Film Review: Die Hard 2: Die Harder (1990)

Also known as: Die Hard 2 (simplified title), 58 Minutes (working title)
Release Date: July 2nd, 1990 (Los Angeles premiere)
Directed by: Renny Harlin
Written by: Steven E. de Souza, Doug RIchardson
Based on: 58 Minutes by Walter Wagner, characters by Roderick Thorpe
Music by: Michael Kamen
Cast: Bruce Willis, Bonnie Bedelia, William Atherton, Reginald VelJohnson, Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Sheila McCarthy, Vondie Curtis-Hall, John Leguizamo, Robert Patrick, Mark Boone Junior, Colm Meaney, Robert Costanzo

Twentieth Century Fox, Gordon Company, Silver Pictures, 124 Minutes

Review:

“Oh man, I can’t fucking believe this. Another basement, another elevator. How can the same shit happen to the same guy twice?” – John McClane

Why the fuck do people shit on this movie? It’s a solid action flick with a solid action star that also boasts one of the manliest casts ever assembled for a motion picture not named The Expendables.

I love this movie and while I can recognize that it isn’t a perfect masterpiece like its predecessor, it is still a fine motion picture that helped to make the original Die Hard Trilogy one of the greatest trilogies of all-time. That was all undone and fucked up once Hollywood went back to the cow to milk the tits off of the franchise years later but I still consider the first three Die Hards to be a trilogy and that’s that.

John McClane is back and honestly, that’s all you really need. However, they set this one at Christmas, once again, and then padded out the rest of the cast with some of the coolest male actors of the time: Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Vondie Curtis-Hall, Robert Patrick, John Leguizamo, Mark Boone Junior and Colm Meaney. Not to mention that they also brought back Bonnie Bedelia, William Atherton and Reginald VelJohnson in a cameo.

There is so much testosterone in this picture that it is hard to see the movie sometimes as it’ll spill over the top of the screen and ooze down the front of it. If that’s not what you’re looking for in an action flick circa 1990, then go watch Fried Green Tomatoes with your Aunt Millicent!

This film grabs you from the get go and doesn’t let go until the credits roll. It’s packed full of action and when shit isn’t blowing up or getting shot at, we’re treated to solid scenes between the solid cast and thus, there isn’t a dull moment in this entire picture.

I love the chemistry between just about everyone in this film. Bruce Willis, at least in this era, could work with anybody and bring the best out of them. While the guy has unparalleled charisma, it always seems to carry over and rub off on anyone he works with. I absolutely loved his banter with Dennis Franz and I also loved his camaraderie with Art Evans.

Looking at another tandem that’s great in this picture, I have to tip my hat to Bonnie Bedelia and William Atherton. This is their second time playing these characters that are at odds with one another but they work so well together that it kind of sucks that they never came back for any of the other films.

Look, it is hard to top perfection, which is what the first Die Hard was. But, man, this is a really good attempt at trying to follow it up and just give the fans more of what they wanted.

Rating: 9/10
Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films of the era.

Film Review: The Beastmaster (1982)

Also known as: Invasión Junk (Argentina), Dar l’invincible (France), El señor de las bestias (Spain)
Release Date: August 16th, 1982 (US limited)
Directed by: Don Coscarelli
Written by: Don Coscarelli, Paul Pepperman
Based on: The Beast Master by Andre Norton
Music by: Lee Holdridge
Cast: Marc Singer, Tanya Roberts, Rip Torn, John Amos, Billy Jacoby

Beastmaster N.V., ECTA Filmproduktion, GmbH & Co., K.G., Metro-Goldwyn-Mayer, United Artists, 118 Minutes

Review:

“Don’t move. The beast is fierce. But if we show no fear, we might escape.” – Dar

I used to love the hell out of this film when I was a little kid. It could because it was the first time I remember seeing boobies in a movie and that my parents seemed oblivious to this having boobies and lots of violence and therefore, never making me turn it off when I put it on. But then again, they were usually walking around the house doing adult things.

Anyway, I still like to revisit this movie every few years. It had been awhile seen I’d seen it this time though, maybe five years or more. But I wanted to work my way through all of The Beastmaster films since I haven’t reviewed them yet.

This is absolutely the best film in the series and I’d say that it’s the second best sword and sorcery film after the original Conan the Barbarian, which also came out in 1982.

I think that a lot of this film’s awesomeness can be attributed to it being written and directed by Don Coscarelli, the man behind the Phantasm film series, Bubba Ho-Tep and John Dies at the End. It has a very dark fantasy vibe that isn’t too dissimilar from his Phantasm series. And there are parts of this film that feel like actual horror, like the scenes with the winged demon vampire creatures that captured people within their wings and devoured them, turning them into a dripping acidic goo. Also, there is children sacrifice and all types of other hardcore shit thrown in.

