Film Review: Quicksand! (1950)

Also known as: Gungfly (Sweden)
Release Date: March 24th, 1950
Directed by: Irving Pichel
Written by: Robert Smith
Music by: Louis Gruenberg
Cast: Mickey Rooney, Jeanne Cagney, Barbara Bates, Peter Lorre, Jack Elam (uncredited)

Samuel H. Stiefel Productions, United Artists, 79 Minutes

Review:

“Now, wait a minute! Don’t holler ’til you hurt!” – Daniel ‘Dan’ Brady

Quicksand was pretty highly touted in a few books I read on classic film-noir. However, I found it to be a bit pedestrian and drab.

Now the performances by most of the main cast were good, especially Peter Lorre, but Mickey Rooney was kind of a distraction, as I just didn’t find his character to be believable. That may also be because I’m watching this through modern eyes and I mostly only know Rooney through his work, later in his career.

It was just hard for me to buy into him in this but that’s also a moot point when the picture itself isn’t very engaging, has a really basic plot and also has really predictable twists and turns.

The film is also very short, which isn’t a big deal, especially with smaller noir productions of the time but there is such a lack of story that even with a scant running time, it feels like there are scenes that are too drawn out. It feels like the script was 60 pages and they tried their damnedest to stretch it to the length of a film with 80 to 100 pages.

Still, it’s not bad. It’s passable and fairly competent from a technical standpoint. There just isn’t a whole lot here to care about or sink your teeth into. There’s a hundred classic noir pictures that are better than this one.

Rating: 5.5/10
Pairs well with: other noir B-movies of the ’40s and ’50s.

Film Review: Don’t Bother to Knock (1952)

Also known as: Night Without Sleep, Mischief (working titles)
Release Date: July 18th, 1952 (New York City premiere)
Directed by: Roy Ward Baker
Written by: Daniel Taradash
Based on: Mischief by Charlotte Armstrong
Music by: Lionel Newman
Cast: Richard Widmark, Marilyn Monroe, Anne Bancroft, Elisha Cook Jr., Jim Backus, Donna Corcoran, Jeanne Cagney, Lurene Tuttle, Verna Felton

20th Century Fox, 76 Minutes

Review:

“You smell like a cooch dancer!” – Eddie Forbes

This is a really interesting film about mental illness. It came out in the 1950s when there wasn’t as much knowledge about the subject but compared to other films from the time, this one is actually really respectful towards mental health. Honestly, Don’t Bother to Knock is probably one of the best movies of its era to actually try and tackle the issue, as it doesn’t make the character struggling with it into a psychotic nutjob.

The film gives top billing to Richard Widmark but the real star of the picture is Marilyn Monroe, who plays a babysitter that mentally breaks down as the story rolls on. I’ve absolutely got to give Monroe props in this role, as she truly comes across as believable and makes you feel for her on a pretty deep level.

In fact, this is one movie that you can point to when people claim that Monroe was just a pretty face. She handled the material with a sort of grace and respect that transcends the picture. And if I’m being straight here, I’ve never been a massive Monroe fan. But her ability to act in this picture was stupendous and it kind of makes me want to reexamine her other roles.

Additionally, Widmark is superb in his role, as are Anne Bancroft, who I wish had more screen time, and the always entertaining character actor Elisha Cook Jr.

This is a sympathetic and intelligently handled picture where the cast figures out something is off with this girl but they ultimately rally around her to give her the help she desperately needs. It’s hard to say what happens to her after the film but you do leave with the feeling that the core characters in this story will be there to help her heal, as opposed to just sending her to an asylum and being done with her uncontrollable antics.

Directed by Roy Ward Baker, who would go on to do a lot of horror and sci-fi pictures, the film is well shot and it shows that the guy had a real skill that his later work might not have showcased nearly as well. While I enjoy the work he did for Hammer and Amicus, the two horror giants of the UK, this may be the best film of his that I’ve seen from an artistic and technical standpoint.

Don’t Bother to Knock has been a film that has been in my Prime Video queue for a long time. I’m glad that I finally got around to giving it a shot, as I was pleasantly surprised by it on just about every level.

Rating: 7.75/10
Pairs well with: other early ’50s film-noir, as well as other early Marilyn Monroe movies.