Also known as: Mission: Impossible 5 (working title), MI5 (informal title)
Release Date: July 23rd, 2015 (Vienna premiere)
Directed by: Christopher McQuarrie
Written by: Christopher McQuarrie, Drew Pearce
Based on: Mission: Impossible by Bruce Geller
Music by: Joe Kraemer
Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Ving Rhames, Alec Baldwin, Rebecca Ferguson, Sean Harris
TC Productions, Bad Robot Productions, Skydance Media, Paramount Pictures, 131 Minutes
“I can’t protect you, that’s why I need you to leave.” – Ethan Hunt, “That’s not your decision to make, Ethan! I am a field agent, I know the risks! More than that, I am your friend, no matter what I tell the polygraph every week! Now you called me because you needed my help! And you still do! So I am staying! And that is all we are gonna say about that!” – Benji Dunn
Man, I was a fool for quitting this series after the pretty terrible second film. Each movie since then has gotten better and better and frankly, I’m incredibly impressed by these stupendous movies! I shouldn’t have ignored the hype, I should’ve bought in and just enjoyed these on the big screen. Well, thankfully there are two more installments currently being filmed.
Getting into this particular chapter of the franchise, all my favorite surviving members of the series are back and it’s great seeing them pick up where the fourth film left off while also adding in Alec Baldwin and Rebecca Ferguson, who I absolutely fucking loved in this. I’m glad they chose to let her stick around for more films after this one, as she hit it out of the park and became the best female in this series almost immediately. Although, I was curious about Paula Patton’s absence and hope that her character appears at some point again, in the future.
This chapter also establishes a great villain and villain group that our heroes have to face. It’s sort of like Ethan Hunt having to face his own version of James Bond‘s SPECTRE but a lot less hammy and a bit more scary, as these film’s tend to veer more towards realism than the classic SPECTRE stories in the earliest Bond movies.
And while this might easily be brushed off as a rehash of that idea or other similar stories with villainous, secret terrorist groups like Hydra or Cobra, this group feels more plausible in the real world.
As is customary with these awesome flicks, the movie is full of incredible stunts and action sequences. While I think the previous film edges out this one in that regard, this is a slightly better movie, overall. That has a lot to do with the story but also in how this expands the mythos in a cool new way while building up from the franchise’s very strong foundation (excluding M:I-2 of course).
In the end, this was near-fucking-perfect for what it is. It gives me hope for the sixth film, which I still haven’t seen, as well as the two sequels yet to come. If the series maintains its quality beyond this chapter, it may become my favorite franchise of the modern era, post-2000.
Pairs well with: the other Mission: Impossible films.
Also known as: Aries (fake working title), Mission: Impossible IV (working title), MI4, MiGP (informal titles)
Release Date: December 7th, 2011 (Dubai International Film Festival)
Directed by: Brad Bird
Written by: Josh Applebaum, Andre Nemec
Based on: Mission: Impossible by Bruce Geller
Music by: Michael Giacchino
Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Vladimir Mashkov, Josh Holloway, Anil Kapoor, Lea Seydoux, Tom Wilkinson (uncredited), Ving Rhames (uncredited cameo), Michelle Monaghan (uncredited cameo)
TC Productions, Bad Robot Productions, Skydance Media, Paramount Pictures, 132 Minutes
“The Secretary is dead. The President has invoked Ghost Protocol. We’re shut down. No satellite, safe house, support, or extraction. The four of us and the contents of this car are all that remains of the IMF.” – Ethan Hunt
Well, out of the four Mission: Impossible films that I’ve seen, this one is hands down the best. Now I still have to see the two after this but following the third movie and this one, the franchise seems to be on a great trajectory following the second film, which killed the series for me way back in 2000.
I loved this movie from top-to-bottom and it had a superb cast that had solid chemistry, allowing them, as a unit, to carry the picture and alleviate the big burden from just being on Tom Cruise’s shoulders. As great as Cruise is, this made for a better film where he was still the star but a part of a great ensemble that made this movie seem bigger, cooler and more important than any of the previous ones.
