Comic Review: Daredevil: Lady Bullseye

Published: November 6th, 2014
Written by: Ed Brubaker
Art by: Michael Lark, Clay Mann, Marko Djurdjevic (cover)

Marvel Comics, 122 Pages

Review:

I remember when I first heard about the Lady Bullseye character, I thought, “Oh, yay… another gender swapped version of a beloved classic character.”

Having read this now, I’m happy to say that the character isn’t simply a gender swapped Bullseye but instead, a complex, well written character with a pretty interesting origin that shows how she was inspired by Bullseye and how that put her on a very different path in life.

I probably shouldn’t have doubted Ed Brubaker, though, as his writing is generally superb and there’s very little he’s done that I didn’t thoroughly enjoy.

So this story has a lot going on in it relating to Daredevil’s personal life, as well as this new villain really shaking things up and bringing The Hand back into the picture.

Daredevil’s personal life has been a clusterfuck of retardation ever since Brian Michael Bendis wrote the series. Ed Brubaker has tried to clean it up as carefully as possible, though. Here, it feels like he’s finally washed away all the bullshit with the blind wife and whether or not people know the character’s real identity. And frankly, as a long-time Daredevil reader, I couldn’t give a fuck about those storylines anymore.

The stakes in this story are really high and there are some pretty messed up things that happen and I don’t want to get too much into spoiler territory but the lives of some characters are forever altered.

Overall, this brings the same level of quality that the rest of Brubaker’s Daredevil run has given us, up to this point. I think this is the second-to-last chapter in Brubaker’s run and that leaves me pretty gleeful for the next volume.

Rating: 8.5/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Comic Review: The Amazing Spider-Man – Epic Collection: Ghosts of the Past

Published: July 4th, 2019
Written by: Craig Anderson, Peter David, Tom DeFalco, Danny Fingeroth, Bob Layton, Stan Lee, Louise Simonson
Art by: Sal Buscema, Paty Cockrum, Ron Frenz, Mike Harris, Greg Larocque, Bob Layton, Bob McLeod, Mary Wilshire

Marvel Comics, 473 Pages

Review:

Being that this beefy volume was an Epic Collection, it was chock full of several story arcs. Luckily for me, most of them were really good. But then this also came out in a great era for The Amazing Spider-Man comic series.

The first big arc features Hobgoblin and it is a follow-up to Spider-Man: Origin of the Hobgoblin, which I recently reviewed and f’n loved. In fact, I think it’s the first Hobgoblin story after the arcs that were featured in that superb collection.

Beyond the Hobgoblin story, we get about a half dozen short arcs featuring a myriad of villains and other heroes. This also includes the first appearance of Silver Sable, which was a pretty neat story.

After the Hobgoblin stuff, the two that really stick out are the one where Frog-Man and Toad team-up and the Firelord story that brought in the Avengers.

The Frog-Man and Toad tale was goofy and just filler but it was also fun and engaging. However, I’ve also always liked Frog-Man, despite his ineffectiveness as a real threat to anything.

The Firelord story was cool as hell, as Spider-Man was truly tested, as the villain is a cosmic powered being and damn near invincible when facing off against a sole Earth hero. The Avengers had to get involved and it also showed Spider-Man coming pretty close to going over the edge. Knowing what I know now, it was probably due to the effects of him recently wearing the Venom suit.

In the end, this was a cool run of issues. It takes place between Spidey getting the Venom suit and his first encounter with Venom. He switches between the classic red-and-blue suit and the safe black suit throughout this. I always found that confusing when I was a kid, as I wish he just would’ve worn the black outfit for that stretch.

Rating: 7.75/10
Pairs well with: other Spider-Man stories of the ’80s and early ’90s.

Comic Review: Daredevil by Ed Brubaker & Michael Lark – Ultimate Collection, Book 1

Published: June 4th, 2020
Written by: Ed Brubaker
Art by: David Aja, Michael Lark, Tommy Lee Edwards (cover)

Marvel Comics, 304 Pages

Review:

After Brian Michael Bendis’ run on Daredevil ended in a weird spot because the guy just doesn’t know how to finish, we were treated to Ed Brubaker’s solid stint on the title.

Brubaker had his work cut out for him, considering where the character of Daredevil was when this started and because Bendis literally spent about fifty issues going back and forth on whether or not the public knew Matt Murdock was Daredevil and still didn’t give that extremely drawn out, tiresome and annoying plot a definitive end.

So Brubaker still has that bullshit to try and resolve while also having to figure out what to do with the title character being locked up in prison. Oh, and there’s the whole thing about Daredevil’s flash in the pan ex-wife that Bendis had to clunkily wedge into the mythos with romantic cringe that made me question the writer’s manhood.

Anyway, Brubaker doesn’t waste any time trying to make magic out of Bendis’ J. J. Abrams style ending.