The film also has a pretty layered narrative. It’s a straightforward movie where the hero is born, the hero loses the life he knows due to a tyrant, the hero grows up and then takes the tyrant down. But there are multiple villains in the movie: Rip Torn as an evil religious cult leader and a big brutish warrior with one of the coolest helmets in movie history. Plus, there are other evil abominations thrown in at certain points.

For those that might not know, Dar, the Beastmaster, has the power of befriending animals and using them as allies in his war against evil. It’s a cool concept and even though the idea comes from the book this is based on, which is really all they took from the book, it gives this story an edge over other sword and sorcery movies. Now it isn’t better than the first Conan but it is, at times, more entertaining.

I really enjoy Marc Singer in this. I also liked Tanya Roberts, here, but she was always a favorite of mine when I was a kid, between this film and A View to a Kill. Also, she’s the best thing about Tourist Trap. I think the real highlights for me though, are seeing John Amos being a total buff badass in this, as well as Rip Torn embracing his character’s evil insanity. All of the performances are better than what’s typical within this genre.

The movie has good cinematography and the shots are framed quite well. I especially like the scene where Dar faces off with the evil helmeted dark knight amongst the flames. It was well lit, well captured and the use of contrast in this sequence was well done.

Decades have come and gone since this film came out but like Coscarelli’s other motion pictures, it has survived the test of time and it is still a lot of fun to watch.

Rating: 7.5/10
Pairs well with: other sword and sorcery movies of the time, most notably the Conan films. It’s also fun to watch with its sequels but this is much better than them.

 

TV Review: The Ranch (2016- )

Original Run: April 1st, 2016 – ????
Created by: Don Reo, Jim Patterson
Directed by: David Trainer
Written by: various
Music by: Ryeland Allison
Cast: Ashton Kutcher, Danny Masterson, Debra Winger, Sam Elliott, Elisha Cuthbert, Barry Corbin, Bret Harrison, Megyn Price, Kelli Goss, Kathy Baker, Ethan Suplee, Wendie Malick, Lou Diamond Phillips, Jon Cryer, Wilmer Valderrama, Martin Mull, John Amos, Thomas F. Wilson, Debra Jo Rupp, Jim Beaver, Conchata Ferrell

Ranch Hand Productions, Netflix, 30 Episodes (thus far), 28-34 Minutes (per episode)

Review:

*originally written in 2016.

Netflix has gotten crazy with their original content. It seems like nearly every week there is some new show to watch now. I feel like one of their newest efforts, The Ranch, may have slipped through the cracks for most people.

It stars That ’70s Show alum Ashton Kutcher and Danny Masterson, which is pretty awesome as their comedic chemistry in that previous show was pretty uncanny. It also adds in the always awesome Sam Elliott, as their father, and the fantastic Debra Winger, as their mom. The cast is pretty solid but it just isn’t enough for this lackluster sitcom.

The show was created by the creators of Two and a Half Men but that was never a great series and it ran its course at least half a decade before the show actually ended. But this does re-team Kutcher with the people he worked with on that show, so it is like a happy marriage of a bunch of people Kutcher worked with on his two most famous projects. That doesn’t necessarily create a good recipe, however.

The show is mostly humorous, in a “lowest common denominator” sort of way. Granted, it does have charm and appeal. The charm isn’t immediately apparent but it grows as the show progresses. The appeal is due to the cast and the nostalgic feeling of seeing Kutcher and Masterson together. Plus, Sam Elliott, again, is always awesome and he looks to be having a lot of fun on this project.

As of now, Netflix has only released ten episodes – the first half of season one. It is enough to sink your teeth into but not enough to know if this is going to be a slow build to something better. By the end, I was mostly happy with the show but not completely sold that it wouldn’t end up being cookie cutter CBS-style sitcom bullshit. Ultimately, the characters and their relationship is what works and the comedy is just sort of there for flourish.

Update:

Having now seen 30 episodes, I feel like the show has found its footing. It isn’t fantastic but I do find myself anticipating it when I see that new episodes are about to drop.

Over the course of the three parts (as they aren’t full seasons), the show has featured more of Kutcher’s former cast mates from other shows and it also brings in a lot of other talent, whether from other classic sitcoms or from other shows and movies.

The Ranch is pretty enjoyable. It isn’t the funniest thing on television or even close to the best show. For some reason, however, it just works and it comes off as incredibly genuine and looks to be a fun show to be a part of for those involved. Their enthusiasm comes through and it makes you care about these characters.

Rating: 7.75/10