Release Date: March 31st, 1995
Directed by: Rachel Talalay
Written by: Tedi Sarafian
Based on: Tank Girl by Alan Martin, Jamie Hewlett
Music by: Graeme Revell
Cast: Lori Petty, Ice-T, Naomi Watts, Malcolm McDowell, Jeff Kober, Reg E. Cathey, Scott Coffey, Iggy Pop, James Hong, Doug Jones, Frank Welker (voice)
Image Comics, Trilogy Entertainment, United Artists, 104 Minutes
“Look, it’s been swell, but the swelling’s gone down.” – Tank Girl
While Lori Petty was a great choice to play Tank Girl, this is a pretty awful movie that I’ve never been a fan of.
The concept is cool but the execution of it was terrible in just about every way.
I will say that I like the general look and aesthetic of the movie but it’s the clunky and unfunny script that really drags this concept down into the mud and drowns it before it has a chance to save itself.
The jokes never land and that’s not Petty’s fault, as she’s working with the script they gave her. And honestly, I have to give her props for really giving this her all, as she brings her A-game but basically wastes it in what should have been a really cool flick that could’ve even spawned a franchise had it been handled much better.
I also think the direction is a big problem too. I’ve never been a big fan of Rachel Talalay’s film work and that started with the abysmally bad Freddy’s Dead, which truly derailed the Nightmare On Elm Street franchise. By this point, nearly a half decade later, she still hadn’t found her footing as a director.
Now I do generally like most of the characters in this but you’ve got Malcolm McDowell and yet, he’s severely underutilized and it feels like he’s barely in the film other than about three key scenes.
Honestly, this is just disappointing and the source material could’ve been harvested much, much better.
Side note: this is the cutest Naomi Watts ever was. I think I watched this shit movie more times than I should’ve in my teens because I was crushing so hard on Jet Girl.
Pairs well with: other sci-fi B-movies of the early-to-mid ’90s. Especially, those based on comics or video games.
Published: March 25th, 2014
Written by: Brandon Choi
Art by: Jim Lee, Tim Sale
Image Comics, Wildstorm, DC Comics (reprinted), 292 Pages
Back when I was pretty hardcore into Image Comics, the company was still fresh, new and helmed by the coolest creators of the early ’90s. I used to buy everything I could get my hands on.
Jim Lee’s Deathblow was one of those titles and I remember first seeing the title character in the Darker Image one-shot, which was used to introduce a few characters with a darker or harder edge about them.
Deathblow really stood out, even though most people remembered that comic for bringing Sam Keith’s The Maxx into the mainstream.
There was just something super cool and brooding about this character, though. He felt like a much darker version of a Stallone or Schwarzenegger character with a bit of Punisher sprinkled in for extra flavor.
However, Deathblow’s solo series never really resonated with me like I had hoped but as I got older, I thought that it might have had a lot to do with my age at the time. So I always wanted to go back and read it to see it with fresh eyes and a few extra decades of life experience.
Unfortunately, this didn’t blow me away and I actually found it kind of boring once I got to about the midway point of this beefy collection. It just didn’t captivate me and it felt too much like a product of its time, embracing certain tropes, but not really offering up anything unique or different.
However, I have to point out that the artwork is absolutely stupendous and some of the best work I’ve seen from Jim Lee, a real legend in his field. I loved the muted colors and the high contrast and it was the cool art that at least kept me engaged where the story waned.
Looking back and also having read some of the Image Comics stuff as an adult, I think that this was really the issue with a lot of their comics. The art was always top notch and incredible but the stories were always kind of lacking. Maybe this is why Image never became another Marvel or DC, focused on superhero stories, and eventually moved well beyond that genre with things like The Walking Dead, East of West, Paper Girls, Chew and Saga.
Pairs well with: other comics from Jim Lee’s Wildstorm universe.
Original Run: October 4th, 2020 – current
Created by: Scott M. Gimple, Matthew Negrete
Directed by: various
Written by: various
Based on: The Walking Dead by Robert Kirkman
Music by: The Newton Brothers
Cast: Aliyah Royale, Alexa Mansour, Hal Cumpston, Nicolas Cantu, Nico Tortorella, Annet Mahendru, Julia Ormond
Skybound Entertainment, AMC, 10 Episodes (so far), 47-52 Minutes (per episode)
Man, there’s not much I can say about this show but it’s obvious that Walking Dead fatigue is beyond the exhaustion point, at least for me. But I’m also the last person that I know in the real world that is still watching any of it.