So we start with Murdock in jail and with that, we see him have to survive while being locked up with a lot of the criminals he put there, including The Kingpin, The Owl, Bullseye, Hammerhead, Gladiator and a slew of others. We also see The Punisher get himself arrested, so that he can also go to jail in an effort to help Murdock survive in there.

On the outside, we have someone else posing as Daredevil, while Foggy Nelson and Dakota North work to get Matt out of prison. Pretty early on in the story, Foggy is murdered while visiting Matt in jail. This sets Matt off on a revenge quest within the prison walls and with that, we get one of my all-time favorite Daredevil story arcs.

Following the prison story, we see Matt go to Europe, as there are more layers to the mystery surrounding Foggy’s death. This second half of the story is pretty fucking great too and the ending wasn’t anything I expected. It also satisfied, unlike the end of Bendis’ tenure on the book.

Beyond the story, the art in this is superb. Brubaker worked with Michael Lark, who is an artist that he actually works with fairly regularly. In this series, Lark really captured the already established tone and vibe of the Marvel Knights era of the Daredevil series. Lark was probably the perfect guy to pick up this ball and run with it, as he’s done a lot of the more gritty noir-esque comics that Brubaker has written over the years.

If you are a fan of Daredevil and haven’t read this story, you probably should. It’s one of my favorites of all-time and this Ultimate Collection joined both halves together in one volume. Although, you can also find the two stories as two separate trade paperbacks under the title The Devil, Inside and Out (Vol. 1 and 2).

Rating: 9.5/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Comic Review: The Eternals: To Slay A God/Manifest Destiny

Published: 2008-2009
Written by: Charles Knauf, Daniel Knauf, Fred Van Lente
Art by: Daniel Acuna, Pascal Alixe, Eric Nguyen

Marvel Comics, 258 Pages (total, both volumes)

Review:

I’ve got to say, this was a pleasant surprise. Especially, because this series followed the more well-regarded Neil Gaiman run on The Eternals, which I really wasn’t a fan of, at all.

My only real issue with it was that the story seemed large enough that it probably should’ve crossed over into other comics, as it had members of just about every important Marvel team show up in this story. Plus, with a gigantic Celestial just standing around near the Golden Gate Bridge, you’d probably expect a large contingent of heroes to be there, on the defense.

Looking beyond that, Iron Man was directly involved in the story and this was during the time when he was the director of S.H.I.E.L.D., so I’m sure he had some pull with the other primary heroes of Earth, who might be a bit weary of the Celestial just camping out near a major city and massive landmark.

The story here was pretty good, though. I dug this quite a bit and it was my favorite Eternals thing outside of the original Jack Kirby run in the ’70s and The Eternals Saga massive event that took place in the pages of The Mighty Thor from 1978 to late 1980.

I feel like even if you aren’t too familiar with these somewhat obscure Marvel characters, the writers of this series did a good job of cluing the reader in to who they are. The only thing the reader might be missing is all the extra context that comes with reading the earlier comics.

This story really ups the ante in a cool way and it draws The Eternals into the mainstream more, having them exist more directly with so many of Marvel’s core characters.

I thought that the art in this series was also damn good. It really embodies that mid-’00s Marvel art style but I really enjoyed that look at the time and still do, as the ’10s came with some really questionable and downright awful artistic choices by the company.

Sadly, this run on the series didn’t last very long and that’s why I just merged both collected trade paperbacks into one review. For whatever reason, this team has never had long runs and haven’t been popular amongst fans. While I like them, it makes me wonder why they would introduce them into the Marvel Cinematic Universe when there are still so many more interesting and popular characters that they haven’t used yet.

Rating: 7.5/10
Pairs well with: other runs of The Eternals over the years.

Comic Review: Spider-Man: Origin of the Hobgoblin

Published: May 18th, 2017
Written by: Tom DeFalco, Bill Mantlo, Roger Stern
Art by: Ron Frenz, Al Milgrom, John Romita Sr., John Romita Jr., Marie Severin, Mike Zeck

Marvel Comics, 266 Pages

Review:

One thing that’s been pretty consistent with Spider-Man comics over the years is that there have been great origin stories for the title hero’s major villains. 

Origin of the Hobgoblin may seriously take the cake, though, as this is a beefy collection and by the end of it, it’s still not clear who the Hobgoblin is, even though the first few chapters make it obvious and because I read the big reveal years ago.

This collects his first ten or so appearances and even then, his ability to trick and dupe Spider-Man is so damn good that his true identity remains unknown to the hero.

Hobgoblin has always been one of my favorite villains and this just made me love him more and it’s easy to see why he became so popular throughout the ’80s until Venom came along and stole everyone’s thunder for a solid decade.

