Also known as: M:I-6, Mission: Impossible VI (alternative titles) Release Date: July 12th, 2018 (Paris premiere) Directed by: Christopher McQuarrie Written by: Christopher McQuarrie Based on:Mission: Impossible by Bruce Geller Music by: Lorne Balfe Cast: Tom Cruise, Henry Cavill, Simon Pegg, Ving Rhames, Alec Baldwin, Rebecca Ferguson, Sean Harris, Angela Bassett, Michelle Monaghan, Vanessa Kirby, Wes Bentley, Frederick Schmidt, Ross O’Hennessy, Wolf Blitzer (cameo)
“There cannot be peace without first a great suffering. The greater the suffering, the greater the peace. The end you’ve always feared… is coming. It’s coming, and the blood will be on your hands.” – Solomon Lane
These movies are so damn good! Well, at least from the third one forward. I’m still sour about my initial experience with M:I-2 from twenty years ago.
Anyway, this one is a hair below the previous chapter but it’s still a near perfect, spy thriller masterpiece.
There is really only one negative with this film and that’s the exclusion of Jeremy Renner. However, Renner had become too busy with his work as Hawkeye in the Marvel Cinematic Universe, so his absence is understandable. Also, adding Henry Cavill to the cast was a massive plus, even if he doesn’t survive beyond this chapter… or so, one would assume.
Other than Renner, this brings back everyone from the previous film, as well as bringing back Michelle Monaghan in a role that was thankfully bigger than just an uncredited cameo like in the fourth movie.
This one also adds in Angela Bassett as the CIA director, who is a secondary antagonist until she sees the light and learns to trust America’s greatest hero, Ethan Hunt. We’re also introduced to a new character, played by Vanessa Kirby, who I sincerely hope returns in future films. Not just because she’s f’n gorgeous but because her character is really damn interesting, badass and I’d just like to see her get to develop more, as they keep pumping out these movies because Tom Cruise is ageless.
The plot feels a little heavy and overloaded but thankfully, by the end, everything kind of falls into place in a good way. I also felt like this didn’t just build off of its direct predecessor by featuring the same villain and key characters but it also sets up the future, as the main villain is still alive and one would assume that he will come back into play again, almost becoming Mission: Impossible‘s equivalent to James Bond‘s Ernst Stavro Blofeld. Plus, Sean Harris is f’n chilling as hell in this role and despite him being a monster, I want to see more of him. Although, I do eventually want to see him catch a bullet or an even more over-the-top death.
I think that my favorite thing about this film, though, was the rivalry and personal war that developed between Tom Cruise’s Ethan Hunt and Henry Cavill’s August Walker. While Cavill dies, their final battle was so damn enjoyable that I wish he hadn’t. And no, I don’t think they’ll bring him back because that’d be stupid, based off of how he gets taken out, but killing him was a mistake due to how well he and Cruise worked together.
Additionally, the action in this chapter is top notch and nothing short of what you would expect.
I also feel like I need to give props to the film’s score by Lorne Balfe, who successfully experimented with the classic Mission: Impossible theme in multiple parts of the picture. I liked his fresh take on the score, as it felt like it belonged and didn’t come off as a composer trying too hard to stand out and make his own mark. It meshed well with what we’ve become used to over the last few films and just built off of that.
Mission: Impossible – Fallout is impressive. But most importantly it was entertaining as hell and a shit ton of fun.
I’m also just going to come out and say that this series, after the disastrous second chapter, is my favorite film series post-2000. They’re consistently great, always leave me impressed and make me yearn for more.
Rating: 9.25/10 Pairs well with: the other Mission: Impossible films.
Also known as: Mission: Impossible 5 (working title), MI5 (informal title) Release Date: July 23rd, 2015 (Vienna premiere) Directed by: Christopher McQuarrie Written by: Christopher McQuarrie, Drew Pearce Based on:Mission: Impossible by Bruce Geller Music by: Joe Kraemer Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Ving Rhames, Alec Baldwin, Rebecca Ferguson, Sean Harris
“I can’t protect you, that’s why I need you to leave.” – Ethan Hunt, “That’s not your decision to make, Ethan! I am a field agent, I know the risks! More than that, I am your friend, no matter what I tell the polygraph every week! Now you called me because you needed my help! And you still do! So I am staying! And that is all we are gonna say about that!” – Benji Dunn
Man, I was a fool for quitting this series after the pretty terrible second film. Each movie since then has gotten better and better and frankly, I’m incredibly impressed by these stupendous movies! I shouldn’t have ignored the hype, I should’ve bought in and just enjoyed these on the big screen. Well, thankfully there are two more installments currently being filmed.
