Comic Review: Moon Knight – Epic Collection, Vol. 3: Final Rest

Published: December 19th, 2018
Written by: Doug Moench, Steven Grant, Tony Isabella, Alan Zelenetz
Art by: Bill Sienkiewicz, Kevin Nowlan, Joe Brozowski, Bo Hampton

Marvel Comics, 486 Pages

Review:

Well, I’ve gotta say that as much as I’ve loved the other early Moon Knight – Epic Collections that I’ve read, this one most definitely takes the cake! In fact, it’s pretty f’n perfect, even if it features issues with different creative teams.

It kicks off with Doug Moench writing and Bill Sienkiewicz doing the art. They had lead me through the series through pretty much its entirety up to this point. However, just a few issues in, creative teams shift and then later, shift again.

Regardless of that, the tone of the stories and the art remained pretty damn consistent. And this just reminded me of the level of quality control and consistency that Marvel used to have, which they are sorely lacking today.

This kicks off with a really awesome story featuring Stained Glass Scarlet, who has become a character I really like after reading just her first two appearances.

We then get the even better debut story of Black Spectre, which became my favorite Moon Knight story up to this point in the original series’ run. Frankly, it’s one that will be really hard to top.

After that, we get a lot of stories that continue to develop the character of Moon Knight and his inner battle with his multiple personalities. I’d say my favorite story arc of the lot is the werewolf one, though. And man, I loved the art style used for the werewolf, as it reminded me of The Howling, which probably inspired the design, as that film came out just a few years before this was originally published.

There’s also appearances by the X-Men, the Fantastic Four, Doctor Strange and Moon Knight’s first encounter with The Kingpin.

This was just an incredible stretch of issues and while I own some, I may actually seek out the single issues and complete this run.

Rating: 10/10

Comic Review: The Amazing Spider-Man – Epic Collection: Ghosts of the Past

Published: July 4th, 2019
Written by: Craig Anderson, Peter David, Tom DeFalco, Danny Fingeroth, Bob Layton, Stan Lee, Louise Simonson
Art by: Sal Buscema, Paty Cockrum, Ron Frenz, Mike Harris, Greg Larocque, Bob Layton, Bob McLeod, Mary Wilshire

Marvel Comics, 473 Pages

Review:

Being that this beefy volume was an Epic Collection, it was chock full of several story arcs. Luckily for me, most of them were really good. But then this also came out in a great era for The Amazing Spider-Man comic series.

The first big arc features Hobgoblin and it is a follow-up to Spider-Man: Origin of the Hobgoblin, which I recently reviewed and f’n loved. In fact, I think it’s the first Hobgoblin story after the arcs that were featured in that superb collection.

Beyond the Hobgoblin story, we get about a half dozen short arcs featuring a myriad of villains and other heroes. This also includes the first appearance of Silver Sable, which was a pretty neat story.

After the Hobgoblin stuff, the two that really stick out are the one where Frog-Man and Toad team-up and the Firelord story that brought in the Avengers.

The Frog-Man and Toad tale was goofy and just filler but it was also fun and engaging. However, I’ve also always liked Frog-Man, despite his ineffectiveness as a real threat to anything.

The Firelord story was cool as hell, as Spider-Man was truly tested, as the villain is a cosmic powered being and damn near invincible when facing off against a sole Earth hero. The Avengers had to get involved and it also showed Spider-Man coming pretty close to going over the edge. Knowing what I know now, it was probably due to the effects of him recently wearing the Venom suit.

In the end, this was a cool run of issues. It takes place between Spidey getting the Venom suit and his first encounter with Venom. He switches between the classic red-and-blue suit and the safe black suit throughout this. I always found that confusing when I was a kid, as I wish he just would’ve worn the black outfit for that stretch.

Rating: 7.75/10
Pairs well with: other Spider-Man stories of the ’80s and early ’90s.

Comic Review: The New Mutants – Epic Collection: Renewal

Published: March 8th, 2017
Written by: Chris Claremont, Bill Mantlo
Art by: John Buscema, Sal Buscema, Ron Frenz, Bob McLeod, Frank Miller, Paul Smith

Marvel Comics, 520 Pages

Review:

As big of a fan of The New Mutants as I am, it’s been a damn long time since I’ve read the original graphic novel and their earliest stories. I got into the series around it’s midpoint and because of that, didn’t have all of the earliest issues until more recently. This collects that first year of the regular comic books series, as well as the characters’ appearances before it started.

This was neat to revisit and it brought me back to where I was in the late’80s, as a young kid just discovering comics. Back then, I really liked the youth superhero teams like Teen Titans and New Mutants.

This collection had a few stories I hadn’t read before. It kicked off with Karma’s debut story, which happened in Marvel Team-Up and featured Spider-Man and the Fantastic Four.

Additionally, I had never read the story that served as the debut of the Hellfire Club’s Selene and New Mutants member Magma.