As far as the cast goes, I wish that Ving Rhames was more involved and didn’t just appear in a cameo at the end.
The story here was also the best of the series. Although, it is hard to top Philip Seymour Hoffman as the villain in the previous chapter. Still, the villains in this one are good and I was enthralled by their plot and how it effected the bigger picture of this franchise not just in this movie but moving forward beyond it.
The action sequences were stellar and the stunts were damn impressive. Each of these sequences sucked you right in, keeping your eyes glued to the screen. I loved the tower climb sequence, as well as the sandstorm chase.
All of the techie stuff was also very clever and while this dips its toe into the James Bond high-tech spy thriller pool, these films feel very much like their own thing and the tech is unique and fits the film’s style. It’s similar to Bond but our heroes here aren’t just using tiny gadgets with one function or suped up, weapon-loaded cars. The tech here is bigger and more interesting than just being one-off gags or easy solutions to an immediate problem.
I also loved the cinematography and the way the film was shot, as it had massive scope and just looked pristine and perfect. The locations contributed a lot to this but everything was masterfully crafted and captured on film.
Michael Giacchino’s score was really good and the more of I hear of his work, the more I like it. I think he has the ability to become one of the top composers in the game, which is refreshing as so much of the music made for films these days is forgettable and almost generic, paint-by-numbers compositions. Giacchino’s scores harken back to a time when film scores were iconic, memorable and would go on to stand the test of time by living on in people’s minds for decades. While I can’t call him a John Williams or an Ennio Morricone, I’ve greatly enjoyed his work and it exceeds what has become the norm.
Mission: Impossible – Ghost Protocol is an incredibly solid blockbuster picture. Everything in it just feels right and I was smiling ear-to-ear from start-to-finish. And honestly, that’s all I want from these sort of movies.
Pairs well with: the other Mission: Impossible films.
Release Date: March 18th, 2014
Music by: Brian Tyler
Cast: Hayley Atwell, Shane Black, Kenneth Branagh, Dominic Cooper, Vin Diesel, Robert Downey Jr., Chris Evans, Jon Favreau, Kevin Feige, Clark Gregg, James Gunn, Chris Hardwick, Chris Hemsworth, Tom Hiddleston, Samuel L. Jackson, Scarlett Johansson, Joe Johnston, Louis Leterrier, Jeph Loeb, Anthony Mackie, George R.R. Martin, Tom Morello, Bobby Moynihan, Gwyneth Paltrow, Chris Pratt, Joe Quesada, Robert Redford, Jeremy Renner, Mark Ruffalo, Sebastian Stan, Emily VanCamp, Ming-Na Wen, Jed Whedon, Joss Whedon, Edgar Wright (uncredited)
ABC Studios, Disney, Marvel, 42 Minutes
After watching the beefy but solid Star Wars documentary Empire of Dreams, I noticed that Disney+ also featured a similar made-for-TV documentary about the making of the Marvel Cinematic Universe. I figured I’d check it out, as it originally aired in 2014, on the cusp of the MCU reaching its peak.
Unfortunately, this isn’t as compelling as Empire of Dreams and it plays more like a Marvel produced production used mainly to pimp themselves out and market Captain America: Winter Solider and the Agents of S.H.I.E.L.D. TV show. But I get it, this played on ABC, which like Marvel, is owned by Disney.
It’s still an informative piece with a lot of insight into the making of the first Iron Man movie, which opened the floodgates for the rest of the MCU.
It also expands beyond that and delves a little bit into each movie up to the then still in-production Guardians of the Galaxy. In fact, I think that this was the first real peek into the Guardians of the Galaxy production.
The best part about this short feature is the interviews with the stars and filmmakers who helped bring this universe to life. I especially liked hearing the enthusiasm that Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow and Jon Favreau had with the early Iron Man pictures.
Overall, this isn’t a must watch but it’s worth your time if you are a big MCU fan.
Pairs well with: other filmmaking documentaries about blockbusters. Empire of Dreams, immediately comes to mind.
Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown
Marvel Studios, Walt Disney Studios, 181 Minutes
“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos
*There be spoilers here! But I kept it as minimal as possible.