Getting into this particular chapter of the franchise, all my favorite surviving members of the series are back and it’s great seeing them pick up where the fourth film left off while also adding in Alec Baldwin and Rebecca Ferguson, who I absolutely fucking loved in this. I’m glad they chose to let her stick around for more films after this one, as she hit it out of the park and became the best female in this series almost immediately. Although, I was curious about Paula Patton’s absence and hope that her character appears at some point again, in the future.
This chapter also establishes a great villain and villain group that our heroes have to face. It’s sort of like Ethan Hunt having to face his own version of James Bond‘s SPECTRE but a lot less hammy and a bit more scary, as these film’s tend to veer more towards realism than the classic SPECTRE stories in the earliest Bond movies.
And while this might easily be brushed off as a rehash of that idea or other similar stories with villainous, secret terrorist groups like Hydra or Cobra, this group feels more plausible in the real world.
As is customary with these awesome flicks, the movie is full of incredible stunts and action sequences. While I think the previous film edges out this one in that regard, this is a slightly better movie, overall. That has a lot to do with the story but also in how this expands the mythos in a cool new way while building up from the franchise’s very strong foundation (excluding M:I-2 of course).
In the end, this was near-fucking-perfect for what it is. It gives me hope for the sixth film, which I still haven’t seen, as well as the two sequels yet to come. If the series maintains its quality beyond this chapter, it may become my favorite franchise of the modern era, post-2000.
Rating: 9.5/10 Pairs well with: the other Mission: Impossible films.
Also known as: Aries (fake working title), Mission: Impossible IV (working title), MI4, MiGP (informal titles) Release Date: December 7th, 2011 (Dubai International Film Festival) Directed by: Brad Bird Written by: Josh Applebaum, Andre Nemec Based on:Mission: Impossible by Bruce Geller Music by: Michael Giacchino Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton, Michael Nyqvist, Vladimir Mashkov, Josh Holloway, Anil Kapoor, Lea Seydoux, Tom Wilkinson (uncredited), Ving Rhames (uncredited cameo), Michelle Monaghan (uncredited cameo)
“The Secretary is dead. The President has invoked Ghost Protocol. We’re shut down. No satellite, safe house, support, or extraction. The four of us and the contents of this car are all that remains of the IMF.” – Ethan Hunt
Well, out of the four Mission: Impossible films that I’ve seen, this one is hands down the best. Now I still have to see the two after this but following the third movie and this one, the franchise seems to be on a great trajectory following the second film, which killed the series for me way back in 2000.
I loved this movie from top-to-bottom and it had a superb cast that had solid chemistry, allowing them, as a unit, to carry the picture and alleviate the big burden from just being on Tom Cruise’s shoulders. As great as Cruise is, this made for a better film where he was still the star but a part of a great ensemble that made this movie seem bigger, cooler and more important than any of the previous ones.
As far as the cast goes, I wish that Ving Rhames was more involved and didn’t just appear in a cameo at the end.
The story here was also the best of the series. Although, it is hard to top Philip Seymour Hoffman as the villain in the previous chapter. Still, the villains in this one are good and I was enthralled by their plot and how it effected the bigger picture of this franchise not just in this movie but moving forward beyond it.
The action sequences were stellar and the stunts were damn impressive. Each of these sequences sucked you right in, keeping your eyes glued to the screen. I loved the tower climb sequence, as well as the sandstorm chase.
All of the techie stuff was also very clever and while this dips its toe into the James Bond high-tech spy thriller pool, these films feel very much like their own thing and the tech is unique and fits the film’s style. It’s similar to Bond but our heroes here aren’t just using tiny gadgets with one function or suped up, weapon-loaded cars. The tech here is bigger and more interesting than just being one-off gags or easy solutions to an immediate problem.
