Release Date: October 15th, 1986 (video) Directed by: Vince McMahon Written by: Steven B. Hecht, Vince McMahon Cast: “Dynamite Kid” Tommy Billington, Davey Boy Smith, Lou Albano, Bret Hart, The Iron Sheik, Jesse “The Body” Ventura, various
World Wrestling Federation, Coliseum Video, 90 Minutes
I stumbled upon this on Peacock in the documentary section of their WWE content. I was pretty stoked to watch it, as The British Bulldogs were one of my all-time favorite tag teams and seeing a then-WWF documentary from 1986 seemed pretty cool.
Well, it’s not a documentary. While WWE become known for making great historical wrestling documentaries about past talent, this was produced before that era and thus, it’s a collection of Bulldogs matches with a few other segments mixed in.
This was still really neat to watch, though, as these guys were just solid f’n workers in the ring and they had an intensity that was kind of unmatched in the era until their greatest rivals came along, The Hart Foundation.
The content here is all enjoyable but it doesn’t feature their best stuff. This came out in the middle of their historic run, so WWF only had the first half of that run to pick matches from. There are some memorable matches thrown on this like their feud with The Dream Team (Greg “The Hammer” Valentine and Brutus Beefcake before he was “The Barber”).
Half of this is singles matches, though. And that’s fine, as both the Dynamite Kid and Davey Boy can work on their own. However, I was hoping for a lot of their iconic tag team championship matches. I was also hoping for a lot more of their feud with The Hart Foundation but this came out when that feud was really getting started.
Still, if you also love The Bulldogs, this is definitely worth checking out to see them win those titles and to see them both wrestle in their primes.
Release Date: October 4th, 1991 Directed by: Russell Mulcahy Written by: Steven E. de Souza, Fred Dekker, Menno Meyjes Music by: Alan Silvestri Cast: Denzel Washington, John Lithgow, Ice-T, Kevin Pollak, Lindsay Wagner, Sherman Howard, Mary Ellen Trainor, John Amos, Miguel Sandoval, Jesse Ventura
“I guess a Beretta in the butt beats a butterfly in a boot, huh?” – Nick Styles
Man, this may be the most Fred Dekker movie ever put to celluloid. It’s got his fingerprints all over the story and Steven E. de Souza’s script really encapsulates the spirit of Dekker’s style. Beyond that, the director, Russell Mulcahy, then turns everything up passed eleven! I’d say he turned it to about seventeen!
I haven’t seen this since it was a new movie on VHS but I’ve got to say that even though I remember enjoying it, I didn’t realize how over the top and crazy it was. I guess that’s because this was fairly normal for an early ’90s edgy boi action flick.
Seeing greats like Denzel Washington and John Lithgow clash in this was fucking incredible, though! These guys brought their a-game, their balls and then, I’m assuming, shot a bunch of steroids and extra testosterone into their man bits. That’s the only way I can really explain their intensity in this movie.
This is a high octane action thriller from the very beginning. It follows a young cop that takes down an extremely violent criminal in the first few minutes. The cop becomes a hero and a bit of a celebrity and eventually starts working for the district attorney’s office. He ends up getting married and has two daughters. All the while, Lithgow rots in prison, fighting and murdering other prisoners, waiting for his chance to escape and get vengeance on the cop that put him there.
Once out of prison, the criminal creates an elaborate plot to break the cop down, destroy his personal life, his career, pump him full of heroin and have him get raped by a hooker with an STD. This story goes to some dark, bonkers places.
In the end, Denzel sets his own trap by utilizing the gangsters he grew up with. The big, legitimately awesome finale takes place on the famous Watts Towers. The finale is fucking great! Especially, for those who loved these type of over-the-top, bar pushing action flicks of this era.
All in all, this is far from a perfect film and it has its flaws but it is perfect escapism, chock full of that “toxic” masculinity that modern Hollywood loathes.
Rating: 7.5/10 Pairs well with: other cop thrillers of the ’80s and ’90s.
