Film Review: One Crazy Summer (1986)

Also known as: Greetings from Nantucket (working title)
Release Date: August 8th, 1986
Directed by: Savage Steve Holland
Written by: Savage Steve Holland
Music by: Cory Lerios
Cast: John Cusack, Demi Moore, Curtis Armstrong, Bobcat Goldthwait, Joel Murray, William Hickey, Joe Flaherty, Mark Metcalf, John Matuszak, Kimberly Foster, Matt Mulhern, Tom Villard, Jeremy Piven, Rich Hall, Taylor Negron, Billie Bird

A&M Films, Warner Bros., 93 Minutes

Review:

“[Reading the obituaries] “Hey, Hoops, you ever notice how people die in alphabetical order?” – George Calamari

One thing that makes this film so damn fun to watch is that it was chock full of a lot of talent from the time.

While it stars John Cusack and Demi Moore, it boasts great comedic and character actors like Bobcat Goldthwait, Curtis Armstrong, Joel Murray, William Hickey, Joe Flaherty, Taylor Negron, Rich Hall and Billie Bird. It also features big man John Matuszak a.k.a. Sloth from The Goonies and a very young Jeremy Piven.

This is a really goofy and surreal film but I don’t feel like it gets too lost in its zaniness. It does stay pretty well grounded and just works as a great ensemble comedy that is very much a product of its time. While that might mean that it hasn’t aged well to some, I still found it to be energetic, charming and goofy while still being an entertaining and mostly mindless pleasure.

The story focuses on a summer vacation to Nantucket for two buddies that recently graduated high school. One falls for a musician girl and there is a romantic subplot there but it isn’t heavy handed or really even the centerpiece of the movie’s plot. Most of the film is a series of gags with an overall story that connects everything and gives the characters more of a purpose and an objective towards the end.

Additionally, the film’s director is an animator and he incorporates his animations into the film. I found that stuff to be pretty cool and it just fit the film well. In fact, it really sets the tone from the opening credits, as it then slides the viewer into live action. The director, Savage Steve Holland would go on to create Eek! The Cat.

My favorite part of the film was the bit where Bobcat Goldthwait got stuck in a rubber Godzilla suit and accidentally crashed a party, which also saw him stomp across a miniature real estate model of a residential community. Granted, I’m a massive Godzilla fan, love Bobcat and this was at the height of his awesomeness.

One Crazy Summer is silly but it is enjoyable silly. I still like it quite a bit and it’s a good flick to cheer you up on a gloomy day.

Rating: 6.75/10
Pairs well with: other teen comedies of the ’80s.

Film Review: Singles (1992)

Release Date: September 18th, 1992
Directed by: Cameron Crowe
Written by: Cameron Crowe
Music by: Paul Westerberg
Cast: Bridget Fonda, Campbell Scott, Kyra Sedgwick, Sheila Kelley, Jim True, Bill Pullman, Matt Dillon, Tom Skerritt, Jeremy Piven, Eric Stoltz, Tim Burton, Chris Cornell, Eddie Vedder, Peter Horton

Warner Bros., 99 Minutes

Review:

“Look, Debbie, I’m kind of having a bad sugar crash. Do you think you could just, you know, hold it down?” – Pam

Since I revisited Reality Bites a few weeks back, I figured that I would also look at the film it is most often compared to: Singles.

Reality Bites didn’t hold up well to the test of time but Singles does, as it works much better as a time capsule to a bygone era that features the Seattle grunge movement just before it became a huge thing that overtook American culture for a little while. Also, it just feels more authentic than Reality Bites and doesn’t rely too heavily on one-dimensional archetypes and Gen-Xers’ philosophical and hypocritical ramblings.

As a motion picture, this is a much better body of work than Reality Bites but it also features a veteran director in Cameron Crowe, where the other film was the directorial debut of a very young Ben Stiller off of the script of a teenage girl. Not to knock Reality Bites, but it does seem much more juvenile than Singles and is full of mostly unlikable characters. Singles, on the other hand, has mostly likable characters, even in the form of this film’s version of its rock star wannabe.

All that being said, I still think that Reality Bites has more value on repeated viewings. Yes, Singles is better but it is also a bit drab at times and even with a large ensemble of characters, the film plays things really safe and there isn’t enough tension to make you feel much of anything. You just see the characters as nice, mostly boring, young people confused about things like love and life because they still lack experience. With Reality Bites, even if the two main characters are selfish and pretty unlikable, there is enough tension and magnetism between them that you feel something.

Where Singles excels is in the fact that it is shot better, directed better and has actors that are able to feel like real, genuine characters. And this film just feels more mature, even if it is about young people finding their way into adulthood.

This also has a cool factor because of the real world legendary musicians who appear in this before they even reached greatness. You have Chris Cornell, Layne Staley and Eddie Vedder before his band was even called Pearl Jam. You also have an acting cameo from the it director of the time, Tim Burton.

I still liked Singles. It isn’t a film I will want to go back to anytime soon but everyone was good in it and it felt more like a social semidocumentary than an actual fictional film, which Crowe was probably going for and succeeded at achieving. This felt like one of those earlier seasons of MTV’s The Real World, before producers realized that manufacturing fights created big ratings. You know, back when The Real World actually seemed real.

Rating: 6.75/10
Pairs well with: Reality BitesSubUrbiaEmpire RecordsS.F.W. and Clerks.