Documentary Review: Becoming Bond (2017)

Release Date: March 11th, 2017 (SXSW)
Directed by: Josh Greenbaum
Written by: Josh Greenbaum
Music by: John Piscitello
Cast: George Lazenby, Josh Lawson, Kassandra Clementi, Jane Seymour, Jeff Garlin, Jake Johnson, Dana Carvey

Delirio Films, Hulu, 95 Minutes

Review:

Well, this was an incredibly fun documentary.

What I liked most about this was it was just George Lazenby telling his story, in his own words with comedic dramatization used to paint the picture. I didn’t expect to be so amused by this but I was.

I think the thing that made the dramatizations so good is that they sneaked some well-known actors into the mix. We got Jane Seymour and Jake Johnson but then we also got the comedic flourish of Jeff Garlin and Dana Carvey, who did a solid Johnny Carson impersonation.

For those that don’t know, George Lazenby played James Bond in one movie, On Her Majesty’s Secret Service. Oddly enough, that is my favorite Bond movie of all-time, so seeing this documentary about the one-off Bond and some of the behind the scenes stuff of that movie, was really cool to watch. Especially, since that film came out in a time when behind the scenes stuff didn’t really exist.

Also, a lot of the stuff about Lazenby is discussed in the documentary Everything Or Nothing but that film covers the entire James Bond franchise and Lazenby’s stint was a very small piece of the larger pie. So having a whole documentary dedicated to Lazenby and the controversy surrounding his time as Bond was pretty cool.

In the end, this made me appreciate Lazenby, the man. He definitely marched to the beat of his own drum and despite the issues that the franchise had because of him, it’s hard not to respect him. Plus, he is still the star of one of the greatest Bond films ever made.

Rating: 8.5/10
Pairs well with: other documentaries about the James Bond franchise but most notably, Everything Or Nothing.

Film Review: Live and Let Die (1973)

Release Date: June 27th, 1973 (US release)
Directed by: Guy Hamilton
Written by: Tom Mankiewicz
Based on: the James Bond novels by Ian Fleming
Music by: George Martin, Paul McCartney, Linda McCartney
Cast: Roger Moore, Yaphet Kotto, Jane Seymour, Julius Harris, David Hedison, Gloria Hendry, Clifton James, Geoffrey Holder, Madeline Smith, Bernard Lee, Lois Maxwell

Eon Productions, United Artists, 121 Minutes

Review:

“Tee-Hee, on the first wrong answer from Miss Solitaire, you will snip the little finger of Mr. Bond’s right hand. Starting with the second wrong answer, you will proceed to the more… vital… areas.” – Kananga

I’ve worked my way through most of the James Bond movies and only have a few left after this one. Granted, I’ve seen them all before but I didn’t review any of them until last year. And since I’ve been doing these out of order, I should note that this is not my first Roger Moore Bond film but it is his first outing as the iconic character.

I know that this one gets a pretty bad rap but it’s one of my favorites. But I’ll explain why.

To start, it came out at the height of the blaxploitation era in American filmmaking and it utilizes that to great advantage. The film has a lot of blaxploitation actors in this from Julius Harris to Gloria Hendry. And while it taps into that vibe well, this isn’t Bond trying to be blaxploitation, it just meshes well with that genre’s style where it needs to.

Additionally, I love the voodoo and magical elements to the film. They may feel out of place and hokey but by the 1970s, Bond movies had started to drive towards cheese. Honestly, this is the most ’70s-esque of all the Bond films and while it feels dated because of that, it still works really well for me. I love the voodoo stuff, especially Baron Samedi, who was brought to life by the always awesome Geoffrey Holder. No lie, Samedi is one of my all-time favorite Bond villains.

The setting of this film was also great. It went from New York City to New Orleans to the Caribbean and in doing that, married the urban blaxploitation vibe with the Caribbean beauty of Dr. No, the first Bond film. In a way this brings things full circle, as Roger Moore’s first outing as Bond had a strong geographic similarity to Sean Connery’s first outing as the character. And both filmed those sequences on location in Jamaica.

I also enjoyed Yaphet Koto in this as the evil Kananga. He was a new kind of Bond villain for a new era where the franchise couldn’t keep relying on SPECTRE as its premier threat. Koto’s work here, really set the stage for some of the other solid villains from the Moore era.

We also get the debut of Sheriff Pepper of Louisiana, who is probably more iconic than the size of his actual role in the series. He’s synonymous with the Moore era but he was actually only in two of Moore’s Bond pictures and fairly briefly. Still, he is a fan favorite and it’s been argued that he was a template for the cops in The Dukes of Hazzard, as well as Jackie Gleason’s Buford T. Justice from Smokey and the Bandit.

Now there are some cringe moments in this like when Kananga blows up like a balloon, floats and explodes. However, those moments are balanced out by the hokey stuff that worked better like the scene where Samedi gets a chunk blown out of his head and he just looks up at it before he shatters like a broken pot.

I love this movie. I get that it is frowned upon by more serious Bond fans but they miss the point. This series should be about fun escapism. This is exactly that.

Rating: 8.75/10
Pairs well with: The other Roger Moore James Bond movies.