Release Date: October 22nd, 1999 (Los Angeles premiere) Directed by: Barry W. Blaustein Written by: Barry W. Blaustein Music by: Nathan Barr Cast: Mick Foley, Terry Funk, Jake ‘The Snake’ Roberts, Dwayne ‘The Rock’ Johnson, New Jack, Paul Heyman, Vince McMahon, Shane McMahon, Darren Drozdov, Jim Ross, Jim Cornette, Dennis Stamp, Tony Jones, Mike Modest, Roland Alexander, Dave Meltzer, Chyna, Spike Dudley, Koko B. Ware, Jesse Ventura
Universal Family and Home Entertainment, Imagine Entertainment, Lions Gate Films, 102 Minutes, 108 Minutes (Director’s Cut)
“I could never get over the fact that guys could beat the crap out of each other in the ring, and be friendly outside of it. Some of Terry’s most famous matches were against a man twenty years his junior: Mick Foley. Over the years, Mick and Terry had traveled the world, setting each other on fire, tossing each other into barbed wire. Yet outside the ring, they were truly at peace with one another.” – Barry W. Blaustein
Considered to be one of the greatest, if not the greatest wrestling documentary of all-time, it’s almost a crime that this wasn’t, at the very least, nominated for an Academy Award. Watching this all these years later, it still holds up and is damn compelling, top to bottom.
Beyond the Mat is intriguing on just about every level and every story featured in this documentary is well told, well presented and edited into the larger tapestry so neatly that I feel as if this would be a great watch even for those who aren’t all that interested in professional wrestling.
One of the most engaging things about it is that it really shows you the behind the scenes stuff from the WWF corporate offices, as well as what goes down backstage during a massive, flagship pay-per-view event. In this case, the film features the main event of the 1999 Royal Rumble, a brutal “I Quit” match between Mick Foley and The Rock.
That being said, it does feel like some parts of this documentary are heavily sensationalized, like the reactions of Foley’s wife and small kids during the Royal Rumble match. Of course the kids are going to cry when the mother is freaking out in an over the top way when she knows the cameras are on her. I’m not saying that it wasn’t a legitimate reaction but it was definitely captured and then sold to the audience as something much worse than it needed to be.
While it is obvious that this wanted to pull the wool over Vince McMahon’s eyes, initially, it’s fine in that it wanted to expose the darker sides of the business. Those darker sides exist, especially back then, and showing the underbelly beyond the lights and pageantry is why this probably did a lot more good than bad in how the business has evolved and tried to improve over the years since this came out.
Ultimately, this isn’t perfect but it’s damn entertaining.
Rating: 9.25/10 Pairs well with: other professional wrestling documentaries, most notably Wrestling With Shadows.
Release Date: October 7th, 1993 (Los Angeles premiere) Directed by: Marco Brambilla Written by: Daniel Waters, Robert Reneau, Peter M. Lenkov Music by: Elliot Goldenthal Cast: Sylvester Stallone, Wesley Snipes, Sandra Bullock, Nigel Hawthrone, Benjamin Bratt, Denis Leary, Bill Cobbs, Glenn Shadix, David Patrick Kelly, Jack Black, Jesse Ventura, Rob Schneider (uncredited), Adrienne Barbeau (voice)
Silver Pictures, Warner Bros., 115 Minutes
“We’re police officers! We’re not trained to handle this kind of violence!” – Erwin
I remember liking Demolition Man a lot but I haven’t watched it since its theater run in 1993. Really though, I never had much urge to revisit it, even though, on paper, it should certainly be my cup of tea and because it stars Stallone and Snipes.
It’s just not a very good movie. Where it works it works well but 75 percent of it is pretty weak and dull.
I do love the action but there isn’t enough of it. There is just too much filler and too many gags in this. It’s really a comedy with some action even though it’s not technically labeled a comedy.
The premise sees a cop and a criminal from the future of 1996 (keep in mind this came out in 1993, not far from 1996) get cryogenically frozen only to wake up in the 2030s. The film then uses almost every breath to poke fun at stupid mutton head Stallone because he’s from a time of testosterone Neanderthals and a total fish out of water in a bullshit utopia where people wipe their asses with sea shells and have sex without physical contact. Some of the bits are funny but the film just beats this shtick over your head at every possible turn. It’s amusing for the first fifteen minutes but then it’s like, “Okaaay! I fucking get it! Move on!”
The best thing about this picture is that it pits Stallone against Snipes. Stallone was already a megastar and in 1993, Snipes was just on the cusp. And frankly, this really helped to give Snipes some serious credibility just because he got to face off with the great Stallone.
Additionally, Sandra Bullock was virtually unknown when she was in this and it is probably the role that opened doors for her. A year later, she was in Speed and then a year after that she starred in The Net.
This movie really didn’t need to be 115 minutes. It should have been more like 95 with twenty minutes of the filler and redundant humor left on the cutting room floor. It would have then had a better balance between the action and the story. It also could have whittled down on the number of characters.