I also loved the cinematography and the way the film was shot, as it had massive scope and just looked pristine and perfect. The locations contributed a lot to this but everything was masterfully crafted and captured on film.
Michael Giacchino’s score was really good and the more of I hear of his work, the more I like it. I think he has the ability to become one of the top composers in the game, which is refreshing as so much of the music made for films these days is forgettable and almost generic, paint-by-numbers compositions. Giacchino’s scores harken back to a time when film scores were iconic, memorable and would go on to stand the test of time by living on in people’s minds for decades. While I can’t call him a John Williams or an Ennio Morricone, I’ve greatly enjoyed his work and it exceeds what has become the norm.
Mission: Impossible – Ghost Protocol is an incredibly solid blockbuster picture. Everything in it just feels right and I was smiling ear-to-ear from start-to-finish. And honestly, that’s all I want from these sort of movies.
Rating: 9/10 Pairs well with: the other Mission: Impossible films.
Also known as: Heyday (fake working title), M:i:III (promotional abbreviation) Release Date: April 24th, 2006 (Rome premiere) Directed by: J. J. Abrams Written by: Alex Kurtzman, Roberto Orci, J. J. Abrams Based on:Mission: Impossible by Bruce Geller Music by: Michael Giacchino Cast: Tom Cruise, Philip Seymour Hoffman, Ving Rhames, Billy Crudup, Michelle Monaghan, Simon Pegg, Jonathan Rhys Meyers, Keri Russell, Maggie Q, Laurence Fishburne, Eddie Marsan, Greg Grunberg, Aaron Paul
“You can look at me with those judgmental eyes all you want, but I bullshit you not, I will bleed on the American flag to make sure those stripes stay red.” – Brassel
Mission: Impossible II was such a disappointment when I saw it in the theaters, that I never saw another Mission: Impossible film after it. However, I’ve heard great things about the more recent sequels and I’ve been motivated to go back and give the franchise another shot.
Having already revisited the first two films for review purposes, I have now reached the third one, which is the first one I’ve never seen. Granted, I knew about the gist of the story as a former roommate used to talk about the movie a lot. He was also a J. J. Abrams mark until 2009’s Star Trek kicked his hard-on into the sun.
Speaking of which, this is directed by J. J. Abrams. I actually have to say that this is one of the best films he’s directed, if not the best from the ones I’ve seen.
This actually doesn’t get wrecked by relying on too many of the tropes that have made some of Abrams’ other films and television shows, predictable and tiresome. Sure, there’s the whole MacGuffin thing and the big swerve and he also borrows heavily and obviously from other films, even ones in this picture’s own franchise, but the final product was entertaining and palatable.
The film is also helped by the performances by Philip Seymour Hoffman, Tom Cruise and most of the other key players. Hoffman really stands out in this and I might even say that his talent far exceeded what was needed for this movie.
The action sequences were good, even if some of them felt familiar. The bridge battle, for instance, was very True Lies. However, at least sequences like that didn’t just outright copy their influences and tried to do something unique. Now had we had Cruise reaching for his wife to save her from her car going into the ocean, I probably would’ve called shenanigans much louder.
One thing I did like about this film is that it seemed more serious than the two before it. With that, it kind of reinvents the series and wipes away the gigantic misstep that was the second film. Because of that, this is the best film out of the first three.
In the end, this was a solid, fun movie with good action, good characters and a few performances that were much better than they had to be. Although, the twist ending about the bad guys having someone on the inside was just a rehash of the ending from the first movie and it was kind of lame. But I guess Abrams couldn’t help himself.
Rating: 8/10 Pairs well with: the other Mission: Impossible films.
From Filmento’s YouTube description: Half a decade into the Disney generation of Star Wars, we finally got the sequel trilogy conclusion with Star Wars: The Rise of Skywalker… and it’s not very good. The Force Awakens and The Last Jedi might’ve had problems, but this film just craps the bed entirely. And while you could name a big batch of problems and also blame me for giving Disney and JJ Abrams some of the ideas that led to all this, the main weakness with this film lies in its nature of being a bad series conclusion. And in order to see what exactly is the issue, let’s compare it to another recent very successful series conclusion in Marvel’s MCU — Avengers Endgame. Rise of Skywalker tried to copy paste a lot of same things from Endgame but still managed to fail at all of them. Let’s see how to fail at Endgame.
