Release Date: August 7th, 1952 (New York City premiere)
Directed by: David Miller
Written by: Lenore J. Coffee, Robert Smith
Based on: Sudden Fear by Edna Sherry
Music by: Elmer Bernstein
Cast: Joan Crawford, Jack Palance, Gloria Grahame, Bruce Bennett, Virginia Huston, Mike Connors
Joseph Kaufman Productions, RKO Radio Pictures, 110 Minutes
“I was just wondering what I’d done to deserve you.” – Myra Hudson
It wasn’t until recently that I knew there was a film where Joan Crawford starred opposite of Jack Palance. That thought alone is kind of chilling, just thinking of how intense a film might be with both of them sharing the screen. Add in the always stupendous Gloria Grahame and I knew that I had to check this out.
What we ended up getting is a really well acted and fairly compelling classic film-noir. However, I’d be lying if I didn’t say that I was a bit underwhelmed by it.
What’s strange, is that it is hard to peg exactly why this didn’t resonate with me more. But I think that comes down to two things.
One, the film is slow. I feel as if they could’ve lobbed off twenty minutes and fine tuned the script quite a bit more but Crawford really liked to draw out her scenes when she was turning the drama up to 11. And she does that quite a bit in this movie but who am I to say it’s too much, as she got another Academy Award nomination for this.
Side note: Jack Palance was also nominated for Best Supporting Actor.
The second thing that effected this picture was the story. It’s a pretty basic noir plot. Woman marries man, woman is rich, man wants money, man plans to kill woman all while his other woman is assisting him in his heinous plot. And like a proper film-noir, the film has twists. In this one, Crawford finds out about the plot and decides to turn the tables. Ultimately, every main character is a shitty person.
Now this did have serious strengths.
Crawford, Palance and Grahame were all solid, even if I thought Crawford could’ve spent more time getting to the point, as opposed to clocking in more screen time for a visual reaction.
Also, this is meticulously shot with an interesting visual flair to it. One shot that really stood out was a simple one where the camera was inside a closet looking out at the characters. The shot was framed by the clothes and interior walls of the closet, making the characters feel confined and trapped. I’m assuming that was intentional but either way, it added serious weight to that scene.
Overall, this isn’t on par with something as great as Joan Crawford’s Mildred Pierce but it still showcases her skills and allowed audiences to experience her and Palance as an item on the silver screen, which is cool no matter how you want to slice it up.
Pairs well with: other classic film-noir, especially those featuring Joan Crawford.