Also, for an R rated film, other than a glimpse of nice boobies, this felt like it was PG-13. This would have been a much better film if someone like Paul Verhoeven directed it, as he could have brought that original Robocop or Total Recall tone to it. This felt like it wanted to be similar to the tone of those movies but it was more like The Running Man but with extra layers of cheese.
Still, this is an entertaining movie. It just isn’t great, isn’t a classic and hasn’t aged very well.
Rating: 6.25/10 Pairs well with: Stallone’s version of Judge Dredd. Also The Running Man and Robocop 3, which is a terrible movie but also deals with a faux utopian future with poor people living under the streets.
Also known as: Alien Hunter, Hunter, Primeval (working titles) Release Date: June 12th, 1987 Directed by: John McTiernan Written by: Jim Thomas, John Thomas, Shane Black (uncredited) Music by: Alan Silvestri Cast: Arnold Schwarzenegger, Carl Weather, Elpidia Carrillo, Bill Duke, Richard Chaves, Jesse Ventura, Sonny Landham, Shane Black, Kevin Peter Hall
Lawrence Gordon Productions, Silver Pictures, Davis Entertainment, 20th Century Fox, 107 Minutes
“Run! Get to the chopper!” – Dutch
Outside of the first two Terminator movies, this is the best thing that Schwarzenegger has ever done. In all honesty, I hold it in the same regards as the first two Terminator films because it is that damn good and it still works really well today.
Predator is one of those films that you assume every red blooded American male has watched, memorized and has the same appreciation for it as the other real red blooded American males. When you meet a guy that hasn’t seen it, you have to suspect if they are a communist or if they grew up “winning” a bunch of participation trophies for a pottery competition. Any red blooded American male that has seen this 107 minute masterpiece of majestic masculinity knows that Schwarzenegger is the second coming of the Jesus and that his mercenary crew are his apostles while Carl Weathers is his Judas.
This is a damn near perfect movie if all you’re looking for is chiseled beast men with massive guns (literally and figuratively), stomping through a jungle, spitting tobacco, making pussy jokes and murdering the everliving crap out of whatever they’re paid to murder the everliving crap out of. Throw in a giant beast alien with high tech gadgetry, stealth camouflage and a penchant for skinning its victims and you’ve got the cinema’s equivalent to the Holy Bible for dudes. Although, I also know several ladies who have been captivated by the Holy Word of John McTiernan with this and his other Holy work called Die Hard.
Apart from the reasons I’ve already talked about, this film also benefits from the incredible theme and score by Alan Silvestri. It is still one of the best scores he has ever done and it is simply badass.
The film also makes incredible use of its environment. You feel the heat and the discomfort, as these beefy men traverse through a thick jungle in Central America. The jungle is really the main character of this film and it overshadows the cast, despite the incredible lineup of talent that is in this: Schwarzenegger, Weathers, Jesse Ventura, Bill Duke, the Predator itself, etc. The film was actually filmed in Hawaii, for the record.
The one thing that could’ve really been the “make or break” moment of the film ended up being one of the most memorable scenes of the entire 1980s. That was the reveal of the monster. The Predator creature design was handled by the maestro, Stan Winston. The look of the creature is friggin’ incredible and it is still one of the coolest and most badass movie monsters going today.
The problem with this film and its monster being so damn great and iconic, is that no sequel will ever live up to this film. And so far, no sequel has. People seem to have a sort of disdain for Predator 2 but fuck those people. It’s also damned good, not a classic as this one is, but it is true to the spirit of the original. Also, Predators was a good experience as well. I think it is the weakest of the three Predator films but it is still a lot of fun and has some big iron balls like the other two films. Then there are those Alien Vs. Predator movies. While the concept works great in comic books and video games, it wasn’t very good on the big screen, sadly.
On a side note, Jean-Claude Van Damme was originally in this, as another alien creature, but the whole thing got cut from the film. Just saying, if Van Damme made it into this picture too, even if he was obscured by his costume, the testosterone levels in this movie would have run over and flooded whatever village this was filmed near.
Predator is one of my all-time favorite films. It will always be one of my all-time favorites. If you don’t feel the same way, you’re probably a hippie communist that writes poetry for your plants.
Rating: 9.75/10 Pairs well with:Predator 2 and Predators. Ignoring those AvP movies is probably best for everyone.