I tried to give this a shot but the show is insufferable.
Furthermore, it’s dreadfully boring and trying to get through the first episode was an absolute chore. I did it and then I started the second episode but after about fifteen minutes, I said, “Fuck this!” and turned it off.
The big takeaway from what I watched was that none of the key characters are interesting, they’re all boring as shit and either their performances are extremely understated or they just don’t have the ability to convey any real emotion. But I guess that’s kind of like most kids nowadays.
The problem that AMC doesn’t seem to understand as they suck The Walking Dead‘s teat completely dry, way too late, is that no one really needs the milk anymore. We’ve all got enough now to last the rest of our lives.
Plus, there are other, better things to drink out in the world.
If you want us to buy more milk, you need to provide us with the best milk… great milk. Otherwise, it’s just more of the same shit we’ve been drinking for over a decade and the fridge is overflowing.
Pairs well with: The Walking Dead and Fear the Walking Dead.
Published: May 5th, 2010
Written by: Mike Allred
Art by: Mike Allred, Laura Allred
Dark Horse, Image Comics (reprint), 260 Pages
I love the style of Mike Allred’s art and I also dig his style of humor.
However, by this point, I felt like this series had ran its course for me.
It was amusing and fun but it’s honestly more of the same and I didn’t feel as if the series was building towards anything worthwhile.
Sure, there are some things that link into a bigger arc but this felt more episodic and kind of aimless.
Overall, it’s a solid looking, fun comic. And I’m probably being harsher than it deserves but while reading this, I realized that my brain’s interest in it was out of gas.
If you are a massive fan of the series, you’ll probably like this. I liked the first two volumes but as I flipped each page, I just thought to myself, “Yeah, yeah… I got it.”
Pairs well with: the other early Madman collections, as well as SCUD: The Disposable Assassin, the Hellboy and B.P.R.D. comics and The Goon.
Published: July 1st, 2020
Written by: Robert Kirkman
Art by: Charlie Adlard
Image Comics, 36 Pages
Even though The Walking Dead comic series ended a year ago, I always figured that we’d get comics in the future.
Hopefully, this one-shot isn’t the last but I don’t think it will be. I’m not sure what Robert Kirkman’s plan is, if there even is any, but I think that stories will continue to pop into his head every now and then.
This story takes place somewhere between the time where Negan left the comic series and its finale. It shows Negan living on his own where a girl stumbles into his homestead. Negan knows that its an obvious setup and is just kind of waiting for some bad guys to show up and try to take his shit.
They do and like everyone else, they don’t kill Negan and end up paying for it with their lives.
Being that this is just a one-shot, it’s a short, simple story that is kind of similar to the episodes of the show that focus on one character for an hour. It doesn’t really move anything forward or effect the larger comic series.
Still, it was a good read and it was cool peaking in on the Negan character once again.
I only hope that the ending is a hint at something more to come with Negan or The Walking Dead universe, as a whole.
Pairs well with: other Walking Dead comics.
Written by: Joe Kelly
Art by: J.M. Ken Nimura
Image Comics, 221 Pages
This came and went and I never knew about it until recently when I heard about the film that’s based on it. So before checking out the movie, I figured I’d read the source material first. Plus, it was pretty cheap to pickup on Comixology.
I wasn’t expecting the story to get as serious as it did but at the same time, it’s pretty comedic. Honestly, it has the tone of a manga story and since it also features manga style art, it’s a much more Japanese feeling comic than a Western one.
That being said, I was fairly impressed by it and even if it wasn’t my total cup of tea, I liked the idea of a young girl with a massive hammer kicking the shit out of parasitic giants out to harm her community.
While the main character is strange, she’s likable and for the most part, relatable.
This gets into some heavy things but I also feel like this would really be enjoyed by pre-teens, close to the same age as the kids in the story.
I liked the art, the tone was different and refreshing and the characters kept my interest. Plus, the story was a neat concept that was well executed.
Pairs well with: other American manga-esque comics.