In this collection, we meet a guy that is pure evil, calculated, smart and able to stay several steps ahead of Spider-Man and his rivals on the crime side of things like The Kingpin. And while Hobgoblin may appear as if he’s simply ripping off Norman Osborn’s Green Goblin persona, which he most definitely is, he also takes the gimmick and improves upon it. Hobgoblin is born out of stealing another man’s legacy but with that, he builds his own, unique identity and he’s still a very different man behind the mask.

The best thing about this collection of issues is the writing. It’s just so damn good and makes me wish that modern mainstream comics could muster up just a tenth of this creativity. The plot is well-structured, layered, unpredictable and not even a wee bit derivative or redundant.

While the year is still young, this is the best comic book that I’ve read so far in 2021. 

Rating: 10/10
Pairs well with: other Spider-Man comics of the ’80s, specifically stories involving the Hobgoblin.

Comic Review: Daredevil by Bendis and Maleev – Ultimate Collection, Book 3

Published: October 17th, 2013
Written by: Brian Michael Bendis
Art by: Alex Maleev

Marvel Comics, 450 Pages

Review:

This is the final installment of the Ultimate Collection releases of Brian Michael Bendis’ run on Daredevil. Each of these three beefy collections forms a pretty solid trilogy that actually exceeded my expectations and reminded me of how good Bendis was when he cared, which he hasn’t for a very long time.

This is my least favorite of the three volumes and that’s mainly because it felt like it lost some steam. And it didn’t give us any sort of closure to some of Bendis’ more batty experiments with the character.

The first half of this book is made up of two different stories that are self-contained and don’t really move forward the larger arc that Bendis had been working on for a few years by this point. The second half of this book then picks up those more important major plot threads but then doesn’t do much with them and leaves things even more unresolved by the end.

In fact, this has a time jump at the end that kind of just further fucked up Daredevil’s life and didn’t resolve anything that Bendis brought into the character’s story. It was some weak ass J. J. Abrams shit that tainted the entire run and not just this final book.

That’s not to say there wasn’t good stuff in this, there was. But had I been reading this run in real time, watching Daredevil struggle with the world possibly knowing his identity and seeing that dragged on for fucking years, I would’ve quit reading this.

That whole plot about people finding out Matt Murdock is Daredevil and then just seeing that life altering reveal kicked around like a goddamned hacky sack was enraging as hell. You, as the reader, were never sure what anyone actually thought about the reveal, as Bendis couldn’t commit to the story and deal with it in any sort of clear way. It was lazy and fucking dumb. It lacked finality, stakes and real consequences. Honestly, by the end, it didn’t really matter and the book was then handed off to another creative team to either resolve the issue or ignore it.

One thing that was noticeably better this time around was Alex Maleev’s art. Yes, I liked it previously but in my review of the last book in this series, I pointed out some of the issues I had with it. In this volume, those problems seemed to be fixed or a lot less apparent.

Overall, there’s a whole hell of a lot that I liked about Bendis’ Daredevil run but his finale left me annoyed and scratching my head like everything J. J. Abrams has ever started and not truly finished.

Rating: 6.75/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Comic Review: Daredevil by Bendis and Maleev – Ultimate Collection, Book 2

Published: September 15th, 2010
Written by: Brian Michael Bendis
Art by: Alex Maleev

Marvel Comics, 461 Pages

Review:

This long stretch of Daredevil issues should’ve actually been better than the ones in the first volume, as shit got real dark, things were more action packed and this went to places I didn’t expect.

The reason why I can’t rate it as high as the previous one is because of the awful romantic subplot that actually sees Daredevil get married for a short time.

I hated this plot, the new love interest and thought that it detracted from a much better story about the shifting power in the New York City criminal structure and Daredevil dealing with that while also trying to work around the public knowing his identity.

The romance plot was just too much added into an already very layered and rich story. Plus, that stuff was poorly written and I don’t want to be that guy but I don’t think that Brian Michael Bendis understands romantic interaction above a college aged level.

That being said, Bendis’ writing is great outside of the romantic shit.

Also, I love Alex Maleev’s style and tone in regards to Bendis’ story. They come together rather nicely, even if it appears as if Maleev is tracing some characters and doing digital tricks. This was originally made at the turn of the millennium and artists were experimenting with a lot of new technology at the time. Frankly, I know he used Photoshop filters because I recognize them. Still, the end result works and I’m just a traditionalist that likes things done the old school way. This is why I also don’t like Pixar movies or that style of animation.

Out of all the different story arcs collected here, I think I like the one that features The Owl the best. I liked seeing him truly unhinged and trying to wedge himself into The Kingpin’s spot as crime boss. After that, I really loved the section with Typhoid Mary, as she’s one of my favorite Daredevil villains and doesn’t get enough love, in my opinion. She also looked great in this run, even if I still prefer her original look, as drawn by John Romita Jr. back in the late ’80s.

