Release Date: May 17th, 1979 (Cannes)
Directed by: Harold Becker
Written by: Joseph Wambaugh
Based on: The Onion Field by Joseph Wambaugh
Music by: Eumir Deodato
Cast: John Savage, James Woods, Franklyn Seales, Ted Danson, Ronny Cox, Christopher Lloyd, Priscilla Pointer, John de Lancie
Black Marble Productions, AVCO Embassy Pictures, 122 Minutes
“Any man who gives up his gun to some punk is a coward. Any man who does can kiss his badge goodbye, if I can help it. You’re policemen. Put your trust in God.” – LAPD Captain
I had never heard of this movie until the Criterion Channel put up a neo-noir collection, recently. Going through it, I figured I’d give this picture a watch, as it was one of the few in that collection that I hadn’t yet seen.
This also has James Woods and Ted Danson in it, so I was pretty intrigued, considering I had never stumbled across this.
The story is based on a true crime book and the film is written by the same author, which I guess helped keep things as accurate as possible. With real world stories, accuracy is hardly a priority for Hollywood.
First and foremost, this is incredibly well acted. Once the big, fucked up event in the film happens, John Savage’s acting goes to another level and the film switches gears, showing a once badass man break down because of the death of his partner and because the broken justice system is failing to make the killer pay for the crime.
The first hour of the story gives the background on the people and the events that led to a cop being murdered by a scumbag criminal. At the midway point of the film, we see the traffic stop that leads to the cop’s murder and his partner’s escape. The last half of the film focuses on the fallout and how the surviving cop can’t deal with justice not being served.
This is an emotionally heavy film in the back half and it leaves you incredibly pissed off, as you start to wonder if the scumbag is going to get away with the heinous, cold-blooded crime.
Beyond the great acting, this is a film that has great atmosphere. Watching it, it feels dark, confined and muggy. You feel stifled by the weight of it and feel the emotion pretty intensely. However, even with the genuine emotional connection to the primary character, the film really suffers from its pacing and structure. Something just felt a bit off in that regard and the film drags in points.
Still, I enjoyed this and was glad that I discovered it.