Also known as: Battle Runner (Japanese English title) Release Date: November 13th, 1987 Directed by: Paul Michael Glaser Written by: Steven E. de Souza Based on:The Running Man by Stephen King (as Richard Bachman) Music by: Harold Faltermeyer Cast: Arnold Schwarzenegger, Richard Dawson, María Conchita Alonso, Jesse Ventura, Mick Fleetwood, Dweezil Zappa, Yaphet Kotto, Marvin J. McIntyre, Jim Brown, Kurt Fuller, Lin Shaye, Professor Toru Tanaka
“Killian, here’s your Subzero! Now… plain zero!” – Ben Richards
This is a Stephen King story, even if the author wrote this under a pseudonym. It was brought to life by the screenplay of Steven E. de Souza, who also penned the scripts for Die Hard 1 & 2, Commando, 48 Hrs. 1 & 2 and a bunch of other cool shit.
Add in a cast that boasts manly badasses Arnold Schwarzenegger, Jesse Ventura, Jim Brown and Yaphet Kotto and there are almost too many iron balls on the screen. This is a festival of testosterone and broken bodies.
You also have Richard Dawson, who was the perfect choice for the role of Killian, and María Conchita Alonso, who I’ve been crushing on since about fourth grade.
This story takes place in a dystopian corporate future where an innocent soldier is framed for a massacre that he actually tried to prevent. He escapes prison and goes on the run, using a very apprehensive TV executive to help him get to freedom. She freaks out in the airport though and the soldier is caught and forced to compete in a strange game show. The soldier and his allies have to fight their way through derelict city blocks, fighting off gimmicky warriors that the live studio audience chooses to apprehend and murder them in cold blood for their entertainment. As the soldier starts offing these warriors, public opinion changes and the people start cheering for this “criminal” against the corporate system that is trying to snuff him out.
The film’s themes are very similar to two films from 1975: Death Race 2000 and Rollerball. This certainly doesn’t make this story a rehash of those, however. This is unique and just a cool twist on the manhunt genre.
I always loved Schwarzenegger in sci-fi settings, especially ones dealing with a dark future. While this isn’t anywhere near as good as the first two Terminator movies, it is a lot of fun and still holds some social and political relevance today, over thirty years later.
The effects are good for the time, the characters are twisted but cool and this almost feels like a mashup of American Gladiators, old school WWF and Blade Runner.
I still love this movie and even if it hasn’t aged too well, it is a product of the awesome ’80s and still works within the context of its creation.
Rating: 7.75/10 Pairs well with: Other ’80s Schwarzenegger films. For style and themes, it works with the original Rollerball and Death Race 2000.
Release Date: June 12th, 1997 (Los Angeles premiere) Directed by: Joel Schumacher Written by: Akiva Goldsman Based on:Batman by Bob Kane, Bill Finger Music by: Elliot Goldenthal Cast: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Michael Gough, Pat Hingle, Uma Thurman, Alicia Silverstone, John Glover, Elle Macpherson, Vivica A. Fox, Jesse Ventura, Nicky Katt
Warner Bros., 125 Minutes
“If revenge is a dish best served cold, then put on your Sunday finest. It’s time to feast!” – Mr. Freeze
When I recently reviewed Batman Forever, I was really harsh on it. I also said that it is a worse movie than this one, which is considered one of the worst movies ever made. Watching these two films, back to back, after all these years, I still feel that way. This is the superior film of the two dreadful Joel Schumacher Batman pictures.
What makes this stand well above Batman Forever, for me, is the thing that most people like to trash about this picture: Arnold Schwarzenegger’s Mr. Freeze. Sorry, I just love puns and Mr. Freeze’s awful and cheesy puns still make me smile. Sure, I’d prefer a more serious Batman film than this festival of hokey camp but if Schumacher insists on destroying something I love, I can at least appreciate Schwarzenegger’s performance for what it is, a beacon of utter hilarity in a sea of horribleness. And really, Schwarzenegger’s Freeze is the best of the Schumacher Batman villains. The Riddler and Two-Face were just more insane versions of the Joker, Poison Ivy was terrible and Bane just made me want to cry.
Speaking of Ivy and Bane, this film’s other villains, one would have to be somewhat excited at the prospect of Uma Thurman playing Ivy. However, she gets completely Schumachered up and is a shell of the great character she should be. In fact, she’s not Poison Ivy at all, she’s a wacko scientist reborn as a plant that emulates over the top starlets of a bygone Hollywood era.
