Release Date: April 16th, 2016 (Tribeca Film Festival) Directed by: Adam Nimoy Music by: Nicholas Pike Cast: Adam Nimoy, Leonard Nimoy (archive footage), Zoe Saldana, Karl Urban, Chris Pine, William Shatner, Mayim Bialik, Jim Parsons, Simon Pegg, Zachary Quinto, J.J. Abrams, Jason Alexander, Catherine Hicks, Nichelle Nichols, George Takei, Walter Koenig, Neil deGrasse Tyson, Nicholas Meyer, Julie Nimoy
455 Films, For The Love Of Spock Productions, 111 Minutes
“The review that Variety gave us when we first went on the air in September of 1966: “Star Trek won’t work.” [grins]” – Leonard Nimoy
This had been in my queue for quite awhile. I’m not sure why I hadn’t watched it until now but I’m glad that I finally did, as Leonard Nimoy is an actor that had a pretty profound effect on me, as a kid, and because he’s someone I greatly admire, as an adult.
This documentary went into production while Nimoy was still alive but he died early on in the process of making it. Because of that, this evolved into being about the man and his most famous character, Spock from Star Trek.
For the Love of Spock is also a passionate letter from a loving son to his father, which also involves a lot of the talented people that worked with Nimoy over decades.
I like that this spent a lot of time on Nimoy, the man, as well as the Spock character. It delves into his personal life, his history in showbiz and how he was instrumental in shaping not just his character but the mythos of Star Trek, as a whole.
This was well shot, superbly edited and it was nice seeing all of his living colleagues and friends talk about his life, work and contributions to one of the greatest science fiction franchises of all-time.
This documentary is nearly two hours but it flew by like a breeze. I was actually surprised when it started to wrap up, as I hadn’t realized how much time had passed.
All in all, this is a pretty solid film on a pretty solid and supremely talented man.
Original Run: September 10th, 2017 – current Created by: Seth MacFarlane Directed by: Seth MacFarlane, various Written by: Seth MacFarlane, various Music by: Bruce Broughton, Joel McNeely, John Debney, Andrew Cottee Cast: Seth MacFarlane, Adrianne Palicki, Penny Johnson Jerald, Scott Grimes, Peter Macon, Halston Sage, J. Lee, Mark Jackson, Jessica Szohr, Victor Garber, Chad Coleman, Norm Macdonald, Jason Alexander, Patrick Warburton, Rob Lowe, Robert Picardo, Larry Joe Campbell, Kelly Hu, Rachael MacFarlane (voice)
Fuzzy Door Productions, 20th Century Fox Television, Fox, 12 Episodes (so far), 44 Minutes (per episode)
I’ve heard nothing but good things about The Orville. I intended to watch it last year, after the first season wrapped up, but life throws curveballs and I didn’t get to it until the current, second season, started.
I wasn’t sure what to expect from a show that looked to be a parody of Star Trek from the man behind Family Guy. I’m not a big fan of that show but I also don’t really dig animated comedies, at least since the earliest days of South Park.
This doesn’t reflect the same sort of humor style or tone of Family Guy, however. It’s just really f’n clever and beyond the comedy, this show is written in a way that makes it very clear that Seth MacFarlane truly is a fan of Star Trek and most notably, Star Trek: The Next Generation.
It feels as if it most directly parodies TNG and some of Voyager. But I can’t really call it a parody, even if it seemed to start out that way.
Yes, there is a lot of humor but it is almost secondary and as the show progresses, it learns to balance itself better between comedy and real drama. In fact, the comedy is used perfectly in how it eases tension and emotions in the right moments.
As of now, having seen about 15 episodes of this show, I can say that it is the best version of Star Trek since Deep Space Nine left the air in 1999, twenty years ago. The Orville is more Star Trek than modern Star Trek. It understands the source material it borrows from better than any of the film or television writers that have tried to resurrect it over the last two decades.
Everything about The Orville just feels right. If it maintains its momentum, I’ll have to adjust the rating and make it higher. I’m skeptical that it can maintain this trajectory over the long haul but I also don’t think that it’ll ever devolve into something terrible.