Release Date: December 16th, 2019 (Los Angeles premiere) Directed by: J.J. Abrams Written by: Chris Terrio, J.J. Abrams, Derek Connolly, Colin Trevorrow Based on: characters by George Lucas Music by: John Williams Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong’o, Keri Russell, Joonas Suotamo, Kelly Marie Tran, Ian McDiarmid, Billy Dee Williams, Harrison Ford (uncredited), Billie Lourd, Greg Grunberg, Dominic Monaghan, Warwick Davis, Denis Lawson, Jeff Garlin, Kevin Smith, James Earl Jones (vocal cameo), Andy Serkis (vocal cameo), Ewan McGregor (vocal cameo), Alec Guinness (vocal cameo), Hayden Christensen (vocal cameo), Ashley Eckstein (vocal cameo), Freddie Prinze Jr. (vocal cameo), Olivia d’Abo (vocal cameo), Frank Oz (vocal cameo), Liam Neeson (vocal cameo), Jennifer Hale (vocal cameo), Samuel L. Jackson (vocal cameo), Angelique Perrin (vocal cameo)
Walt Disney Pictures, Lucasfilm, Bad Robot, 142 Minutes
*There be spoilers here!
“We had each other. That’s how we won.” – Lando Calrissian
Congratulations, Disney and Lucasfilm. You finally broke me to the point that I didn’t have the urge to see a Star Wars movie in the theater. Nope, I waited on this one because the previous few movies left such a bad taste in my mouth that I didn’t want to sit in a crowded theater with a bunch of normies clapping like seals every time there was a weak attempt at a cameo or minor victory. Also, people have been ruining the theater experience for awhile, so this film had that working against it already.
Now I figured I’d go see it once the buzz calmed down and the theaters cleared out a few weeks later but even then, it just wasn’t worth the trip or the money for me to make the effort.
Well, I finally watched it now that it’s available to rent and because this COVID-19 bullshit has us all trapped in our houses with nothing to do.
Anyway, as much as I anticipated not liking this, it was the best film of the three from the Disney produced Sequel Trilogy. Some of the more angry fans out there may think that’s crazy of me to say but I respect the effort of J.J. Abrams trying to fix the abortion that Rian Johnson created with The Last Jedi, especially with the weak skill set that Abrams has.
Honestly, they should have called this Star Wars: Episode IX – MacGuffins and Mystery Boxes but I guess that would require Abrams, Kathleen Kennedy, Bob Iger, Disney and Lucasfilm to actually understand humility and that they aren’t the great storytellers that they think they are.
Now this movie had a lot of weird shit that made certain sequences hard to get through. If I’m being honest, there aren’t really any sequences that didn’t have issues. I’ll list out some of my gripes from memory at the end of the main part of this review, as I did for some of my other Disney Star Wars reviews.
If I’m going to talk about what I liked about this film, I guess it’s that it tried really hard to give good fan service. Not so much, soulless, cheap attempts at winning me back but more like an admission that the series fucked up with the previous Rian Johnson stinker and that Abrams felt sorry and embarrassed that his larger vision for this trilogy was skull fucked in the eye by Johnson.
Rian Johnson cared more about his own ego and career than being the trusted custodian of something much larger than himself, which was created by others who were a lot more talented than he will ever be. If that’s harsh, I don’t care. Johnson didn’t care about the responsibility he signed up for, so he can deal with the repercussions of that from the fans who felt betrayed by his piss pigeon performance.
I’m glad that J.J. Abrams kicked Johnson in the nuts though. And his disdain for Johnson’s wreckage was made abundantly clear in the short scene where Luke returns, stops Rey from throwing her lightsaber away and states, “I was wrong.” Then he goes on to tell her what we all needed him to tell her in the previous film. For Luke Skywalker and Mark Hamill’s sake, I’m glad that the character didn’t go out like a weak piece of shit and was somewhat salvaged.