Here we are… the end.
Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.
But anyway, how was this film? The big, badass finale to a 22 movie franchise?
It was good but it wasn’t anything close to stellar.
My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.
Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.
The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.
I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.
Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.
Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.
Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.
Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.
Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.
Release Date: April 11th, 2012 (El Capitan Theatre premiere)
Directed by: Joss Whedon
Written by: Joss Whedon, Zak Penn
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Paul Bettany (voice), Cobie Smulders, Stellan Skarsgård, Samuel L. Jackson, Gwyneth Paltrow, Powers Boothe, Jenny Agutter, Harry Dean Stanton, Ashley Johnson, Kenneth Tigar
Marvel Studios, Paramount, Walt Disney Studios, 143 Minutes, 173 Minutes (extended cut)
“The Tesseract has awakened. It is on a little world. A human world. They would wield its power, but our ally knows its workings as they never will. He is ready to lead. And our force, our Chitauri, will follow. The world will be his. The universe yours. And the humans, what can they do but burn?” – The Other
There was a time when this was the big culmination of all of Marvel’s achievements in their cinematic universe. I don’t think any of us realized how small the universe was then. It felt grand but now, in 2018, things have grown to a monstrous size, to the point where it’s hard to imagine how the upcoming Avengers movie is even going to work. I mean, this had six heroes in it, plus a few more characters. The next Avengers movie has to balance roughly sixty characters. It’s gotten insane.
Anyway, this was the first time we saw a big group of these characters crossover.
In this film, we see Robert Downey Jr.’s Iron Man, Chris Evans’ Captain America, Chris Hemsworth’s Thor, Mark Ruffalo replacing Ed Norton as Hulk, Scarlett Johansson’s Black Widow and Jeremy Renner’s Hawkeye. We also get Sam Jackson returning as Nick Fury, Clark Gregg as Phil Coulson and Cobie Smulders as Maria Hill, all important SHIELD characters and support for the Avengers team.
On the villain side, Tom Hiddleston returns as Loki and he has an army of Chitauri aliens gifted to him by The Other, who is a minion of Thanos.
The story does a decent job of uniting these heroes against a common and very large threat. The first act of the film is very good and I enjoyed it. The final act is also better than decent, even if the aliens are generic and unexciting. The middle act is what really soured me on this picture and it brings down all of the other parts that are actually good.
The middle of the film is pretty much just the heroes hanging out and gabbing on the SHIELD Helicarrier. Some shit pops off and we get to see the Avengers go into action… to fix a damaged propeller. The fact that a gazillion dollar SHIELD helicarrier doesn’t have some sort of emergency protocol for a failed or destroyed propeller is a gross mismanagement of government funds. You’re going to build a vehicle that costs more than the entire GDP of most countries and you don’t have emergency parachutes or balloons to guide the vehicle down to Earth? Good thing Iron Man was there to fly in circles and Captain America knew how to flip a switch.
Joss Whedon helmed this picture though and I’ve never been a fan, even though he is like Jesus to nerds. Does he know how to handle an ensemble cast? For the most part, but his experience is mostly in the realm of cheesy teen TV drama or the severely overrated Firefly.
While the last act of the film gets things back on track and exciting, I hate the Chitauri aliens. They’re drab, boring and ride around on some flying Sea-Doos shooting shit lasers. Then there are the giant flying worm creatures that didn’t do a damn thing other than chase Iron Man and crash into shit. What were they supposed to be doing? Couldn’t they have had aliens on their armored hulls and been more like weaponized battleships? Kinda like living Star Destroyers? I mean, a six year-old could have made them more interesting. In the end, the aliens should have been the Skrulls or even the Kree. I know that Marvel lost the movie right to the Skrulls, at least at the time, but damn, give us something more imaginative and cool.
The Avengers has its problems and I’m spending more time pointing them out than anything else but it is still an enjoyable film. It’s not as good as the best solo hero movies but it is hard to balance an ensemble and to focus on developing and enriching characters when there are so many. But that’s why the solo films are better movies, as these big team-up pictures are just spectacles or special events, the Royal Rumble of the Marvel Cinematic Universe.
