Film Review: His Kind of Woman (1951)

Also known as: Smiler with a Gun (working title)
Release Date: August 15th, 1951 (Philadelphia premiere)
Directed by: John Farrow, Richard Fleischer
Written by: Frank Fenton, Jack Leonard, Gerald Drayson Adams
Music by: Leigh Harline
Cast: Robert Mitchum, Jane Russell, Vincent Price, Tim Holt, Charles McGraw, Marjorie Reynolds, Raymond Burr, Jim Backus, Philip Van Zandt

A John Farrow Production, RKO Radio Pictures, 120 Minutes

Review:

“This place is dangerous. The time right deadly. The drinks are on me, my bucko!” – Mark Cardigan

This has been in my queue for awhile, as I’ve spent a significant amount of time watching and reviewing just about every film-noir picture under the sun. It didn’t have a great rating on most of the websites I checked but it looked to be better than average.

Now that I’ve seen it, I don’t know what the hell most people were thinking. This film is absolutely great! I loved it but I also have a strong bias towards Robert Mitchum, Vincent Price, Raymond Burr and Charles McGraw. I also love Jane Russell, even if she didn’t star in films within the genres I watch the most.

His Kind of Woman is a stupendous motion picture and it really took me by surprise.

This is just a whole lot of fun, the cast is incredible and bias aside, I thought that Vincent Price really stole every single scene that he was in. I’ve seen Price in nearly everything he’s ever done and this might be the one role, outside of horror, that I enjoy most. He starts out as a bit of a Hollywood dandy, shows how eccentric he is as the film rolls on and then shows us that in spite of all that, he’s a friggin’ badass, ready to go out in a blaze of glory just to save the day.

I also love that this is set at a resort in Mexico, as it has a good tropical and nautical feel, which should make Tikiphiles happy. But really, the picture has great style in every regard.

I love the sets, I love the cinematography, the superb lighting and how things were shot. There are some key scenes shot at interesting and obscure angles that give the film a different sort of life than just capturing these fantastic performances in a more straightforward manner. One scene in particular shows Mitchum talking to a heavy and it’s shot from a low angle with shadows projected onto a very low ceiling. It sort of makes you understand that something potentially dreadful is closing in on Mitchum.

Out of all the film-noir pictures I’ve watched over the last year or so, this is definitely one that I will revisit on a semi regular basis.

Rating: 9.25/10
Pairs well with: other film-noir pictures starring Robert Mitchum, Vincent Price, Raymond Burr or Charles McGraw.

Film Review: Road to Bali (1952)

Also known as: The Road to Hollywood (working title)
Release Date: November 19th, 1952 (premiere)
Directed by: Hal Walker
Written by: Frank Butler, Hal Kanter, William Morrow
Music by: Joseph J. Lilley
Cast: Bing Crosby, Bob Hope, Dorothy Lamour, Carolyn Jones, Humphrey Bogart (cameo), Jerry Lewis (cameo), Dean Martin (cameo), Jane Russell (cameo)

Paramount Pictures, 91 Minutes

Review:

“He’s gonna sing, folks. Now’s the time to go out and get the popcorn.” – Harold Gridley

Bing Crosby and Bob Hope made seven Road to… movies. This was the sixth one and the only one filmed and released in Technicolor. It actually benefited from the process, as this is an incredibly exotic looking picture with a strong Tiki aesthetic in the height of the Tiki loving era in America.

I had seen bits and pieces of all these movies when I was a kid because my mum and granmum used to watch Bob Hope movies all the time. I always loved the look of this picture, mainly because I’ve always had a love for everything Tiki.

Crosby and Hope were always really fun together and by this point, they were so familiar with one another that everything they did was incredibly natural. They were a great and iconic duo and this film is one of the times that they were at their absolute best.

I don’t like musicals. I’m not a fan of musical numbers advancing plot. I don’t mind music heavy movies, typically I love them. Just musicals have never worked for my brain, I guess. Still, I like the musical numbers here and while some are used to advance plot, most of the numbers work organically. In the opening, the musical number is actually Crosby and Hope performing on stage. These stage sequences are better than the ones where the picture follows a more traditional musical style.

Road to Bali sees Crosby and Hope take a treasure diving job on a tropical island in the Pacific. They both fall for the same girl and spend the movie competing to try and win her heart. The movie is lighthearted and energetic and these two have a magnetic charisma. Dorothy Lamour also added a lot to the picture, as the apple of these boys’ eyes.

This a a beautiful but kitschy looking film that should make any Tikiphile smile.

Rating: 7/10
Pairs well with: The other Road pictures with Hope and Crosby. For the Tiki aesthetic and also featuring Dorothy Lamour, check out Donovan’s Reef, which also features John Wayne, Lee Marvin and Cesar Romero.