While on the subject of Rey, though, I still don’t understand how she is just simply the best at everything. She has an insanely weak character arc, hasn’t had anywhere near the level of adversity that Luke and Anakin had and you barely see her train at all and then she can barely deal with a fucking tiny laser drone. It’s like these modern filmmakers don’t think beyond what looks cool on the screen in a shot.
Anyway, this movie is a mess, narratively speaking. It’s really two movies wedged into one, as Abrams had to try and course correct while also coming up with a satisfying ending. That being said, he does okay in trying to achieve this but maybe this should have been longer or released as two parts. But I guess he is stuck with the numbering system and being tight within the framework of a trilogy.
Unfortunately, while we do get to see the main three characters spend some time together, it is hard to buy into their bond, as they spent the first two movies apart. I want to believe in it and I actually like the actors but this is something that needed to be done in every film. This is why people love the trinity of Luke, Leia and Han so much. But for whatever reason, Abrams, Kennedy and Iger don’t understand what worked about previous Star Wars films.
As much as my brain was picking things apart, I still found this to be the most palatable of the Disney Saga films. It’s hard to peg why but I think that Abrams genuinely wanted this to make up for the damage that’s been done and he did put his heart into it. But that also doesn’t mean that he was the right guy for the job way back when they announced him for The Force Awakens. He wasn’t and I had reservations about it back then.
In the end, I don’t know if I’ll ever watch any of these films again. If I do, it won’t be for a very long time. Maybe they’ll work better as a larger body of work but I doubt it with Rian Johnson’s big lame turd sitting smack in the middle of it. Honestly, it’s like a cat jumped on the table, took a shit in the middle of a mediocre pizza and you just decided to eat around it.
Assorted notes and gripes:
Watching the film, I was bombarded with a lot of WTF moments, these are the ones I remember. Maybe I should’ve taken notes.
-The opening crawl, immediately revealing Palpatine’s “resurrection” was cringe and the worst written opening crawl in the franchise.
-Who the fuck is manning all of Palpatine’s Star Destroyers?
-Why would the Star Destroyers break through thick ice to reveal themselves? There are hundreds of them and this seems like it would cause a lot of damage? And they’re already on a very hidden planet to begin with.
-Since Palpatine’s appearance isn’t explained but cloning is implied, am I just to assume that there’s only one Palpatine and not like 364?
-Lightspeed skipping? Really? And they land safely within a different planet’s atmosphere with every skip? Really? I’m no astrophysicist but I’d assume a planet’s atmosphere is a small percentage of a planet’s total structure and that planets themselves take up an insanely small amount of actual space in the universe, as a whole.
-“Hey Rose… you coming on the mission?” “Nah… I’m good, bro!”
-The group goes to outer space Burning Man… really?
-Don’t get me started on the jetpack trooper scene. That’s a clusterfuck of cringe and stupidity.
-I’m alright with the healing power but shouldn’t it drain Rey, even just a little bit. I mean, it fucking kills Kylo like two hours later.
-The Rey v. Kylo’s TIE Fighter scene was absolutely, unequivocally stupid. Just crush that shit with the Force, hoe!
-I guess Abrams views Droids as abused house pets.
-Gurl 1: “Not that you care but I think you’re okay.” Gurl 2: “I care.” Girl power! No lesbian kiss.
-So did C-3PO have red LED lights installed this whole time? Where were they when he was attempting to murder Jedi in Attack of the Clones?
-Rey doesn’t feel Chewie “die” on a ship that’s right in front of her. But then Rey feels that Chewie is alive when he’s much further away.
-Where’s Phasma? Is she really dead now? I thought she was Star Wars‘ version of Kenny from South Park.
-Are the Knights of Ren just laser sword thugs who don’t actually answer to Kylo Ren? Sith in training? Palpatine super soldiers? What the fuck are they?
-How does a billion year-old dagger line up with the wreckage of a Death Star that was built well after the dagger. And how was Rey lined up at the right angle and altitude to make it work? This was just a ripoff of the medallion from The Goonies and it was just stupid.
-I’ve lost count of the number of MacGuffins. I think there were five… maybe six? Is this a G.I. Joe miniseries from 1983? Nah… those were much better written.
-Weak as fuck lightsaber duels. Maybe the weakest in the entire franchise.
-Did Leia die because she called out to Kylo or was that just a perfect timing plot convenience?