But making this work was a giant undertaking and a tough challenge. It’s more positive than negative and the real highlight is seeing these characters exist in the same space at the same time.
Plus, it has Harry Dean Stanton in it.
Pairs well with: The other Phase One films from the Marvel Cinematic Universe: Iron Man 1 and 2, The Incredible Hulk, Thor and Captain America: The First Avenger.
Release Date: April 17th, 2011 (Sydney premiere)
Directed by: Kenneth Branagh
Written by: Ashley Edward Miller, Zack Stentz, Don Payne, J. Michael Straczynski, Mark Protosevich
Based on: The Mighty Thor by Stan Lee, Larry Lieber, Jack Kirby
Music by: Patrick Doyle
Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Stellan Skarsgård, Colm Feore, Idris Elba, Kat Dennings, Rene Russo, Anthony Hopkins, Ray Stevenson, Tadanobu Asano, Josh Dallas, Jaimie Alexander, Clark Gregg, Samuel L. Jackson, Jeremy Renner
Marvel Studios, Paramount Pictures, 114 Minutes
“I never wanted the throne, I only ever wanted to be your equal!” – Loki
As I am reworking my way through all of the Marvel Cinematic Universe films in preparation for Avengers: Infinity War, in about a month, I was really looking forward to revisiting the first Thor.
While I thought that Thor: Ragnarok was maybe the best Marvel film to date, a part of me wanted to go back and watch the two Thor pictures before it. Sure, I knew they wouldn’t be as good as Ragnarok but I absolutely adore Hemsworth’s Thor more than any other hero in the larger Avengers franchise. And yeah, I’ve been a massive Robert Downey, Jr. fan my entire life.
It’s not just Hemsworth’s Thor that makes these films a really fun experience though. A lot of credit has to go to Tom Hiddleston’s Loki, who is, by far, the best villain in the Marvel Cinematic Universe. Granted, he’s not a total villain and may be more of an ally in the films now but he was certainly an evil force in the early films. No other villain has had his presence, his charisma and his longevity. Every other villain is essentially a one-off castaway. There’s a reason as to why Hiddleston doesn’t simply disappear like all the others.
The Thor movies also have an incredible ensemble of people. But then they also have Natalie Portman, who I’ve never been much of a fan of and frankly, she didn’t really enjoy doing these movies anyway and more or less didn’t want to do the second one and got herself written out of the third. But the loss of Portman also caused Kat Dennings to be written out. Really, she was more entertaining and probably would’ve worked better as Thor’s girl because the banter between the characters would have been more fun than the boring and lazy Portman.
Anyway, we see Thor banished from Asgard because he pissed off Odin, his father. He has to prove himself and his worth in order to be allowed back into his home realm. He meets Jane, a scientist, and her crew. Thor’s first mission is to retrieve his magic hammer, Mjolnir. He then must fight Destroyer and eventually confront his brother Loki, who has deceived him throughout the events of the story.
We get the return of Clark Gregg’s Agent Coulson, as well as a cameo by Sam Jackson’s Nick Fury and the debut of Jeremy Renner’s Hawkeye.
This feels like a smaller film than what Marvel puts out now. But I like the smaller feel. The world of heroes hadn’t yet expanded to where it would, a few films after this one. This is a cozy origin tale and really is a stark contrast to what we would all see in Thor: Ragnarok. Plus, the Asgard side of the story is broad enough to not feel like you have cabin fever sitting in a small desert town the entire movie.
Pairs well with: Thor: Dark World and Thor: Ragnarok. Also, The Avengers, as that’s the next time that Thor would show up.
Release Date: April 13th, 2015 (Dolby Theatre premiere)
Directed by: Joss Whedon
Written by: Joss Whedon
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Brian Tyler, Danny Elfman
Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Stellan Skarsgård, James Spader, Samuel L. Jackson
Marvel Studios, Walt Disney Studios, 141 Minutes
*Written in 2015.