Everything else here I’ve read but it was nice checking it out again and refreshing my memory, as my brain gets older and forgets more than it remembers now.

I loved the art style of this series, early on, and the Chris Claremont and Bill Mantlo stories were solid.

Now I do have to say that this isn’t as good as the series would become. This is early on and it hasn’t found its grove, here.

However, this is the foundation of this group and they would eventually be faced with some really intense, life-altering storylines that would take this from just being a “Junior X-Men” comic to something unique and very much its own series, standing on its own strong legs.

Rating: 7/10
Pairs well with: other New Mutants comics, as well as the other X-Men related titles from the ’80s.

TV Review: Spider-Man (1994-1998)

Original Run: November 19th, 1994 – January 31st, 1998
Created by: John Semper, Bob Richardson, Avi Arad, Stan Lee
Directed by: Bob Richardson
Written by: John Semper, various
Based on: Spider-Man by Stan Lee, Steve Ditko
Music by: Kussa Mahchi, Jeremy Sweet, Shuki Levy, Joe Perry, Shuki Levy, Kussa Mahchi, Udi Harpaz
Cast: Christopher Daniel Barnes, Ed Asner, Jennifer Hale, Roscoe Lee Brown, Mark Hamill, Hank Azaria, Joseph Campanella, Martin Landau, Richard Moll, Don Stark, Dawnn Lewis, Majel Barrett, David Warner, Earl Boen

New World Entertainment Films, Genesis Entertainment, Marvel Enterprises, Fox, 65 Episodes, 23 Minutes (per episode)

Review:

After the success of the early ’90s X-Men cartoon on Fox, it was natural for the network to ask for more Marvel properties to adapt for their Saturday morning audience. The Spider-Man series was the longest running and most successful of these animated spinoffs.

While the X-Men show still stands as my favorite of these animated Marvel series, Spider-Man is a very, very close second and nearly as good.

The stories are generally well written and even if they have to take some liberties and alter the plots from the comics. This was due to time constraints and by trying to wedge in the debut of Venom really early in the series, which changes the overall timeline of events in Spider-Man’s life, greatly. Also, the showrunners probably wanted to get as many villains added into the mix, early on, so that each new episode felt fresh.

Spider-Man has a massive rogues gallery and this show utilized the core villains really damn well.

The tone of the cartoon is pretty perfect. Sure, there are cheesy and hokey bits in every episode because this is a kid’s cartoon but it does stay pretty true to the tone and style of the source material. Most importantly, it’s true to the characters and the writers obviously knew the Spider-Man mythos well.

I love this show and it’s still fun to have minimarathons of episodes. Honestly, to me, it’s one of the highlights of Disney+.

Rating: 8.25/10
Pairs well with: the other animated Marvel television series from the ’90s.

Comic Review: Marvel 1602

Published: February 10th, 2010
Written by: Neil Gaiman
Art by: Andy Kubert, Scott McKowen (covers)

Marvel Comics, 246 Pages

Review:

This started out as a really cool story and I enjoyed it a lot from the get go. However, it did lose steam after a few issues and wrapped up pretty weakly. I also thought the big reveal/twist was fairly predictable and that this didn’t live up to the high hopes I had for it and the past work of Neil Gaiman.

Still, it piqued my interest enough to make me want to check out some of the other stories that take place in this odd, alternative version of the Marvel universe.

I liked the setting and I really liked most of the character designs. I did, however, feel like too many characters and subplots were forced in for the sake of trying to make this a big deal, big event. A lot of the extra fluff was unnecessary and narratively cumbersome.

I don’t know if that was an issue with Gaiman’s writing or Marvel instructing him to throw in every major old school character. I feel like all the extra characters could’ve been saved for their own interesting spinoffs of this.

Beyond the rickety story, I thought that Andy Kubert’s art was pretty damn impressive. Artistically, this is one of my favorite things that he’s done and the style he used here fit with the story really well.

Also, the covers by Scott McKowen are some of my favorite from this comic’s era. They’re actually framed poster worthy and while staring at them, I thought about seeing if I could buy some.

In the end, Marvel 1602 was a fun experiment and it captivated me early on. But it was too dragged out and overloaded and with that, became more of a chore to read in the back half.

Rating: 6.75/10
Pairs well with: other Marvel alternative timeline stories, as well as other comics written by Neil Gaiman.

Comic Review: Captain America – Epic Collection: Justice Is Served

Published: April 5th, 2017
Written by: John Byrne, J.M. DeMatteis, Mark Gruenwald
Art by: Mike Zeck, various

Marvel Comics, 511 Pages

Review:

I wanted to read this beefy Epic Collection of Captain America stories, as it sets up the era where Steve Rogers quit being Cap and the role was then given to the man who would later become US Agent. With that, Rogers picks up the Nomad persona and travels the country, fighting villainy.