-Harrison Ford? Why?
-Luke in 30 seconds was the Luke I wanted in the previous movie.
-Rey in a tiny X-Wing had to navigate through tight, dangerous, moving space corridors to reach the Palpatine planet but the Rebels’ big ass warships simply followed her path? It’s space, can’t they fly around that shit? What about the massive fucking armada of “regular people” that just shows up conveniently to win the war?
-Also, a militia of citizens overthrows a corrupt government by force. When did Hollywood become so blatantly pro-Second Amendment? I kid, Hollywood is just stupid.
-When they’re riding horses on the deck of a Star Destroyer, why doesn’t the ship just turn fucking sideways? It would’ve ended the war. One simple maneuver.
-The teleporting physical objects Force power is another lame plot convenience.
-What’s this random fucking Force Dyad thing? Abrams still thinks he’s making up stories with his toys in the bathtub.
-If Palpatine created Anakin and Anakin created Luke and Leia and Leia created Kylo Ren, all the while Rey is Palpatine’s granddaughter, isn’t their attraction kinda incest-y?
-I’d watch a Lando & Chewie in the Falcon movie.
-Why bury the lightsabers? A safe would be more secure.
-Why even take the Skywalker name and why did it take her so long to say it? Maybe because a part of her knew it was wrong to just take their name, their personal shit and Luke’s childhood home. Bitch, you ain’t in the will, that shit all goes to the state!
Rating: 6/10 Pairs well with: the other Disney era Star Wars movies.
From Shadiversity’s YouTube description: With the recent Star Wars Episode IX: The Rise of Skywalker teaser trailer released at D23 we see an evil dark side Rey and a new folding double-bladed red lightsaber and I’m going to explain why it makes no sense at all from a practical perspective.
Original Run: February 15th, 2016 – April 4th, 2016 Created by: Bridget Carpenter Directed by: various Written by: various Based on:11/22/63 by Stephen King Music by: J. J. Abrams, Alex Heffes Cast: James Franco, Sarah Gadon, Cherry Jones, Lucy Fry, George MacKay, Daniel Webber, T. R. Knight, Kevin J. O’Connor, Josh Duhamel, Chris Cooper, Annette O’Toole
Carpenter B., Bad Robot Productions, Warner Bros. Television, Hulu, 8 Episodes, 44-81 Minutes (per episode)
I was actually pretty hyped to watch this when it was coming out, three years ago. However, my work life took a turn for the worse and I spent most of 2016 working about 70 hours per week and not having much time for anything else. I actually started this site later in that year when things started to stabilize again but by that point, this slipped down the memory hole.
However, I’ve been wanting to watch Stephen King’s Castle Rock on Hulu. So before getting into that, I wanted to go back and check this out, as it was King’s first Hulu collaboration.
The premise follows a man (James Franco), as he goes back in time to try and stop the assassination of John F. Kennedy. It’s an interesting premise but it does also seem that the protagonist does it really haphazardly, as messing with the timeline can have some unforeseen consequences and it does. In fact, it has grave consequences, which I think are supposed to surprise you but for fans of time travel stories, it really doesn’t. I kind of sighed and went, “Well, it’s not like this wasn’t an obvious result of his meddling.”
What’s interesting about this though, is that King explores the idea of time itself fighting back during the hero’s journey. It almost feels like horror at times but at the same time, the effect that time has in fighting back against changes seems inconsistent throughout the story. It is really only used where it is convenient to the plot in some way or just to remind you that time is its own master.
I had a problem with that aspect of the story and I felt like it was a wasted opportunity in a lot of ways. Cool concept, half assed execution.
But still, this was damn compelling television. You get drawn into this world, this character’s mission and you do fall in love with some of the characters.
The acting is superb and this is some of Franco’s best dramatic work. But the rest of the cast is also exceptional, especially the love interest, played by Sarah Gadon, the and the best friend/partner, played by George MacKay. But two real standouts were Daniel Webber as Lee Harvey Oswald and the evil son of a bitch that was brought to life by Josh Duhamel.
Overall, this was a solid political thriller with a time travel twist. While the time travel stuff was handled pretty willy-nilly, you get so caught up in the proceedings that it feels secondary.