Avengers: Age of Ultron further solidified the main takeaway that I had after seeing The Avengers three years ago. A film this big, with a multitude of characters strong enough to carry their own film, is not necessarily a good formula. This wasn’t a bad movie, but like the first film featuring all the Avengers, it ranks below most of the solo films in the Marvel Cinematic Universe.
Yes, I did enjoy the movie but nowhere near as much as the recent films that preceded this one: Guardians of the Galaxy and Captain America: Winter Solider. I even enjoyed Thor: The Dark World more than this. The fact of the matter is, this film is just too busy.
In its busyness, Avengers: Age of Ultron lacks a good balance between the characters. There seems to be more focus on Black Widow and the Hulk, which is fine, as neither seem to be getting their own film anytime soon, but it makes things somewhat lopsided and there’s just a bunch of dudes in superhero garb one-lining each other to death from start-to-finish. And while Tony Stark witticisms are funny and the camaraderie of all these actors is generally pretty great, it has gotten to the point where it is starting to feel like a caricature of itself. The joke is wearing thin and it seems less organic now. The banter has gotten too predictable and thus, somewhat mundane. Much of it seemed forced and the back-and-forth between them over their radios during big battles, didn’t come off as natural. It felt like actors reading lines to a room full of strangers and a green screen.
Ultron, the main villain of the story, was created way too quickly, conveniently and easily. I feel like he should have been something brewing in Stark’s lab for a very long time. Something in the shadows that had been watching this whole time. Maybe there should have been seeds planted throughout other movies. I mean, the studio had to know they were going to do a film with Ultron, right? Right?!
The execution of Ultron was half-assed and the character, in this film, just didn’t feel like the unbeatable and nearly omnipotent Ultron of the comic books. Additionally, his personality was bizarre. While he was a cold and calculated killing machine, ready to wipe humanity away, he subjected himself to his own witticisms and his own weird sense of humor. Also, his powers were pretty limited compared to his comic book version, which they did because it is harder to write a story where the heroes are essentially fighting a god. That is a pretty weak cop out. Isn’t Thor a god? And then you have the Scarlet Witch, Hulk and Vision, so…
In a nutshell, Ultron came across as a bulked up General Grievous. But at least Grievous had four lightsabers. Ultron just had an army of flying robots that have been used to death since the second Iron Man film, which was eight Marvel movies ago.
And what was the point of Baron Strucker? He should have been just some random unimportant Hydra commander. He was made to look extremely weak and then just brushed aside and murdered off-screen. It was a waste of an iconic character that had potential and probably should have been used as a major villain on Agents of S.H.I.E.L.D. Also, his eye piece looked retarded.
Yay, Nick Fury shows up! And then he just talks a bunch.
The CGI at certain points in this film was just ridiculous. In the opening scene, everything felt too sped up and the movements of the Avengers came off as pretty cartoony. Call me old fashioned but what’s wrong with using some practical effects? It isn’t a bunch of Avatar creatures fighting a Tolkien dragon, it’s a bunch of human beings in costumes. So they all move like Jedi on cocaine now? And what’s the point of Quicksilver, if every other character comes off as almost that fast? The opening scene of Avengers: Age of Ultron just reminded me of that awful snow mountain sequence from last year’s Teenage Mutant Ninja Turtles.
Speaking of Quicksilver and while I’m at it, the Scarlet Witch, both of them had horrible accents. Sometimes it was there, sometimes it wasn’t. I guess that’s okay though, since Black Widow, a Russian character, sounds like she is from New York City. Also, Joss Whedon recently poked fun at how X-Men: Days of Future Past handled their version of Quicksilver. Whedon’s a boring jackass, as his version was one-dimensional, uninteresting and didn’t have a single moment nearly as notable as the amazing prison break scene from last year’s X-Men film.
Oh yeah, and Quicksilver dies. You see, there had been a rumor around for awhile that an Avenger would be killed off in this film. A rumor that was pretty much confirmed. But what Whedon did was go the easy route. The guy who loves killing likable characters, didn’t have the balls to commit this round. Maybe that was Marvel’s call, maybe it was Whedon’s, no one will ever really know but it was a pointless and shallow end to a pointless and shallow character.
