Mayerik, Don Perlin, Mike Ploog
Based on: Frankenstein by Mary Shelley

Marvel Comics, 533 Pages

Review:

After reading the first big collection of Marvel Comics’ The Tomb of Dracula, I wanted to check out some of their other horror titles that are based off of classic monsters. So naturally, their ’70s Frankenstein series seemed like the next one I should read.

From the start, this was a pretty cool series. It initially starts way back in the original era of Frankenstein’s Monster but it moves through time with each story arc, bringing the lovable brute into more modern times by the end.

My favorite arc within the series was near the middle and it featured the Monster meeting Dracula. Now I wasn’t 100 percent clear as to whether I was supposed to interpret the character as Marvel’s Dracula or not. I’d assume so, despite the ending making me question it. But the reason why I see him as the same character is because Frankenstein’s Monster also crosses over with the Marvel superhero universe, which links the characters and puts both of them in Marvel canon, officially.

The only real down side to this series was that it switched artists and writers a lot. Now most of the stories were good and the art was always cool but it felt like it lacked cohesion and fluidity because of this. Three writers and five main artists over just eighteen issues is a lot.

Still, if ’70s Marvel horror is your thing and you haven’t read these comics yet, you might want to pick them up at some point.

Rating: 7/10
Pairs well with: Marvel’s Tomb of Dracula series, as well as Werewolf by Night and The Living Mummy comics.

Comic Review: Super-Villains Unite: The Complete Super-Villain Team-Up

Published: March 4th, 2015
Written by: various
Art by: various

Marvel Comics, 458 Pages

Review:

This was a comic book series that I had wanted to read for a long time. I was collecting all of the single issues, in an effort to get the whole shebang before reading any of them, as I wanted the full experience.

However, I found the beefy collected edition at Ollie’s Bargain Outlet for like $4.95. So I couldn’t pass up that deal and because tracking down the whole series, as well as its crossovers was taking some time.

Anyway, this wasn’t exactly what I had hoped it was but it was still a really fun comic, especially as a fan of Doctor Doom, who is mostly the main character, alongside Namor, throughout the series’ run.

What I had hoped (or assumed) this was, was a book that put two villains together like a tag team in an effort to see them fight their regular nemeses. I expected more of a mix up of villains but the vast majority of this pairs Doom and Namor. And honestly, most of the time, they’re at odds with each other, so “team-up” isn’t all that accurate.

Other villains come into the series towards the end. We get to see Red Skull, Arnim Zola, The Hate-Monger, Magneto and a few others. But most of this is Doom having schemes that typically involve Namor. It pits them (well, mostly Doom) against superhero teams like The Avengers, the Fantastic Four and the ’70s version of The Champions but it also sees Doom come into conflict with other major villains.

For the most part, this is a really fun and energetic series that highlights what was great about ’70s Marvel. However, the series kept switching writers and artists and some of the issues aren’t nearly as great as the more solid ones.

It’s definitely better written in the first few issues, as those duties were handled by the great Roy Thomas. Towards the end, the book gets more exciting, as a lot of characters get wedged in but the earliest stories were just better written tales.

All in all, this is definitely worth picking up for those out there that are into ’70s Marvel and/or Doctor Doom. If you can find the collected trade paperback for as cheap as I got it, you should definitely pick it up and give it a shot.

Rating: 7.5/10
Pairs well with: the Avengers and Fantastic Four comics of the ’70s.

Comic Review: Conan the Barbarian: The Original Marvel Years Omnibus, Vol. 2

Published: August 6th, 2019
Written by: Roy Thomas
Art by: Gil Kane, John Buscema, Neal Adams, Rich Buckler
Based on: Conan the Barbarian by Robert E. Howard

Marvel Comics, 856 Pages

Review:

There’s not much I can say about how good this is that I didn’t say in the review for volume one. This is virtually more of the same but that’s a great thing.

Roy Thomas is still writing these stories and adapting the work of Robert E. Howard while mixing in his own original ideas that he keeps as close to the spirit of the source material as possible.

I did like the monsters in a lot of these stories more than the ones from the earliest issues, as they felt more imaginative and refined.

We also get a few stories that team-up Conan and Red Sonja again, which is something I’ve always loved and that we’ll never get to see again unless both heroes end up at the same publisher one day.

This collection is massive, beefy but none of it is dull, even if some one-off issues and adventures may start to feel a bit repetitive after awhile.

Conan is still a cool and engaging character, however, so even when the stories feel like they may be retreading something you’ve already read, Conan still makes it fun and worthwhile.

Rating: 9.25/10
Pairs well with: other Conan and sword and sorcery comics penned by Roy Thomas.