Those events don’t happen until the collection of issues after this one but this lays all the groundwork, introduces us to the future US Agent and gives us a solid Cap and original Nomad team-up. There are also stories featuring Scourge, Wolverine, Yellow Claw, Flag-Smasher and a great story where Cap is trapped in Red Skull’s “haunted house”. We also get the debut of D-Man and some cool Frog-Man stuff.

I loved a lot of these stories when I was a kid and it was cool reading them now, as it’s been so long since I’ve read Captain America from this era. While they’re not as great as my memory made them out to be, most of the stories here were enjoyable.

I actually forgot that Cap was already sort of a nomad before becoming Nomad. I also forgot that he had a side hustle as a comic book artist, which comes off as really odd, now that I’m reminded of that as an adult. But it does add some interesting complexity to the character and kind of shows you that there’s a certain sensitivity behind his top iconic layer.

This is really good and it’s prepped me for the US Agent stint as Cap, which I also wanted to reread, as the character is finally debuting in the Marvel Cinematic Universe, as a part of the Falcon and Winter Soldier television series.

Rating: 7.25/10
Pairs well with: other ’80s Captain America comics, especially those involving US Agent.

Comic Review: Fantastic Four – Masterworks, Vol. 10

Published: May 18th, 2017
Written by: Stan Lee
Art by: Jack Kirby, John Romita Sr.

Marvel Comics, 289 Pages

Review:

Here we are, at the end of the legendary 100-plus issue run on Fantastic Four by the truly dynamic duo of Stan Lee and Jack Kirby. And man, they really went out with a bang, as this final volume was packed full of many of the great characters that have been in the series since its beginning.

Now Kirby exited the series with one issue left in the final story arc that he worked on but John Romita Sr. slid right in and gave us some pretty stellar art as well. But other than the final issue, collected here, this is all Kirby and Kirby really at his best.

This is also Stan Lee at his best, as he finds a way to work in so many classic characters without this turning into a convoluted mess. The only noticeable omissions from this beefy volume were Silver Surfer, Galactus and Black Panther but just about every other character that debuted in Fantastic Four, up to this point, shows up, even if it’s just a quick cameo. Most of that happens in the 100th issue.

Beyond that, this is full of good stories and we even see the brief return of the Frightful Four, one of my favorite villain groups that gets no love in modern times.

Overall, I’m glad that I read this entire run and this was a nice cap off to a great series.

Rating: 9.25/10
Pairs well with: the other Marvel Masterworks collections.

Comic Review: Fantastic Four – Masterworks, Vol. 9

Published: March 2nd, 2017
Written by: Stan Lee
Art by: Jack Kirby

Marvel Comics, 271 Pages

Review:

As much as I like how this series has grown and evolved over the first eight Masterworks collections, I liked that this volume scaled back a little bit and brought things back to basics and with that, brought back two of the Fantastic Four’s earliest villains, Doctor Doom and the Mole Man.

This also features the Inhumans and has Crystal still filling in for Sue Storm on the team but we do get to see Sue come back and get in on the action a bit.

The Skrulls also return and it feels like they’ve been MIA for too long.

Overall, this is another really great volume in a stupendous comic book series.

I keep saying that Lee and Kirby improve with each volume and that’s still true, here. By this point, they have created such a rich, large mythos in the Marvel universe, as a whole, that I think they felt confident in slowing things down a bit and bringing our heroes up against their best foes, as opposed to creating another round of new baddies.

That’s not to say that I don’t enjoy new Lee and Kirby villains, I actually love them, but I was yearning for the classic baddies to return and this definitely filled that void. In fact, this features one of my favorite Doctor Doom story arcs of all-time.

Rating: 8.75/10
Pairs well with: the other Marvel Masterworks collections.

Comic Review: Fantastic Four – Masterworks, Vol. 8

Published: March 2nd, 2017
Written by: Stan Lee
Art by: Jack Kirby

Marvel Comics, 270 Pages

Review:

I’m now eight volumes deep into the original Stan Lee and Jack Kirby run on the Fantastic Four series and it still hasn’t lost steam!

I loved this collection of issues and it even had a story that featured the Fantastic Four alongside Daredevil, Spider-Man and Thor!

Beyond that, it gave us the debut of my second favorite Fantastic Four villain (after Doctor Doom) and that’s Annihilus.

We also see Sue leave the team due to being pregnant. With that we get the Inhumans’ Crystal taking her place as the fourth member. I’ve read some issues with this team and I always really liked Crystal being added to the mix, as her and Johnny Storm’s relationship was one of my favorites from the early era of Marvel.

Additionally, we get stories with the Silver Surfer, Psycho-Man, The Mad Thinker, The Wizard and Galactus’ big return.

I love seeing what this series has grown into and how it’s evolved over this long, storied run by Lee and Kirby. Frankly, it just keeps getting better and what happened in this series really shaped what happened in the larger Marvel universe.

The stories were enjoyable, the writing was fun and as always, Kirby’s art was simply amazing.

Rating: 9/10
Pairs well with: the other Marvel Masterworks collections.