The plot was nothing special. You can take away almost everything you need from the trailers. If you’ve seen the trailer, you know the set up. Essentially, bad guy is born, bad guy fucks shit up, good guys fight him and then win. There are no surprises, no big twists, nothing great and unexpected. It is a pretty straightforward story and predictable. But at least they weren’t standing around talking on a Helicarrier for a third of the film like the last one. And at least the big enemy wasn’t a giant propeller or generic aliens on flying jet skis.
And the big evil plan? Ultron lifts some eastern European city into the sky with underground boosters, in an attempt to drop it back down to Earth like a meteor. And people think Whedon is a genius? Ultron was mentally handicapped for a super computer but at least they explained that the giant rock wasn’t crumbling as it was being lifted due to some magic magnetic field. Never mind that this super strong magnetic field wasn’t stopping small pieces from crumbling off the edges during the very lengthy sequence. And I wasn’t sure how the city lifting didn’t turn the city itself into a crumbled mess pretty instantaneously. Were the buildings protected by the magnetic field too? And when Thor saved people falling off the floating city, why did he drop them off on the floating city destined to crash and not the fucking ground below?
And with the giant floating rock, was Whedon inspired by Superman Returns. Visually, this idea felt like a reverse of the major villainous plot from that film.
Then there was the ongoing joke of the film, that started with the first dialogue exchange. Stark says “shit” and Cap points out his potty mouth, to which every five minutes someone has to poke fun at Cap about how lame he is. Because if you forgot, he’s from the World War II era and must be an old coot.
And why did Black Widow have a tactical outfit that lit up like a character from Tron? How the fuck is she supposed to sneak up on bad guys and take them out stealthily if you can see her body outline glowing in the dark? Then again, neon Scarlett Johansson boobies would probably distract anyone long enough for her to get in a punch.
As far as positives, I like the seed planted for the upcoming Black Panther film. I also like how the arms dealer, played by Andy Serkis, is Klaw. They even went as far as to make him lose an arm in the film. I also liked how they made the Hulk v. Iron Man in Hulkbuster armor battle happen. I thought it would be handled poorly and was a bullshit attempt at fan service but how they made it work in the film was pretty awesome. Granted, I don’t understand why people were standing around gawking during the fight but that’s Hollywood for ya.
I also like that Hawkeye actually had a presence in this movie and wasn’t just some Loki zombie for 90 percent of the film. The look into his life and the fleshing out of his character was good. I liked the casting of Linda Cardellini as his wife.
I liked the tension between Captain America and Iron Man, which is a nice set up to what will happen in next year’s Captain America: Civil War.
I like that the Infinity Stones were finally explained and that Thanos acquires the Infinity Gauntlet in the mid-credits scene. Although that scene was bizarre and it seemed like Thanos was breaking the fourth wall. I don’t like that there wasn’t a post-credits scene.
However, the greatest thing about this film was Vision (I’ve always hated calling him “The Vision”). Paul Bettany, who has been the voice of J.A.R.V.I.S. since the first Iron Man film in 2008, was brought to life in the form of Vision. Bettany was the perfect choice and not just because his voice was Tony Stark’s assistant over the years, he just had a very serious yet calming presence that made him perfect for the part.
I’m fairly excited for where this series can go but I am more optimistic about the future than the present, as the next set of Avengers films will not be helmed by Joss Whedon. To be frank, I don’t understand the insane amount of fans that guy has.
Well, next up is Ant-Man. I’m hoping its smaller scale, pun intended, is a refreshing experience because this film was too large for its own good.
But what the hell do I know? Billions of fan boys will love this without question because Marvel can apparently do no wrong and Joss Whedon has a golden penis.
Release Date: April 12th, 2016 (Dolby Theatre premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: Captain America by Joe Simon, Jack Kirby
Music by: Henry Jackman
Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Frank Grillo, William Hurt, Daniel Brühl
Marvel Studios, Walt Disney Studios, 147 Minutes
The last time a bunch of Avengers got together on the big screen, the result was pretty lackluster. Actually, I could say it was pretty shitty. So, was Captain America: Civil War any better?