I love the hell out of Bendis’ run on this series and it truly rivals the great runs by Frank Miller and Ann Nocenti, who still takes the cake for me.

Remove the romantic, juvenile love shit in this story and this would’ve been a perfect Daredevil collection.

Rating: 9.25/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Comic Review: Daredevil by Bendis and Maleev – Ultimate Collection, Book 1

Published: June 23rd, 2010
Written by: Brian Michael Bendis
Art by: Alex Maleev

Marvel Comics, 411 Pages

Review:

Following the Guardian Devil and Parts of a Hole storylines, Brian Michael Bendis began his Daredevil run. While I had read much of this twenty or so years ago, I had forgotten just how good it was and that Bendis was once an exceptional comic book writer when he still obviously had the passion burning inside of himself.

This big collection of multiple story arcs didn’t have any weak parts to it.

The first story dealt with a young kid going through some serious trauma after witnessing a fight between his father and Daredevil, which left his father dead. While Daredevil was a minor character in his own story, something I tend to hate, I excused it here, as the four issue arc was so solid and brought a lot of emotion into the series to kickoff Bendis’ run. Plus, it featured Ben Urich as the main character and I’ve always loved that guy.

Following that, we get a few arcs that are really connected as one larger narrative. We see the Kingpin get taken out by a new guy in his organization’s ranks. This new guy tries to take Kingpin’s spot but ultimately pays a price for it courtesy of Vanessa Fisk, Kingpin’s wife, who has been absent for years.

Additionally, this wannabe Kingpin discovers Daredevil’s identity and with that, the world soon finds out. Matt Murdock with several of his allies has to try and fix this problem, convincing the world, somehow, that Murdock is not the masked vigilante.

All in all, this beefy volume is packed full of absolute greatness. Add in Alex Maleev’s incredible art and you’ve got one of the best Daredevil collections ever printed: a near perfect masterpiece.

Rating: 9.5/10
Pairs well with: the other Daredevil comics from his Marvel Knights run.

Comic Review: Doctor Strange by Donny Cates

Published: April 17th, 2019
Written by: Donny Cates, Nick Spencer
Art by: Niko Henrichon, Frazer Irving, Szymon Kudranski, Rod Reis, Gabriel Hernandez Walta, Mike Del Mundo (cover)

Marvel Comics, 341 Pages

Review:

This collection of Donny Cates’ Doctor Strange run started off with a bang but then it did what most Donny Cates comics do, it went too big, too fast and became a bloated, over-the-top spectacle. But he’s even admitted that everything he writes needs to be big and epic. He’s also pointed out that he’s always trying to top the last thing he wrote.

The problem with that is that he can tell pretty good human stories with a lot of emotion that gets the reader invested. But then he Michael Bay the fucks out of everything and then has to wedge in a large amount of characters because if it’s a Cates’ story, he’s gotta blow up the universe.

Big, over-the-top spectacles aren’t necessarily a bad thing but when it’s done as much as Cates does it, he becomes a one trick pony that negatively impacts the better sides of his creative work. The spectacle ends up overshadowing the real story and you sort of get lost in it all. And after a while, it becomes ineffective, as you expect everything to reach ludicrous spreed.

When I first started reading Cates’ work, I enjoyed the grandiose-ness. However, it didn’t take long to realize that larger-than-life Armageddon scenarios were his modus operandi. And with that, he has to keep trying to top what he did before. Everything just gets bigger, faster, crazier and the next thing you know, you’re reading the Marvel Comics version of Fast & Furious 14 where it’s just stunts, speed, CGI, action, yelling and then the end credits after characters refer to each other as “family” 97 times between explosions.

I think that this formula has worked so well for Cates that he’s kind of stuck doing it now. While this Doctor Strange stuff came out before his more recent work, I might have had a very different take on it had I read it when it was current.

The problem though, is this kind of shows me where that formula started. Well, at least with his more prominent Marvel work.

As I stated in the beginning, this started out really strong and I was invested. But then everything went ape shit crazy and then it was over. It may have read better if Cates stuck around and actually wrote about the fallout from this story. But I guess he had to move on to the next thing and give us more mega-event level chaos.

This initially created a foundation for something truly great. After the first story arc, however, it immediately went to a Hell-on-Earth scenario with two dozen characters involved. Whatever emotional investment I had, disappeared, as I kept reading and it never quite circled back around to the great character work and found a way to use that within the chaotic spectacle that followed.

Rating: 6.25/10
Pairs well with: other Donny Cates comics by Marvel.

Comic Review: Civil War II

Published: February 1st, 2017
Written by: Brian Michael Bendis
Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)

Marvel Comics, 317 Pages

Review:

Man, this was bewilderingly bad.

Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.

While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.

Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.

And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?

What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.

Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.

Rating: 4/10
Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.