Now Bane, he’s even less Bane than Ivy is Ivy. In the comics, Bane is an intelligent and strong foil for Batman, a true equal with more strength and the advantage of not being bogged down by good guy morals. Here, he is a dumb hulking brute that spends more time dressed like Dick Tracy in a lucha libre mask than actually doing anything useful. Fuck Bane. Fuck Schumacher.
The film is also full of the Bat-nipples, Bat-butt and Bat-crotch shots made famous in Batman Forever but since they introduced Batgirl here, we also get a gratuitous Bat-boobies shot when she first throws on her costume. Schumacher likes his sexy Bat-bits being front and center in these more “family friendly” films.
We also get more of Elliot Goldenthal’s awful Batman theme except it is even louder and more unrelenting in this picture than it was in Batman Forever. It literally never stops. Sure, it may have the volume dropped a bit here and there but it is just two hours of violent horns blowing right up your ass. By the time you get to the final shot of the movie where Batman, Robin and Batgirl run towards the screen with the theme blaring louder than ever, you want to scream, “Oh my god! Fucking enough already!!!”
This film isn’t as ugly as Batman Forever but make no mistake, it is still really friggin’ ugly. It’s like some random person walked up to Joel Schumacher and asked, “How are your Batman films going to look?” And he realized he hadn’t thought about it yet but since he was buying black light posters for his niece at Spencer Gifts, he pointed to the poster rack and hissed, “Just like thiiiiiissssss!”
Other than Schwarzenegger trying his damnedest to be fun here, there is nothing in this film that is worthwhile. I could get into the lousy script, how George Clooney was like a fish out of water, the horrendous wire work in the action sequences and about 900 dozen other things but this movie is a massive failure. Still… not as bad as Batman Forever, which wasn’t even mildly fun or entertaining. Schwarzenegger saved this movie from itself, even if it still turned out worse than a sawdust enema.
So it should go without saying that this needs to be put through the trusty Cinespiria Shitometer. The results read, “Type 5 Stool: Soft blobs with clear-cut edges (passed easily).”
Release Date: June 2nd, 1989 Directed by: Thomas J. Wright Written by: Dennis Hackin Music by: Jim Johnston Cast: Hulk Hogan, Kurt Fuller, Joan Severance, Tiny Lister, David Paymer, Jesse Ventura, Gene Okerlund, Howard Finkel, Stan Hansen
Shane Distribution Company, New Line Cinema, 93 Minutes
No Holds Barred is an amazing movie! Okay, that may be an overstatement and yes, I am aware that it was critically panned and that it has been the butt of jokes for nearly three decades but who gives a shit what those snobbish film nerds and Hulkster haters out there have to say?
This movie was a vehicle to launch Hulk Hogan’s film career. Let’s be honest, Hogan sucks as an actor and all of his films after this one are abominations and blights on the film industry. No Holds Barred however, had some very enjoyable bits and had some redeeming qualities that set it apart and have made it an entertaining movie.
The acting was awful, the cinematography was b-movie 80s schlock, the plot was worse than the acting and the characters were beyond goofy and bizarre. But those are the things that made it great. Because while those elements can easily create a stomach-churning viewing experience, there are those films that somehow have the right balance and formula that magically transform those bad elements into something exceptional.
No Holds Barred is a beautiful smorgasbord of bad 80s filmmaking clichés. It is quite literally a perfect storm.
As a kid, I didn’t get to see the film until it was out for 6 months. Two days after Christmas in 1989, the World Wrestling Federation held a pay-per-view event called No Holds Barred: The Movie, The Match. That event showcased the film in its entirety and was then followed by a tornado tag team cage match pitting Hulk Hogan and his partner Brutus “The Barber” Beefcake against “Macho Man” Randy Savage and Hogan’s opponent in the film, Zeus. Zeus was played by now semi-famous actor Tommy “Tiny” Lister, Jr. Lister has since gone on to star in a ton of films and television shows, most notably Friday and The Fifth Element.
Having just experienced this film for the first time in years, I was still entertained and loved it. It brought me back to a time when professional wrestling still felt magical, Hulk Hogan was a god and Joan Severance replaced Phoebe Cates as the apple of my eye.
Sure, this may not have the same effect on others; I am probably falling victim to nostalgia but I don’t care. This film is in a rare breed considering that it is still completely stupid yet completely awesome. If you don’t believe me, watch the clip below.