Well, it is based off of one of Marvel’s biggest events in the comic books over the last few years. It sees things come to a breaking point and it pits two groups of heroes against one another: one team led by Captain America and the other led by Iron Man. I was pretty happy with the comic series, so I had a bit of hope that the cinematic interpretation of that plot would generate a worthwhile film.
The biggest criticism I have, is the same criticism I’ve had with the Avengers films, there are too many people and they aren’t handled well in an ensemble. Sure, we get little bits of character development in some areas but ultimately, some of these characters, who don’t have their own solo films, would benefit more if they were to have their own two hour outing. I mean, hasn’t Scarlett Johansson earned a Black Widow movie yet? Or just put her with Hawkeye and two of the original Avengers can actually have some room to breathe on their own. Black Panther is getting his own movie but I doubt the Scarlet Witch is because she doesn’t have a penis.
Another criticism, is the gigantic fonts every time the film had to announce what location they were in. It was overwhelming on the big screen. Glad I didn’t see this in 3D because I would’ve been punching the air. I get that each Marvel film is different, and that’s good, but it made the visual style feel noticeably inconsistent with the other movies.
One thing I hate in films, these days, are action sequences where the camera cuts to a new shot for every punch, kick, throw, jump or any stunt, really. Mix that in with the shaky camera effect during the action and it is hard to tell what the hell is going on. It just looks like someone edited together a bunch of one second clips from high school lunchroom fights on YouTube. It also takes away from the stunts themselves and doesn’t really show the hard work of one of the most thankless jobs in Hollywood. As I mentioned style inconsistency before, this also fits into that, as the earlier Marvel films were more crisp and fluid and didn’t try to come off as some uber realistic gritty street fight.
This really wasn’t a Captain America film, it was an Avengers film. I will say that it was the best of the Avengers flicks but it was the worst of the Captain America ones.
The movie was too damn long, a lot of unnecessary shit was drawn out. I’d rather the film focus on building the newer characters than having half of the pointless shit that I had to sit through. It could’ve been an hour less and it wouldn’t have made much of a difference, other than improving the picture.
Another major problem with this film, which plagues everything that Marvel does on the film front, is it wasted its villains and it made them generic and not memorable at all.
When I first heard that Baron Zemo was in this film, I was excited. He’s been one of my favorite Marvel villains for years. He’s cool as hell and he got even more awesome when he started leading the Thunderbolts team. He had a great mask, a great style and was just a fantastic bad guy. In this movie, he’s some Colonel from that country the Avengers destroyed in the last movie and he just wears normal clothes. No cool mask, no endless supply of money, no cool pistol, nothing interesting or cool whatsoever. He looked like my friend French Kevin’s dad. Anyone could’ve played Zemo and just showed up to work in flip flops and a wife beater and Marvel would’ve just been like, “Looks great! This guy is seriously a credible threat!”
Crossbones showed up to. Well, he was in the previous Captain America film. In this movie, he has a cool outfit and looks Crossbones-esque. But then he gets beat up and blows himself up. So, one of Captain America’s best villains, is wasted in ten minutes. Kind of like how they did Baron Von Strucker in the last Avengers movie.
Marvel can’t do villains. If they actually treated them like they did their heroes, they could be great. But what we get, is awesome heroes fighting French Kevin’s dad in every movie. And Thanos is still coming, right? Because we haven’t seen him in a while. Or are the Avengers just going to fight an angry P.T.A. that has taken over an elementary cafeteria in the next movie?
I will say that Black Panther was cool but I’m not totally sold, Winter Soldier was great but he always is and Spider-Man was refreshing. Granted, I can’t judge Spidey until I see his own film but Tom Holland seems like a great casting choice. The kid just feels right.
In the end, this certainly did not live up to the hype. It was nowhere as iconic as the Civil War that happened in the comic books. It didn’t feel nearly as important as that. Although, Tony Stark did embrace the fascist dickbag persona, at least for awhile, as Disney was too cowardly to just make him the villain of the story, outright. And their cowardice was also apparent when there were no real prices to pay at the end of this thing. No one died. I’m not saying that is necessary but the weight of the collateral damage and human wreckage in the comic books, is really what made Civil War so impactful.