Thus far, I love this show and I can’t thank Seth MacFarlane enough for plugging a large hole in my fanboy heart.
Rating: 8.75/10 Pairs well with:Star Trek: The Next Generation and Star Trek: Voyager.
Release Date: May 8th, 1981 Directed by: Tony Maylam Written by: Brad Grey, Tony Maylam, Harvey Weinstein, Bob Weinstein, Peter Lawrence Music by: Rick Wakeman Cast: Brian Matthews, Lou David, Leah Ayres, Brian Backer, Larry Joshua, Jason Alexander, Ned Eisenberg, Carrick Glenn, Fisher Stevens, Holly Hunter
Miramax Films, Filmways Pictures, 91 Minutes
“You’re crazy.” – Karen, “Yeah, I know. Crazy for you.” – Eddy
Sure, The Burning was made to cash in on the success of the previous year’s smash hit, Friday the 13th. In fact, the whole 1980s slasher genre was just riding on the coattails of Friday the 13th and Halloween but that doesn’t take away the fact that The Burning is a pretty good film in its genre and I would dare say, a classic.
Sadly, it is underappreciated today and maybe it wasn’t even that appreciated when it came out, as it was one of many Friday the 13th clones lost in a sea of teenage blood.
In this slasher picture, there is a summer camp caretaker named Cropsy. Some teenage boys decide to play a prank on him late at night. The prank has disastrous results, as the frightened Cropsy accidentally sets himself and his home on fire. He nearly burns to death but falls into the river. Years later, he returns to the camp to get murderous revenge. Of course, he doesn’t just look for the teens who pranked him, he just goes on a killing spree of all teenagers because that’s what you do in a slasher film.
There are a few highlights to this film. The first being the cast.
Several people here would go on to be pretty notable stars. George Costanza himself, Jason Alexander, is in this, slimmed down and with a full head of hair. It is actually weird seeing him very un-Costanza-like. He is almost a cool jock type, which is pretty amusing.
The film also features Leah Ayres, who might be more recognizable as the leading lady in the Jean-Claude Van Damme classic Bloodsport. There’s also Brian Backer, who I will always love for his role as “Rat” in Fast Times at Ridgemont High and his one-off appearance in Police Academy 4: Citizens On Patrol. You have Fisher Stevens, who would star in the two Short Circuit movies and play the villain in Hackers. Ned Eisenberg, a guy who is in just about everything, plays the generic teen asshole that exists in every proper slasher flick. I also have to point out Carrick Glenn, who didn’t do very many movies, but really steals the show in this and not just because of her bare boobs. The biggest star of this thing, other than Alexander, is Holly Hunter. While her role here is far from massive, she would go on to have a hell of a career.
Another highlight is the special effects and the makeup. This thing was essentially made on a limited budget but the practical effects are absolutely top notch. I actually think the effects in this are superior to the much more famous Friday the 13th. The burnt flesh of Cropsy is fantastic and his face is truly disgusting without looking cheesy or having to be visually obscured to hide some sort of cosmetic imperfection. The raft murder scene is particularly well done, especially the killer’s point-of-view shot where he chops off Fisher Stevens’ fingers.
While so many slasher flicks miss the mark, The Burning just gets it. I’m kind of surprised that this didn’t generate sequels, as Cropsy was a spectacular slasher, his origin story was simple but well-handled and the overall vibe of the picture was a good balance of creepy and fun.
That final pursuit scene, through the woods, is one of the best in the genre, even if Brian Backer was the intended victim and not a damsel in distress. Granted, he was still a damsel in distress and required rescuing from the bad ass male hero. But the ending does make it rather unique, as there isn’t a scream queen present.
The Burning is a remarkable picture for what it is. While it isn’t as beloved, to me, as the entirety of the Friday the 13th film series, I do enjoy it more than the first couple movies in that franchise. It is kind of hard to top Friday the 13th parts IV and VI. However, The Burning is an example of how good a slasher picture can be, even if the vast majority of them are just rehashes of a few that came early in the genre.