I’m just glad that Tony Stark got his ass kicked in by Captain America. Freedom. Mother. Fucker.
Release Date: November 11th 2016 (USA)
Directed by: Denis Villeneuve
Written by: Eric Heisserer
Based on: Story of Your Life by Ted Chiang
Music by: Jóhann Jóhannsson
Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma
FilmNation Entertainment, Lava Bear Films, 21 Laps Entertainment, Paramount Pictures, Sony Pictures Releasing International, 116 Minutes
Over the last few years, there have been a lot of big science fiction films popping up around November. I’m really liking this trend, even if most of them don’t seem to be as smart as they are marketed. The thing is, as scientifically literate as Interstellar claimed to be, it was ultimately a disappointment to those of us who have ever picked up a book by Carl Sagan, Stephen Hawking or Neil deGrasse Tyson. When you expect to see a spaghettified version of Matthew McConaughey entering the black hole but instead, you get him playing around in his daughter’s closet sending time traveling Morse code to a watch in the past, it’s a pretty eye-rolling experience.
Arrival doesn’t try to dupe the audience with the illusion of a real scientific approach. It actually manages, for the most part, to come of as realistic as a film can considering the subject matter. Sure, like Interstellar, it pulls at the heartstrings, maybe a bit too much, and it brings in a time traveling element of sorts – tying every big event in the film to the main character’s personal life – but Arrival does a much better job of it.
The film stars Amy Adams, Jeremy Renner and Forest Whitaker: three heavy hitters with loads of talent that carry this film on their backs without any problems. Director Denis Villeneuve maybe had it too easy, as the cast felt completely natural with one another and acted out their roles flawlessly.
However, the picture may have benefited more, had Whitaker had a bit more screen time. His character was the thinnest and I wish he had been fleshed out to some degree, as there really wasn’t much that the audience knew about him. I guess the same could be said for Renner, to a lesser degree. Ultimately, this is Amy Adams’ film and she takes center stage. But the film is also her story and really no one else’s.
The highlight of this film is the use of linguistics. Amy Adams’ character, Dr. Louise Banks, is an expert in language and has deciphered things for the government before. This time, she is needed to figure out why alien visitors have arrived on Earth. Instead of following standard sci-fi alien invasion tropes, Arrival doesn’t serve up invaders who already speak our language or who have “studied our planet’s radio waves for years” and figured out how to send us messages. Arrival gives us an alien civilization that we have to work with in an effort to communicate with one another. That is the big story of the movie. Well, as much as I can say without spoiling too much.
The film builds up a lot of tension and it does a great job of moving forward at a good pace while keeping everything interesting and on point. However, by the time you get to the end, which features a sort of plot twist and big reveal, things feel pretty underwhelming. The build up was great but the resolution was pretty bland. There really were no big surprises in the film, even though the picture felt like it thought there were. But maybe that is because the time traveling element that I mentioned before, has already been used quite a bit in these types of serious sci-fi movies.
Ultimately, this film is still pretty fantastic, regardless of the underwhelming resolution.
The cinematography is pretty great. The alien vessel reminds me a lot of the visual style of Michael Mann’s 1983 film The Keep. The rolling fog over the Montana mountains as Louise arrives to base camp the first time is majestic. The cold dark tone of the human side of the glass versus the bright foggy alien side creates a pretty stark contrast between the two species and foreshadows what is to come.
In regards to the aliens, Arrival benefits in that it reveals them almost immediately. There is no mysterious build up over the course of two hours for a crappy reveal ala Super 8 and some other movies. The aliens are just kind of present in the film. Their look isn’t distracting and it is pretty simple and neutral. They aren’t super cool and they aren’t super lame, they just exist and it works.
I was pleasantly surprised by Arrival and was glad that when I first heard about it, that it wasn’t a reboot of that 1996 Charlie Sheen film of the same name. All of these serious sci-fi pictures, as of late, have left me pretty disappointed. Arrival did not. I would say it is the best of the lot.